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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0B55B it is the complementary color #1F4AA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0B55B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0B55B shade: #E5B556, #F6C769, #FFD97C, #FFEB8F and #FFFDA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0B55B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0B55B shade: #E0B55B, #CFA348, #BE9135, #AD7F22 and #9C6D0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0B55B shade: #DFB55C, #DF915C, #DF6E5C and #DF5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0B55B shade: #DFB55C, #DFD85C, #C3DF5C, #9FDF5C and #7CDF5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0B55B shade matches the following richer shades: #DFB55C and #EFBA4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0B55B shade: #DFB55C, #D0AF6B, #C0AA7B, #B0A48B and #A19F9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0B55B shade: #DF6D5C, #DF905C, #DFB45C, #DFD75C and #C5DF5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0B55B shade: #C49025, #D9A539, #DFB55C, #E6C57E and #EDD4A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0B55B shade: #E0B55B, #6DDF5C and #7F5CDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0B55B shade: #E0B55B, #5CDFB4 and #B45CDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0B55B shade: #E0B55B, #6DDF5C, #5C88DF and #CE5CDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0B55B shade: #E0B55B, #5CDF72, #5C88DF and #DF5CCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 59 / 12

HEX #E0B55B

RGB 224 181 91

HSL 40.6, 0.68%, 0.62%

LAB 75.85, 5.41, 50.91

 

Complementary color

CMYK 81 / 55 / 0 / 36

HEX #1F4AA4

RGB 31 74 164

HSL 220.6, 0.68%, 0.38%

LAB 33.71, 19.51, -52.76

 

CMYK 0 / 21 / 62 / 10

HEX #E5B556

RGB 229 181 86

HSL 39.86, 0.73%, 0.62%

LAB 76.3, 7.17, 53.9

 

CMYK 0 / 19 / 57 / 4

HEX #F6C769

RGB 246 199 105

HSL 40, 0.89%, 0.69%

LAB 82.63, 6.13, 52.66

 

CMYK 0 / 15 / 51 / 0

HEX #FFD97C

RGB 255 217 124

HSL 42.6, 1%, 0.74%

LAB 88.13, 2.02, 50.33

 

CMYK 0 / 8 / 44 / 0

HEX #FFEB8F

RGB 255 235 143

HSL 49.29, 1%, 0.78%

LAB 92.87, -5.36, 46.96

 

CMYK 0 / 1 / 36 / 0

HEX #FFFDA2

RGB 255 253 162

HSL 58.71, 1%, 0.82%

LAB 97.68, -12.3, 43.81

 

CMYK 0 / 19 / 59 / 12

HEX #E0B55B

RGB 224 181 91

HSL 40.6, 0.68%, 0.62%

LAB 75.85, 5.41, 50.91

 

CMYK 0 / 21 / 65 / 19

HEX #CFA348

RGB 207 163 72

HSL 40.44, 0.58%, 0.55%

LAB 69.42, 6.51, 52.11

 

CMYK 0 / 24 / 72 / 25

HEX #BE9135

RGB 190 145 53

HSL 40.29, 0.56%, 0.48%

LAB 62.89, 7.8, 53.12

 

CMYK 0 / 27 / 80 / 32

HEX #AD7F22

RGB 173 127 34

HSL 40.14, 0.67%, 0.41%

LAB 56.27, 9.34, 53.67

 

CMYK 0 / 30 / 90 / 39

HEX #9C6D0F

RGB 156 109 15

HSL 40, 0.82%, 0.34%

LAB 49.54, 11.19, 53.15

 

CMYK 0 / 19 / 59 / 13

HEX #DFB55C

RGB 223 181 92

HSL 40.76, 0.67%, 0.62%

LAB 75.77, 5.06, 50.3

 

CMYK 0 / 35 / 59 / 13

HEX #DF915C

RGB 223 145 92

HSL 24.27, 0.67%, 0.62%

LAB 67.06, 24.29, 39.98

 

CMYK 0 / 51 / 59 / 13

HEX #DF6E5C

RGB 223 110 92

HSL 8.24, 0.67%, 0.62%

LAB 59.54, 42.55, 30.62

 

CMYK 0 / 59 / 59 / 13

HEX #DF5C5C

RGB 223 92 92

HSL 0, 0.67%, 0.62%

LAB 56.2, 51.18, 26.33

 

CMYK 0 / 19 / 59 / 13

HEX #DFB55C

RGB 223 181 92

HSL 40.76, 0.67%, 0.62%

LAB 75.77, 5.06, 50.3

 

CMYK 0 / 3 / 59 / 13

HEX #DFD85C

RGB 223 216 92

HSL 56.79, 0.67%, 0.62%

LAB 84.78, -12.94, 60.48

 

CMYK 13 / 0 / 59 / 13

HEX #C3DF5C

RGB 195 223 92

HSL 72.82, 0.67%, 0.62%

LAB 84.56, -27.62, 59.65

 

CMYK 29 / 0 / 59 / 13

HEX #9FDF5C

RGB 159 223 92

HSL 89.31, 0.67%, 0.62%

LAB 82.34, -41.16, 56.54

 

CMYK 44 / 0 / 59 / 13

HEX #7CDF5C

RGB 124 223 92

HSL 105.34, 0.67%, 0.62%

LAB 80.65, -52.71, 54.17

 

CMYK 0 / 19 / 59 / 13

HEX #DFB55C

RGB 223 181 92

HSL 40.76, 0.67%, 0.62%

LAB 75.77, 5.06, 50.3

 

CMYK 0 / 22 / 68 / 6

HEX #EFBA4C

RGB 239 186 76

HSL 40.49, 0.84%, 0.62%

LAB 78.46, 8.15, 60.99

 

CMYK 0 / 19 / 59 / 13

HEX #DFB55C

RGB 223 181 92

HSL 40.76, 0.67%, 0.62%

LAB 75.77, 5.06, 50.3

 

CMYK 0 / 16 / 49 / 18

HEX #D0AF6B

RGB 208 175 107

HSL 40.4, 0.52%, 0.62%

LAB 72.98, 3.25, 39.15

 

CMYK 0 / 11 / 36 / 25

HEX #C0AA7B

RGB 192 170 123

HSL 40.87, 0.35%, 0.62%

LAB 70.45, 1.11, 27.17

 

CMYK 0 / 7 / 21 / 31

HEX #B0A48B

RGB 176 164 139

HSL 40.54, 0.19%, 0.62%

LAB 67.76, 0.2, 14.55

 

CMYK 0 / 1 / 4 / 37

HEX #A19F9A

RGB 161 159 154

HSL 42.86, 0.04%, 0.62%

LAB 65.52, -0.21, 2.85

 

CMYK 0 / 51 / 59 / 13

HEX #DF6D5C

RGB 223 109 92

HSL 7.79, 0.67%, 0.62%

LAB 59.34, 43.05, 30.37

 

CMYK 0 / 35 / 59 / 13

HEX #DF905C

RGB 223 144 92

HSL 23.82, 0.67%, 0.62%

LAB 66.83, 24.83, 39.7

 

CMYK 0 / 19 / 59 / 13

HEX #DFB45C

RGB 223 180 92

HSL 40.31, 0.67%, 0.62%

LAB 75.52, 5.59, 50.01

 

CMYK 0 / 4 / 59 / 13

HEX #DFD75C

RGB 223 215 92

HSL 56.34, 0.67%, 0.62%

LAB 84.52, -12.44, 60.19

 

CMYK 12 / 0 / 59 / 13

HEX #C5DF5C

RGB 197 223 92

HSL 71.91, 0.67%, 0.62%

LAB 84.7, -26.83, 59.84

 

CMYK 0 / 27 / 81 / 23

HEX #C49025

RGB 196 144 37

HSL 40.38, 0.68%, 0.46%

LAB 63.19, 10.34, 59.81

 

CMYK 0 / 24 / 74 / 15

HEX #D9A539

RGB 217 165 57

HSL 40.5, 0.68%, 0.54%

LAB 70.84, 8.95, 60.36

 

CMYK 0 / 19 / 59 / 13

HEX #DFB55C

RGB 223 181 92

HSL 40.76, 0.67%, 0.62%

LAB 75.77, 5.06, 50.3

 

CMYK 0 / 14 / 45 / 10

HEX #E6C57E

RGB 230 197 126

HSL 40.96, 0.68%, 0.7%

LAB 80.88, 2.47, 39.84

 

CMYK 0 / 11 / 32 / 7

HEX #EDD4A1

RGB 237 212 161

HSL 40.26, 0.68%, 0.78%

LAB 85.84, 1.33, 28.44

 

CMYK 0 / 19 / 59 / 12

HEX #E0B55B

RGB 224 181 91

HSL 40.6, 0.68%, 0.62%

LAB 75.85, 5.41, 50.91

 

CMYK 51 / 0 / 59 / 13

HEX #6DDF5C

RGB 109 223 92

HSL 112.21, 0.67%, 0.62%

LAB 80.07, -56.98, 53.36

 

CMYK 43 / 59 / 0 / 13

HEX #7F5CDF

RGB 127 92 223

HSL 256.03, 0.67%, 0.62%

LAB 48.88, 44.51, -62.24

 

CMYK 0 / 19 / 59 / 12

HEX #E0B55B

RGB 224 181 91

HSL 40.6, 0.68%, 0.62%

LAB 75.85, 5.41, 50.91

 

CMYK 59 / 0 / 19 / 13

HEX #5CDFB4

RGB 92 223 180

HSL 160.31, 0.67%, 0.62%

LAB 80.93, -46.13, 10.41

 

CMYK 19 / 59 / 0 / 13

HEX #B45CDF

RGB 180 92 223

HSL 280.31, 0.67%, 0.62%

LAB 54.75, 56.72, -52.5

 

CMYK 0 / 19 / 59 / 12

HEX #E0B55B

RGB 224 181 91

HSL 40.6, 0.68%, 0.62%

LAB 75.85, 5.41, 50.91

 

CMYK 51 / 0 / 59 / 13

HEX #6DDF5C

RGB 109 223 92

HSL 112.21, 0.67%, 0.62%

LAB 80.07, -56.98, 53.36

 

CMYK 59 / 39 / 0 / 13

HEX #5C88DF

RGB 92 136 223

HSL 219.85, 0.67%, 0.62%

LAB 57.28, 10.93, -48.92

 

CMYK 8 / 59 / 0 / 13

HEX #CE5CDF

RGB 206 92 223

HSL 292.21, 0.67%, 0.62%

LAB 58.14, 63.09, -46.91

 

CMYK 0 / 19 / 59 / 12

HEX #E0B55B

RGB 224 181 91

HSL 40.6, 0.68%, 0.62%

LAB 75.85, 5.41, 50.91

 

CMYK 59 / 0 / 49 / 13

HEX #5CDF72

RGB 92 223 114

HSL 130.08, 0.67%, 0.62%

LAB 79.76, -58.41, 42.65

 

CMYK 59 / 39 / 0 / 13

HEX #5C88DF

RGB 92 136 223

HSL 219.85, 0.67%, 0.62%

LAB 57.28, 10.93, -48.92

 

CMYK 0 / 59 / 9 / 13

HEX #DF5CCA

RGB 223 92 202

HSL 309.62, 0.67%, 0.62%

LAB 59.53, 63.9, -32.68

 

Description

Color code: HEX #E0B55B | qconv.com Color code: HEX #E0B55B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 181 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 181 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 59 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 59% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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