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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E051B7 it is the complementary color #1FAE48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E051B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E051B7 shade: #E551B2, #F663C5, #FF75D8, #FF87EB and #FF99FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E051B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E051B7 shade: #E051B7, #CF3FA4, #BE2D91, #AD1B7E and #9C096B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E051B7 shade: #E051B7, #E05190, #E0516A and #E05151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E051B7 shade: #E051B7, #E051DD, #BC51E0, #9551E0 and #6F51E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E051B7 shade matches the following richer shades: #E051B7 and #F041BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E051B7 shade: #E051B7, #CF62B0, #BF72A9, #AE83A2 and #9E939B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E051B7 shade: #BC51E0, #E051DE, #E051B7, #E05191 and #E0516B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E051B7 shade: #BD2191, #DA2EA8, #E051B7, #E674C5 and #EC97D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E051B7 shade: #E051B7, #E09651 and #51E0CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E051B7 shade: #E051B7, #B7E051 and #51B7E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E051B7 shade: #E051B7, #E09651, #51E07A and #519BE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E051B7 shade: #E051B7, #E0C151, #51E07A and #5170E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 18 / 12

HEX #E051B7

RGB 224 81 183

HSL 317.2, 0.7%, 0.6%

LAB 57.22, 65.92, -25.36

 

Complementary color

CMYK 82 / 0 / 59 / 32

HEX #1FAE48

RGB 31 174 72

HSL 137.2, 0.7%, 0.4%

LAB 62.53, -57.51, 41.61

 

CMYK 0 / 65 / 22 / 10

HEX #E551B2

RGB 229 81 178

HSL 320.68, 0.74%, 0.61%

LAB 57.81, 66.57, -21.51

 

CMYK 0 / 60 / 20 / 4

HEX #F663C5

RGB 246 99 197

HSL 320, 0.89%, 0.68%

LAB 63.79, 66.43, -22.99

 

CMYK 0 / 54 / 15 / 0

HEX #FF75D8

RGB 255 117 216

HSL 316.96, 1%, 0.73%

LAB 68.71, 63.79, -26

 

CMYK 0 / 47 / 8 / 0

HEX #FF87EB

RGB 255 135 235

HSL 310, 1%, 0.76%

LAB 72.62, 58.31, -30.48

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FE

RGB 255 153 254

HSL 300.59, 1%, 0.8%

LAB 76.8, 52.65, -34.36

 

CMYK 0 / 64 / 18 / 12

HEX #E051B7

RGB 224 81 183

HSL 317.2, 0.7%, 0.6%

LAB 57.22, 65.92, -25.36

 

CMYK 0 / 70 / 21 / 19

HEX #CF3FA4

RGB 207 63 164

HSL 317.92, 0.6%, 0.53%

LAB 51.27, 65.72, -23.69

 

CMYK 0 / 76 / 24 / 25

HEX #BE2D91

RGB 190 45 145

HSL 318.62, 0.62%, 0.46%

LAB 45.45, 64.95, -21.56

 

CMYK 0 / 84 / 27 / 32

HEX #AD1B7E

RGB 173 27 126

HSL 319.32, 0.73%, 0.39%

LAB 39.87, 63.31, -18.79

 

CMYK 0 / 94 / 31 / 39

HEX #9C096B

RGB 156 9 107

HSL 320, 0.89%, 0.32%

LAB 34.65, 60.39, -15.15

 

CMYK 0 / 64 / 18 / 12

HEX #E051B7

RGB 224 81 183

HSL 317.2, 0.7%, 0.6%

LAB 57.22, 65.92, -25.36

 

CMYK 0 / 64 / 36 / 12

HEX #E05190

RGB 224 81 144

HSL 333.57, 0.7%, 0.6%

LAB 55.83, 61.02, -4.72

 

CMYK 0 / 64 / 53 / 12

HEX #E0516A

RGB 224 81 106

HSL 349.51, 0.7%, 0.6%

LAB 54.84, 57.38, 16.33

 

CMYK 0 / 64 / 64 / 12

HEX #E05151

RGB 224 81 81

HSL 0, 0.7%, 0.6%

LAB 54.37, 55.63, 30.38

 

CMYK 0 / 64 / 18 / 12

HEX #E051B7

RGB 224 81 183

HSL 317.2, 0.7%, 0.6%

LAB 57.22, 65.92, -25.36

 

CMYK 0 / 64 / 1 / 12

HEX #E051DD

RGB 224 81 221

HSL 301.26, 0.7%, 0.6%

LAB 58.93, 71.66, -44.36

 

CMYK 16 / 64 / 0 / 12

HEX #BC51E0

RGB 188 81 224

HSL 284.9, 0.7%, 0.6%

LAB 53.98, 63.88, -54.23

 

CMYK 33 / 64 / 0 / 12

HEX #9551E0

RGB 149 81 224

HSL 268.53, 0.7%, 0.6%

LAB 49.08, 55.3, -62.37

 

CMYK 50 / 64 / 0 / 12

HEX #6F51E0

RGB 111 81 224

HSL 252.59, 0.7%, 0.6%

LAB 45.15, 47.8, -68.93

 

CMYK 0 / 64 / 18 / 12

HEX #E051B7

RGB 224 81 183

HSL 317.2, 0.7%, 0.6%

LAB 57.22, 65.92, -25.36

 

CMYK 0 / 73 / 21 / 6

HEX #F041BE

RGB 240 65 190

HSL 317.14, 0.85%, 0.6%

LAB 58.06, 76.5, -27.89

 

CMYK 0 / 64 / 18 / 12

HEX #E051B7

RGB 224 81 183

HSL 317.2, 0.7%, 0.6%

LAB 57.22, 65.92, -25.36

 

CMYK 0 / 53 / 15 / 19

HEX #CF62B0

RGB 207 98 176

HSL 317.06, 0.53%, 0.6%

LAB 57.21, 52.59, -21.56

 

CMYK 0 / 40 / 12 / 25

HEX #BF72A9

RGB 191 114 169

HSL 317.14, 0.38%, 0.6%

LAB 58.01, 38.21, -16.49

 

CMYK 0 / 25 / 7 / 32

HEX #AE83A2

RGB 174 131 162

HSL 316.74, 0.21%, 0.6%

LAB 59.74, 21.69, -10.05

 

CMYK 0 / 7 / 2 / 38

HEX #9E939B

RGB 158 147 155

HSL 316.36, 0.05%, 0.6%

LAB 62.09, 5.55, -2.75

 

CMYK 16 / 64 / 0 / 12

HEX #BC51E0

RGB 188 81 224

HSL 284.9, 0.7%, 0.6%

LAB 53.98, 63.88, -54.23

 

CMYK 0 / 64 / 1 / 12

HEX #E051DE

RGB 224 81 222

HSL 300.84, 0.7%, 0.6%

LAB 58.98, 71.83, -44.85

 

CMYK 0 / 64 / 18 / 12

HEX #E051B7

RGB 224 81 183

HSL 317.2, 0.7%, 0.6%

LAB 57.22, 65.92, -25.36

 

CMYK 0 / 64 / 35 / 12

HEX #E05191

RGB 224 81 145

HSL 333.15, 0.7%, 0.6%

LAB 55.86, 61.13, -5.27

 

CMYK 0 / 64 / 52 / 12

HEX #E0516B

RGB 224 81 107

HSL 349.09, 0.7%, 0.6%

LAB 54.86, 57.46, 15.77

 

CMYK 0 / 83 / 23 / 26

HEX #BD2191

RGB 189 33 145

HSL 316.92, 0.7%, 0.44%

LAB 44.16, 67.9, -23.57

 

CMYK 0 / 79 / 23 / 15

HEX #DA2EA8

RGB 218 46 168

HSL 317.44, 0.7%, 0.52%

LAB 51.48, 74.08, -25.57

 

CMYK 0 / 64 / 18 / 12

HEX #E051B7

RGB 224 81 183

HSL 317.2, 0.7%, 0.6%

LAB 57.22, 65.92, -25.36

 

CMYK 0 / 50 / 14 / 10

HEX #E674C5

RGB 230 116 197

HSL 317.37, 0.7%, 0.68%

LAB 64.44, 54.08, -22.2

 

CMYK 0 / 36 / 10 / 7

HEX #EC97D4

RGB 236 151 212

HSL 316.94, 0.69%, 0.76%

LAB 72.71, 40.62, -17.92

 

CMYK 0 / 64 / 18 / 12

HEX #E051B7

RGB 224 81 183

HSL 317.2, 0.7%, 0.6%

LAB 57.22, 65.92, -25.36

 

CMYK 0 / 33 / 64 / 12

HEX #E09651

RGB 224 150 81

HSL 28.95, 0.7%, 0.6%

LAB 68.21, 21.27, 46.97

 

CMYK 64 / 0 / 8 / 12

HEX #51E0CF

RGB 81 224 207

HSL 172.87, 0.7%, 0.6%

LAB 81.6, -41.95, -2.97

 

CMYK 0 / 64 / 18 / 12

HEX #E051B7

RGB 224 81 183

HSL 317.2, 0.7%, 0.6%

LAB 57.22, 65.92, -25.36

 

CMYK 18 / 0 / 64 / 12

HEX #B7E051

RGB 183 224 81

HSL 77.2, 0.7%, 0.6%

LAB 83.95, -33.57, 63.34

 

CMYK 64 / 18 / 0 / 12

HEX #51B7E0

RGB 81 183 224

HSL 197.2, 0.7%, 0.6%

LAB 70.17, -17.27, -29.34

 

CMYK 0 / 64 / 18 / 12

HEX #E051B7

RGB 224 81 183

HSL 317.2, 0.7%, 0.6%

LAB 57.22, 65.92, -25.36

 

CMYK 0 / 33 / 64 / 12

HEX #E09651

RGB 224 150 81

HSL 28.95, 0.7%, 0.6%

LAB 68.21, 21.27, 46.97

 

CMYK 64 / 0 / 46 / 12

HEX #51E07A

RGB 81 224 122

HSL 137.2, 0.7%, 0.6%

LAB 79.88, -59.86, 38.82

 

CMYK 64 / 31 / 0 / 12

HEX #519BE0

RGB 81 155 224

HSL 208.95, 0.7%, 0.6%

LAB 62.15, -1.91, -41.83

 

CMYK 0 / 64 / 18 / 12

HEX #E051B7

RGB 224 81 183

HSL 317.2, 0.7%, 0.6%

LAB 57.22, 65.92, -25.36

 

CMYK 0 / 14 / 64 / 12

HEX #E0C151

RGB 224 193 81

HSL 46.99, 0.7%, 0.6%

LAB 78.8, -1.53, 58.76

 

CMYK 64 / 0 / 46 / 12

HEX #51E07A

RGB 81 224 122

HSL 137.2, 0.7%, 0.6%

LAB 79.88, -59.86, 38.82

 

CMYK 64 / 50 / 0 / 12

HEX #5170E0

RGB 81 112 224

HSL 226.99, 0.7%, 0.6%

LAB 50.36, 23.93, -60.59

 

Description

Color code: HEX #E051B7 | qconv.com Color code: HEX #E051B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 81 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 81 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 18 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 18% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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