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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0BFD3 it is the complementary color #1F402C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0BFD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0BFD3 shade: #E5BFCE, #F6D1E1, #FFE3F4 and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0BFD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0BFD3 shade: #E0BFD3, #CFADC0, #BE9BAD, #AD899A and #9C7787

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0BFD3 shade: #DFBDD2, #DFBDC8, #DFBDBF and #DFBDBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0BFD3 shade: #DFBDD2, #DFBDDB, #DABDDF, #D1BDDF and #C8BDDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0BFD3 shade matches the following richer shades: #DFBDD2, #E7B5D3, #EFADD5, #F7A6D7 and #FE9ED8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0BFD3 shade: #DFBDD2, #D7C5D0, #CFCDCE, #C7D5CD and #C0DCCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0BFD3 shade: #DABDDF, #DFBDDB, #DFBDD2, #DFBDC9 and #DFBDC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0BFD3 shade: #C485AB, #D2A1BF, #DFBDD2, #ECD9E5 and #FAF5F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0BFD3 shade: #E0BFD3, #DFD1BD and #BDDFDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0BFD3 shade: #E0BFD3, #D2DFBD and #BDD2DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0BFD3 shade: #E0BFD3, #DFD1BD, #BDDFCA and #BDCBDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0BFD3 shade: #E0BFD3, #DFDBBD, #BDDFCA and #BDC1DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 6 / 12

HEX #E0BFD3

RGB 224 191 211

HSL 323.64, 0.35%, 0.81%

LAB 80.63, 15.07, -5.65

 

Complementary color

CMYK 52 / 0 / 31 / 75

HEX #1F402C

RGB 31 64 44

HSL 143.64, 0.35%, 0.19%

LAB 24.13, -17.58, 8.57

 

CMYK 0 / 17 / 10 / 10

HEX #E5BFCE

RGB 229 191 206

HSL 336.32, 0.42%, 0.82%

LAB 80.95, 15.95, -2.44

 

CMYK 0 / 15 / 9 / 4

HEX #F6D1E1

RGB 246 209 225

HSL 334.05, 0.67%, 0.89%

LAB 87.3, 15.52, -3.07

 

CMYK 0 / 11 / 4 / 0

HEX #FFE3F4

RGB 255 227 244

HSL 323.57, 1%, 0.95%

LAB 92.9, 12.42, -4.74

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 0 / 15 / 6 / 12

HEX #E0BFD3

RGB 224 191 211

HSL 323.64, 0.35%, 0.81%

LAB 80.63, 15.07, -5.65

 

CMYK 0 / 16 / 7 / 19

HEX #CFADC0

RGB 207 173 192

HSL 326.47, 0.26%, 0.75%

LAB 74.16, 15.5, -5.06

 

CMYK 0 / 18 / 9 / 25

HEX #BE9BAD

RGB 190 155 173

HSL 329.14, 0.21%, 0.68%

LAB 67.58, 15.98, -4.45

 

CMYK 0 / 21 / 11 / 32

HEX #AD899A

RGB 173 137 154

HSL 331.67, 0.18%, 0.61%

LAB 60.88, 16.51, -3.81

 

CMYK 0 / 24 / 13 / 39

HEX #9C7787

RGB 156 119 135

HSL 334.05, 0.16%, 0.54%

LAB 54.04, 17.1, -3.12

 

CMYK 0 / 15 / 6 / 13

HEX #DFBDD2

RGB 223 189 210

HSL 322.94, 0.35%, 0.81%

LAB 80.03, 15.61, -6.01

 

CMYK 0 / 15 / 10 / 13

HEX #DFBDC8

RGB 223 189 200

HSL 340.59, 0.35%, 0.81%

LAB 79.76, 13.9, -1.02

 

CMYK 0 / 15 / 14 / 13

HEX #DFBDBF

RGB 223 189 191

HSL 356.47, 0.35%, 0.81%

LAB 79.53, 12.43, 3.5

 

CMYK 0 / 15 / 15 / 13

HEX #DFBDBD

RGB 223 189 189

HSL 0, 0.35%, 0.81%

LAB 79.48, 12.11, 4.51

 

CMYK 0 / 15 / 6 / 13

HEX #DFBDD2

RGB 223 189 210

HSL 322.94, 0.35%, 0.81%

LAB 80.03, 15.61, -6.01

 

CMYK 0 / 15 / 2 / 13

HEX #DFBDDB

RGB 223 189 219

HSL 307.06, 0.35%, 0.81%

LAB 80.29, 17.22, -10.47

 

CMYK 2 / 15 / 0 / 13

HEX #DABDDF

RGB 218 189 223

HSL 291.18, 0.35%, 0.81%

LAB 79.97, 16.28, -13.15

 

CMYK 6 / 15 / 0 / 13

HEX #D1BDDF

RGB 209 189 223

HSL 275.29, 0.35%, 0.81%

LAB 79.2, 13.29, -14.38

 

CMYK 10 / 15 / 0 / 13

HEX #C8BDDF

RGB 200 189 223

HSL 259.41, 0.35%, 0.81%

LAB 78.46, 10.34, -15.56

 

CMYK 0 / 15 / 6 / 13

HEX #DFBDD2

RGB 223 189 210

HSL 322.94, 0.35%, 0.81%

LAB 80.03, 15.61, -6.01

 

CMYK 0 / 22 / 9 / 9

HEX #E7B5D3

RGB 231 181 211

HSL 324, 0.51%, 0.81%

LAB 78.89, 22.83, -8.15

 

CMYK 0 / 28 / 11 / 6

HEX #EFADD5

RGB 239 173 213

HSL 323.64, 0.67%, 0.81%

LAB 77.9, 30.17, -10.63

 

CMYK 0 / 33 / 13 / 3

HEX #F7A6D7

RGB 247 166 215

HSL 323.7, 0.84%, 0.81%

LAB 77.25, 36.89, -12.6

 

CMYK 0 / 38 / 15 / 0

HEX #FE9ED8

RGB 254 158 216

HSL 323.75, 0.98%, 0.81%

LAB 76.36, 43.51, -14.39

 

CMYK 0 / 15 / 6 / 13

HEX #DFBDD2

RGB 223 189 210

HSL 322.94, 0.35%, 0.81%

LAB 80.03, 15.61, -6.01

 

CMYK 0 / 8 / 3 / 16

HEX #D7C5D0

RGB 215 197 208

HSL 323.33, 0.18%, 0.81%

LAB 81.26, 8.22, -3.21

 

CMYK 0 / 1 / 0 / 19

HEX #CFCDCE

RGB 207 205 206

HSL 330, 0.02%, 0.81%

LAB 82.58, 0.87, -0.26

 

CMYK 7 / 0 / 4 / 16

HEX #C7D5CD

RGB 199 213 205

HSL 145.71, 0.14%, 0.81%

LAB 84.04, -6.21, 2.32

 

CMYK 13 / 0 / 8 / 14

HEX #C0DCCB

RGB 192 220 203

HSL 143.57, 0.29%, 0.81%

LAB 85.35, -12.5, 5.22

 

CMYK 2 / 15 / 0 / 13

HEX #DABDDF

RGB 218 189 223

HSL 291.18, 0.35%, 0.81%

LAB 79.97, 16.28, -13.15

 

CMYK 0 / 15 / 2 / 13

HEX #DFBDDB

RGB 223 189 219

HSL 307.06, 0.35%, 0.81%

LAB 80.29, 17.22, -10.47

 

CMYK 0 / 15 / 6 / 13

HEX #DFBDD2

RGB 223 189 210

HSL 322.94, 0.35%, 0.81%

LAB 80.03, 15.61, -6.01

 

CMYK 0 / 15 / 10 / 13

HEX #DFBDC9

RGB 223 189 201

HSL 338.82, 0.35%, 0.81%

LAB 79.78, 14.07, -1.52

 

CMYK 0 / 15 / 14 / 13

HEX #DFBDC0

RGB 223 189 192

HSL 354.71, 0.35%, 0.81%

LAB 79.55, 12.59, 3

 

CMYK 0 / 32 / 13 / 23

HEX #C485AB

RGB 196 133 171

HSL 323.81, 0.35%, 0.65%

LAB 62.89, 29.93, -10.23

 

CMYK 0 / 23 / 9 / 18

HEX #D2A1BF

RGB 210 161 191

HSL 323.27, 0.35%, 0.73%

LAB 71.52, 22.92, -8.39

 

CMYK 0 / 15 / 6 / 13

HEX #DFBDD2

RGB 223 189 210

HSL 322.94, 0.35%, 0.81%

LAB 80.03, 15.61, -6.01

 

CMYK 0 / 8 / 3 / 7

HEX #ECD9E5

RGB 236 217 229

HSL 322.11, 0.33%, 0.89%

LAB 88.5, 8.59, -3.52

 

CMYK 0 / 2 / 1 / 2

HEX #FAF5F8

RGB 250 245 248

HSL 324, 0.33%, 0.97%

LAB 96.99, 2.19, -0.86

 

CMYK 0 / 15 / 6 / 12

HEX #E0BFD3

RGB 224 191 211

HSL 323.64, 0.35%, 0.81%

LAB 80.63, 15.07, -5.65

 

CMYK 0 / 6 / 15 / 13

HEX #DFD1BD

RGB 223 209 189

HSL 35.29, 0.35%, 0.81%

LAB 84.46, 1.56, 11.66

 

CMYK 15 / 0 / 0 / 13

HEX #BDDFDE

RGB 189 223 222

HSL 178.24, 0.35%, 0.81%

LAB 86.44, -11.3, -3.25

 

CMYK 0 / 15 / 6 / 12

HEX #E0BFD3

RGB 224 191 211

HSL 323.64, 0.35%, 0.81%

LAB 80.63, 15.07, -5.65

 

CMYK 6 / 0 / 15 / 13

HEX #D2DFBD

RGB 210 223 189

HSL 82.94, 0.35%, 0.81%

LAB 87.07, -10.29, 15.2

 

CMYK 15 / 6 / 0 / 13

HEX #BDD2DF

RGB 189 210 223

HSL 202.94, 0.35%, 0.81%

LAB 83.04, -4.39, -8.81

 

CMYK 0 / 15 / 6 / 12

HEX #E0BFD3

RGB 224 191 211

HSL 323.64, 0.35%, 0.81%

LAB 80.63, 15.07, -5.65

 

CMYK 0 / 6 / 15 / 13

HEX #DFD1BD

RGB 223 209 189

HSL 35.29, 0.35%, 0.81%

LAB 84.46, 1.56, 11.66

 

CMYK 15 / 0 / 9 / 13

HEX #BDDFCA

RGB 189 223 202

HSL 142.94, 0.35%, 0.81%

LAB 85.94, -15.2, 6.56

 

CMYK 15 / 9 / 0 / 13

HEX #BDCBDF

RGB 189 203 223

HSL 215.29, 0.35%, 0.81%

LAB 81.21, -0.7, -11.53

 

CMYK 0 / 15 / 6 / 12

HEX #E0BFD3

RGB 224 191 211

HSL 323.64, 0.35%, 0.81%

LAB 80.63, 15.07, -5.65

 

CMYK 0 / 2 / 15 / 13

HEX #DFDBBD

RGB 223 219 189

HSL 52.94, 0.35%, 0.81%

LAB 87.01, -3.61, 15.26

 

CMYK 15 / 0 / 9 / 13

HEX #BDDFCA

RGB 189 223 202

HSL 142.94, 0.35%, 0.81%

LAB 85.94, -15.2, 6.56

 

CMYK 15 / 13 / 0 / 13

HEX #BDC1DF

RGB 189 193 223

HSL 232.94, 0.35%, 0.81%

LAB 78.63, 4.63, -15.4

 

Description

Color code: HEX #E0BFD3 | qconv.com Color code: HEX #E0BFD3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 191 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 191 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 6 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 6% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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