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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0DDD4 it is the complementary color #1F222B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0DDD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0DDD4 shade: #E5DDCF, #F6EFE2 and #FFFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0DDD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0DDD4 shade: #E0DDD4, #CFCBC1, #BEB9AE, #ADA79B and #9C9588

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0DDD4 shade: #DEDBD2, #DED8D2, #DED5D2 and #DED2D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0DDD4 shade: #DEDBD2, #DEDED2, #DBDED2, #D8DED2 and #D4DED2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0DDD4 shade matches the following richer shades: #DEDBD2, #E5DECC, #EBE1C6, #F1E5C0 and #F7E8B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0DDD4 shade: #DEDBD2, #D8D8D8, #D2D5DF, #CCD2E5 and #C6CFEB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0DDD4 shade: #DED5D2, #DED8D2, #DEDBD2, #DEDED2 and #DBDED2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0DDD4 shade: #BCB5A2, #CDC8BA, #DEDBD2 and #F0EEEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0DDD4 shade: #E0DDD4, #D3DED2 and #D6D2DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0DDD4 shade: #E0DDD4, #D2DEDB and #DBD2DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0DDD4 shade: #E0DDD4, #D3DED2, #D2D5DE and #DED2DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0DDD4 shade: #E0DDD4, #D2DED5, #D2D5DE and #DED2DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 5 / 12

HEX #E0DDD4

RGB 224 221 212

HSL 45, 0.16%, 0.85%

LAB 88.12, -0.55, 4.76

 

Complementary color

CMYK 28 / 21 / 0 / 83

HEX #1F222B

RGB 31 34 43

HSL 225, 0.16%, 0.15%

LAB 13.29, 1.17, -6.45

 

CMYK 0 / 3 / 10 / 10

HEX #E5DDCF

RGB 229 221 207

HSL 38.18, 0.3%, 0.85%

LAB 88.39, 0.36, 7.83

 

CMYK 0 / 3 / 8 / 4

HEX #F6EFE2

RGB 246 239 226

HSL 39, 0.53%, 0.93%

LAB 94.66, 0.16, 7.11

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 0 / 1 / 5 / 12

HEX #E0DDD4

RGB 224 221 212

HSL 45, 0.16%, 0.85%

LAB 88.12, -0.55, 4.76

 

CMYK 0 / 2 / 7 / 19

HEX #CFCBC1

RGB 207 203 193

HSL 42.86, 0.13%, 0.78%

LAB 81.74, -0.37, 5.46

 

CMYK 0 / 3 / 8 / 25

HEX #BEB9AE

RGB 190 185 174

HSL 41.25, 0.11%, 0.71%

LAB 75.26, -0.18, 6.19

 

CMYK 0 / 3 / 10 / 32

HEX #ADA79B

RGB 173 167 155

HSL 40, 0.1%, 0.64%

LAB 68.67, 0.02, 6.96

 

CMYK 0 / 4 / 13 / 39

HEX #9C9588

RGB 156 149 136

HSL 39, 0.09%, 0.57%

LAB 61.95, 0.25, 7.78

 

CMYK 0 / 1 / 5 / 13

HEX #DEDBD2

RGB 222 219 210

HSL 45, 0.15%, 0.85%

LAB 87.41, -0.55, 4.77

 

CMYK 0 / 3 / 5 / 13

HEX #DED8D2

RGB 222 216 210

HSL 30, 0.15%, 0.85%

LAB 86.65, 1.01, 3.67

 

CMYK 0 / 4 / 5 / 13

HEX #DED5D2

RGB 222 213 210

HSL 15, 0.15%, 0.85%

LAB 85.89, 2.57, 2.57

 

CMYK 0 / 5 / 5 / 13

HEX #DED2D2

RGB 222 210 210

HSL 0, 0.15%, 0.85%

LAB 85.14, 4.14, 1.47

 

CMYK 0 / 1 / 5 / 13

HEX #DEDBD2

RGB 222 219 210

HSL 45, 0.15%, 0.85%

LAB 87.41, -0.55, 4.77

 

CMYK 0 / 0 / 5 / 13

HEX #DEDED2

RGB 222 222 210

HSL 60, 0.15%, 0.85%

LAB 88.17, -2.1, 5.87

 

CMYK 1 / 0 / 5 / 13

HEX #DBDED2

RGB 219 222 210

HSL 75, 0.15%, 0.85%

LAB 87.95, -3.13, 5.52

 

CMYK 3 / 0 / 5 / 13

HEX #D8DED2

RGB 216 222 210

HSL 90, 0.15%, 0.85%

LAB 87.72, -4.16, 5.17

 

CMYK 5 / 0 / 5 / 13

HEX #D4DED2

RGB 212 222 210

HSL 110, 0.15%, 0.85%

LAB 87.43, -5.53, 4.71

 

CMYK 0 / 1 / 5 / 13

HEX #DEDBD2

RGB 222 219 210

HSL 45, 0.15%, 0.85%

LAB 87.41, -0.55, 4.77

 

CMYK 0 / 3 / 11 / 10

HEX #E5DECC

RGB 229 222 204

HSL 43.2, 0.32%, 0.85%

LAB 88.57, -0.64, 9.67

 

CMYK 0 / 4 / 16 / 8

HEX #EBE1C6

RGB 235 225 198

HSL 43.78, 0.48%, 0.85%

LAB 89.67, -0.99, 14.43

 

CMYK 0 / 5 / 20 / 5

HEX #F1E5C0

RGB 241 229 192

HSL 45.31, 0.64%, 0.85%

LAB 91.03, -1.75, 19.53

 

CMYK 0 / 6 / 25 / 3

HEX #F7E8B9

RGB 247 232 185

HSL 45.48, 0.79%, 0.85%

LAB 92.13, -2.04, 24.74

 

CMYK 0 / 1 / 5 / 13

HEX #DEDBD2

RGB 222 219 210

HSL 45, 0.15%, 0.85%

LAB 87.41, -0.55, 4.77

 

CMYK 0 / 0 / 0 / 15

HEX #D8D8D8

RGB 216 216 216

HSL 0, 0%, 0.85%

LAB 86.34, 0, -0.01

 

CMYK 6 / 4 / 0 / 13

HEX #D2D5DF

RGB 210 213 223

HSL 226.15, 0.17%, 0.85%

LAB 85.31, 0.86, -5.28

 

CMYK 11 / 8 / 0 / 10

HEX #CCD2E5

RGB 204 210 229

HSL 225.6, 0.32%, 0.85%

LAB 84.27, 1.64, -10.05

 

CMYK 16 / 12 / 0 / 8

HEX #C6CFEB

RGB 198 207 235

HSL 225.41, 0.48%, 0.85%

LAB 83.25, 2.55, -14.82

 

CMYK 0 / 4 / 5 / 13

HEX #DED5D2

RGB 222 213 210

HSL 15, 0.15%, 0.85%

LAB 85.89, 2.57, 2.57

 

CMYK 0 / 3 / 5 / 13

HEX #DED8D2

RGB 222 216 210

HSL 30, 0.15%, 0.85%

LAB 86.65, 1.01, 3.67

 

CMYK 0 / 1 / 5 / 13

HEX #DEDBD2

RGB 222 219 210

HSL 45, 0.15%, 0.85%

LAB 87.41, -0.55, 4.77

 

CMYK 0 / 0 / 5 / 13

HEX #DEDED2

RGB 222 222 210

HSL 60, 0.15%, 0.85%

LAB 88.17, -2.1, 5.87

 

CMYK 1 / 0 / 5 / 13

HEX #DBDED2

RGB 219 222 210

HSL 75, 0.15%, 0.85%

LAB 87.95, -3.13, 5.52

 

CMYK 0 / 4 / 14 / 26

HEX #BCB5A2

RGB 188 181 162

HSL 43.85, 0.16%, 0.69%

LAB 73.77, -0.79, 10.56

 

CMYK 0 / 2 / 9 / 20

HEX #CDC8BA

RGB 205 200 186

HSL 44.21, 0.16%, 0.77%

LAB 80.65, -0.69, 7.61

 

CMYK 0 / 1 / 5 / 13

HEX #DEDBD2

RGB 222 219 210

HSL 45, 0.15%, 0.85%

LAB 87.41, -0.55, 4.77

 

CMYK 0 / 1 / 3 / 6

HEX #F0EEEA

RGB 240 238 234

HSL 40, 0.17%, 0.93%

LAB 94.15, -0.03, 2.16

 

CMYK 0 / 1 / 5 / 12

HEX #E0DDD4

RGB 224 221 212

HSL 45, 0.16%, 0.85%

LAB 88.12, -0.55, 4.76

 

CMYK 5 / 0 / 5 / 13

HEX #D3DED2

RGB 211 222 210

HSL 115, 0.15%, 0.85%

LAB 87.36, -5.87, 4.6

 

CMYK 4 / 5 / 0 / 13

HEX #D6D2DE

RGB 214 210 222

HSL 260, 0.15%, 0.85%

LAB 84.82, 3.57, -5.43

 

CMYK 0 / 1 / 5 / 12

HEX #E0DDD4

RGB 224 221 212

HSL 45, 0.16%, 0.85%

LAB 88.12, -0.55, 4.76

 

CMYK 5 / 0 / 1 / 13

HEX #D2DEDB

RGB 210 222 219

HSL 165, 0.15%, 0.85%

LAB 87.51, -4.57, 0.07

 

CMYK 1 / 5 / 0 / 13

HEX #DBD2DE

RGB 219 210 222

HSL 285, 0.15%, 0.85%

LAB 85.21, 5.25, -4.81

 

CMYK 0 / 1 / 5 / 12

HEX #E0DDD4

RGB 224 221 212

HSL 45, 0.16%, 0.85%

LAB 88.12, -0.55, 4.76

 

CMYK 5 / 0 / 5 / 13

HEX #D3DED2

RGB 211 222 210

HSL 115, 0.15%, 0.85%

LAB 87.36, -5.87, 4.6

 

CMYK 5 / 4 / 0 / 13

HEX #D2D5DE

RGB 210 213 222

HSL 225, 0.15%, 0.85%

LAB 85.28, 0.67, -4.79

 

CMYK 0 / 5 / 0 / 13

HEX #DED2DE

RGB 222 210 222

HSL 300, 0.15%, 0.85%

LAB 85.45, 6.27, -4.44

 

CMYK 0 / 1 / 5 / 12

HEX #E0DDD4

RGB 224 221 212

HSL 45, 0.16%, 0.85%

LAB 88.12, -0.55, 4.76

 

CMYK 5 / 0 / 4 / 13

HEX #D2DED5

RGB 210 222 213

HSL 135, 0.15%, 0.85%

LAB 87.36, -5.67, 3.01

 

CMYK 5 / 4 / 0 / 13

HEX #D2D5DE

RGB 210 213 222

HSL 225, 0.15%, 0.85%

LAB 85.28, 0.67, -4.79

 

CMYK 0 / 5 / 1 / 13

HEX #DED2DB

RGB 222 210 219

HSL 315, 0.15%, 0.85%

LAB 85.37, 5.72, -2.96

 

Description

Color code: HEX #E0DDD4 | qconv.com Color code: HEX #E0DDD4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 221 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 221 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 5 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 5% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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