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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0D351 it is the complementary color #1F2CAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0D351. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0D351 shade: #E5D34C, #F6E55F, #FFF772, #FFFF85 and #FFFF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0D351. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0D351 shade: #E0D351, #CFC13E, #BEAF2B, #AD9D18 and #9C8B05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0D351 shade: #E0D351, #E0AC51, #E08651, #E05F51 and #E05151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0D351 shade: #E0D351, #C6E051, #A0E051, #79E051 and #53E051

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0D351 shade matches the following richer shades: #E0D351 and #F0E041

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0D351 shade: #E0D351, #CFC562, #BFB872, #AEAA83 and #9E9D93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0D351 shade: #E08551, #E0AC51, #E0D251, #C8E051 and #A2E051

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0D351 shade: #BDAF21, #DACA2E, #E0D351, #E6DC74 and #ECE597

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0D351 shade: #E0D351, #51E05F and #9951E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0D351 shade: #E0D351, #51E0D2 and #D251E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0D351 shade: #E0D351, #51E05F, #515FE0 and #E051D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0D351 shade: #E0D351, #51E08A, #515FE0 and #E051A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 64 / 12

HEX #E0D351

RGB 224 211 81

HSL 54.55, 0.7%, 0.6%

LAB 83.46, -10.73, 63.73

 

Complementary color

CMYK 82 / 75 / 0 / 32

HEX #1F2CAE

RGB 31 44 174

HSL 234.55, 0.7%, 0.4%

LAB 27.15, 42.78, -69.5

 

CMYK 0 / 8 / 67 / 10

HEX #E5D34C

RGB 229 211 76

HSL 52.94, 0.75%, 0.6%

LAB 83.85, -8.94, 66.29

 

CMYK 0 / 7 / 61 / 4

HEX #F6E55F

RGB 246 229 95

HSL 53.25, 0.89%, 0.67%

LAB 90.07, -9.81, 65.53

 

CMYK 0 / 3 / 55 / 0

HEX #FFF772

RGB 255 247 114

HSL 56.6, 1%, 0.72%

LAB 95.58, -13.75, 63.68

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 0 / 6 / 64 / 12

HEX #E0D351

RGB 224 211 81

HSL 54.55, 0.7%, 0.6%

LAB 83.46, -10.73, 63.73

 

CMYK 0 / 7 / 70 / 19

HEX #CFC13E

RGB 207 193 62

HSL 54.21, 0.6%, 0.53%

LAB 77.13, -9.81, 64.31

 

CMYK 0 / 8 / 77 / 25

HEX #BEAF2B

RGB 190 175 43

HSL 53.88, 0.63%, 0.46%

LAB 70.72, -8.71, 64.38

 

CMYK 0 / 9 / 86 / 32

HEX #AD9D18

RGB 173 157 24

HSL 53.56, 0.76%, 0.39%

LAB 64.21, -7.38, 63.51

 

CMYK 0 / 11 / 97 / 39

HEX #9C8B05

RGB 156 139 5

HSL 53.25, 0.94%, 0.32%

LAB 57.6, -5.81, 61.18

 

CMYK 0 / 6 / 64 / 12

HEX #E0D351

RGB 224 211 81

HSL 54.55, 0.7%, 0.6%

LAB 83.46, -10.73, 63.73

 

CMYK 0 / 23 / 64 / 12

HEX #E0AC51

RGB 224 172 81

HSL 38.18, 0.7%, 0.6%

LAB 73.51, 9.5, 52.96

 

CMYK 0 / 40 / 64 / 12

HEX #E08651

RGB 224 134 81

HSL 22.24, 0.7%, 0.6%

LAB 64.56, 29.8, 42.73

 

CMYK 0 / 58 / 64 / 12

HEX #E05F51

RGB 224 95 81

HSL 5.87, 0.7%, 0.6%

LAB 56.71, 49.42, 33.29

 

CMYK 0 / 64 / 64 / 12

HEX #E05151

RGB 224 81 81

HSL 0, 0.7%, 0.6%

LAB 54.37, 55.63, 30.38

 

CMYK 0 / 6 / 64 / 12

HEX #E0D351

RGB 224 211 81

HSL 54.55, 0.7%, 0.6%

LAB 83.46, -10.73, 63.73

 

CMYK 12 / 0 / 64 / 12

HEX #C6E051

RGB 198 224 81

HSL 70.91, 0.7%, 0.6%

LAB 84.95, -27.7, 64.7

 

CMYK 29 / 0 / 64 / 12

HEX #A0E051

RGB 160 224 81

HSL 86.85, 0.7%, 0.6%

LAB 82.58, -42.17, 61.47

 

CMYK 46 / 0 / 64 / 12

HEX #79E051

RGB 121 224 81

HSL 103.22, 0.7%, 0.6%

LAB 80.72, -55.06, 58.91

 

CMYK 63 / 0 / 64 / 12

HEX #53E051

RGB 83 224 81

HSL 119.16, 0.7%, 0.6%

LAB 79.47, -64.73, 57.17

 

CMYK 0 / 6 / 64 / 12

HEX #E0D351

RGB 224 211 81

HSL 54.55, 0.7%, 0.6%

LAB 83.46, -10.73, 63.73

 

CMYK 0 / 7 / 73 / 6

HEX #F0E041

RGB 240 224 65

HSL 54.51, 0.85%, 0.6%

LAB 88.07, -11.39, 74.8

 

CMYK 0 / 6 / 64 / 12

HEX #E0D351

RGB 224 211 81

HSL 54.55, 0.7%, 0.6%

LAB 83.46, -10.73, 63.73

 

CMYK 0 / 5 / 53 / 19

HEX #CFC562

RGB 207 197 98

HSL 54.5, 0.53%, 0.6%

LAB 78.51, -9.46, 50.27

 

CMYK 0 / 4 / 40 / 25

HEX #BFB872

RGB 191 184 114

HSL 54.55, 0.38%, 0.6%

LAB 73.92, -7.75, 36.41

 

CMYK 0 / 2 / 25 / 32

HEX #AEAA83

RGB 174 170 131

HSL 54.42, 0.21%, 0.6%

LAB 69.03, -4.99, 20.67

 

CMYK 0 / 1 / 7 / 38

HEX #9E9D93

RGB 158 157 147

HSL 54.55, 0.05%, 0.6%

LAB 64.56, -1.49, 5.35

 

CMYK 0 / 41 / 64 / 12

HEX #E08551

RGB 224 133 81

HSL 21.82, 0.7%, 0.6%

LAB 64.34, 30.32, 42.47

 

CMYK 0 / 23 / 64 / 12

HEX #E0AC51

RGB 224 172 81

HSL 38.18, 0.7%, 0.6%

LAB 73.51, 9.5, 52.96

 

CMYK 0 / 6 / 64 / 12

HEX #E0D251

RGB 224 210 81

HSL 54.13, 0.7%, 0.6%

LAB 83.2, -10.23, 63.46

 

CMYK 11 / 0 / 64 / 12

HEX #C8E051

RGB 200 224 81

HSL 70.07, 0.7%, 0.6%

LAB 85.09, -26.9, 64.89

 

CMYK 28 / 0 / 64 / 12

HEX #A2E051

RGB 162 224 81

HSL 86.01, 0.7%, 0.6%

LAB 82.69, -41.44, 61.62

 

CMYK 0 / 7 / 83 / 26

HEX #BDAF21

RGB 189 175 33

HSL 54.62, 0.7%, 0.44%

LAB 70.59, -9.49, 67.17

 

CMYK 0 / 7 / 79 / 15

HEX #DACA2E

RGB 218 202 46

HSL 54.42, 0.7%, 0.52%

LAB 80.37, -10.36, 73.04

 

CMYK 0 / 6 / 64 / 12

HEX #E0D351

RGB 224 211 81

HSL 54.55, 0.7%, 0.6%

LAB 83.46, -10.73, 63.73

 

CMYK 0 / 4 / 50 / 10

HEX #E6DC74

RGB 230 220 116

HSL 54.74, 0.7%, 0.68%

LAB 86.64, -10.23, 51.84

 

CMYK 0 / 3 / 36 / 7

HEX #ECE597

RGB 236 229 151

HSL 55.06, 0.69%, 0.76%

LAB 89.91, -8.88, 38.92

 

CMYK 0 / 6 / 64 / 12

HEX #E0D351

RGB 224 211 81

HSL 54.55, 0.7%, 0.6%

LAB 83.46, -10.73, 63.73

 

CMYK 64 / 0 / 58 / 12

HEX #51E05F

RGB 81 224 95

HSL 125.87, 0.7%, 0.6%

LAB 79.55, -63.6, 51.2

 

CMYK 32 / 64 / 0 / 12

HEX #9951E0

RGB 153 81 224

HSL 270.21, 0.7%, 0.6%

LAB 49.54, 56.15, -61.6

 

CMYK 0 / 6 / 64 / 12

HEX #E0D351

RGB 224 211 81

HSL 54.55, 0.7%, 0.6%

LAB 83.46, -10.73, 63.73

 

CMYK 64 / 0 / 6 / 12

HEX #51E0D2

RGB 81 224 210

HSL 174.13, 0.7%, 0.6%

LAB 81.68, -41.17, -4.44

 

CMYK 6 / 64 / 0 / 12

HEX #D251E0

RGB 210 81 224

HSL 294.13, 0.7%, 0.6%

LAB 57.04, 68.92, -49.17

 

CMYK 0 / 6 / 64 / 12

HEX #E0D351

RGB 224 211 81

HSL 54.55, 0.7%, 0.6%

LAB 83.46, -10.73, 63.73

 

CMYK 64 / 0 / 58 / 12

HEX #51E05F

RGB 81 224 95

HSL 125.87, 0.7%, 0.6%

LAB 79.55, -63.6, 51.2

 

CMYK 64 / 58 / 0 / 12

HEX #515FE0

RGB 81 95 224

HSL 234.13, 0.7%, 0.6%

LAB 46.06, 34.47, -67.54

 

CMYK 0 / 64 / 6 / 12

HEX #E051D2

RGB 224 81 210

HSL 305.87, 0.7%, 0.6%

LAB 58.4, 69.91, -38.97

 

CMYK 0 / 6 / 64 / 12

HEX #E0D351

RGB 224 211 81

HSL 54.55, 0.7%, 0.6%

LAB 83.46, -10.73, 63.73

 

CMYK 64 / 0 / 38 / 12

HEX #51E08A

RGB 81 224 138

HSL 143.92, 0.7%, 0.6%

LAB 80.12, -57.18, 31.11

 

CMYK 64 / 58 / 0 / 12

HEX #515FE0

RGB 81 95 224

HSL 234.13, 0.7%, 0.6%

LAB 46.06, 34.47, -67.54

 

CMYK 0 / 64 / 25 / 12

HEX #E051A7

RGB 224 81 167

HSL 323.92, 0.7%, 0.6%

LAB 56.61, 63.78, -17.03

 

Description

Color code: HEX #E0D351 | qconv.com Color code: HEX #E0D351 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 211 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 211 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 64 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 64% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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