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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0906B it is the complementary color #1F6F94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0906B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0906B shade: #E59066, #F6A279, #FFB48C, #FFC69F and #FFD8B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0906B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0906B shade: #E0906B, #CF7E58, #BE6C45, #AD5A32 and #9C481F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0906B shade: #DF906B, #DF716B and #DF6B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0906B shade: #DF906B, #DFAF6B, #DFCE6B, #D1DF6B and #B1DF6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0906B shade matches the following richer shades: #DF906B, #EE8B5D and #FC854E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0906B shade: #DF906B, #D1957A, #C29B88, #B4A097 and #A5A5A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0906B shade: #DF6B86, #DF6F6B, #DF8E6B, #DFAD6B and #DFCC6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0906B shade: #CD5E2B, #D87649, #DF906B, #E6A98D and #EEC3AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0906B shade: #E0906B, #A5DF6B and #6B77DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0906B shade: #E0906B, #6BDF8E and #8E6BDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0906B shade: #E0906B, #A5DF6B, #6BBCDF and #A56BDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0906B shade: #E0906B, #82DF6B, #6BBCDF and #C86BDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 52 / 12

HEX #E0906B

RGB 224 144 107

HSL 18.97, 0.65%, 0.65%

LAB 67.17, 26.44, 32.15

 

Complementary color

CMYK 79 / 25 / 0 / 42

HEX #1F6F94

RGB 31 111 148

HSL 198.97, 0.65%, 0.35%

LAB 43.94, -10.39, -26.89

 

CMYK 0 / 37 / 55 / 10

HEX #E59066

RGB 229 144 102

HSL 19.84, 0.71%, 0.65%

LAB 67.7, 28.02, 35.64

 

CMYK 0 / 34 / 51 / 4

HEX #F6A279

RGB 246 162 121

HSL 19.68, 0.87%, 0.72%

LAB 74.07, 26.84, 34.05

 

CMYK 0 / 29 / 45 / 0

HEX #FFB48C

RGB 255 180 140

HSL 20.87, 1%, 0.77%

LAB 79.5, 22.69, 31.27

 

CMYK 0 / 22 / 38 / 0

HEX #FFC69F

RGB 255 198 159

HSL 24.38, 1%, 0.81%

LAB 84.04, 15.29, 27.35

 

CMYK 0 / 15 / 30 / 0

HEX #FFD8B2

RGB 255 216 178

HSL 29.61, 1%, 0.85%

LAB 88.73, 8.22, 23.8

 

CMYK 0 / 36 / 52 / 12

HEX #E0906B

RGB 224 144 107

HSL 18.97, 0.65%, 0.65%

LAB 67.17, 26.44, 32.15

 

CMYK 0 / 39 / 57 / 19

HEX #CF7E58

RGB 207 126 88

HSL 19.16, 0.55%, 0.58%

LAB 60.69, 27.68, 33.82

 

CMYK 0 / 43 / 64 / 25

HEX #BE6C45

RGB 190 108 69

HSL 19.34, 0.48%, 0.51%

LAB 54.14, 29.08, 35.65

 

CMYK 0 / 48 / 71 / 32

HEX #AD5A32

RGB 173 90 50

HSL 19.51, 0.55%, 0.44%

LAB 47.53, 30.65, 37.64

 

CMYK 0 / 54 / 80 / 39

HEX #9C481F

RGB 156 72 31

HSL 19.68, 0.67%, 0.37%

LAB 40.9, 32.4, 39.66

 

CMYK 0 / 35 / 52 / 13

HEX #DF906B

RGB 223 144 107

HSL 19.14, 0.64%, 0.65%

LAB 67.05, 26.04, 31.97

 

CMYK 0 / 49 / 52 / 13

HEX #DF716B

RGB 223 113 107

HSL 3.1, 0.64%, 0.65%

LAB 60.39, 42.24, 23.24

 

CMYK 0 / 52 / 52 / 13

HEX #DF6B6B

RGB 223 107 107

HSL 0, 0.64%, 0.65%

LAB 59.22, 45.23, 21.67

 

CMYK 0 / 35 / 52 / 13

HEX #DF906B

RGB 223 144 107

HSL 19.14, 0.64%, 0.65%

LAB 67.05, 26.04, 31.97

 

CMYK 0 / 22 / 52 / 13

HEX #DFAF6B

RGB 223 175 107

HSL 35.17, 0.64%, 0.65%

LAB 74.45, 9.44, 41.3

 

CMYK 0 / 8 / 52 / 13

HEX #DFCE6B

RGB 223 206 107

HSL 51.21, 0.64%, 0.65%

LAB 82.32, -6.74, 50.83

 

CMYK 6 / 0 / 52 / 13

HEX #D1DF6B

RGB 209 223 107

HSL 67.24, 0.64%, 0.65%

LAB 85.7, -20.87, 54.53

 

CMYK 21 / 0 / 52 / 13

HEX #B1DF6B

RGB 177 223 107

HSL 83.79, 0.64%, 0.65%

LAB 83.54, -33.18, 51.45

 

CMYK 0 / 35 / 52 / 13

HEX #DF906B

RGB 223 144 107

HSL 19.14, 0.64%, 0.65%

LAB 67.05, 26.04, 31.97

 

CMYK 0 / 42 / 61 / 7

HEX #EE8B5D

RGB 238 139 93

HSL 19.03, 0.81%, 0.65%

LAB 67.6, 33.54, 40.54

 

CMYK 0 / 47 / 69 / 1

HEX #FC854E

RGB 252 133 78

HSL 18.97, 0.97%, 0.65%

LAB 68.04, 41.16, 49.22

 

CMYK 0 / 35 / 52 / 13

HEX #DF906B

RGB 223 144 107

HSL 19.14, 0.64%, 0.65%

LAB 67.05, 26.04, 31.97

 

CMYK 0 / 29 / 42 / 18

HEX #D1957A

RGB 209 149 122

HSL 18.62, 0.49%, 0.65%

LAB 66.87, 19.24, 23.23

 

CMYK 0 / 20 / 30 / 24

HEX #C29B88

RGB 194 155 136

HSL 19.66, 0.32%, 0.65%

LAB 67.04, 11.73, 15.47

 

CMYK 0 / 11 / 16 / 29

HEX #B4A097

RGB 180 160 151

HSL 18.62, 0.16%, 0.65%

LAB 67.34, 5.8, 7.35

 

CMYK 0 / 52 / 40 / 13

HEX #DF6B86

RGB 223 107 134

HSL 346.03, 0.64%, 0.65%

LAB 59.82, 47.86, 6.91

 

CMYK 0 / 50 / 52 / 13

HEX #DF6F6B

RGB 223 111 107

HSL 2.07, 0.64%, 0.65%

LAB 60, 43.25, 22.72

 

CMYK 0 / 36 / 52 / 13

HEX #DF8E6B

RGB 223 142 107

HSL 18.1, 0.64%, 0.65%

LAB 66.59, 27.11, 31.38

 

CMYK 0 / 22 / 52 / 13

HEX #DFAD6B

RGB 223 173 107

HSL 34.14, 0.64%, 0.65%

LAB 73.96, 10.51, 40.69

 

CMYK 0 / 9 / 52 / 13

HEX #DFCC6B

RGB 223 204 107

HSL 50.17, 0.64%, 0.65%

LAB 81.8, -5.72, 50.21

 

CMYK 0 / 54 / 79 / 20

HEX #CD5E2B

RGB 205 94 43

HSL 18.89, 0.65%, 0.49%

LAB 53.12, 41.03, 48.48

 

CMYK 0 / 45 / 66 / 15

HEX #D87649

RGB 216 118 73

HSL 18.88, 0.65%, 0.57%

LAB 59.92, 34.51, 41.22

 

CMYK 0 / 35 / 52 / 13

HEX #DF906B

RGB 223 144 107

HSL 19.14, 0.64%, 0.65%

LAB 67.05, 26.04, 31.97

 

CMYK 0 / 27 / 39 / 10

HEX #E6A98D

RGB 230 169 141

HSL 18.88, 0.64%, 0.73%

LAB 74.27, 18.88, 23.26

 

CMYK 0 / 18 / 26 / 7

HEX #EEC3AF

RGB 238 195 175

HSL 19.05, 0.65%, 0.81%

LAB 82, 12.4, 15.81

 

CMYK 0 / 36 / 52 / 12

HEX #E0906B

RGB 224 144 107

HSL 18.97, 0.65%, 0.65%

LAB 67.17, 26.44, 32.15

 

CMYK 26 / 0 / 52 / 13

HEX #A5DF6B

RGB 165 223 107

HSL 90, 0.64%, 0.65%

LAB 82.83, -37.56, 50.43

 

CMYK 52 / 47 / 0 / 13

HEX #6B77DF

RGB 107 119 223

HSL 233.79, 0.64%, 0.65%

LAB 53.65, 24.27, -54.65

 

CMYK 0 / 36 / 52 / 12

HEX #E0906B

RGB 224 144 107

HSL 18.97, 0.65%, 0.65%

LAB 67.17, 26.44, 32.15

 

CMYK 52 / 0 / 36 / 13

HEX #6BDF8E

RGB 107 223 142

HSL 138.1, 0.64%, 0.65%

LAB 80.66, -50.45, 29.92

 

CMYK 36 / 52 / 0 / 13

HEX #8E6BDF

RGB 142 107 223

HSL 258.1, 0.64%, 0.65%

LAB 53.59, 39.45, -54.59

 

CMYK 0 / 36 / 52 / 12

HEX #E0906B

RGB 224 144 107

HSL 18.97, 0.65%, 0.65%

LAB 67.17, 26.44, 32.15

 

CMYK 26 / 0 / 52 / 13

HEX #A5DF6B

RGB 165 223 107

HSL 90, 0.64%, 0.65%

LAB 82.83, -37.56, 50.43

 

CMYK 52 / 16 / 0 / 13

HEX #6BBCDF

RGB 107 188 223

HSL 198.1, 0.64%, 0.65%

LAB 72.51, -15.22, -25.13

 

CMYK 26 / 52 / 0 / 13

HEX #A56BDF

RGB 165 107 223

HSL 270, 0.64%, 0.65%

LAB 55.93, 45.22, -50.72

 

CMYK 0 / 36 / 52 / 12

HEX #E0906B

RGB 224 144 107

HSL 18.97, 0.65%, 0.65%

LAB 67.17, 26.44, 32.15

 

CMYK 42 / 0 / 52 / 13

HEX #82DF6B

RGB 130 223 107

HSL 108.1, 0.64%, 0.65%

LAB 81.06, -49.23, 47.89

 

CMYK 52 / 16 / 0 / 13

HEX #6BBCDF

RGB 107 188 223

HSL 198.1, 0.64%, 0.65%

LAB 72.51, -15.22, -25.13

 

CMYK 10 / 52 / 0 / 13

HEX #C86BDF

RGB 200 107 223

HSL 288.1, 0.64%, 0.65%

LAB 60, 54.45, -44.02

 

Description

Color code: HEX #E0906B | qconv.com Color code: HEX #E0906B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 144 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 144 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 52 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 52% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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