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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E07589 it is the complementary color #1F8A76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E07589. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E07589 shade: #E57584, #F68797, #FF99AA, #FFABBD and #FFBDD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E07589. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E07589 shade: #E07589, #CF6376, #BE5163, #AD3F50 and #9C2D3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E07589 shade: #DF7589 and #DF7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E07589 shade: #DF7589, #DF75A6, #DF75C2, #DF75DF and #C375DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E07589 shade matches the following richer shades: #DF7589, #ED6881 and #FB5A78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E07589 shade: #DF7589, #D28392, #C4919A, #B79EA3 and #A9ACAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E07589 shade: #DF75C3, #DF75A7, #DF758B, #DF7C75 and #DF9975

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E07589 shade: #D03250, #D8546C, #DF7589, #E797A6 and #EFB9C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E07589 shade: #E07589, #DFDF75 and #75B5DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E07589 shade: #E07589, #8BDF75 and #758BDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E07589 shade: #E07589, #DFDF75, #75DFCA and #7575DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E07589 shade: #E07589, #C0DF75, #75DFCA and #9575DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 39 / 12

HEX #E07589

RGB 224 117 137

HSL 348.79, 0.63%, 0.67%

LAB 61.98, 43.57, 8.27

 

Complementary color

CMYK 78 / 0 / 14 / 46

HEX #1F8A76

RGB 31 138 118

HSL 168.79, 0.63%, 0.33%

LAB 51.58, -34.2, 2.31

 

CMYK 0 / 49 / 42 / 10

HEX #E57584

RGB 229 117 132

HSL 351.96, 0.68%, 0.68%

LAB 62.55, 44.79, 12.04

 

CMYK 0 / 45 / 39 / 4

HEX #F68797

RGB 246 135 151

HSL 351.35, 0.86%, 0.75%

LAB 68.86, 43.82, 10.52

 

CMYK 0 / 40 / 33 / 0

HEX #FF99AA

RGB 255 153 170

HSL 350, 1%, 0.8%

LAB 74.15, 40.05, 7.65

 

CMYK 0 / 33 / 26 / 0

HEX #FFABBD

RGB 255 171 189

HSL 347.14, 1%, 0.84%

LAB 78.5, 33.18, 3.5

 

CMYK 0 / 26 / 18 / 0

HEX #FFBDD0

RGB 255 189 208

HSL 342.73, 1%, 0.87%

LAB 83.02, 26.47, -0.18

 

CMYK 0 / 48 / 39 / 12

HEX #E07589

RGB 224 117 137

HSL 348.79, 0.63%, 0.67%

LAB 61.98, 43.57, 8.27

 

CMYK 0 / 52 / 43 / 19

HEX #CF6376

RGB 207 99 118

HSL 349.44, 0.53%, 0.6%

LAB 55.58, 44.52, 9.89

 

CMYK 0 / 57 / 48 / 25

HEX #BE5163

RGB 190 81 99

HSL 350.09, 0.46%, 0.53%

LAB 49.17, 45.45, 11.82

 

CMYK 0 / 64 / 54 / 32

HEX #AD3F50

RGB 173 63 80

HSL 350.73, 0.47%, 0.46%

LAB 42.79, 46.24, 14.17

 

CMYK 0 / 71 / 61 / 39

HEX #9C2D3D

RGB 156 45 61

HSL 351.35, 0.55%, 0.39%

LAB 36.52, 46.73, 17.12

 

CMYK 0 / 48 / 39 / 13

HEX #DF7589

RGB 223 117 137

HSL 348.68, 0.62%, 0.67%

LAB 61.84, 43.21, 8.06

 

CMYK 0 / 48 / 48 / 13

HEX #DF7575

RGB 223 117 117

HSL 0, 0.62%, 0.67%

LAB 61.39, 41.13, 18.89

 

CMYK 0 / 48 / 39 / 13

HEX #DF7589

RGB 223 117 137

HSL 348.68, 0.62%, 0.67%

LAB 61.84, 43.21, 8.06

 

CMYK 0 / 48 / 26 / 13

HEX #DF75A6

RGB 223 117 166

HSL 332.26, 0.62%, 0.67%

LAB 62.65, 46.85, -7.39

 

CMYK 0 / 48 / 13 / 13

HEX #DF75C2

RGB 223 117 194

HSL 316.42, 0.62%, 0.67%

LAB 63.59, 50.99, -21.88

 

CMYK 0 / 48 / 0 / 13

HEX #DF75DF

RGB 223 117 223

HSL 300, 0.62%, 0.67%

LAB 64.75, 55.85, -36.36

 

CMYK 13 / 48 / 0 / 13

HEX #C375DF

RGB 195 117 223

HSL 284.15, 0.62%, 0.67%

LAB 61.35, 47.98, -41.93

 

CMYK 0 / 48 / 39 / 13

HEX #DF7589

RGB 223 117 137

HSL 348.68, 0.62%, 0.67%

LAB 61.84, 43.21, 8.06

 

CMYK 0 / 56 / 46 / 7

HEX #ED6881

RGB 237 104 129

HSL 348.72, 0.79%, 0.67%

LAB 61.21, 53.5, 12.06

 

CMYK 0 / 64 / 52 / 2

HEX #FB5A78

RGB 251 90 120

HSL 348.82, 0.95%, 0.67%

LAB 60.94, 63.28, 17.22

 

CMYK 0 / 48 / 39 / 13

HEX #DF7589

RGB 223 117 137

HSL 348.68, 0.62%, 0.67%

LAB 61.84, 43.21, 8.06

 

CMYK 0 / 38 / 30 / 18

HEX #D28392

RGB 210 131 146

HSL 348.61, 0.47%, 0.67%

LAB 63.35, 32.3, 4.86

 

CMYK 0 / 26 / 21 / 23

HEX #C4919A

RGB 196 145 154

HSL 349.41, 0.3%, 0.67%

LAB 65.22, 20.6, 2.82

 

CMYK 0 / 14 / 11 / 28

HEX #B79EA3

RGB 183 158 163

HSL 348, 0.15%, 0.67%

LAB 67.4, 10.04, 0.79

 

CMYK 2 / 0 / 1 / 33

HEX #A9ACAB

RGB 169 172 171

HSL 160, 0.02%, 0.67%

LAB 70.09, -1.25, 0.13

 

CMYK 0 / 48 / 13 / 13

HEX #DF75C3

RGB 223 117 195

HSL 315.85, 0.62%, 0.67%

LAB 63.63, 51.14, -22.39

 

CMYK 0 / 48 / 25 / 13

HEX #DF75A7

RGB 223 117 167

HSL 331.7, 0.62%, 0.67%

LAB 62.68, 46.98, -7.92

 

CMYK 0 / 48 / 38 / 13

HEX #DF758B

RGB 223 117 139

HSL 347.55, 0.62%, 0.67%

LAB 61.89, 43.44, 6.98

 

CMYK 0 / 44 / 48 / 13

HEX #DF7C75

RGB 223 124 117

HSL 3.96, 0.62%, 0.67%

LAB 62.83, 37.53, 20.85

 

CMYK 0 / 31 / 48 / 13

HEX #DF9975

RGB 223 153 117

HSL 20.38, 0.62%, 0.67%

LAB 69.29, 22.15, 29.47

 

CMYK 0 / 76 / 62 / 18

HEX #D03250

RGB 208 50 80

HSL 348.61, 0.63%, 0.51%

LAB 47.33, 62.09, 21.35

 

CMYK 0 / 61 / 50 / 15

HEX #D8546C

RGB 216 84 108

HSL 349.09, 0.63%, 0.59%

LAB 54.05, 53.67, 13.86

 

CMYK 0 / 48 / 39 / 13

HEX #DF7589

RGB 223 117 137

HSL 348.68, 0.62%, 0.67%

LAB 61.84, 43.21, 8.06

 

CMYK 0 / 35 / 28 / 9

HEX #E797A6

RGB 231 151 166

HSL 348.75, 0.63%, 0.75%

LAB 70.78, 31.97, 4.65

 

CMYK 0 / 23 / 18 / 6

HEX #EFB9C3

RGB 239 185 195

HSL 348.89, 0.63%, 0.83%

LAB 80.17, 20.94, 2.47

 

CMYK 0 / 48 / 39 / 12

HEX #E07589

RGB 224 117 137

HSL 348.79, 0.63%, 0.67%

LAB 61.98, 43.57, 8.27

 

CMYK 0 / 0 / 48 / 13

HEX #DFDF75

RGB 223 223 117

HSL 60, 0.62%, 0.67%

LAB 86.87, -14.43, 51.52

 

CMYK 48 / 19 / 0 / 13

HEX #75B5DF

RGB 117 181 223

HSL 203.77, 0.62%, 0.67%

LAB 70.98, -9.24, -27.44

 

CMYK 0 / 48 / 39 / 12

HEX #E07589

RGB 224 117 137

HSL 348.79, 0.63%, 0.67%

LAB 61.98, 43.57, 8.27

 

CMYK 38 / 0 / 48 / 13

HEX #8BDF75

RGB 139 223 117

HSL 107.55, 0.62%, 0.67%

LAB 81.59, -45.2, 43.86

 

CMYK 48 / 38 / 0 / 13

HEX #758BDF

RGB 117 139 223

HSL 227.55, 0.62%, 0.67%

LAB 59.5, 14.57, -45.31

 

CMYK 0 / 48 / 39 / 12

HEX #E07589

RGB 224 117 137

HSL 348.79, 0.63%, 0.67%

LAB 61.98, 43.57, 8.27

 

CMYK 0 / 0 / 48 / 13

HEX #DFDF75

RGB 223 223 117

HSL 60, 0.62%, 0.67%

LAB 86.87, -14.43, 51.52

 

CMYK 48 / 0 / 9 / 13

HEX #75DFCA

RGB 117 223 202

HSL 168.11, 0.62%, 0.67%

LAB 82.28, -35.72, 0.81

 

CMYK 48 / 48 / 0 / 13

HEX #7575DF

RGB 117 117 223

HSL 240, 0.62%, 0.67%

LAB 53.85, 27.68, -54.3

 

CMYK 0 / 48 / 39 / 12

HEX #E07589

RGB 224 117 137

HSL 348.79, 0.63%, 0.67%

LAB 61.98, 43.57, 8.27

 

CMYK 14 / 0 / 48 / 13

HEX #C0DF75

RGB 192 223 117

HSL 77.55, 0.62%, 0.67%

LAB 84.62, -26.52, 48.27

 

CMYK 48 / 0 / 9 / 13

HEX #75DFCA

RGB 117 223 202

HSL 168.11, 0.62%, 0.67%

LAB 82.28, -35.72, 0.81

 

CMYK 33 / 48 / 0 / 13

HEX #9575DF

RGB 149 117 223

HSL 258.11, 0.62%, 0.67%

LAB 56.53, 35.5, -49.87

 

Description

Color code: HEX #E07589 | qconv.com Color code: HEX #E07589 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 117 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 117 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 39 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 39% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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