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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E100BB it is the complementary color #1EFF44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E100BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E100BB shade: #E600B6, #F712C9, #FF24DC, #FF36EF and #FF48FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E100BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E100BB shade: #E100BB, #D000A8, #BF0095, #AE0082 and #9D006F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E100BB shade: #E000BA, #E0007E, #E00041, #E00004 and #E00000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E100BB shade: #E000BA, #C900E0, #8D00E0, #5000E0 and #1400E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E100BB shade matches the following richer shades: #E000BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E100BB shade: #E000BA, #CE12AE, #BC24A2, #A93696 and #97488A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E100BB shade: #8E00E0, #C900E0, #E000BA, #E0007F and #E00043

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E100BB shade: #8D0075, #B70098, #E000BA, #FF0AD5 and #FF33DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E100BB shade: #E100BB, #E05200 and #00E0AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E100BB shade: #E100BB, #BBE000 and #00BBE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E100BB shade: #E100BB, #E05200, #00E025 and #008EE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E100BB shade: #E100BB, #E09500, #00E025 and #004AE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 17 / 12

HEX #E100BB

RGB 225 0 187

HSL 310.13, 1%, 0.44%

LAB 51.38, 84.34, -36.77

 

Complementary color

CMYK 88 / 0 / 73 / 0

HEX #1EFF44

RGB 30 255 68

HSL 130.13, 1%, 0.56%

LAB 88.07, -82.39, 70.82

 

CMYK 0 / 100 / 21 / 10

HEX #E600B6

RGB 230 0 182

HSL 312.52, 1%, 0.45%

LAB 52.06, 84.65, -32.71

 

CMYK 0 / 93 / 19 / 3

HEX #F712C9

RGB 247 18 201

HSL 312.05, 0.93%, 0.52%

LAB 56.51, 88.69, -36.53

 

CMYK 0 / 86 / 14 / 0

HEX #FF24DC

RGB 255 36 220

HSL 309.59, 1%, 0.57%

LAB 59.61, 90.23, -42.39

 

CMYK 0 / 79 / 6 / 0

HEX #FF36EF

RGB 255 54 239

HSL 304.78, 1%, 0.61%

LAB 61.77, 89.24, -49.65

 

CMYK 0 / 72 / 0 / 0

HEX #FF48FF

RGB 255 72 255

HSL 300, 1%, 0.64%

LAB 64.25, 86.79, -54.57

 

CMYK 0 / 100 / 17 / 12

HEX #E100BB

RGB 225 0 187

HSL 310.13, 1%, 0.44%

LAB 51.38, 84.34, -36.77

 

CMYK 0 / 100 / 19 / 18

HEX #D000A8

RGB 208 0 168

HSL 311.54, 1%, 0.41%

LAB 47.28, 78.93, -32.24

 

CMYK 0 / 100 / 22 / 25

HEX #BF0095

RGB 191 0 149

HSL 313.19, 1%, 0.37%

LAB 43.13, 73.44, -27.57

 

CMYK 0 / 100 / 25 / 32

HEX #AE0082

RGB 174 0 130

HSL 315.17, 1%, 0.34%

LAB 38.92, 67.87, -22.74

 

CMYK 0 / 100 / 29 / 38

HEX #9D006F

RGB 157 0 111

HSL 317.58, 1%, 0.31%

LAB 34.63, 62.22, -17.71

 

CMYK 0 / 100 / 17 / 12

HEX #E000BA

RGB 224 0 186

HSL 310.18, 1%, 0.44%

LAB 51.14, 84.04, -36.57

 

CMYK 0 / 100 / 44 / 12

HEX #E0007E

RGB 224 0 126

HSL 326.25, 1%, 0.44%

LAB 48.7, 77.8, -4.49

 

CMYK 0 / 100 / 71 / 12

HEX #E00041

RGB 224 0 65

HSL 342.59, 1%, 0.44%

LAB 47.27, 74, 31.08

 

CMYK 0 / 100 / 98 / 12

HEX #E00004

RGB 224 0 4

HSL 358.93, 1%, 0.44%

LAB 46.79, 72.67, 59.74

 

CMYK 0 / 100 / 100 / 12

HEX #E00000

RGB 224 0 0

HSL 0, 1%, 0.44%

LAB 46.77, 72.64, 60.95

 

CMYK 0 / 100 / 17 / 12

HEX #E000BA

RGB 224 0 186

HSL 310.18, 1%, 0.44%

LAB 51.14, 84.04, -36.57

 

CMYK 10 / 100 / 0 / 12

HEX #C900E0

RGB 201 0 224

HSL 293.84, 1%, 0.44%

LAB 49.25, 85.6, -61.72

 

CMYK 37 / 100 / 0 / 12

HEX #8D00E0

RGB 141 0 224

HSL 277.77, 1%, 0.44%

LAB 39.66, 78.05, -77.77

 

CMYK 64 / 100 / 0 / 12

HEX #5000E0

RGB 80 0 224

HSL 261.43, 1%, 0.44%

LAB 32, 73.48, -90.67

 

CMYK 91 / 100 / 0 / 12

HEX #1400E0

RGB 20 0 224

HSL 245.36, 1%, 0.44%

LAB 28.2, 71.93, -97.12

 

CMYK 0 / 100 / 17 / 12

HEX #E000BA

RGB 224 0 186

HSL 310.18, 1%, 0.44%

LAB 51.14, 84.04, -36.57

 

CMYK 0 / 100 / 17 / 12

HEX #E000BA

RGB 224 0 186

HSL 310.18, 1%, 0.44%

LAB 51.14, 84.04, -36.57

 

CMYK 0 / 91 / 16 / 19

HEX #CE12AE

RGB 206 18 174

HSL 310.21, 0.84%, 0.44%

LAB 47.77, 77.67, -35.06

 

CMYK 0 / 81 / 14 / 26

HEX #BC24A2

RGB 188 36 162

HSL 310.26, 0.68%, 0.44%

LAB 45.03, 69.21, -32.46

 

CMYK 0 / 68 / 11 / 34

HEX #A93696

RGB 169 54 150

HSL 309.91, 0.52%, 0.44%

LAB 43.18, 57.35, -28.4

 

CMYK 0 / 52 / 9 / 41

HEX #97488A

RGB 151 72 138

HSL 309.87, 0.35%, 0.44%

LAB 42.84, 42.13, -21.88

 

CMYK 37 / 100 / 0 / 12

HEX #8E00E0

RGB 142 0 224

HSL 278.04, 1%, 0.44%

LAB 39.8, 78.15, -77.52

 

CMYK 10 / 100 / 0 / 12

HEX #C900E0

RGB 201 0 224

HSL 293.84, 1%, 0.44%

LAB 49.25, 85.6, -61.72

 

CMYK 0 / 100 / 17 / 12

HEX #E000BA

RGB 224 0 186

HSL 310.18, 1%, 0.44%

LAB 51.14, 84.04, -36.57

 

CMYK 0 / 100 / 43 / 12

HEX #E0007F

RGB 224 0 127

HSL 325.98, 1%, 0.44%

LAB 48.73, 77.88, -5.05

 

CMYK 0 / 100 / 70 / 12

HEX #E00043

RGB 224 0 67

HSL 342.05, 1%, 0.44%

LAB 47.3, 74.08, 29.9

 

CMYK 0 / 100 / 17 / 45

HEX #8D0075

RGB 141 0 117

HSL 310.21, 1%, 0.28%

LAB 31.69, 59.74, -26.36

 

CMYK 0 / 100 / 17 / 28

HEX #B70098

RGB 183 0 152

HSL 310.16, 1%, 0.36%

LAB 41.74, 72.3, -31.67

 

CMYK 0 / 100 / 17 / 12

HEX #E000BA

RGB 224 0 186

HSL 310.18, 1%, 0.44%

LAB 51.14, 84.04, -36.57

 

CMYK 0 / 96 / 16 / 0

HEX #FF0AD5

RGB 255 10 213

HSL 310.29, 1%, 0.52%

LAB 58.3, 92.2, -40.48

 

CMYK 0 / 80 / 14 / 0

HEX #FF33DC

RGB 255 51 220

HSL 310.29, 1%, 0.6%

LAB 60.6, 87.35, -40.83

 

CMYK 0 / 100 / 17 / 12

HEX #E100BB

RGB 225 0 187

HSL 310.13, 1%, 0.44%

LAB 51.38, 84.34, -36.77

 

CMYK 0 / 63 / 100 / 12

HEX #E05200

RGB 224 82 0

HSL 21.96, 1%, 0.44%

LAB 53.9, 52.79, 64.1

 

CMYK 100 / 0 / 23 / 12

HEX #00E0AC

RGB 0 224 172

HSL 166.07, 1%, 0.44%

LAB 79.78, -57.55, 12.82

 

CMYK 0 / 100 / 17 / 12

HEX #E100BB

RGB 225 0 187

HSL 310.13, 1%, 0.44%

LAB 51.38, 84.34, -36.77

 

CMYK 17 / 0 / 100 / 12

HEX #BBE000

RGB 187 224 0

HSL 69.91, 1%, 0.44%

LAB 83.9, -34.8, 82.48

 

CMYK 100 / 17 / 0 / 12

HEX #00BBE0

RGB 0 187 224

HSL 189.91, 1%, 0.44%

LAB 70.12, -26.21, -29.53

 

CMYK 0 / 100 / 17 / 12

HEX #E100BB

RGB 225 0 187

HSL 310.13, 1%, 0.44%

LAB 51.38, 84.34, -36.77

 

CMYK 0 / 63 / 100 / 12

HEX #E05200

RGB 224 82 0

HSL 21.96, 1%, 0.44%

LAB 53.9, 52.79, 64.1

 

CMYK 100 / 0 / 83 / 12

HEX #00E025

RGB 0 224 37

HSL 129.91, 1%, 0.44%

LAB 78.14, -77.12, 70.17

 

CMYK 100 / 37 / 0 / 12

HEX #008EE0

RGB 0 142 224

HSL 201.96, 1%, 0.44%

LAB 56.81, -1.68, -50.37

 

CMYK 0 / 100 / 17 / 12

HEX #E100BB

RGB 225 0 187

HSL 310.13, 1%, 0.44%

LAB 51.38, 84.34, -36.77

 

CMYK 0 / 33 / 100 / 12

HEX #E09500

RGB 224 149 0

HSL 39.91, 1%, 0.44%

LAB 67.53, 19.23, 72.3

 

CMYK 100 / 0 / 83 / 12

HEX #00E025

RGB 0 224 37

HSL 129.91, 1%, 0.44%

LAB 78.14, -77.12, 70.17

 

CMYK 100 / 67 / 0 / 12

HEX #004AE0

RGB 0 74 224

HSL 220.18, 1%, 0.44%

LAB 38.34, 41.3, -80.29

 

Description

Color code: HEX #E100BB | qconv.com Color code: HEX #E100BB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, none green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 0 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 17 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 17% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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