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Color name
HEX #E0721D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0721D it is the complementary color #1F8DE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0721D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0721D shade: #E57218, #F6842B, #FF963E, #FFA851 and #FFBA64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0721D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0721D shade: #E0721D, #CF600A, #BE4E00, #AD3C00 and #9C2A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0721D shade: #E1721D, #E13D1D and #E11D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0721D shade: #E1721D, #E1A71D, #E1DC1D, #B1E11D and #7CE11D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0721D shade matches the following richer shades: #E1721D and #F67008

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0721D shade: #E1721D, #CD7531, #B87846, #A37A5B and #8F7D6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0721D shade: #E11D30, #E13E1D, #E1721D, #E1A61D and #E1DB1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0721D shade: #984D13, #BD6018, #E1721D, #E68941 and #EBA066

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0721D shade: #E0721D, #65E11D and #231DE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0721D shade: #E0721D, #1DE172 and #721DE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0721D shade: #E0721D, #65E11D, #1D8CE1 and #991DE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0721D shade: #E0721D, #2AE11D, #1D8CE1 and #D41DE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 87 / 12

HEX #E0721D

RGB 224 114 29

HSL 26.15, 0.77%, 0.5%

LAB 59.86, 38.02, 61.08

 

Complementary color

CMYK 86 / 38 / 0 / 11

HEX #1F8DE2

RGB 31 141 226

HSL 206.15, 0.77%, 0.5%

LAB 56.91, 0.95, -51.3

 

CMYK 0 / 50 / 90 / 10

HEX #E57218

RGB 229 114 24

HSL 26.34, 0.81%, 0.5%

LAB 60.57, 39.9, 63.45

 

CMYK 0 / 46 / 83 / 4

HEX #F6842B

RGB 246 132 43

HSL 26.31, 0.92%, 0.57%

LAB 66.73, 37.95, 63.18

 

CMYK 0 / 41 / 76 / 0

HEX #FF963E

RGB 255 150 62

HSL 27.36, 1%, 0.62%

LAB 71.84, 32.97, 60.78

 

CMYK 0 / 34 / 68 / 0

HEX #FFA851

RGB 255 168 81

HSL 30, 1%, 0.66%

LAB 75.98, 24.5, 56.65

 

CMYK 0 / 27 / 61 / 0

HEX #FFBA64

RGB 255 186 100

HSL 33.29, 1%, 0.7%

LAB 80.35, 16.23, 52.62

 

CMYK 0 / 49 / 87 / 12

HEX #E0721D

RGB 224 114 29

HSL 26.15, 0.77%, 0.5%

LAB 59.86, 38.02, 61.08

 

CMYK 0 / 54 / 95 / 19

HEX #CF600A

RGB 207 96 10

HSL 26.19, 0.91%, 0.43%

LAB 53.66, 40.07, 60.46

 

CMYK 0 / 59 / 100 / 25

HEX #BE4E00

RGB 190 78 0

HSL 24.63, 1%, 0.37%

LAB 47.49, 42.19, 57.57

 

CMYK 0 / 65 / 100 / 32

HEX #AD3C00

RGB 173 60 0

HSL 20.81, 1%, 0.34%

LAB 41.4, 44.17, 52.73

 

CMYK 0 / 73 / 100 / 39

HEX #9C2A00

RGB 156 42 0

HSL 16.15, 1%, 0.31%

LAB 35.45, 45.65, 47.99

 

CMYK 0 / 49 / 87 / 12

HEX #E1721D

RGB 225 114 29

HSL 26.02, 0.77%, 0.5%

LAB 60.01, 38.42, 61.25

 

CMYK 0 / 73 / 87 / 12

HEX #E13D1D

RGB 225 61 29

HSL 9.8, 0.77%, 0.5%

LAB 51.19, 61.6, 54.27

 

CMYK 0 / 87 / 87 / 12

HEX #E11D1D

RGB 225 29 29

HSL 0, 0.77%, 0.5%

LAB 48.23, 69.94, 51.94

 

CMYK 0 / 49 / 87 / 12

HEX #E1721D

RGB 225 114 29

HSL 26.02, 0.77%, 0.5%

LAB 60.01, 38.42, 61.25

 

CMYK 0 / 26 / 87 / 12

HEX #E1A71D

RGB 225 167 29

HSL 42.24, 0.77%, 0.5%

LAB 72.05, 10.44, 70.83

 

CMYK 0 / 2 / 87 / 12

HEX #E1DC1D

RGB 225 220 29

HSL 58.47, 0.77%, 0.5%

LAB 85.65, -16.81, 81.68

 

CMYK 21 / 0 / 87 / 12

HEX #B1E11D

RGB 177 225 29

HSL 74.69, 0.77%, 0.5%

LAB 83.59, -38.78, 78.59

 

CMYK 45 / 0 / 87 / 12

HEX #7CE11D

RGB 124 225 29

HSL 90.92, 0.77%, 0.5%

LAB 80.86, -57.57, 75.2

 

CMYK 0 / 49 / 87 / 12

HEX #E1721D

RGB 225 114 29

HSL 26.02, 0.77%, 0.5%

LAB 60.01, 38.42, 61.25

 

CMYK 0 / 54 / 97 / 4

HEX #F67008

RGB 246 112 8

HSL 26.22, 0.94%, 0.5%

LAB 62.68, 47.22, 69.49

 

CMYK 0 / 49 / 87 / 12

HEX #E1721D

RGB 225 114 29

HSL 26.02, 0.77%, 0.5%

LAB 60.01, 38.42, 61.25

 

CMYK 0 / 43 / 76 / 20

HEX #CD7531

RGB 205 117 49

HSL 26.15, 0.61%, 0.5%

LAB 57.96, 29.36, 50.51

 

CMYK 0 / 35 / 62 / 28

HEX #B87846

RGB 184 120 70

HSL 26.32, 0.45%, 0.5%

LAB 56.15, 20.05, 37.33

 

CMYK 0 / 25 / 44 / 36

HEX #A37A5B

RGB 163 122 91

HSL 25.83, 0.28%, 0.5%

LAB 54.51, 11.89, 23.17

 

CMYK 0 / 13 / 22 / 44

HEX #8F7D6F

RGB 143 125 111

HSL 26.25, 0.13%, 0.5%

LAB 53.66, 4.54, 10.16

 

CMYK 0 / 87 / 79 / 12

HEX #E11D30

RGB 225 29 48

HSL 354.18, 0.77%, 0.5%

LAB 48.39, 70.4, 42.33

 

CMYK 0 / 72 / 87 / 12

HEX #E13E1D

RGB 225 62 29

HSL 10.1, 0.77%, 0.5%

LAB 51.31, 61.26, 54.37

 

CMYK 0 / 49 / 87 / 12

HEX #E1721D

RGB 225 114 29

HSL 26.02, 0.77%, 0.5%

LAB 60.01, 38.42, 61.25

 

CMYK 0 / 26 / 87 / 12

HEX #E1A61D

RGB 225 166 29

HSL 41.94, 0.77%, 0.5%

LAB 71.8, 10.97, 70.64

 

CMYK 0 / 3 / 87 / 12

HEX #E1DB1D

RGB 225 219 29

HSL 58.16, 0.77%, 0.5%

LAB 85.38, -16.32, 81.47

 

CMYK 0 / 49 / 88 / 40

HEX #984D13

RGB 152 77 19

HSL 26.17, 0.78%, 0.34%

LAB 41.26, 27.63, 45.01

 

CMYK 0 / 49 / 87 / 26

HEX #BD6018

RGB 189 96 24

HSL 26.18, 0.77%, 0.42%

LAB 50.98, 33.08, 53.48

 

CMYK 0 / 49 / 87 / 12

HEX #E1721D

RGB 225 114 29

HSL 26.02, 0.77%, 0.5%

LAB 60.01, 38.42, 61.25

 

CMYK 0 / 40 / 72 / 10

HEX #E68941

RGB 230 137 65

HSL 26.18, 0.77%, 0.58%

LAB 65.82, 29.76, 52.26

 

CMYK 0 / 32 / 57 / 8

HEX #EBA066

RGB 235 160 102

HSL 26.17, 0.77%, 0.66%

LAB 72.07, 21.93, 41.23

 

CMYK 0 / 49 / 87 / 12

HEX #E0721D

RGB 224 114 29

HSL 26.15, 0.77%, 0.5%

LAB 59.86, 38.02, 61.08

 

CMYK 55 / 0 / 87 / 12

HEX #65E11D

RGB 101 225 29

HSL 97.96, 0.77%, 0.5%

LAB 80.01, -64.17, 74.14

 

CMYK 84 / 87 / 0 / 12

HEX #231DE1

RGB 35 29 225

HSL 241.84, 0.77%, 0.5%

LAB 31.05, 65.73, -92.92

 

CMYK 0 / 49 / 87 / 12

HEX #E0721D

RGB 224 114 29

HSL 26.15, 0.77%, 0.5%

LAB 59.86, 38.02, 61.08

 

CMYK 87 / 0 / 49 / 12

HEX #1DE172

RGB 29 225 114

HSL 146.02, 0.77%, 0.5%

LAB 79.23, -68.27, 41.73

 

CMYK 49 / 87 / 0 / 12

HEX #721DE1

RGB 114 29 225

HSL 266.02, 0.77%, 0.5%

LAB 37.65, 70.88, -81.78

 

CMYK 0 / 49 / 87 / 12

HEX #E0721D

RGB 224 114 29

HSL 26.15, 0.77%, 0.5%

LAB 59.86, 38.02, 61.08

 

CMYK 55 / 0 / 87 / 12

HEX #65E11D

RGB 101 225 29

HSL 97.96, 0.77%, 0.5%

LAB 80.01, -64.17, 74.14

 

CMYK 87 / 38 / 0 / 12

HEX #1D8CE1

RGB 29 140 225

HSL 206.02, 0.77%, 0.5%

LAB 56.54, 1.04, -51.34

 

CMYK 32 / 87 / 0 / 12

HEX #991DE1

RGB 153 29 225

HSL 277.96, 0.77%, 0.5%

LAB 42.89, 75.5, -72.96

 

CMYK 0 / 49 / 87 / 12

HEX #E0721D

RGB 224 114 29

HSL 26.15, 0.77%, 0.5%

LAB 59.86, 38.02, 61.08

 

CMYK 81 / 0 / 87 / 12

HEX #2AE11D

RGB 42 225 29

HSL 116.02, 0.77%, 0.5%

LAB 78.71, -75.15, 72.5

 

CMYK 87 / 38 / 0 / 12

HEX #1D8CE1

RGB 29 140 225

HSL 206.02, 0.77%, 0.5%

LAB 56.54, 1.04, -51.34

 

CMYK 6 / 87 / 0 / 12

HEX #D41DE1

RGB 212 29 225

HSL 296.02, 0.77%, 0.5%

LAB 52.19, 84.43, -57.47

 

Description

Color code: HEX #E0721D | qconv.com Color code: HEX #E0721D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 114 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 114 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 87 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 87% 12% C M Y K

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