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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0722E it is the complementary color #1F8DD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0722E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0722E shade: #E57229, #F6843C, #FF964F, #FFA862 and #FFBA75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0722E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0722E shade: #E0722E, #CF601B, #BE4E08, #AD3C00 and #9C2A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0722E shade: #DF722E, #DF422E and #DF2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0722E shade: #DF722E, #DFA22E, #DFD12E, #BDDF2E and #8EDF2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0722E shade matches the following richer shades: #DF722E and #F36D1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0722E shade: #DF722E, #CC7641, #B97B55, #A57F68 and #92847C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0722E shade: #DF2E4C, #DF402E, #DF6F2E, #DF9E2E and #DFCE2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0722E shade: #A34D18, #C75E1D, #DF722E, #E58A52 and #EAA276

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0722E shade: #E0722E, #7BDF2E and #2E34DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0722E shade: #E0722E, #2EDF6F and #6F2EDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0722E shade: #E0722E, #7BDF2E, #2E9EDF and #922EDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0722E shade: #E0722E, #46DF2E, #2E9EDF and #C82EDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 79 / 12

HEX #E0722E

RGB 224 114 46

HSL 22.92, 0.74%, 0.53%

LAB 59.96, 38.49, 54.68

 

Complementary color

CMYK 85 / 33 / 0 / 18

HEX #1F8DD1

RGB 31 141 209

HSL 202.92, 0.74%, 0.47%

LAB 56.03, -5.37, -43.17

 

CMYK 0 / 50 / 82 / 10

HEX #E57229

RGB 229 114 41

HSL 23.3, 0.78%, 0.53%

LAB 60.65, 40.29, 57.67

 

CMYK 0 / 46 / 76 / 4

HEX #F6843C

RGB 246 132 60

HSL 23.23, 0.91%, 0.6%

LAB 66.84, 38.52, 56.28

 

CMYK 0 / 41 / 69 / 0

HEX #FF964F

RGB 255 150 79

HSL 24.2, 1%, 0.65%

LAB 71.99, 33.73, 53.22

 

CMYK 0 / 34 / 62 / 0

HEX #FFA862

RGB 255 168 98

HSL 26.75, 1%, 0.69%

LAB 76.16, 25.51, 48.71

 

CMYK 0 / 27 / 54 / 0

HEX #FFBA75

RGB 255 186 117

HSL 30, 1%, 0.73%

LAB 80.55, 17.49, 44.5

 

CMYK 0 / 49 / 79 / 12

HEX #E0722E

RGB 224 114 46

HSL 22.92, 0.74%, 0.53%

LAB 59.96, 38.49, 54.68

 

CMYK 0 / 54 / 87 / 19

HEX #CF601B

RGB 207 96 27

HSL 23, 0.77%, 0.46%

LAB 53.72, 40.35, 55.77

 

CMYK 0 / 59 / 96 / 25

HEX #BE4E08

RGB 190 78 8

HSL 23.08, 0.92%, 0.39%

LAB 47.51, 42.28, 55.59

 

CMYK 0 / 65 / 100 / 32

HEX #AD3C00

RGB 173 60 0

HSL 20.81, 1%, 0.34%

LAB 41.4, 44.17, 52.73

 

CMYK 0 / 73 / 100 / 39

HEX #9C2A00

RGB 156 42 0

HSL 16.15, 1%, 0.31%

LAB 35.45, 45.65, 47.99

 

CMYK 0 / 49 / 79 / 13

HEX #DF722E

RGB 223 114 46

HSL 23.05, 0.73%, 0.53%

LAB 59.82, 38.1, 54.5

 

CMYK 0 / 70 / 79 / 13

HEX #DF422E

RGB 223 66 46

HSL 6.78, 0.73%, 0.53%

LAB 51.59, 59.64, 46.52

 

CMYK 0 / 79 / 79 / 13

HEX #DF2E2E

RGB 223 46 46

HSL 0, 0.73%, 0.53%

LAB 49.3, 66.01, 44.23

 

CMYK 0 / 49 / 79 / 13

HEX #DF722E

RGB 223 114 46

HSL 23.05, 0.73%, 0.53%

LAB 59.82, 38.1, 54.5

 

CMYK 0 / 27 / 79 / 13

HEX #DFA22E

RGB 223 162 46

HSL 39.32, 0.73%, 0.53%

LAB 70.68, 12.71, 64.56

 

CMYK 0 / 6 / 79 / 13

HEX #DFD12E

RGB 223 209 46

HSL 55.25, 0.73%, 0.53%

LAB 82.64, -11.76, 75.2

 

CMYK 15 / 0 / 79 / 13

HEX #BDDF2E

RGB 189 223 46

HSL 71.53, 0.73%, 0.53%

LAB 83.86, -32.61, 75.29

 

CMYK 36 / 0 / 79 / 13

HEX #8EDF2E

RGB 142 223 46

HSL 87.46, 0.73%, 0.53%

LAB 81.14, -50.24, 71.82

 

CMYK 0 / 49 / 79 / 13

HEX #DF722E

RGB 223 114 46

HSL 23.05, 0.73%, 0.53%

LAB 59.82, 38.1, 54.5

 

CMYK 0 / 55 / 89 / 5

HEX #F36D1B

RGB 243 109 27

HSL 22.78, 0.9%, 0.53%

LAB 61.72, 47.75, 64.36

 

CMYK 0 / 49 / 79 / 13

HEX #DF722E

RGB 223 114 46

HSL 23.05, 0.73%, 0.53%

LAB 59.82, 38.1, 54.5

 

CMYK 0 / 42 / 68 / 20

HEX #CC7641

RGB 204 118 65

HSL 22.88, 0.58%, 0.53%

LAB 58.2, 29.2, 42.97

 

CMYK 0 / 34 / 54 / 27

HEX #B97B55

RGB 185 123 85

HSL 22.8, 0.42%, 0.53%

LAB 57.21, 20.01, 30.51

 

CMYK 0 / 23 / 37 / 35

HEX #A57F68

RGB 165 127 104

HSL 22.62, 0.25%, 0.53%

LAB 56.27, 11.44, 18.15

 

CMYK 0 / 10 / 15 / 43

HEX #92847C

RGB 146 132 124

HSL 21.82, 0.09%, 0.53%

LAB 56.16, 3.88, 6.23

 

CMYK 0 / 79 / 66 / 13

HEX #DF2E4C

RGB 223 46 76

HSL 349.83, 0.73%, 0.53%

LAB 49.69, 67.24, 27.39

 

CMYK 0 / 71 / 79 / 13

HEX #DF402E

RGB 223 64 46

HSL 6.1, 0.73%, 0.53%

LAB 51.33, 60.36, 46.26

 

CMYK 0 / 50 / 79 / 13

HEX #DF6F2E

RGB 223 111 46

HSL 22.03, 0.73%, 0.53%

LAB 59.21, 39.62, 53.92

 

CMYK 0 / 29 / 79 / 13

HEX #DF9E2E

RGB 223 158 46

HSL 37.97, 0.73%, 0.53%

LAB 69.71, 14.85, 63.67

 

CMYK 0 / 8 / 79 / 13

HEX #DFCE2E

RGB 223 206 46

HSL 54.24, 0.73%, 0.53%

LAB 81.85, -10.25, 74.51

 

CMYK 0 / 53 / 85 / 36

HEX #A34D18

RGB 163 77 24

HSL 22.88, 0.74%, 0.37%

LAB 43, 32.4, 45.19

 

CMYK 0 / 53 / 85 / 22

HEX #C75E1D

RGB 199 94 29

HSL 22.94, 0.75%, 0.45%

LAB 52.1, 38.26, 53.2

 

CMYK 0 / 49 / 79 / 13

HEX #DF722E

RGB 223 114 46

HSL 23.05, 0.73%, 0.53%

LAB 59.82, 38.1, 54.5

 

CMYK 0 / 40 / 64 / 10

HEX #E58A52

RGB 229 138 82

HSL 22.86, 0.74%, 0.61%

LAB 66.09, 29.76, 44.18

 

CMYK 0 / 31 / 50 / 8

HEX #EAA276

RGB 234 162 118

HSL 22.76, 0.73%, 0.69%

LAB 72.65, 21.82, 33.54

 

CMYK 0 / 49 / 79 / 12

HEX #E0722E

RGB 224 114 46

HSL 22.92, 0.74%, 0.53%

LAB 59.96, 38.49, 54.68

 

CMYK 45 / 0 / 79 / 13

HEX #7BDF2E

RGB 123 223 46

HSL 93.9, 0.73%, 0.53%

LAB 80.28, -56.46, 70.72

 

CMYK 79 / 77 / 0 / 13

HEX #2E34DF

RGB 46 52 223

HSL 237.97, 0.73%, 0.53%

LAB 34.73, 55.52, -85.64

 

CMYK 0 / 49 / 79 / 12

HEX #E0722E

RGB 224 114 46

HSL 22.92, 0.74%, 0.53%

LAB 59.96, 38.49, 54.68

 

CMYK 79 / 0 / 50 / 13

HEX #2EDF6F

RGB 46 223 111

HSL 142.03, 0.73%, 0.53%

LAB 78.75, -66.55, 42.63

 

CMYK 50 / 79 / 0 / 13

HEX #6F2EDF

RGB 111 46 223

HSL 262.03, 0.73%, 0.53%

LAB 39, 64.47, -78.41

 

CMYK 0 / 49 / 79 / 12

HEX #E0722E

RGB 224 114 46

HSL 22.92, 0.74%, 0.53%

LAB 59.96, 38.49, 54.68

 

CMYK 45 / 0 / 79 / 13

HEX #7BDF2E

RGB 123 223 46

HSL 93.9, 0.73%, 0.53%

LAB 80.28, -56.46, 70.72

 

CMYK 79 / 29 / 0 / 13

HEX #2E9EDF

RGB 46 158 223

HSL 202.03, 0.73%, 0.53%

LAB 61.97, -8.71, -41.63

 

CMYK 35 / 79 / 0 / 13

HEX #922EDF

RGB 146 46 223

HSL 273.9, 0.73%, 0.53%

LAB 43.35, 69.38, -71.12

 

CMYK 0 / 49 / 79 / 12

HEX #E0722E

RGB 224 114 46

HSL 22.92, 0.74%, 0.53%

LAB 59.96, 38.49, 54.68

 

CMYK 69 / 0 / 79 / 13

HEX #46DF2E

RGB 70 223 46

HSL 111.86, 0.73%, 0.53%

LAB 78.62, -69.68, 68.57

 

CMYK 79 / 29 / 0 / 13

HEX #2E9EDF

RGB 46 158 223

HSL 202.03, 0.73%, 0.53%

LAB 61.97, -8.71, -41.63

 

CMYK 10 / 79 / 0 / 13

HEX #C82EDF

RGB 200 46 223

HSL 292.2, 0.73%, 0.53%

LAB 51.34, 78.47, -57.8

 

Description

Color code: HEX #E0722E | qconv.com Color code: HEX #E0722E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 114 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 114 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 79 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 79% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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