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Color name
HEX #E0A4A3

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0A4A3 it is the complementary color #1F5B5C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0A4A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0A4A3 shade: #E5A49E, #F6B6B1, #FFC8C4, #FFDAD7 and #FFECEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0A4A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0A4A3 shade: #E0A4A3, #CF9290, #BE807D, #AD6E6A and #9C5C57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0A4A3 shade: #E0A4A3 and #E0A3A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0A4A3 shade: #E0A4A3, #E0B4A3, #E0C5A3, #E0D5A3 and #DAE0A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0A4A3 shade matches the following richer shades: #E0A4A3, #EA9A99, #F4918F and #FE8785

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0A4A3 shade: #E0A4A3, #D6ADAD, #CCB7B7, #C2C0C0 and #B8CACA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0A4A3 shade: #E0A3C3, #E0A3B3, #E0A3A3, #E0B3A3 and #E0C3A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0A4A3 shade: #CB6665, #D68584, #E0A4A3, #EAC2C2 and #F5E1E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0A4A3 shade: #E0A4A3, #D4E0A3 and #A3BBE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0A4A3 shade: #E0A4A3, #A3E0A3 and #A3A3E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0A4A3 shade: #E0A4A3, #D4E0A3, #A3E0E0 and #AFA3E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0A4A3 shade: #E0A4A3, #C1E0A3, #A3E0E0 and #C1A3E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 27 / 12

HEX #E0A4A3

RGB 224 164 163

HSL 0.98, 0.5%, 0.76%

LAB 72.92, 22.03, 9.27

 

Complementary color

CMYK 66 / 1 / 0 / 64

HEX #1F5B5C

RGB 31 91 92

HSL 180.98, 0.5%, 0.24%

LAB 35.1, -18.56, -6.29

 

CMYK 0 / 28 / 31 / 10

HEX #E5A49E

RGB 229 164 158

HSL 5.07, 0.58%, 0.76%

LAB 73.34, 23.24, 12.68

 

CMYK 0 / 26 / 28 / 4

HEX #F6B6B1

RGB 246 182 177

HSL 4.35, 0.79%, 0.83%

LAB 79.74, 22.51, 11.66

 

CMYK 0 / 22 / 23 / 0

HEX #FFC8C4

RGB 255 200 196

HSL 4.07, 1%, 0.88%

LAB 85.28, 18.95, 9.49

 

CMYK 0 / 15 / 16 / 0

HEX #FFDAD7

RGB 255 218 215

HSL 4.5, 1%, 0.92%

LAB 90, 12.36, 6.23

 

CMYK 0 / 7 / 8 / 0

HEX #FFECEA

RGB 255 236 234

HSL 5.71, 1%, 0.96%

LAB 94.82, 6.1, 3.28

 

CMYK 0 / 27 / 27 / 12

HEX #E0A4A3

RGB 224 164 163

HSL 0.98, 0.5%, 0.76%

LAB 72.92, 22.03, 9.27

 

CMYK 0 / 29 / 30 / 19

HEX #CF9290

RGB 207 146 144

HSL 1.9, 0.4%, 0.69%

LAB 66.4, 22.78, 10.29

 

CMYK 0 / 33 / 34 / 25

HEX #BE807D

RGB 190 128 125

HSL 2.77, 0.33%, 0.62%

LAB 59.77, 23.61, 11.42

 

CMYK 0 / 36 / 39 / 32

HEX #AD6E6A

RGB 173 110 106

HSL 3.58, 0.29%, 0.55%

LAB 53.03, 24.55, 12.69

 

CMYK 0 / 41 / 44 / 39

HEX #9C5C57

RGB 156 92 87

HSL 4.35, 0.28%, 0.48%

LAB 46.19, 25.6, 14.14

 

CMYK 0 / 27 / 27 / 12

HEX #E0A4A3

RGB 224 164 163

HSL 0.98, 0.5%, 0.76%

LAB 72.92, 22.03, 9.27

 

CMYK 0 / 27 / 27 / 12

HEX #E0A3A3

RGB 224 163 163

HSL 0, 0.5%, 0.76%

LAB 72.68, 22.57, 8.93

 

CMYK 0 / 27 / 27 / 12

HEX #E0A4A3

RGB 224 164 163

HSL 0.98, 0.5%, 0.76%

LAB 72.92, 22.03, 9.27

 

CMYK 0 / 20 / 27 / 12

HEX #E0B4A3

RGB 224 180 163

HSL 16.72, 0.5%, 0.76%

LAB 76.76, 13.45, 14.7

 

CMYK 0 / 12 / 27 / 12

HEX #E0C5A3

RGB 224 197 163

HSL 33.44, 0.5%, 0.76%

LAB 80.97, 4.44, 20.57

 

CMYK 0 / 5 / 27 / 12

HEX #E0D5A3

RGB 224 213 163

HSL 49.18, 0.5%, 0.76%

LAB 85.04, -3.87, 26.13

 

CMYK 3 / 0 / 27 / 12

HEX #DAE0A3

RGB 218 224 163

HSL 65.9, 0.5%, 0.76%

LAB 87.42, -11.71, 29.27

 

CMYK 0 / 27 / 27 / 12

HEX #E0A4A3

RGB 224 164 163

HSL 0.98, 0.5%, 0.76%

LAB 72.92, 22.03, 9.27

 

CMYK 0 / 34 / 35 / 8

HEX #EA9A99

RGB 234 154 153

HSL 0.74, 0.66%, 0.76%

LAB 71.49, 29.82, 12.91

 

CMYK 0 / 41 / 41 / 4

HEX #F4918F

RGB 244 145 143

HSL 1.19, 0.82%, 0.76%

LAB 70.5, 37.11, 17.25

 

CMYK 0 / 47 / 48 / 0

HEX #FE8785

RGB 254 135 133

HSL 0.99, 0.98%, 0.76%

LAB 69.54, 44.84, 21.68

 

CMYK 0 / 27 / 27 / 12

HEX #E0A4A3

RGB 224 164 163

HSL 0.98, 0.5%, 0.76%

LAB 72.92, 22.03, 9.27

 

CMYK 0 / 19 / 19 / 16

HEX #D6ADAD

RGB 214 173 173

HSL 0, 0.33%, 0.76%

LAB 74.32, 14.91, 5.65

 

CMYK 0 / 10 / 10 / 20

HEX #CCB7B7

RGB 204 183 183

HSL 0, 0.17%, 0.76%

LAB 76.14, 7.48, 2.72

 

CMYK 0 / 1 / 1 / 24

HEX #C2C0C0

RGB 194 192 192

HSL 0, 0.02%, 0.76%

LAB 77.86, 0.7, 0.24

 

CMYK 9 / 0 / 0 / 21

HEX #B8CACA

RGB 184 202 202

HSL 180, 0.15%, 0.76%

LAB 80.01, -6.08, -2.09

 

CMYK 0 / 27 / 13 / 12

HEX #E0A3C3

RGB 224 163 195

HSL 328.52, 0.5%, 0.76%

LAB 73.53, 27.4, -7.45

 

CMYK 0 / 27 / 20 / 12

HEX #E0A3B3

RGB 224 163 179

HSL 344.26, 0.5%, 0.76%

LAB 73.09, 24.88, 0.7

 

CMYK 0 / 27 / 27 / 12

HEX #E0A3A3

RGB 224 163 163

HSL 0, 0.5%, 0.76%

LAB 72.68, 22.57, 8.93

 

CMYK 0 / 20 / 27 / 12

HEX #E0B3A3

RGB 224 179 163

HSL 15.74, 0.5%, 0.76%

LAB 76.52, 13.98, 14.36

 

CMYK 0 / 13 / 27 / 12

HEX #E0C3A3

RGB 224 195 163

HSL 31.48, 0.5%, 0.76%

LAB 80.47, 5.49, 19.87

 

CMYK 0 / 50 / 50 / 20

HEX #CB6665

RGB 203 102 101

HSL 0.59, 0.5%, 0.6%

LAB 55.22, 39.89, 19.25

 

CMYK 0 / 38 / 38 / 16

HEX #D68584

RGB 214 133 132

HSL 0.73, 0.5%, 0.68%

LAB 63.95, 30.98, 13.72

 

CMYK 0 / 27 / 27 / 12

HEX #E0A4A3

RGB 224 164 163

HSL 0.98, 0.5%, 0.76%

LAB 72.92, 22.03, 9.27

 

CMYK 0 / 17 / 17 / 8

HEX #EAC2C2

RGB 234 194 194

HSL 0, 0.49%, 0.84%

LAB 81.82, 14.21, 5.33

 

CMYK 0 / 8 / 8 / 4

HEX #F5E1E1

RGB 245 225 225

HSL 0, 0.5%, 0.92%

LAB 91.1, 6.83, 2.46

 

CMYK 0 / 27 / 27 / 12

HEX #E0A4A3

RGB 224 164 163

HSL 0.98, 0.5%, 0.76%

LAB 72.92, 22.03, 9.27

 

CMYK 5 / 0 / 27 / 12

HEX #D4E0A3

RGB 212 224 163

HSL 71.8, 0.5%, 0.76%

LAB 86.97, -13.94, 28.6

 

CMYK 27 / 17 / 0 / 12

HEX #A3BBE0

RGB 163 187 224

HSL 216.39, 0.5%, 0.76%

LAB 75.27, 0.09, -21.19

 

CMYK 0 / 27 / 27 / 12

HEX #E0A4A3

RGB 224 164 163

HSL 0.98, 0.5%, 0.76%

LAB 72.92, 22.03, 9.27

 

CMYK 27 / 0 / 27 / 12

HEX #A3E0A3

RGB 163 224 163

HSL 120, 0.5%, 0.76%

LAB 83.83, -31.11, 23.81

 

CMYK 27 / 27 / 0 / 12

HEX #A3A3E0

RGB 163 163 224

HSL 240, 0.5%, 0.76%

LAB 69.01, 13.36, -30.78

 

CMYK 0 / 27 / 27 / 12

HEX #E0A4A3

RGB 224 164 163

HSL 0.98, 0.5%, 0.76%

LAB 72.92, 22.03, 9.27

 

CMYK 5 / 0 / 27 / 12

HEX #D4E0A3

RGB 212 224 163

HSL 71.8, 0.5%, 0.76%

LAB 86.97, -13.94, 28.6

 

CMYK 27 / 0 / 0 / 12

HEX #A3E0E0

RGB 163 224 224

HSL 180, 0.5%, 0.76%

LAB 85.24, -19.18, -6.25

 

CMYK 22 / 27 / 0 / 12

HEX #AFA3E0

RGB 175 163 224

HSL 251.8, 0.5%, 0.76%

LAB 69.96, 16.96, -29.24

 

CMYK 0 / 27 / 27 / 12

HEX #E0A4A3

RGB 224 164 163

HSL 0.98, 0.5%, 0.76%

LAB 72.92, 22.03, 9.27

 

CMYK 14 / 0 / 27 / 12

HEX #C1E0A3

RGB 193 224 163

HSL 90.49, 0.5%, 0.76%

LAB 85.65, -20.85, 26.59

 

CMYK 27 / 0 / 0 / 12

HEX #A3E0E0

RGB 163 224 224

HSL 180, 0.5%, 0.76%

LAB 85.24, -19.18, -6.25

 

CMYK 14 / 27 / 0 / 12

HEX #C1A3E0

RGB 193 163 224

HSL 269.51, 0.5%, 0.76%

LAB 71.5, 22.53, -26.75

 

Description

Color code: HEX #E0A4A3 | qconv.com Color code: HEX #E0A4A3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 164 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 164 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 27 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 27% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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