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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E061DC it is the complementary color #1F9E23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E061DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E061DC shade: #E561D7, #F673EA, #FF85FD, #FF97FF and #FFA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E061DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E061DC shade: #E061DC, #CF4FC9, #BE3DB6, #AD2BA3 and #9C1990

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E061DC shade: #DF61DB, #DF61B9, #DF6197, #DF6175 and #DF6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E061DC shade: #DF61DB, #C161DF, #9F61DF, #7D61DF and #6161DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E061DC shade matches the following richer shades: #DF61DB, #EF52EA and #FE42F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E061DC shade: #DF61DB, #D070CD, #C17FBF, #B28FB0 and #A29EA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E061DC shade: #9E61DF, #C061DF, #DF61DD, #DF61BC and #DF619A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E061DC shade: #C727C2, #D93ED4, #DF61DB, #E683E3 and #EDA6EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E061DC shade: #E061DC, #DF7C61 and #61DFAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E061DC shade: #E061DC, #DDDF61 and #61DDDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E061DC shade: #E061DC, #DF7C61, #61DF63 and #61C4DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E061DC shade: #E061DC, #DFA261, #61DF63 and #619EDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 2 / 12

HEX #E061DC

RGB 224 97 220

HSL 301.89, 0.67%, 0.63%

LAB 61.28, 64.9, -40.11

 

Complementary color

CMYK 80 / 0 / 78 / 38

HEX #1F9E23

RGB 31 158 35

HSL 121.89, 0.67%, 0.37%

LAB 56.94, -56.17, 50.95

 

CMYK 0 / 58 / 6 / 10

HEX #E561D7

RGB 229 97 215

HSL 306.36, 0.72%, 0.64%

LAB 61.75, 65.38, -36.5

 

CMYK 0 / 53 / 5 / 4

HEX #F673EA

RGB 246 115 234

HSL 305.5, 0.88%, 0.71%

LAB 67.87, 64.99, -37.38

 

CMYK 0 / 48 / 1 / 0

HEX #FF85FD

RGB 255 133 253

HSL 300.98, 1%, 0.76%

LAB 72.98, 62.26, -39.75

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 57 / 2 / 12

HEX #E061DC

RGB 224 97 220

HSL 301.89, 0.67%, 0.63%

LAB 61.28, 64.9, -40.11

 

CMYK 0 / 62 / 3 / 19

HEX #CF4FC9

RGB 207 79 201

HSL 302.81, 0.57%, 0.56%

LAB 55.15, 65.09, -39.13

 

CMYK 0 / 68 / 4 / 25

HEX #BE3DB6

RGB 190 61 182

HSL 303.72, 0.51%, 0.49%

LAB 49.08, 64.92, -37.87

 

CMYK 0 / 75 / 6 / 32

HEX #AD2BA3

RGB 173 43 163

HSL 304.62, 0.6%, 0.42%

LAB 43.15, 64.16, -36.2

 

CMYK 0 / 84 / 8 / 39

HEX #9C1990

RGB 156 25 144

HSL 305.5, 0.72%, 0.35%

LAB 37.44, 62.48, -33.93

 

CMYK 0 / 57 / 2 / 13

HEX #DF61DB

RGB 223 97 219

HSL 301.9, 0.66%, 0.63%

LAB 61.09, 64.48, -39.85

 

CMYK 0 / 57 / 17 / 13

HEX #DF61B9

RGB 223 97 185

HSL 318.1, 0.66%, 0.63%

LAB 59.65, 59.12, -22.79

 

CMYK 0 / 57 / 32 / 13

HEX #DF6197

RGB 223 97 151

HSL 334.29, 0.66%, 0.63%

LAB 58.48, 54.56, -4.92

 

CMYK 0 / 57 / 48 / 13

HEX #DF6175

RGB 223 97 117

HSL 350.48, 0.66%, 0.63%

LAB 57.58, 50.92, 13.63

 

CMYK 0 / 57 / 57 / 13

HEX #DF6161

RGB 223 97 97

HSL 0, 0.66%, 0.63%

LAB 57.17, 49.23, 24.71

 

CMYK 0 / 57 / 2 / 13

HEX #DF61DB

RGB 223 97 219

HSL 301.9, 0.66%, 0.63%

LAB 61.09, 64.48, -39.85

 

CMYK 13 / 57 / 0 / 13

HEX #C161DF

RGB 193 97 223

HSL 285.71, 0.66%, 0.63%

LAB 57.28, 57.52, -48.37

 

CMYK 29 / 57 / 0 / 13

HEX #9F61DF

RGB 159 97 223

HSL 269.52, 0.66%, 0.63%

LAB 53.22, 49.08, -55.09

 

CMYK 44 / 57 / 0 / 13

HEX #7D61DF

RGB 125 97 223

HSL 253.33, 0.66%, 0.63%

LAB 49.78, 41.24, -60.79

 

CMYK 57 / 57 / 0 / 13

HEX #6161DF

RGB 97 97 223

HSL 240, 0.66%, 0.63%

LAB 47.52, 35.62, -64.56

 

CMYK 0 / 57 / 2 / 13

HEX #DF61DB

RGB 223 97 219

HSL 301.9, 0.66%, 0.63%

LAB 61.09, 64.48, -39.85

 

CMYK 0 / 66 / 2 / 6

HEX #EF52EA

RGB 239 82 234

HSL 301.91, 0.83%, 0.63%

LAB 61.93, 76.82, -46.76

 

CMYK 0 / 74 / 2 / 0

HEX #FE42F8

RGB 254 66 248

HSL 301.91, 0.99%, 0.63%

LAB 63.13, 87.27, -52.5

 

CMYK 0 / 57 / 2 / 13

HEX #DF61DB

RGB 223 97 219

HSL 301.9, 0.66%, 0.63%

LAB 61.09, 64.48, -39.85

 

CMYK 0 / 46 / 1 / 18

HEX #D070CD

RGB 208 112 205

HSL 301.88, 0.51%, 0.63%

LAB 61.14, 50.83, -32.04

 

CMYK 0 / 34 / 1 / 24

HEX #C17FBF

RGB 193 127 191

HSL 301.82, 0.35%, 0.63%

LAB 61.89, 35.75, -23.11

 

CMYK 0 / 20 / 1 / 30

HEX #B28FB0

RGB 178 143 176

HSL 303.43, 0.19%, 0.63%

LAB 63.54, 18.96, -12.27

 

CMYK 0 / 2 / 0 / 36

HEX #A29EA2

RGB 162 158 162

HSL 300, 0.02%, 0.63%

LAB 65.55, 2.21, -1.57

 

CMYK 29 / 57 / 0 / 13

HEX #9E61DF

RGB 158 97 223

HSL 269.05, 0.66%, 0.63%

LAB 53.11, 48.84, -55.27

 

CMYK 14 / 57 / 0 / 13

HEX #C061DF

RGB 192 97 223

HSL 285.24, 0.66%, 0.63%

LAB 57.16, 57.27, -48.58

 

CMYK 0 / 57 / 1 / 13

HEX #DF61DD

RGB 223 97 221

HSL 300.95, 0.66%, 0.63%

LAB 61.18, 64.81, -40.82

 

CMYK 0 / 57 / 16 / 13

HEX #DF61BC

RGB 223 97 188

HSL 316.67, 0.66%, 0.63%

LAB 59.77, 59.56, -24.33

 

CMYK 0 / 57 / 31 / 13

HEX #DF619A

RGB 223 97 154

HSL 332.86, 0.66%, 0.63%

LAB 58.57, 54.93, -6.53

 

CMYK 0 / 80 / 3 / 22

HEX #C727C2

RGB 199 39 194

HSL 301.88, 0.67%, 0.47%

LAB 48.87, 75.38, -45.11

 

CMYK 0 / 71 / 2 / 15

HEX #D93ED4

RGB 217 62 212

HSL 301.94, 0.67%, 0.55%

LAB 55.02, 75.38, -45.51

 

CMYK 0 / 57 / 2 / 13

HEX #DF61DB

RGB 223 97 219

HSL 301.9, 0.66%, 0.63%

LAB 61.09, 64.48, -39.85

 

CMYK 0 / 43 / 1 / 10

HEX #E683E3

RGB 230 131 227

HSL 301.82, 0.66%, 0.71%

LAB 68.46, 51.62, -32.75

 

CMYK 0 / 30 / 1 / 7

HEX #EDA6EB

RGB 237 166 235

HSL 301.69, 0.66%, 0.79%

LAB 76.85, 37.04, -24.18

 

CMYK 0 / 57 / 2 / 12

HEX #E061DC

RGB 224 97 220

HSL 301.89, 0.67%, 0.63%

LAB 61.28, 64.9, -40.11

 

CMYK 0 / 44 / 57 / 13

HEX #DF7C61

RGB 223 124 97

HSL 12.86, 0.66%, 0.63%

LAB 62.48, 35.79, 31.58

 

CMYK 57 / 0 / 22 / 13

HEX #61DFAF

RGB 97 223 175

HSL 157.14, 0.66%, 0.63%

LAB 80.97, -46.24, 13.12

 

CMYK 0 / 57 / 2 / 12

HEX #E061DC

RGB 224 97 220

HSL 301.89, 0.67%, 0.63%

LAB 61.28, 64.9, -40.11

 

CMYK 1 / 0 / 57 / 13

HEX #DDDF61

RGB 221 223 97

HSL 60.95, 0.66%, 0.63%

LAB 86.51, -16.87, 60.18

 

CMYK 57 / 1 / 0 / 13

HEX #61DDDF

RGB 97 221 223

HSL 180.95, 0.66%, 0.63%

LAB 81.61, -33.64, -11.41

 

CMYK 0 / 57 / 2 / 12

HEX #E061DC

RGB 224 97 220

HSL 301.89, 0.67%, 0.63%

LAB 61.28, 64.9, -40.11

 

CMYK 0 / 44 / 57 / 13

HEX #DF7C61

RGB 223 124 97

HSL 12.86, 0.66%, 0.63%

LAB 62.48, 35.79, 31.58

 

CMYK 57 / 0 / 56 / 13

HEX #61DF63

RGB 97 223 99

HSL 120.95, 0.66%, 0.63%

LAB 79.74, -59.23, 49.72

 

CMYK 57 / 12 / 0 / 13

HEX #61C4DF

RGB 97 196 223

HSL 192.86, 0.66%, 0.63%

LAB 74.41, -21.4, -22.26

 

CMYK 0 / 57 / 2 / 12

HEX #E061DC

RGB 224 97 220

HSL 301.89, 0.67%, 0.63%

LAB 61.28, 64.9, -40.11

 

CMYK 0 / 27 / 57 / 13

HEX #DFA261

RGB 223 162 97

HSL 30.95, 0.66%, 0.63%

LAB 71.14, 15.56, 42.35

 

CMYK 57 / 0 / 56 / 13

HEX #61DF63

RGB 97 223 99

HSL 120.95, 0.66%, 0.63%

LAB 79.74, -59.23, 49.72

 

CMYK 57 / 29 / 0 / 13

HEX #619EDF

RGB 97 158 223

HSL 210.95, 0.66%, 0.63%

LAB 63.61, -0.92, -38.94

 

Description

Color code: HEX #E061DC | qconv.com Color code: HEX #E061DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 97 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 97 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 2 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 2% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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