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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E075A0 it is the complementary color #1F8A5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E075A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E075A0 shade: #E5759B, #F687AE, #FF99C1, #FFABD4 and #FFBDE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E075A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E075A0 shade: #E075A0, #CF638D, #BE517A, #AD3F67 and #9C2D54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E075A0 shade: #DF75A0, #DF7583 and #DF7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E075A0 shade: #DF75A0, #DF75BD, #DF75D9, #C975DF and #AC75DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E075A0 shade matches the following richer shades: #DF75A0, #ED689D and #FB5A9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E075A0 shade: #DF75A0, #D283A3, #C491A5, #B79EA8 and #A9ACAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E075A0 shade: #DF75DA, #DF75BE, #DF75A2, #DF7585 and #DF8275

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E075A0 shade: #D03272, #D85489, #DF75A0, #E797B7 and #EFB9CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E075A0 shade: #E075A0, #DFC875 and #75CCDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E075A0 shade: #E075A0, #A2DF75 and #75A2DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E075A0 shade: #E075A0, #DFC875, #75DFB3 and #758CDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E075A0 shade: #E075A0, #D7DF75, #75DFB3 and #7E75DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 29 / 12

HEX #E075A0

RGB 224 117 160

HSL 335.89, 0.63%, 0.67%

LAB 62.6, 46.37, -4.02

 

Complementary color

CMYK 78 / 0 / 31 / 46

HEX #1F8A5F

RGB 31 138 95

HSL 155.89, 0.63%, 0.33%

LAB 51.03, -40.06, 14.78

 

CMYK 0 / 49 / 32 / 10

HEX #E5759B

RGB 229 117 155

HSL 339.64, 0.68%, 0.68%

LAB 63.13, 47.42, -0.29

 

CMYK 0 / 45 / 29 / 4

HEX #F687AE

RGB 246 135 174

HSL 338.92, 0.86%, 0.75%

LAB 69.45, 46.57, -1.53

 

CMYK 0 / 40 / 24 / 0

HEX #FF99C1

RGB 255 153 193

HSL 336.47, 1%, 0.8%

LAB 74.76, 43.03, -4.16

 

CMYK 0 / 33 / 17 / 0

HEX #FFABD4

RGB 255 171 212

HSL 330.71, 1%, 0.84%

LAB 79.12, 36.5, -8.09

 

CMYK 0 / 26 / 9 / 0

HEX #FFBDE7

RGB 255 189 231

HSL 321.82, 1%, 0.87%

LAB 83.67, 30.1, -11.56

 

CMYK 0 / 48 / 29 / 12

HEX #E075A0

RGB 224 117 160

HSL 335.89, 0.63%, 0.67%

LAB 62.6, 46.37, -4.02

 

CMYK 0 / 52 / 32 / 19

HEX #CF638D

RGB 207 99 141

HSL 336.67, 0.53%, 0.6%

LAB 56.2, 47.18, -2.71

 

CMYK 0 / 57 / 36 / 25

HEX #BE517A

RGB 190 81 122

HSL 337.43, 0.46%, 0.53%

LAB 49.78, 47.92, -1.16

 

CMYK 0 / 64 / 40 / 32

HEX #AD3F67

RGB 173 63 103

HSL 338.18, 0.47%, 0.46%

LAB 43.39, 48.48, 0.75

 

CMYK 0 / 71 / 46 / 39

HEX #9C2D54

RGB 156 45 84

HSL 338.92, 0.55%, 0.39%

LAB 37.09, 48.68, 3.19

 

CMYK 0 / 48 / 28 / 13

HEX #DF75A0

RGB 223 117 160

HSL 335.66, 0.62%, 0.67%

LAB 62.46, 46.04, -4.23

 

CMYK 0 / 48 / 41 / 13

HEX #DF7583

RGB 223 117 131

HSL 352.08, 0.62%, 0.67%

LAB 61.7, 42.55, 11.3

 

CMYK 0 / 48 / 48 / 13

HEX #DF7575

RGB 223 117 117

HSL 0, 0.62%, 0.67%

LAB 61.39, 41.13, 18.89

 

CMYK 0 / 48 / 28 / 13

HEX #DF75A0

RGB 223 117 160

HSL 335.66, 0.62%, 0.67%

LAB 62.46, 46.04, -4.23

 

CMYK 0 / 48 / 15 / 13

HEX #DF75BD

RGB 223 117 189

HSL 319.25, 0.62%, 0.67%

LAB 63.41, 50.2, -19.33

 

CMYK 0 / 48 / 3 / 13

HEX #DF75D9

RGB 223 117 217

HSL 303.4, 0.62%, 0.67%

LAB 64.5, 54.8, -33.41

 

CMYK 10 / 48 / 0 / 13

HEX #C975DF

RGB 201 117 223

HSL 287.55, 0.62%, 0.67%

LAB 62.06, 49.66, -40.77

 

CMYK 23 / 48 / 0 / 13

HEX #AC75DF

RGB 172 117 223

HSL 271.13, 0.62%, 0.67%

LAB 58.81, 41.62, -46.11

 

CMYK 0 / 48 / 28 / 13

HEX #DF75A0

RGB 223 117 160

HSL 335.66, 0.62%, 0.67%

LAB 62.46, 46.04, -4.23

 

CMYK 0 / 56 / 34 / 7

HEX #ED689D

RGB 237 104 157

HSL 336.09, 0.79%, 0.67%

LAB 61.95, 56.48, -3.05

 

CMYK 0 / 64 / 38 / 2

HEX #FB5A9B

RGB 251 90 155

HSL 335.78, 0.95%, 0.67%

LAB 61.82, 66.47, -1.83

 

CMYK 0 / 48 / 28 / 13

HEX #DF75A0

RGB 223 117 160

HSL 335.66, 0.62%, 0.67%

LAB 62.46, 46.04, -4.23

 

CMYK 0 / 38 / 22 / 18

HEX #D283A3

RGB 210 131 163

HSL 335.7, 0.47%, 0.67%

LAB 63.82, 34.68, -4.13

 

CMYK 0 / 26 / 16 / 23

HEX #C491A5

RGB 196 145 165

HSL 336.47, 0.3%, 0.67%

LAB 65.52, 22.33, -2.94

 

CMYK 0 / 14 / 8 / 28

HEX #B79EA8

RGB 183 158 168

HSL 336, 0.15%, 0.67%

LAB 67.54, 10.91, -1.8

 

CMYK 2 / 0 / 1 / 33

HEX #A9ACAB

RGB 169 172 171

HSL 160, 0.02%, 0.67%

LAB 70.09, -1.25, 0.13

 

CMYK 0 / 48 / 2 / 13

HEX #DF75DA

RGB 223 117 218

HSL 302.83, 0.62%, 0.67%

LAB 64.54, 54.97, -33.9

 

CMYK 0 / 48 / 15 / 13

HEX #DF75BE

RGB 223 117 190

HSL 318.68, 0.62%, 0.67%

LAB 63.45, 50.36, -19.84

 

CMYK 0 / 48 / 27 / 13

HEX #DF75A2

RGB 223 117 162

HSL 334.53, 0.62%, 0.67%

LAB 62.52, 46.31, -5.29

 

CMYK 0 / 48 / 40 / 13

HEX #DF7585

RGB 223 117 133

HSL 350.94, 0.62%, 0.67%

LAB 61.74, 42.77, 10.22

 

CMYK 0 / 42 / 48 / 13

HEX #DF8275

RGB 223 130 117

HSL 7.36, 0.62%, 0.67%

LAB 64.11, 34.4, 22.58

 

CMYK 0 / 76 / 45 / 18

HEX #D03272

RGB 208 50 114

HSL 335.7, 0.63%, 0.51%

LAB 48.14, 64.68, 1.66

 

CMYK 0 / 61 / 37 / 15

HEX #D85489

RGB 216 84 137

HSL 335.91, 0.63%, 0.59%

LAB 54.81, 56.57, -2.25

 

CMYK 0 / 48 / 28 / 13

HEX #DF75A0

RGB 223 117 160

HSL 335.66, 0.62%, 0.67%

LAB 62.46, 46.04, -4.23

 

CMYK 0 / 35 / 21 / 9

HEX #E797B7

RGB 231 151 183

HSL 336, 0.63%, 0.75%

LAB 71.24, 34.38, -4.13

 

CMYK 0 / 23 / 14 / 6

HEX #EFB9CE

RGB 239 185 206

HSL 336.67, 0.63%, 0.83%

LAB 80.46, 22.65, -3.04

 

CMYK 0 / 48 / 29 / 12

HEX #E075A0

RGB 224 117 160

HSL 335.89, 0.63%, 0.67%

LAB 62.6, 46.37, -4.02

 

CMYK 0 / 10 / 48 / 13

HEX #DFC875

RGB 223 200 117

HSL 46.98, 0.62%, 0.67%

LAB 80.89, -2.78, 44.24

 

CMYK 48 / 9 / 0 / 13

HEX #75CCDF

RGB 117 204 223

HSL 190.75, 0.62%, 0.67%

LAB 77.46, -21.25, -17.58

 

CMYK 0 / 48 / 29 / 12

HEX #E075A0

RGB 224 117 160

HSL 335.89, 0.63%, 0.67%

LAB 62.6, 46.37, -4.02

 

CMYK 27 / 0 / 48 / 13

HEX #A2DF75

RGB 162 223 117

HSL 94.53, 0.62%, 0.67%

LAB 82.78, -37.51, 45.59

 

CMYK 48 / 27 / 0 / 13

HEX #75A2DF

RGB 117 162 223

HSL 214.53, 0.62%, 0.67%

LAB 65.71, 1.26, -35.58

 

CMYK 0 / 48 / 29 / 12

HEX #E075A0

RGB 224 117 160

HSL 335.89, 0.63%, 0.67%

LAB 62.6, 46.37, -4.02

 

CMYK 0 / 10 / 48 / 13

HEX #DFC875

RGB 223 200 117

HSL 46.98, 0.62%, 0.67%

LAB 80.89, -2.78, 44.24

 

CMYK 48 / 0 / 20 / 13

HEX #75DFB3

RGB 117 223 179

HSL 155.09, 0.62%, 0.67%

LAB 81.74, -40.86, 12.19

 

CMYK 48 / 37 / 0 / 13

HEX #758CDF

RGB 117 140 223

HSL 226.98, 0.62%, 0.67%

LAB 59.77, 13.98, -44.9

 

CMYK 0 / 48 / 29 / 12

HEX #E075A0

RGB 224 117 160

HSL 335.89, 0.63%, 0.67%

LAB 62.6, 46.37, -4.02

 

CMYK 4 / 0 / 48 / 13

HEX #D7DF75

RGB 215 223 117

HSL 64.53, 0.62%, 0.67%

LAB 86.26, -17.6, 50.63

 

CMYK 48 / 0 / 20 / 13

HEX #75DFB3

RGB 117 223 179

HSL 155.09, 0.62%, 0.67%

LAB 81.74, -40.86, 12.19

 

CMYK 43 / 48 / 0 / 13

HEX #7E75DF

RGB 126 117 223

HSL 245.09, 0.62%, 0.67%

LAB 54.54, 29.77, -53.16

 

Description

Color code: HEX #E075A0 | qconv.com Color code: HEX #E075A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 117 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 117 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 29 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 29% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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