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Color name
HEX #E0D0AE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0D0AE it is the complementary color #1F2F51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0D0AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0D0AE shade: #E5D0A9, #F6E2BC, #FFF4CF, #FFFFE2 and #FFFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0D0AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0D0AE shade: #E0D0AE, #CFBE9B, #BEAC88, #AD9A75 and #9C8862

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0D0AE shade: #E0CFAD, #E0C2AD, #E0B4AD and #E0ADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0D0AE shade: #E0CFAD, #E0DDAD, #D5E0AD, #C7E0AD and #B9E0AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0D0AE shade matches the following richer shades: #E0CFAD, #E9D3A4, #F2D69B and #FBD992

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0D0AE shade: #E0CFAD, #D7CCB6, #CDC9BF, #C4C6C8 and #BBC2D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0D0AE shade: #E0B4AD, #E0C1AD, #E0CFAD, #E0DCAD and #D6E0AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0D0AE shade: #C9AD71, #D4BE8F, #E0CFAD, #EBE1CB and #F6F2E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0D0AE shade: #E0D0AE, #B4E0AD and #BBADE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0D0AE shade: #E0D0AE, #ADE0CF and #CFADE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0D0AE shade: #E0D0AE, #B4E0AD, #ADBEE0 and #D9ADE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0D0AE shade: #E0D0AE, #ADE0B6, #ADBEE0 and #E0ADD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 22 / 12

HEX #E0D0AE

RGB 224 208 174

HSL 40.8, 0.45%, 0.78%

LAB 83.97, 0.22, 18.91

 

Complementary color

CMYK 62 / 42 / 0 / 68

HEX #1F2F51

RGB 31 47 81

HSL 220.8, 0.45%, 0.22%

LAB 19.71, 5.24, -22.84

 

CMYK 0 / 9 / 26 / 10

HEX #E5D0A9

RGB 229 208 169

HSL 39, 0.54%, 0.78%

LAB 84.29, 1.4, 22.05

 

CMYK 0 / 8 / 24 / 4

HEX #F6E2BC

RGB 246 226 188

HSL 39.31, 0.76%, 0.85%

LAB 90.6, 1.05, 21.08

 

CMYK 0 / 4 / 19 / 0

HEX #FFF4CF

RGB 255 244 207

HSL 46.25, 1%, 0.91%

LAB 96.19, -2.13, 19.17

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 0 / 7 / 22 / 12

HEX #E0D0AE

RGB 224 208 174

HSL 40.8, 0.45%, 0.78%

LAB 83.97, 0.22, 18.91

 

CMYK 0 / 8 / 25 / 19

HEX #CFBE9B

RGB 207 190 155

HSL 40.38, 0.35%, 0.71%

LAB 77.55, 0.54, 19.88

 

CMYK 0 / 9 / 28 / 25

HEX #BEAC88

RGB 190 172 136

HSL 40, 0.29%, 0.64%

LAB 71.03, 0.91, 20.91

 

CMYK 0 / 11 / 32 / 32

HEX #AD9A75

RGB 173 154 117

HSL 39.64, 0.25%, 0.57%

LAB 64.39, 1.34, 22.01

 

CMYK 0 / 13 / 37 / 39

HEX #9C8862

RGB 156 136 98

HSL 39.31, 0.23%, 0.5%

LAB 57.62, 1.85, 23.2

 

CMYK 0 / 8 / 23 / 12

HEX #E0CFAD

RGB 224 207 173

HSL 40, 0.45%, 0.78%

LAB 83.7, 0.59, 19.05

 

CMYK 0 / 13 / 23 / 12

HEX #E0C2AD

RGB 224 194 173

HSL 24.71, 0.45%, 0.78%

LAB 80.43, 7.41, 14.48

 

CMYK 0 / 20 / 23 / 12

HEX #E0B4AD

RGB 224 180 173

HSL 8.24, 0.45%, 0.78%

LAB 76.99, 14.86, 9.6

 

CMYK 0 / 23 / 23 / 12

HEX #E0ADAD

RGB 224 173 173

HSL 0, 0.45%, 0.78%

LAB 75.3, 18.61, 7.19

 

CMYK 0 / 8 / 23 / 12

HEX #E0CFAD

RGB 224 207 173

HSL 40, 0.45%, 0.78%

LAB 83.7, 0.59, 19.05

 

CMYK 0 / 1 / 23 / 12

HEX #E0DDAD

RGB 224 221 173

HSL 56.47, 0.45%, 0.78%

LAB 87.28, -6.61, 24

 

CMYK 5 / 0 / 23 / 12

HEX #D5E0AD

RGB 213 224 173

HSL 72.94, 0.45%, 0.78%

LAB 87.23, -12.16, 23.79

 

CMYK 11 / 0 / 23 / 12

HEX #C7E0AD

RGB 199 224 173

HSL 89.41, 0.45%, 0.78%

LAB 86.24, -17.2, 22.28

 

CMYK 17 / 0 / 23 / 12

HEX #B9E0AD

RGB 185 224 173

HSL 105.88, 0.45%, 0.78%

LAB 85.32, -22.1, 20.87

 

CMYK 0 / 8 / 23 / 12

HEX #E0CFAD

RGB 224 207 173

HSL 40, 0.45%, 0.78%

LAB 83.7, 0.59, 19.05

 

CMYK 0 / 9 / 30 / 9

HEX #E9D3A4

RGB 233 211 164

HSL 40.87, 0.61%, 0.78%

LAB 85.3, 0.7, 26.09

 

CMYK 0 / 12 / 36 / 5

HEX #F2D69B

RGB 242 214 155

HSL 40.69, 0.77%, 0.78%

LAB 86.67, 1.51, 32.73

 

CMYK 0 / 14 / 42 / 2

HEX #FBD992

RGB 251 217 146

HSL 40.57, 0.93%, 0.78%

LAB 88.07, 2.49, 39.3

 

CMYK 0 / 8 / 23 / 12

HEX #E0CFAD

RGB 224 207 173

HSL 40, 0.45%, 0.78%

LAB 83.7, 0.59, 19.05

 

CMYK 0 / 5 / 15 / 16

HEX #D7CCB6

RGB 215 204 182

HSL 40, 0.29%, 0.78%

LAB 82.38, 0.18, 12.33

 

CMYK 0 / 2 / 7 / 20

HEX #CDC9BF

RGB 205 201 191

HSL 42.86, 0.12%, 0.78%

LAB 81.02, -0.37, 5.47

 

CMYK 2 / 1 / 0 / 22

HEX #C4C6C8

RGB 196 198 200

HSL 210, 0.04%, 0.78%

LAB 79.78, -0.31, -1.25

 

CMYK 11 / 7 / 0 / 18

HEX #BBC2D1

RGB 187 194 209

HSL 220.91, 0.19%, 0.78%

LAB 78.32, 0.54, -8.33

 

CMYK 0 / 20 / 23 / 12

HEX #E0B4AD

RGB 224 180 173

HSL 8.24, 0.45%, 0.78%

LAB 76.99, 14.86, 9.6

 

CMYK 0 / 14 / 23 / 12

HEX #E0C1AD

RGB 224 193 173

HSL 23.53, 0.45%, 0.78%

LAB 80.18, 7.94, 14.13

 

CMYK 0 / 8 / 23 / 12

HEX #E0CFAD

RGB 224 207 173

HSL 40, 0.45%, 0.78%

LAB 83.7, 0.59, 19.05

 

CMYK 0 / 2 / 23 / 12

HEX #E0DCAD

RGB 224 220 173

HSL 55.29, 0.45%, 0.78%

LAB 87.02, -6.1, 23.64

 

CMYK 4 / 0 / 23 / 12

HEX #D6E0AD

RGB 214 224 173

HSL 71.76, 0.45%, 0.78%

LAB 87.3, -11.8, 23.91

 

CMYK 0 / 14 / 44 / 21

HEX #C9AD71

RGB 201 173 113

HSL 40.91, 0.45%, 0.62%

LAB 71.89, 2.03, 34.53

 

CMYK 0 / 10 / 33 / 17

HEX #D4BE8F

RGB 212 190 143

HSL 40.87, 0.45%, 0.7%

LAB 77.76, 0.89, 26.62

 

CMYK 0 / 8 / 23 / 12

HEX #E0CFAD

RGB 224 207 173

HSL 40, 0.45%, 0.78%

LAB 83.7, 0.59, 19.05

 

CMYK 0 / 4 / 14 / 8

HEX #EBE1CB

RGB 235 225 203

HSL 41.25, 0.44%, 0.86%

LAB 89.78, -0.22, 11.97

 

CMYK 0 / 2 / 5 / 4

HEX #F6F2E9

RGB 246 242 233

HSL 41.54, 0.42%, 0.94%

LAB 95.57, -0.2, 4.8

 

CMYK 0 / 7 / 22 / 12

HEX #E0D0AE

RGB 224 208 174

HSL 40.8, 0.45%, 0.78%

LAB 83.97, 0.22, 18.91

 

CMYK 20 / 0 / 23 / 12

HEX #B4E0AD

RGB 180 224 173

HSL 111.76, 0.45%, 0.78%

LAB 85.01, -23.8, 20.39

 

CMYK 17 / 23 / 0 / 12

HEX #BBADE0

RGB 187 173 224

HSL 256.47, 0.45%, 0.78%

LAB 73.44, 15.12, -23.82

 

CMYK 0 / 7 / 22 / 12

HEX #E0D0AE

RGB 224 208 174

HSL 40.8, 0.45%, 0.78%

LAB 83.97, 0.22, 18.91

 

CMYK 23 / 0 / 8 / 12

HEX #ADE0CF

RGB 173 224 207

HSL 160, 0.45%, 0.78%

LAB 85.35, -19.82, 2.96

 

CMYK 8 / 23 / 0 / 12

HEX #CFADE0

RGB 207 173 224

HSL 280, 0.45%, 0.78%

LAB 75.16, 21.51, -21.04

 

CMYK 0 / 7 / 22 / 12

HEX #E0D0AE

RGB 224 208 174

HSL 40.8, 0.45%, 0.78%

LAB 83.97, 0.22, 18.91

 

CMYK 20 / 0 / 23 / 12

HEX #B4E0AD

RGB 180 224 173

HSL 111.76, 0.45%, 0.78%

LAB 85.01, -23.8, 20.39

 

CMYK 23 / 15 / 0 / 12

HEX #ADBEE0

RGB 173 190 224

HSL 220, 0.45%, 0.78%

LAB 76.74, 1.47, -18.91

 

CMYK 3 / 23 / 0 / 12

HEX #D9ADE0

RGB 217 173 224

HSL 291.76, 0.45%, 0.78%

LAB 76.08, 24.77, -19.56

 

CMYK 0 / 7 / 22 / 12

HEX #E0D0AE

RGB 224 208 174

HSL 40.8, 0.45%, 0.78%

LAB 83.97, 0.22, 18.91

 

CMYK 23 / 0 / 19 / 12

HEX #ADE0B6

RGB 173 224 182

HSL 130.59, 0.45%, 0.78%

LAB 84.78, -24.58, 15.29

 

CMYK 23 / 15 / 0 / 12

HEX #ADBEE0

RGB 173 190 224

HSL 220, 0.45%, 0.78%

LAB 76.74, 1.47, -18.91

 

CMYK 0 / 23 / 4 / 12

HEX #E0ADD7

RGB 224 173 215

HSL 310.59, 0.45%, 0.78%

LAB 76.46, 25.44, -14.03

 

Description

Color code: HEX #E0D0AE | qconv.com Color code: HEX #E0D0AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 208 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 208 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 22 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 22% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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