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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0DF5F it is the complementary color #1F20A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0DF5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0DF5F shade: #E5DF5A, #F6F16D, #FFFF80, #FFFF93 and #FFFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0DF5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0DF5F shade: #E0DF5F, #CFCD4C, #BEBB39, #ADA926 and #9C9713

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0DF5F shade: #E0DF60, #E0BD60, #E09A60, #E07760 and #E06060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0DF5F shade: #E0DF60, #BFE060, #9CE060, #7AE060 and #60E069

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0DF5F shade matches the following richer shades: #E0DF60 and #F0EE51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0DF5F shade: #E0DF60, #D1D06F, #C2C17F, #B3B28E and #A3A39D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0DF5F shade: #E09A60, #E0BC60, #E0DE60, #C0E060 and #9EE060

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0DF5F shade: #C8C726, #DAD83D, #E0DF60, #E7E683 and #EEEDA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0DF5F shade: #E0DF5F, #60E078 and #AB60E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0DF5F shade: #E0DF5F, #60E0DE and #DE60E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0DF5F shade: #E0DF5F, #60E078, #6062E0 and #E060C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0DF5F shade: #E0DF5F, #60E09E, #6062E0 and #E060A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 58 / 12

HEX #E0DF5F

RGB 224 223 95

HSL 59.53, 0.68%, 0.63%

LAB 86.73, -15.8, 61.36

 

Complementary color

CMYK 81 / 80 / 0 / 37

HEX #1F20A0

RGB 31 32 160

HSL 239.53, 0.68%, 0.37%

LAB 23.21, 44.74, -67.56

 

CMYK 0 / 3 / 61 / 10

HEX #E5DF5A

RGB 229 223 90

HSL 57.41, 0.73%, 0.63%

LAB 87.08, -14.1, 63.99

 

CMYK 0 / 2 / 56 / 4

HEX #F6F16D

RGB 246 241 109

HSL 57.81, 0.88%, 0.7%

LAB 93.28, -14.77, 63.07

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF93

RGB 255 255 147

HSL 60, 1%, 0.79%

LAB 97.99, -14.83, 51.43

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 0 / 0 / 58 / 12

HEX #E0DF5F

RGB 224 223 95

HSL 59.53, 0.68%, 0.63%

LAB 86.73, -15.8, 61.36

 

CMYK 0 / 1 / 63 / 19

HEX #CFCD4C

RGB 207 205 76

HSL 59.08, 0.58%, 0.55%

LAB 80.43, -15.1, 62.17

 

CMYK 0 / 2 / 70 / 25

HEX #BEBB39

RGB 190 187 57

HSL 58.65, 0.54%, 0.48%

LAB 74.05, -14.26, 62.66

 

CMYK 0 / 2 / 78 / 32

HEX #ADA926

RGB 173 169 38

HSL 58.22, 0.64%, 0.41%

LAB 67.58, -13.24, 62.56

 

CMYK 0 / 3 / 88 / 39

HEX #9C9713

RGB 156 151 19

HSL 57.81, 0.78%, 0.34%

LAB 61, -11.99, 61.38

 

CMYK 0 / 0 / 57 / 12

HEX #E0DF60

RGB 224 223 96

HSL 59.53, 0.67%, 0.63%

LAB 86.73, -15.72, 60.93

 

CMYK 0 / 16 / 57 / 12

HEX #E0BD60

RGB 224 189 96

HSL 43.59, 0.67%, 0.63%

LAB 77.93, 1.58, 50.92

 

CMYK 0 / 31 / 57 / 12

HEX #E09A60

RGB 224 154 96

HSL 27.19, 0.67%, 0.63%

LAB 69.33, 20.18, 40.69

 

CMYK 0 / 47 / 57 / 12

HEX #E07760

RGB 224 119 96

HSL 10.78, 0.67%, 0.63%

LAB 61.56, 38.67, 30.99

 

CMYK 0 / 57 / 57 / 12

HEX #E06060

RGB 224 96 96

HSL 0, 0.67%, 0.63%

LAB 57.13, 49.97, 25.26

 

CMYK 0 / 0 / 57 / 12

HEX #E0DF60

RGB 224 223 96

HSL 59.53, 0.67%, 0.63%

LAB 86.73, -15.72, 60.93

 

CMYK 15 / 0 / 57 / 12

HEX #BFE060

RGB 191 224 96

HSL 75.47, 0.67%, 0.63%

LAB 84.6, -29.33, 57.88

 

CMYK 30 / 0 / 57 / 12

HEX #9CE060

RGB 156 224 96

HSL 91.88, 0.67%, 0.63%

LAB 82.5, -42.29, 54.93

 

CMYK 46 / 0 / 57 / 12

HEX #7AE060

RGB 122 224 96

HSL 107.81, 0.67%, 0.63%

LAB 80.9, -53.28, 52.67

 

CMYK 57 / 0 / 53 / 12

HEX #60E069

RGB 96 224 105

HSL 124.22, 0.67%, 0.63%

LAB 80.08, -59.09, 47.34

 

CMYK 0 / 0 / 57 / 12

HEX #E0DF60

RGB 224 223 96

HSL 59.53, 0.67%, 0.63%

LAB 86.73, -15.72, 60.93

 

CMYK 0 / 1 / 66 / 6

HEX #F0EE51

RGB 240 238 81

HSL 59.25, 0.84%, 0.63%

LAB 91.81, -17.5, 72.76

 

CMYK 0 / 0 / 57 / 12

HEX #E0DF60

RGB 224 223 96

HSL 59.53, 0.67%, 0.63%

LAB 86.73, -15.72, 60.93

 

CMYK 0 / 0 / 47 / 18

HEX #D1D06F

RGB 209 208 111

HSL 59.39, 0.52%, 0.63%

LAB 81.74, -13.08, 47.94

 

CMYK 0 / 1 / 35 / 24

HEX #C2C17F

RGB 194 193 127

HSL 59.1, 0.35%, 0.63%

LAB 76.76, -9.72, 33.41

 

CMYK 0 / 1 / 21 / 30

HEX #B3B28E

RGB 179 178 142

HSL 58.38, 0.2%, 0.63%

LAB 71.81, -5.7, 18.58

 

CMYK 0 / 0 / 4 / 36

HEX #A3A39D

RGB 163 163 157

HSL 60, 0.03%, 0.63%

LAB 66.84, -1.12, 3.1

 

CMYK 0 / 31 / 57 / 12

HEX #E09A60

RGB 224 154 96

HSL 27.19, 0.67%, 0.63%

LAB 69.33, 20.18, 40.69

 

CMYK 0 / 16 / 57 / 12

HEX #E0BC60

RGB 224 188 96

HSL 43.13, 0.67%, 0.63%

LAB 77.67, 2.1, 50.63

 

CMYK 0 / 1 / 57 / 12

HEX #E0DE60

RGB 224 222 96

HSL 59.06, 0.67%, 0.63%

LAB 86.47, -15.23, 60.64

 

CMYK 14 / 0 / 57 / 12

HEX #C0E060

RGB 192 224 96

HSL 75, 0.67%, 0.63%

LAB 84.67, -28.94, 57.98

 

CMYK 29 / 0 / 57 / 12

HEX #9EE060

RGB 158 224 96

HSL 90.94, 0.67%, 0.63%

LAB 82.61, -41.59, 55.08

 

CMYK 0 / 0 / 81 / 22

HEX #C8C726

RGB 200 199 38

HSL 59.63, 0.68%, 0.47%

LAB 78.03, -16.79, 72.6

 

CMYK 0 / 1 / 72 / 15

HEX #DAD83D

RGB 218 216 61

HSL 59.24, 0.68%, 0.55%

LAB 84.15, -16.77, 71.79

 

CMYK 0 / 0 / 57 / 12

HEX #E0DF60

RGB 224 223 96

HSL 59.53, 0.67%, 0.63%

LAB 86.73, -15.72, 60.93

 

CMYK 0 / 0 / 43 / 9

HEX #E7E683

RGB 231 230 131

HSL 59.4, 0.68%, 0.71%

LAB 89.5, -13.42, 48.16

 

CMYK 0 / 0 / 31 / 7

HEX #EEEDA5

RGB 238 237 165

HSL 59.18, 0.68%, 0.79%

LAB 92.34, -10.47, 35.09

 

CMYK 0 / 0 / 58 / 12

HEX #E0DF5F

RGB 224 223 95

HSL 59.53, 0.68%, 0.63%

LAB 86.73, -15.8, 61.36

 

CMYK 57 / 0 / 46 / 12

HEX #60E078

RGB 96 224 120

HSL 131.25, 0.67%, 0.63%

LAB 80.27, -57, 40.38

 

CMYK 24 / 57 / 0 / 12

HEX #AB60E0

RGB 171 96 224

HSL 275.16, 0.67%, 0.63%

LAB 54.45, 52.75, -53.6

 

CMYK 0 / 0 / 58 / 12

HEX #E0DF5F

RGB 224 223 95

HSL 59.53, 0.68%, 0.63%

LAB 86.73, -15.8, 61.36

 

CMYK 57 / 0 / 1 / 12

HEX #60E0DE

RGB 96 224 222

HSL 179.06, 0.67%, 0.63%

LAB 82.42, -35.49, -9.68

 

CMYK 1 / 57 / 0 / 12

HEX #DE60E0

RGB 222 96 224

HSL 299.06, 0.67%, 0.63%

LAB 61.03, 65.51, -42.76

 

CMYK 0 / 0 / 58 / 12

HEX #E0DF5F

RGB 224 223 95

HSL 59.53, 0.68%, 0.63%

LAB 86.73, -15.8, 61.36

 

CMYK 57 / 0 / 46 / 12

HEX #60E078

RGB 96 224 120

HSL 131.25, 0.67%, 0.63%

LAB 80.27, -57, 40.38

 

CMYK 57 / 56 / 0 / 12

HEX #6062E0

RGB 96 98 224

HSL 239.06, 0.67%, 0.63%

LAB 47.76, 35.16, -64.74

 

CMYK 0 / 57 / 10 / 12

HEX #E060C9

RGB 224 96 201

HSL 310.78, 0.67%, 0.63%

LAB 60.28, 62.27, -30.94

 

CMYK 0 / 0 / 58 / 12

HEX #E0DF5F

RGB 224 223 95

HSL 59.53, 0.68%, 0.63%

LAB 86.73, -15.8, 61.36

 

CMYK 57 / 0 / 29 / 12

HEX #60E09E

RGB 96 224 158

HSL 149.06, 0.67%, 0.63%

LAB 80.89, -50.4, 21.91

 

CMYK 57 / 56 / 0 / 12

HEX #6062E0

RGB 96 98 224

HSL 239.06, 0.67%, 0.63%

LAB 47.76, 35.16, -64.74

 

CMYK 0 / 57 / 28 / 12

HEX #E060A2

RGB 224 96 162

HSL 329.06, 0.67%, 0.63%

LAB 58.81, 56.7, -10.8

 

Description

Color code: HEX #E0DF5F | qconv.com Color code: HEX #E0DF5F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 223 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 223 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 58 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 58% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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