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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E109C0 it is the complementary color #1EF63F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E109C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E109C0 shade: #E609BB, #F71BCE, #FF2DE1, #FF3FF4 and #FF51FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E109C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E109C0 shade: #E109C0, #D000AD, #BF009A, #AE0087 and #9D0074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E109C0 shade: #E109C0, #E10986, #E1094B, #E10911 and #E10909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E109C0 shade: #E109C0, #C709E1, #8D09E1, #5309E1 and #1909E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E109C0 shade matches the following richer shades: #E109C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E109C0 shade: #E109C0, #CE1CB3, #BB2FA5, #A84298 and #95558B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E109C0 shade: #8E09E1, #C809E1, #E109C0, #E10987 and #E1094D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E109C0 shade: #91067C, #B9079E, #E109C0, #F51ED4 and #F745DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E109C0 shade: #E109C0, #E15409 and #09E1AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E109C0 shade: #E109C0, #C0E109 and #09C0E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E109C0 shade: #E109C0, #E15409, #09E129 and #0995E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E109C0 shade: #E109C0, #E19509, #09E129 and #0954E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 15 / 12

HEX #E109C0

RGB 225 9 192

HSL 309.17, 0.92%, 0.46%

LAB 51.85, 84.31, -38.94

 

Complementary color

CMYK 88 / 0 / 74 / 4

HEX #1EF63F

RGB 30 246 63

HSL 129.17, 0.92%, 0.54%

LAB 85.27, -80.24, 69.66

 

CMYK 0 / 96 / 19 / 10

HEX #E609BB

RGB 230 9 187

HSL 311.67, 0.92%, 0.47%

LAB 52.52, 84.6, -34.92

 

CMYK 0 / 89 / 17 / 3

HEX #F71BCE

RGB 247 27 206

HSL 311.18, 0.93%, 0.54%

LAB 57.09, 88.29, -38.49

 

CMYK 0 / 82 / 12 / 0

HEX #FF2DE1

RGB 255 45 225

HSL 308.57, 1%, 0.59%

LAB 60.4, 89.27, -43.96

 

CMYK 0 / 75 / 4 / 0

HEX #FF3FF4

RGB 255 63 244

HSL 303.44, 1%, 0.62%

LAB 62.8, 87.7, -50.8

 

CMYK 0 / 68 / 0 / 0

HEX #FF51FF

RGB 255 81 255

HSL 300, 1%, 0.66%

LAB 65.25, 83.95, -52.99

 

CMYK 0 / 96 / 15 / 12

HEX #E109C0

RGB 225 9 192

HSL 309.17, 0.92%, 0.46%

LAB 51.85, 84.31, -38.94

 

CMYK 0 / 100 / 17 / 18

HEX #D000AD

RGB 208 0 173

HSL 310.1, 1%, 0.41%

LAB 47.53, 79.55, -34.82

 

CMYK 0 / 100 / 19 / 25

HEX #BF009A

RGB 191 0 154

HSL 311.62, 1%, 0.37%

LAB 43.37, 74.05, -30.21

 

CMYK 0 / 100 / 22 / 32

HEX #AE0087

RGB 174 0 135

HSL 313.45, 1%, 0.34%

LAB 39.15, 68.47, -25.46

 

CMYK 0 / 100 / 26 / 38

HEX #9D0074

RGB 157 0 116

HSL 315.67, 1%, 0.31%

LAB 34.86, 62.8, -20.53

 

CMYK 0 / 96 / 15 / 12

HEX #E109C0

RGB 225 9 192

HSL 309.17, 0.92%, 0.46%

LAB 51.85, 84.31, -38.94

 

CMYK 0 / 96 / 40 / 12

HEX #E10986

RGB 225 9 134

HSL 325.28, 0.92%, 0.46%

LAB 49.4, 78.01, -8.29

 

CMYK 0 / 96 / 67 / 12

HEX #E1094B

RGB 225 9 75

HSL 341.67, 0.92%, 0.46%

LAB 47.89, 73.94, 25.79

 

CMYK 0 / 96 / 92 / 12

HEX #E10911

RGB 225 9 17

HSL 357.78, 0.92%, 0.46%

LAB 47.29, 72.29, 56.19

 

CMYK 0 / 96 / 96 / 12

HEX #E10909

RGB 225 9 9

HSL 0, 0.92%, 0.46%

LAB 47.27, 72.21, 58.65

 

CMYK 0 / 96 / 15 / 12

HEX #E109C0

RGB 225 9 192

HSL 309.17, 0.92%, 0.46%

LAB 51.85, 84.31, -38.94

 

CMYK 12 / 96 / 0 / 12

HEX #C709E1

RGB 199 9 225

HSL 292.78, 0.92%, 0.46%

LAB 49.22, 84.75, -62.36

 

CMYK 37 / 96 / 0 / 12

HEX #8D09E1

RGB 141 9 225

HSL 276.67, 0.92%, 0.46%

LAB 40.07, 77.27, -77.66

 

CMYK 63 / 96 / 0 / 12

HEX #5309E1

RGB 83 9 225

HSL 260.56, 0.92%, 0.46%

LAB 32.86, 72.54, -89.82

 

CMYK 89 / 96 / 0 / 12

HEX #1909E1

RGB 25 9 225

HSL 244.44, 0.92%, 0.46%

LAB 29, 70.65, -96.35

 

CMYK 0 / 96 / 15 / 12

HEX #E109C0

RGB 225 9 192

HSL 309.17, 0.92%, 0.46%

LAB 51.85, 84.31, -38.94

 

CMYK 0 / 96 / 15 / 12

HEX #E109C0

RGB 225 9 192

HSL 309.17, 0.92%, 0.46%

LAB 51.85, 84.31, -38.94

 

CMYK 0 / 86 / 13 / 19

HEX #CE1CB3

RGB 206 28 179

HSL 309.1, 0.76%, 0.46%

LAB 48.52, 76.85, -36.82

 

CMYK 0 / 75 / 12 / 27

HEX #BB2FA5

RGB 187 47 165

HSL 309.43, 0.6%, 0.46%

LAB 46.06, 66.37, -32.64

 

CMYK 0 / 61 / 10 / 34

HEX #A84298

RGB 168 66 152

HSL 309.41, 0.44%, 0.46%

LAB 44.93, 52.38, -26.88

 

CMYK 0 / 43 / 7 / 42

HEX #95558B

RGB 149 85 139

HSL 309.38, 0.27%, 0.46%

LAB 45.29, 34.71, -18.73

 

CMYK 37 / 96 / 0 / 12

HEX #8E09E1

RGB 142 9 225

HSL 276.94, 0.92%, 0.46%

LAB 40.22, 77.37, -77.41

 

CMYK 11 / 96 / 0 / 12

HEX #C809E1

RGB 200 9 225

HSL 293.06, 0.92%, 0.46%

LAB 49.39, 84.9, -62.08

 

CMYK 0 / 96 / 15 / 12

HEX #E109C0

RGB 225 9 192

HSL 309.17, 0.92%, 0.46%

LAB 51.85, 84.31, -38.94

 

CMYK 0 / 96 / 40 / 12

HEX #E10987

RGB 225 9 135

HSL 325, 0.92%, 0.46%

LAB 49.44, 78.1, -8.85

 

CMYK 0 / 96 / 66 / 12

HEX #E1094D

RGB 225 9 77

HSL 341.11, 0.92%, 0.46%

LAB 47.93, 74.04, 24.61

 

CMYK 0 / 96 / 14 / 43

HEX #91067C

RGB 145 6 124

HSL 309.06, 0.92%, 0.3%

LAB 33.15, 60.63, -28.43

 

CMYK 0 / 96 / 15 / 27

HEX #B9079E

RGB 185 7 158

HSL 309.1, 0.93%, 0.38%

LAB 42.66, 72.77, -33.82

 

CMYK 0 / 96 / 15 / 12

HEX #E109C0

RGB 225 9 192

HSL 309.17, 0.92%, 0.46%

LAB 51.85, 84.31, -38.94

 

CMYK 0 / 88 / 13 / 4

HEX #F51ED4

RGB 245 30 212

HSL 309.21, 0.91%, 0.54%

LAB 57.17, 88.26, -41.81

 

CMYK 0 / 72 / 11 / 3

HEX #F745DC

RGB 247 69 220

HSL 309.1, 0.92%, 0.62%

LAB 60.96, 80.88, -40.37

 

CMYK 0 / 96 / 15 / 12

HEX #E109C0

RGB 225 9 192

HSL 309.17, 0.92%, 0.46%

LAB 51.85, 84.31, -38.94

 

CMYK 0 / 63 / 96 / 12

HEX #E15409

RGB 225 84 9

HSL 20.83, 0.92%, 0.46%

LAB 54.42, 52.36, 62.59

 

CMYK 96 / 0 / 24 / 12

HEX #09E1AB

RGB 9 225 171

HSL 165, 0.92%, 0.46%

LAB 80.09, -57.92, 13.8

 

CMYK 0 / 96 / 15 / 12

HEX #E109C0

RGB 225 9 192

HSL 309.17, 0.92%, 0.46%

LAB 51.85, 84.31, -38.94

 

CMYK 15 / 0 / 96 / 12

HEX #C0E109

RGB 192 225 9

HSL 69.17, 0.92%, 0.46%

LAB 84.52, -33.16, 82.33

 

CMYK 96 / 15 / 0 / 12

HEX #09C0E1

RGB 9 192 225

HSL 189.17, 0.92%, 0.46%

LAB 71.69, -28.13, -27.66

 

CMYK 0 / 96 / 15 / 12

HEX #E109C0

RGB 225 9 192

HSL 309.17, 0.92%, 0.46%

LAB 51.85, 84.31, -38.94

 

CMYK 0 / 63 / 96 / 12

HEX #E15409

RGB 225 84 9

HSL 20.83, 0.92%, 0.46%

LAB 54.42, 52.36, 62.59

 

CMYK 96 / 0 / 82 / 12

HEX #09E129

RGB 9 225 41

HSL 128.89, 0.92%, 0.46%

LAB 78.5, -76.88, 69.54

 

CMYK 96 / 34 / 0 / 12

HEX #0995E1

RGB 9 149 225

HSL 201.11, 0.92%, 0.46%

LAB 58.96, -5.13, -47.5

 

CMYK 0 / 96 / 15 / 12

HEX #E109C0

RGB 225 9 192

HSL 309.17, 0.92%, 0.46%

LAB 51.85, 84.31, -38.94

 

CMYK 0 / 34 / 96 / 12

HEX #E19509

RGB 225 149 9

HSL 38.89, 0.92%, 0.46%

LAB 67.67, 19.74, 71.25

 

CMYK 96 / 0 / 82 / 12

HEX #09E129

RGB 9 225 41

HSL 128.89, 0.92%, 0.46%

LAB 78.5, -76.88, 69.54

 

CMYK 96 / 63 / 0 / 12

HEX #0954E1

RGB 9 84 225

HSL 219.17, 0.92%, 0.46%

LAB 40.95, 35.53, -76.55

 

Description

Color code: HEX #E109C0 | qconv.com Color code: HEX #E109C0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 9 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 9 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 15 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 15% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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