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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E08B61 it is the complementary color #1F749E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E08B61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E08B61 shade: #E58B5C, #F69D6F, #FFAF82, #FFC195 and #FFD3A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E08B61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E08B61 shade: #E08B61, #CF794E, #BE673B, #AD5528 and #9C4315

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E08B61 shade: #DF8B61, #DF6961 and #DF6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E08B61 shade: #DF8B61, #DFAD61, #DFCF61, #CEDF61 and #ACDF61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E08B61 shade matches the following richer shades: #DF8B61, #EF8652 and #FE8042

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E08B61 shade: #DF8B61, #D09070, #C1957F, #B29A8F and #A29F9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E08B61 shade: #DF617C, #DF6761, #DF8961, #DFAB61 and #DFCC61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E08B61 shade: #C75C27, #D9713E, #DF8B61, #E6A483 and #EDBDA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E08B61 shade: #E08B61, #9EDF61 and #616BDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E08B61 shade: #E08B61, #61DF89 and #8961DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E08B61 shade: #E08B61, #9EDF61, #61B7DF and #A261DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E08B61 shade: #E08B61, #78DF61, #61B7DF and #C861DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 57 / 12

HEX #E08B61

RGB 224 139 97

HSL 19.84, 0.67%, 0.63%

LAB 65.89, 28.28, 35.91

 

Complementary color

CMYK 80 / 27 / 0 / 38

HEX #1F749E

RGB 31 116 158

HSL 199.84, 0.67%, 0.37%

LAB 45.98, -9.64, -29.63

 

CMYK 0 / 39 / 60 / 10

HEX #E58B5C

RGB 229 139 92

HSL 20.58, 0.72%, 0.63%

LAB 66.44, 29.91, 39.39

 

CMYK 0 / 36 / 55 / 4

HEX #F69D6F

RGB 246 157 111

HSL 20.44, 0.88%, 0.7%

LAB 72.8, 28.63, 37.71

 

CMYK 0 / 31 / 49 / 0

HEX #FFAF82

RGB 255 175 130

HSL 21.6, 1%, 0.75%

LAB 78.19, 24.36, 34.82

 

CMYK 0 / 24 / 42 / 0

HEX #FFC195

RGB 255 193 149

HSL 24.91, 1%, 0.79%

LAB 82.68, 16.81, 30.76

 

CMYK 0 / 17 / 34 / 0

HEX #FFD3A8

RGB 255 211 168

HSL 29.66, 1%, 0.83%

LAB 87.33, 9.58, 27.09

 

CMYK 0 / 38 / 57 / 12

HEX #E08B61

RGB 224 139 97

HSL 19.84, 0.67%, 0.63%

LAB 65.89, 28.28, 35.91

 

CMYK 0 / 42 / 62 / 19

HEX #CF794E

RGB 207 121 78

HSL 20, 0.57%, 0.56%

LAB 59.43, 29.63, 37.68

 

CMYK 0 / 46 / 69 / 25

HEX #BE673B

RGB 190 103 59

HSL 20.15, 0.53%, 0.49%

LAB 52.91, 31.15, 39.59

 

CMYK 0 / 51 / 77 / 32

HEX #AD5528

RGB 173 85 40

HSL 20.3, 0.62%, 0.42%

LAB 46.36, 32.84, 41.55

 

CMYK 0 / 57 / 87 / 39

HEX #9C4315

RGB 156 67 21

HSL 20.44, 0.76%, 0.35%

LAB 39.81, 34.67, 43.25

 

CMYK 0 / 38 / 57 / 13

HEX #DF8B61

RGB 223 139 97

HSL 20, 0.66%, 0.63%

LAB 65.76, 27.88, 35.73

 

CMYK 0 / 53 / 57 / 13

HEX #DF6961

RGB 223 105 97

HSL 3.81, 0.66%, 0.63%

LAB 58.65, 45.4, 26.65

 

CMYK 0 / 57 / 57 / 13

HEX #DF6161

RGB 223 97 97

HSL 0, 0.66%, 0.63%

LAB 57.17, 49.23, 24.71

 

CMYK 0 / 38 / 57 / 13

HEX #DF8B61

RGB 223 139 97

HSL 20, 0.66%, 0.63%

LAB 65.76, 27.88, 35.73

 

CMYK 0 / 22 / 57 / 13

HEX #DFAD61

RGB 223 173 97

HSL 36.19, 0.66%, 0.63%

LAB 73.83, 9.68, 45.59

 

CMYK 0 / 7 / 57 / 13

HEX #DFCF61

RGB 223 207 97

HSL 52.38, 0.66%, 0.63%

LAB 82.47, -8.05, 55.67

 

CMYK 8 / 0 / 57 / 13

HEX #CEDF61

RGB 206 223 97

HSL 68.1, 0.66%, 0.63%

LAB 85.38, -22.88, 58.61

 

CMYK 23 / 0 / 57 / 13

HEX #ACDF61

RGB 172 223 97

HSL 84.29, 0.66%, 0.63%

LAB 83.13, -35.98, 55.45

 

CMYK 0 / 38 / 57 / 13

HEX #DF8B61

RGB 223 139 97

HSL 20, 0.66%, 0.63%

LAB 65.76, 27.88, 35.73

 

CMYK 0 / 44 / 66 / 6

HEX #EF8652

RGB 239 134 82

HSL 19.87, 0.83%, 0.63%

LAB 66.53, 35.83, 45.01

 

CMYK 0 / 50 / 74 / 0

HEX #FE8042

RGB 254 128 66

HSL 19.79, 0.99%, 0.63%

LAB 67.2, 43.84, 54.24

 

CMYK 0 / 38 / 57 / 13

HEX #DF8B61

RGB 223 139 97

HSL 20, 0.66%, 0.63%

LAB 65.76, 27.88, 35.73

 

CMYK 0 / 31 / 46 / 18

HEX #D09070

RGB 208 144 112

HSL 20, 0.51%, 0.63%

LAB 65.38, 20.49, 26.73

 

CMYK 0 / 23 / 34 / 24

HEX #C1957F

RGB 193 149 127

HSL 20, 0.35%, 0.63%

LAB 65.25, 13.44, 17.97

 

CMYK 0 / 13 / 20 / 30

HEX #B29A8F

RGB 178 154 143

HSL 18.86, 0.19%, 0.63%

LAB 65.4, 7.07, 9.04

 

CMYK 0 / 2 / 2 / 36

HEX #A29F9E

RGB 162 159 158

HSL 15, 0.02%, 0.63%

LAB 65.71, 0.9, 0.9

 

CMYK 0 / 57 / 44 / 13

HEX #DF617C

RGB 223 97 124

HSL 347.14, 0.66%, 0.63%

LAB 57.74, 51.59, 9.77

 

CMYK 0 / 54 / 57 / 13

HEX #DF6761

RGB 223 103 97

HSL 2.86, 0.66%, 0.63%

LAB 58.28, 46.37, 26.16

 

CMYK 0 / 39 / 57 / 13

HEX #DF8961

RGB 223 137 97

HSL 19.05, 0.66%, 0.63%

LAB 65.31, 28.94, 35.17

 

CMYK 0 / 23 / 57 / 13

HEX #DFAB61

RGB 223 171 97

HSL 35.24, 0.66%, 0.63%

LAB 73.34, 10.75, 45

 

CMYK 0 / 9 / 57 / 13

HEX #DFCC61

RGB 223 204 97

HSL 50.95, 0.66%, 0.63%

LAB 81.69, -6.52, 54.78

 

CMYK 0 / 54 / 80 / 22

HEX #C75C27

RGB 199 92 39

HSL 19.88, 0.67%, 0.47%

LAB 51.77, 39.56, 48.71

 

CMYK 0 / 48 / 71 / 15

HEX #D9713E

RGB 217 113 62

HSL 19.74, 0.67%, 0.55%

LAB 58.89, 36.9, 45.75

 

CMYK 0 / 38 / 57 / 13

HEX #DF8B61

RGB 223 139 97

HSL 20, 0.66%, 0.63%

LAB 65.76, 27.88, 35.73

 

CMYK 0 / 29 / 43 / 10

HEX #E6A483

RGB 230 164 131

HSL 20, 0.66%, 0.71%

LAB 72.9, 20.45, 26.82

 

CMYK 0 / 20 / 30 / 7

HEX #EDBDA6

RGB 237 189 166

HSL 19.44, 0.66%, 0.79%

LAB 80.27, 13.99, 18.17

 

CMYK 0 / 38 / 57 / 12

HEX #E08B61

RGB 224 139 97

HSL 19.84, 0.67%, 0.63%

LAB 65.89, 28.28, 35.91

 

CMYK 29 / 0 / 57 / 13

HEX #9EDF61

RGB 158 223 97

HSL 90.95, 0.66%, 0.63%

LAB 82.33, -41.05, 54.31

 

CMYK 57 / 52 / 0 / 13

HEX #616BDF

RGB 97 107 223

HSL 235.24, 0.66%, 0.63%

LAB 49.96, 29.54, -60.62

 

CMYK 0 / 38 / 57 / 12

HEX #E08B61

RGB 224 139 97

HSL 19.84, 0.67%, 0.63%

LAB 65.89, 28.28, 35.91

 

CMYK 57 / 0 / 39 / 13

HEX #61DF89

RGB 97 223 137

HSL 139.05, 0.66%, 0.63%

LAB 80.25, -53.66, 31.87

 

CMYK 39 / 57 / 0 / 13

HEX #8961DF

RGB 137 97 223

HSL 259.05, 0.66%, 0.63%

LAB 50.92, 43.91, -58.91

 

CMYK 0 / 38 / 57 / 12

HEX #E08B61

RGB 224 139 97

HSL 19.84, 0.67%, 0.63%

LAB 65.89, 28.28, 35.91

 

CMYK 29 / 0 / 57 / 13

HEX #9EDF61

RGB 158 223 97

HSL 90.95, 0.66%, 0.63%

LAB 82.33, -41.05, 54.31

 

CMYK 57 / 18 / 0 / 13

HEX #61B7DF

RGB 97 183 223

HSL 199.05, 0.66%, 0.63%

LAB 70.69, -14.65, -27.96

 

CMYK 27 / 57 / 0 / 13

HEX #A261DF

RGB 162 97 223

HSL 270.95, 0.66%, 0.63%

LAB 53.56, 49.81, -54.53

 

CMYK 0 / 38 / 57 / 12

HEX #E08B61

RGB 224 139 97

HSL 19.84, 0.67%, 0.63%

LAB 65.89, 28.28, 35.91

 

CMYK 46 / 0 / 57 / 13

HEX #78DF61

RGB 120 223 97

HSL 109.05, 0.66%, 0.63%

LAB 80.53, -53.36, 51.77

 

CMYK 57 / 18 / 0 / 13

HEX #61B7DF

RGB 97 183 223

HSL 199.05, 0.66%, 0.63%

LAB 70.69, -14.65, -27.96

 

CMYK 10 / 57 / 0 / 13

HEX #C861DF

RGB 200 97 223

HSL 289.05, 0.66%, 0.63%

LAB 58.19, 59.29, -46.88

 

Description

Color code: HEX #E08B61 | qconv.com Color code: HEX #E08B61 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 139 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 139 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 57 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 57% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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