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Color name
HEX #E0A48E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0A48E it is the complementary color #1F5B71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0A48E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0A48E shade: #E5A489, #F6B69C, #FFC8AF, #FFDAC2 and #FFECD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0A48E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0A48E shade: #E0A48E, #CF927B, #BE8068, #AD6E55 and #9C5C42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0A48E shade: #E0A48E and #E08E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0A48E shade: #E0A48E, #E0BA8E, #E0D08E, #DAE08E and #C4E08E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0A48E shade matches the following richer shades: #E0A48E, #EB9F83 and #F79A77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0A48E shade: #E0A48E, #D4AA9A, #C9AFA6, #BDB4B1 and #B2BABD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0A48E shade: #E08EA4, #E08E8E, #E0A48E, #E0BA8E and #E0D08E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0A48E shade: #CE704E, #D78A6E, #E0A48E, #E9BEAF and #F2D8CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0A48E shade: #E0A48E, #BAE08E and #8E99E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0A48E shade: #E0A48E, #8EE0A4 and #A48EE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0A48E shade: #E0A48E, #BAE08E, #8ECAE0 and #B48EE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0A48E shade: #E0A48E, #A1E08E, #8ECAE0 and #CD8EE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 37 / 12

HEX #E0A48E

RGB 224 164 142

HSL 16.1, 0.57%, 0.72%

LAB 72.46, 19.34, 20.14

 

Complementary color

CMYK 73 / 19 / 0 / 56

HEX #1F5B71

RGB 31 91 113

HSL 196.1, 0.57%, 0.28%

LAB 35.92, -11.38, -18.12

 

CMYK 0 / 28 / 40 / 10

HEX #E5A489

RGB 229 164 137

HSL 17.61, 0.64%, 0.72%

LAB 72.9, 20.71, 23.55

 

CMYK 0 / 26 / 37 / 4

HEX #F6B69C

RGB 246 182 156

HSL 17.33, 0.83%, 0.79%

LAB 79.3, 19.89, 22.33

 

CMYK 0 / 22 / 31 / 0

HEX #FFC8AF

RGB 255 200 175

HSL 18.75, 1%, 0.84%

LAB 84.82, 16.15, 19.99

 

CMYK 0 / 15 / 24 / 0

HEX #FFDAC2

RGB 255 218 194

HSL 23.61, 1%, 0.88%

LAB 89.53, 9.3, 16.57

 

CMYK 0 / 7 / 16 / 0

HEX #FFECD5

RGB 255 236 213

HSL 32.86, 1%, 0.92%

LAB 94.34, 2.8, 13.47

 

CMYK 0 / 27 / 37 / 12

HEX #E0A48E

RGB 224 164 142

HSL 16.1, 0.57%, 0.72%

LAB 72.46, 19.34, 20.14

 

CMYK 0 / 29 / 41 / 19

HEX #CF927B

RGB 207 146 123

HSL 16.43, 0.47%, 0.65%

LAB 65.95, 20.19, 21.39

 

CMYK 0 / 33 / 45 / 25

HEX #BE8068

RGB 190 128 104

HSL 16.74, 0.4%, 0.58%

LAB 59.33, 21.15, 22.77

 

CMYK 0 / 36 / 51 / 32

HEX #AD6E55

RGB 173 110 85

HSL 17.05, 0.35%, 0.51%

LAB 52.61, 22.25, 24.31

 

CMYK 0 / 41 / 58 / 39

HEX #9C5C42

RGB 156 92 66

HSL 17.33, 0.41%, 0.44%

LAB 45.79, 23.53, 26.05

 

CMYK 0 / 27 / 37 / 12

HEX #E0A48E

RGB 224 164 142

HSL 16.1, 0.57%, 0.72%

LAB 72.46, 19.34, 20.14

 

CMYK 0 / 37 / 37 / 12

HEX #E08E8E

RGB 224 142 142

HSL 0, 0.57%, 0.72%

LAB 67.39, 31.13, 13.09

 

CMYK 0 / 27 / 37 / 12

HEX #E0A48E

RGB 224 164 142

HSL 16.1, 0.57%, 0.72%

LAB 72.46, 19.34, 20.14

 

CMYK 0 / 17 / 37 / 12

HEX #E0BA8E

RGB 224 186 142

HSL 32.2, 0.57%, 0.72%

LAB 77.83, 7.59, 27.42

 

CMYK 0 / 7 / 37 / 12

HEX #E0D08E

RGB 224 208 142

HSL 48.29, 0.57%, 0.72%

LAB 83.4, -3.9, 34.8

 

CMYK 3 / 0 / 37 / 12

HEX #DAE08E

RGB 218 224 142

HSL 64.39, 0.57%, 0.72%

LAB 87.08, -14.32, 39.49

 

CMYK 13 / 0 / 37 / 12

HEX #C4E08E

RGB 196 224 142

HSL 80.49, 0.57%, 0.72%

LAB 85.5, -22.63, 37.15

 

CMYK 0 / 27 / 37 / 12

HEX #E0A48E

RGB 224 164 142

HSL 16.1, 0.57%, 0.72%

LAB 72.46, 19.34, 20.14

 

CMYK 0 / 32 / 44 / 8

HEX #EB9F83

RGB 235 159 131

HSL 16.15, 0.72%, 0.72%

LAB 72.29, 25.08, 26.1

 

CMYK 0 / 38 / 52 / 3

HEX #F79A77

RGB 247 154 119

HSL 16.41, 0.89%, 0.72%

LAB 72.37, 31.25, 32.94

 

CMYK 0 / 27 / 37 / 12

HEX #E0A48E

RGB 224 164 142

HSL 16.1, 0.57%, 0.72%

LAB 72.46, 19.34, 20.14

 

CMYK 0 / 20 / 27 / 17

HEX #D4AA9A

RGB 212 170 154

HSL 16.55, 0.4%, 0.72%

LAB 72.94, 13.01, 14.07

 

CMYK 0 / 13 / 17 / 21

HEX #C9AFA6

RGB 201 175 166

HSL 15.43, 0.24%, 0.72%

LAB 73.44, 7.92, 8.06

 

CMYK 0 / 5 / 6 / 26

HEX #BDB4B1

RGB 189 180 177

HSL 15, 0.08%, 0.72%

LAB 73.96, 2.66, 2.66

 

CMYK 6 / 2 / 0 / 26

HEX #B2BABD

RGB 178 186 189

HSL 196.36, 0.08%, 0.72%

LAB 74.99, -2.19, -2.49

 

CMYK 0 / 37 / 27 / 12

HEX #E08EA4

RGB 224 142 164

HSL 343.9, 0.57%, 0.72%

LAB 67.93, 33.95, 1.52

 

CMYK 0 / 37 / 37 / 12

HEX #E08E8E

RGB 224 142 142

HSL 0, 0.57%, 0.72%

LAB 67.39, 31.13, 13.09

 

CMYK 0 / 27 / 37 / 12

HEX #E0A48E

RGB 224 164 142

HSL 16.1, 0.57%, 0.72%

LAB 72.46, 19.34, 20.14

 

CMYK 0 / 17 / 37 / 12

HEX #E0BA8E

RGB 224 186 142

HSL 32.2, 0.57%, 0.72%

LAB 77.83, 7.59, 27.42

 

CMYK 0 / 7 / 37 / 12

HEX #E0D08E

RGB 224 208 142

HSL 48.29, 0.57%, 0.72%

LAB 83.4, -3.9, 34.8

 

CMYK 0 / 46 / 62 / 19

HEX #CE704E

RGB 206 112 78

HSL 15.94, 0.57%, 0.56%

LAB 57.33, 34.01, 35.11

 

CMYK 0 / 36 / 49 / 16

HEX #D78A6E

RGB 215 138 110

HSL 16, 0.57%, 0.64%

LAB 64.76, 26.35, 27.17

 

CMYK 0 / 27 / 37 / 12

HEX #E0A48E

RGB 224 164 142

HSL 16.1, 0.57%, 0.72%

LAB 72.46, 19.34, 20.14

 

CMYK 0 / 18 / 25 / 9

HEX #E9BEAF

RGB 233 190 175

HSL 15.52, 0.57%, 0.8%

LAB 80.32, 13.17, 13.37

 

CMYK 0 / 11 / 14 / 5

HEX #F2D8CF

RGB 242 216 207

HSL 15.43, 0.57%, 0.88%

LAB 88.21, 7.55, 7.71

 

CMYK 0 / 27 / 37 / 12

HEX #E0A48E

RGB 224 164 142

HSL 16.1, 0.57%, 0.72%

LAB 72.46, 19.34, 20.14

 

CMYK 17 / 0 / 37 / 12

HEX #BAE08E

RGB 186 224 142

HSL 87.8, 0.57%, 0.72%

LAB 84.84, -26.29, 36.16

 

CMYK 37 / 32 / 0 / 12

HEX #8E99E0

RGB 142 153 224

HSL 231.95, 0.57%, 0.72%

LAB 64.9, 13.08, -37.29

 

CMYK 0 / 27 / 37 / 12

HEX #E0A48E

RGB 224 164 142

HSL 16.1, 0.57%, 0.72%

LAB 72.46, 19.34, 20.14

 

CMYK 37 / 0 / 27 / 12

HEX #8EE0A4

RGB 142 224 164

HSL 136.1, 0.57%, 0.72%

LAB 82.78, -37.48, 21.67

 

CMYK 27 / 37 / 0 / 12

HEX #A48EE0

RGB 164 142 224

HSL 256.1, 0.57%, 0.72%

LAB 63.85, 25.56, -38.79

 

CMYK 0 / 27 / 37 / 12

HEX #E0A48E

RGB 224 164 142

HSL 16.1, 0.57%, 0.72%

LAB 72.46, 19.34, 20.14

 

CMYK 17 / 0 / 37 / 12

HEX #BAE08E

RGB 186 224 142

HSL 87.8, 0.57%, 0.72%

LAB 84.84, -26.29, 36.16

 

CMYK 37 / 10 / 0 / 12

HEX #8ECAE0

RGB 142 202 224

HSL 196.1, 0.57%, 0.72%

LAB 78.1, -13.79, -17.04

 

CMYK 20 / 37 / 0 / 12

HEX #B48EE0

RGB 180 142 224

HSL 267.8, 0.57%, 0.72%

LAB 65.3, 30.24, -36.42

 

CMYK 0 / 27 / 37 / 12

HEX #E0A48E

RGB 224 164 142

HSL 16.1, 0.57%, 0.72%

LAB 72.46, 19.34, 20.14

 

CMYK 28 / 0 / 37 / 12

HEX #A1E08E

RGB 161 224 142

HSL 106.1, 0.57%, 0.72%

LAB 83.36, -35.04, 33.94

 

CMYK 37 / 10 / 0 / 12

HEX #8ECAE0

RGB 142 202 224

HSL 196.1, 0.57%, 0.72%

LAB 78.1, -13.79, -17.04

 

CMYK 8 / 37 / 0 / 12

HEX #CD8EE0

RGB 205 142 224

HSL 286.1, 0.57%, 0.72%

LAB 67.8, 37.79, -32.34

 

Description

Color code: HEX #E0A48E | qconv.com Color code: HEX #E0A48E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 164 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 164 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 37 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 37% 12% C M Y K

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Provide designers and agencies with accurate color values.

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