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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E084C7 it is the complementary color #1F7B38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E084C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E084C7 shade: #E584C2, #F696D5, #FFA8E8, #FFBAFB and #FFCCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E084C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E084C7 shade: #E084C7, #CF72B4, #BE60A1, #AD4E8E and #9C3C7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E084C7 shade: #E084C7, #E084AE, #E08495 and #E08484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E084C7 shade: #E084C7, #E084E0, #C784E0, #AF84E0 and #9684E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E084C7 shade matches the following richer shades: #E084C7, #EC78CD and #F96BD2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E084C7 shade: #E084C7, #D490C1, #C79DBC, #BBA9B6 and #AEB6B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E084C7 shade: #C784E0, #E084E0, #E084C7, #E084AF and #E08496

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E084C7 shade: #CF42A9, #D863B8, #E084C7, #E8A5D6 and #F0C6E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E084C7 shade: #E084C7, #E0AF84 and #84E0D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E084C7 shade: #E084C7, #C7E084 and #84C7E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E084C7 shade: #E084C7, #E0AF84, #84E09D and #84B5E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E084C7 shade: #E084C7, #E0CA84, #84E09D and #849AE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 11 / 12

HEX #E084C7

RGB 224 132 199

HSL 316.3, 0.6%, 0.7%

LAB 66.88, 44.49, -19.67

 

Complementary color

CMYK 75 / 0 / 54 / 52

HEX #1F7B38

RGB 31 123 56

HSL 136.3, 0.6%, 0.3%

LAB 45.28, -41.76, 28.93

 

CMYK 0 / 42 / 15 / 10

HEX #E584C2

RGB 229 132 194

HSL 321.65, 0.65%, 0.71%

LAB 67.32, 45.31, -16.15

 

CMYK 0 / 39 / 13 / 4

HEX #F696D5

RGB 246 150 213

HSL 320.63, 0.84%, 0.78%

LAB 73.68, 44.55, -16.88

 

CMYK 0 / 34 / 9 / 0

HEX #FFA8E8

RGB 255 168 232

HSL 315.86, 1%, 0.83%

LAB 79.09, 41.23, -18.96

 

CMYK 0 / 27 / 2 / 0

HEX #FFBAFB

RGB 255 186 251

HSL 303.48, 1%, 0.86%

LAB 83.62, 35.11, -22.3

 

CMYK 0 / 20 / 0 / 0

HEX #FFCCFF

RGB 255 204 255

HSL 300, 1%, 0.9%

LAB 87.81, 26.37, -18.1

 

CMYK 0 / 41 / 11 / 12

HEX #E084C7

RGB 224 132 199

HSL 316.3, 0.6%, 0.7%

LAB 66.88, 44.49, -19.67

 

CMYK 0 / 45 / 13 / 19

HEX #CF72B4

RGB 207 114 180

HSL 317.42, 0.49%, 0.63%

LAB 60.42, 45.25, -18.95

 

CMYK 0 / 49 / 15 / 25

HEX #BE60A1

RGB 190 96 161

HSL 318.51, 0.42%, 0.56%

LAB 53.91, 45.98, -18.11

 

CMYK 0 / 55 / 18 / 32

HEX #AD4E8E

RGB 173 78 142

HSL 319.58, 0.38%, 0.49%

LAB 47.35, 46.63, -17.09

 

CMYK 0 / 62 / 21 / 39

HEX #9C3C7B

RGB 156 60 123

HSL 320.63, 0.44%, 0.42%

LAB 40.78, 47.09, -15.8

 

CMYK 0 / 41 / 11 / 12

HEX #E084C7

RGB 224 132 199

HSL 316.3, 0.6%, 0.7%

LAB 66.88, 44.49, -19.67

 

CMYK 0 / 41 / 22 / 12

HEX #E084AE

RGB 224 132 174

HSL 332.61, 0.6%, 0.7%

LAB 66.06, 40.63, -6.84

 

CMYK 0 / 41 / 33 / 12

HEX #E08495

RGB 224 132 149

HSL 348.91, 0.6%, 0.7%

LAB 65.37, 37.26, 6.29

 

CMYK 0 / 41 / 41 / 12

HEX #E08484

RGB 224 132 132

HSL 0, 0.6%, 0.7%

LAB 64.98, 35.27, 15.34

 

CMYK 0 / 41 / 11 / 12

HEX #E084C7

RGB 224 132 199

HSL 316.3, 0.6%, 0.7%

LAB 66.88, 44.49, -19.67

 

CMYK 0 / 41 / 0 / 12

HEX #E084E0

RGB 224 132 224

HSL 300, 0.6%, 0.7%

LAB 67.82, 48.8, -32.14

 

CMYK 11 / 41 / 0 / 12

HEX #C784E0

RGB 199 132 224

HSL 283.7, 0.6%, 0.7%

LAB 64.98, 41.38, -36.77

 

CMYK 22 / 41 / 0 / 12

HEX #AF84E0

RGB 175 132 224

HSL 268.04, 0.6%, 0.7%

LAB 62.51, 34.38, -40.82

 

CMYK 33 / 41 / 0 / 12

HEX #9684E0

RGB 150 132 224

HSL 251.74, 0.6%, 0.7%

LAB 60.22, 27.38, -44.58

 

CMYK 0 / 41 / 11 / 12

HEX #E084C7

RGB 224 132 199

HSL 316.3, 0.6%, 0.7%

LAB 66.88, 44.49, -19.67

 

CMYK 0 / 49 / 13 / 7

HEX #EC78CD

RGB 236 120 205

HSL 316.03, 0.75%, 0.7%

LAB 66.27, 55.19, -23.82

 

CMYK 0 / 57 / 16 / 2

HEX #F96BD2

RGB 249 107 210

HSL 316.48, 0.92%, 0.7%

LAB 65.99, 65.66, -26.9

 

CMYK 0 / 41 / 11 / 12

HEX #E084C7

RGB 224 132 199

HSL 316.3, 0.6%, 0.7%

LAB 66.88, 44.49, -19.67

 

CMYK 0 / 32 / 9 / 17

HEX #D490C1

RGB 212 144 193

HSL 316.76, 0.44%, 0.7%

LAB 67.87, 33.18, -14.95

 

CMYK 0 / 21 / 6 / 22

HEX #C79DBC

RGB 199 157 188

HSL 315.71, 0.27%, 0.7%

LAB 69.39, 20.74, -10.03

 

CMYK 0 / 10 / 3 / 27

HEX #BBA9B6

RGB 187 169 182

HSL 316.67, 0.12%, 0.7%

LAB 71.09, 8.82, -4.3

 

CMYK 4 / 0 / 3 / 29

HEX #AEB6B0

RGB 174 182 176

HSL 135, 0.05%, 0.7%

LAB 73.28, -3.92, 2.07

 

CMYK 11 / 41 / 0 / 12

HEX #C784E0

RGB 199 132 224

HSL 283.7, 0.6%, 0.7%

LAB 64.98, 41.38, -36.77

 

CMYK 0 / 41 / 0 / 12

HEX #E084E0

RGB 224 132 224

HSL 300, 0.6%, 0.7%

LAB 67.82, 48.8, -32.14

 

CMYK 0 / 41 / 11 / 12

HEX #E084C7

RGB 224 132 199

HSL 316.3, 0.6%, 0.7%

LAB 66.88, 44.49, -19.67

 

CMYK 0 / 41 / 22 / 12

HEX #E084AF

RGB 224 132 175

HSL 331.96, 0.6%, 0.7%

LAB 66.09, 40.78, -7.36

 

CMYK 0 / 41 / 33 / 12

HEX #E08496

RGB 224 132 150

HSL 348.26, 0.6%, 0.7%

LAB 65.4, 37.39, 5.76

 

CMYK 0 / 68 / 18 / 19

HEX #CF42A9

RGB 207 66 169

HSL 316.17, 0.59%, 0.54%

LAB 51.87, 65.31, -25.71

 

CMYK 0 / 54 / 15 / 15

HEX #D863B8

RGB 216 99 184

HSL 316.41, 0.6%, 0.62%

LAB 58.96, 56.02, -23.37

 

CMYK 0 / 41 / 11 / 12

HEX #E084C7

RGB 224 132 199

HSL 316.3, 0.6%, 0.7%

LAB 66.88, 44.49, -19.67

 

CMYK 0 / 29 / 8 / 9

HEX #E8A5D6

RGB 232 165 214

HSL 316.12, 0.59%, 0.78%

LAB 75.4, 32.24, -14.99

 

CMYK 0 / 18 / 5 / 6

HEX #F0C6E5

RGB 240 198 229

HSL 315.71, 0.58%, 0.86%

LAB 84.26, 19.95, -9.75

 

CMYK 0 / 41 / 11 / 12

HEX #E084C7

RGB 224 132 199

HSL 316.3, 0.6%, 0.7%

LAB 66.88, 44.49, -19.67

 

CMYK 0 / 22 / 41 / 12

HEX #E0AF84

RGB 224 175 132

HSL 28.04, 0.6%, 0.7%

LAB 74.93, 12.3, 28.88

 

CMYK 41 / 0 / 5 / 12

HEX #84E0D4

RGB 132 224 212

HSL 172.17, 0.6%, 0.7%

LAB 83.43, -30.24, -2.74

 

CMYK 0 / 41 / 11 / 12

HEX #E084C7

RGB 224 132 199

HSL 316.3, 0.6%, 0.7%

LAB 66.88, 44.49, -19.67

 

CMYK 11 / 0 / 41 / 12

HEX #C7E084

RGB 199 224 132

HSL 76.3, 0.6%, 0.7%

LAB 85.56, -22.71, 42.25

 

CMYK 41 / 11 / 0 / 12

HEX #84C7E0

RGB 132 199 224

HSL 196.3, 0.6%, 0.7%

LAB 76.76, -14.82, -19.1

 

CMYK 0 / 41 / 11 / 12

HEX #E084C7

RGB 224 132 199

HSL 316.3, 0.6%, 0.7%

LAB 66.88, 44.49, -19.67

 

CMYK 0 / 22 / 41 / 12

HEX #E0AF84

RGB 224 175 132

HSL 28.04, 0.6%, 0.7%

LAB 74.93, 12.3, 28.88

 

CMYK 41 / 0 / 30 / 12

HEX #84E09D

RGB 132 224 157

HSL 136.3, 0.6%, 0.7%

LAB 82.19, -41.62, 24.43

 

CMYK 41 / 19 / 0 / 12

HEX #84B5E0

RGB 132 181 224

HSL 208.04, 0.6%, 0.7%

LAB 71.78, -5.26, -26.69

 

CMYK 0 / 41 / 11 / 12

HEX #E084C7

RGB 224 132 199

HSL 316.3, 0.6%, 0.7%

LAB 66.88, 44.49, -19.67

 

CMYK 0 / 10 / 41 / 12

HEX #E0CA84

RGB 224 202 132

HSL 45.65, 0.6%, 0.7%

LAB 81.7, -1.91, 37.72

 

CMYK 41 / 0 / 30 / 12

HEX #84E09D

RGB 132 224 157

HSL 136.3, 0.6%, 0.7%

LAB 82.19, -41.62, 24.43

 

CMYK 41 / 31 / 0 / 12

HEX #849AE0

RGB 132 154 224

HSL 225.65, 0.6%, 0.7%

LAB 64.48, 9.85, -37.98

 

Description

Color code: HEX #E084C7 | qconv.com Color code: HEX #E084C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 132 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 132 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 11 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 11% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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