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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0437D it is the complementary color #1FBC82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0437D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0437D shade: #E54378, #F6558B, #FF679E, #FF79B1 and #FF8BC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0437D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0437D shade: #E0437D, #CF316A, #BE1F57, #AD0D44 and #9C0031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0437D shade: #E0427C, #E04252 and #E04242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0437D shade: #E0427C, #E042A7, #E042D1, #C442E0 and #9942E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0437D shade matches the following richer shades: #E0427C and #F23078

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0437D shade: #E0427C, #CE5481, #BC6586, #AB778A and #99898F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0437D shade: #E042D3, #E042A9, #E0427E, #E04254 and #E05A42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0437D shade: #B31D54, #D62265, #E0427C, #E66595 and #EB89AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0437D shade: #E0437D, #E0C342 and #42BEE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0437D shade: #E0437D, #7EE042 and #427EE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0437D shade: #E0437D, #E0C342, #42E0A3 and #425FE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0437D shade: #E0437D, #CDE042, #42E0A3 and #5442E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 44 / 12

HEX #E0437D

RGB 224 67 125

HSL 337.83, 0.72%, 0.57%

LAB 53.32, 64.46, 2.88

 

Complementary color

CMYK 84 / 0 / 31 / 26

HEX #1FBC82

RGB 31 188 130

HSL 157.83, 0.72%, 0.43%

LAB 67.92, -52.08, 18.68

 

CMYK 0 / 71 / 48 / 10

HEX #E54378

RGB 229 67 120

HSL 340.37, 0.76%, 0.58%

LAB 54.06, 65.43, 7.04

 

CMYK 0 / 65 / 43 / 4

HEX #F6558B

RGB 246 85 139

HSL 339.88, 0.9%, 0.65%

LAB 59.85, 65.39, 4.5

 

CMYK 0 / 60 / 38 / 0

HEX #FF679E

RGB 255 103 158

HSL 338.29, 1%, 0.7%

LAB 64.51, 62.61, 0.45

 

CMYK 0 / 53 / 31 / 0

HEX #FF79B1

RGB 255 121 177

HSL 334.93, 1%, 0.74%

LAB 68.1, 56.7, -5.07

 

CMYK 0 / 45 / 23 / 0

HEX #FF8BC4

RGB 255 139 196

HSL 330.52, 1%, 0.77%

LAB 72.03, 50.5, -9.85

 

CMYK 0 / 70 / 44 / 12

HEX #E0437D

RGB 224 67 125

HSL 337.83, 0.72%, 0.57%

LAB 53.32, 64.46, 2.88

 

CMYK 0 / 76 / 49 / 19

HEX #CF316A

RGB 207 49 106

HSL 338.35, 0.62%, 0.5%

LAB 47.63, 64.02, 5.79

 

CMYK 0 / 84 / 54 / 25

HEX #BE1F57

RGB 190 31 87

HSL 338.87, 0.72%, 0.43%

LAB 42.18, 62.81, 9.43

 

CMYK 0 / 92 / 61 / 32

HEX #AD0D44

RGB 173 13 68

HSL 339.38, 0.86%, 0.36%

LAB 37.1, 60.49, 13.99

 

CMYK 0 / 100 / 69 / 39

HEX #9C0031

RGB 156 0 49

HSL 341.15, 1%, 0.31%

LAB 32.46, 56.84, 19.59

 

CMYK 0 / 71 / 45 / 12

HEX #E0427C

RGB 224 66 124

HSL 337.97, 0.72%, 0.57%

LAB 53.17, 64.72, 3.25

 

CMYK 0 / 71 / 63 / 12

HEX #E04252

RGB 224 66 82

HSL 353.92, 0.72%, 0.57%

LAB 52.23, 61.56, 27.09

 

CMYK 0 / 71 / 71 / 12

HEX #E04242

RGB 224 66 66

HSL 0, 0.72%, 0.57%

LAB 51.99, 60.72, 36.1

 

CMYK 0 / 71 / 45 / 12

HEX #E0427C

RGB 224 66 124

HSL 337.97, 0.72%, 0.57%

LAB 53.17, 64.72, 3.25

 

CMYK 0 / 71 / 25 / 12

HEX #E042A7

RGB 224 66 167

HSL 321.65, 0.72%, 0.57%

LAB 54.59, 69.38, -20.11

 

CMYK 0 / 71 / 7 / 12

HEX #E042D1

RGB 224 66 209

HSL 305.7, 0.72%, 0.57%

LAB 56.43, 75.15, -41.5

 

CMYK 13 / 71 / 0 / 12

HEX #C442E0

RGB 196 66 224

HSL 289.37, 0.72%, 0.57%

LAB 52.96, 71.62, -55.79

 

CMYK 32 / 71 / 0 / 12

HEX #9942E0

RGB 153 66 224

HSL 273.04, 0.72%, 0.57%

LAB 47.04, 63.09, -65.64

 

CMYK 0 / 71 / 45 / 12

HEX #E0427C

RGB 224 66 124

HSL 337.97, 0.72%, 0.57%

LAB 53.17, 64.72, 3.25

 

CMYK 0 / 80 / 50 / 5

HEX #F23078

RGB 242 48 120

HSL 337.73, 0.88%, 0.57%

LAB 54.39, 74.57, 7.83

 

CMYK 0 / 71 / 45 / 12

HEX #E0427C

RGB 224 66 124

HSL 337.97, 0.72%, 0.57%

LAB 53.17, 64.72, 3.25

 

CMYK 0 / 59 / 37 / 19

HEX #CE5481

RGB 206 84 129

HSL 337.87, 0.55%, 0.57%

LAB 53, 52.53, -0.34

 

CMYK 0 / 46 / 29 / 26

HEX #BC6586

RGB 188 101 134

HSL 337.24, 0.39%, 0.57%

LAB 53.73, 38.72, -2.54

 

CMYK 0 / 30 / 19 / 33

HEX #AB778A

RGB 171 119 138

HSL 338.08, 0.24%, 0.57%

LAB 55.77, 23.24, -2.12

 

CMYK 0 / 10 / 7 / 40

HEX #99898F

RGB 153 137 143

HSL 337.5, 0.07%, 0.57%

LAB 58.65, 7.1, -1.01

 

CMYK 0 / 71 / 6 / 12

HEX #E042D3

RGB 224 66 211

HSL 304.94, 0.72%, 0.57%

LAB 56.53, 75.45, -42.48

 

CMYK 0 / 71 / 25 / 12

HEX #E042A9

RGB 224 66 169

HSL 320.89, 0.72%, 0.57%

LAB 54.67, 69.63, -21.16

 

CMYK 0 / 71 / 44 / 12

HEX #E0427E

RGB 224 66 126

HSL 337.22, 0.72%, 0.57%

LAB 53.22, 64.91, 2.13

 

CMYK 0 / 71 / 63 / 12

HEX #E04254

RGB 224 66 84

HSL 353.16, 0.72%, 0.57%

LAB 52.27, 61.68, 25.95

 

CMYK 0 / 60 / 71 / 12

HEX #E05A42

RGB 224 90 66

HSL 9.11, 0.72%, 0.57%

LAB 55.64, 50.89, 40.32

 

CMYK 0 / 84 / 53 / 30

HEX #B31D54

RGB 179 29 84

HSL 338, 0.72%, 0.41%

LAB 39.75, 60.17, 7.6

 

CMYK 0 / 84 / 53 / 16

HEX #D62265

RGB 214 34 101

HSL 337.67, 0.73%, 0.49%

LAB 47.47, 69.31, 8.83

 

CMYK 0 / 71 / 45 / 12

HEX #E0427C

RGB 224 66 124

HSL 337.97, 0.72%, 0.57%

LAB 53.17, 64.72, 3.25

 

CMYK 0 / 56 / 35 / 10

HEX #E66595

RGB 230 101 149

HSL 337.67, 0.72%, 0.65%

LAB 60.16, 54.71, -1.17

 

CMYK 0 / 42 / 26 / 8

HEX #EB89AD

RGB 235 137 173

HSL 337.96, 0.71%, 0.73%

LAB 68.44, 41.67, -2.62

 

CMYK 0 / 70 / 44 / 12

HEX #E0437D

RGB 224 67 125

HSL 337.83, 0.72%, 0.57%

LAB 53.32, 64.46, 2.88

 

CMYK 0 / 13 / 71 / 12

HEX #E0C342

RGB 224 195 66

HSL 48.99, 0.72%, 0.57%

LAB 79.2, -3.4, 65.34

 

CMYK 71 / 15 / 0 / 12

HEX #42BEE0

RGB 66 190 224

HSL 192.91, 0.72%, 0.57%

LAB 71.8, -23.13, -26.87

 

CMYK 0 / 70 / 44 / 12

HEX #E0437D

RGB 224 67 125

HSL 337.83, 0.72%, 0.57%

LAB 53.32, 64.46, 2.88

 

CMYK 44 / 0 / 71 / 12

HEX #7EE042

RGB 126 224 66

HSL 97.22, 0.72%, 0.57%

LAB 80.82, -54.74, 64.87

 

CMYK 71 / 44 / 0 / 12

HEX #427EE0

RGB 66 126 224

HSL 217.22, 0.72%, 0.57%

LAB 53.45, 12.95, -55.66

 

CMYK 0 / 70 / 44 / 12

HEX #E0437D

RGB 224 67 125

HSL 337.83, 0.72%, 0.57%

LAB 53.32, 64.46, 2.88

 

CMYK 0 / 13 / 71 / 12

HEX #E0C342

RGB 224 195 66

HSL 48.99, 0.72%, 0.57%

LAB 79.2, -3.4, 65.34

 

CMYK 71 / 0 / 27 / 12

HEX #42E0A3

RGB 66 224 163

HSL 156.84, 0.72%, 0.57%

LAB 80.24, -54.72, 18.3

 

CMYK 71 / 58 / 0 / 12

HEX #425FE0

RGB 66 95 224

HSL 228.99, 0.72%, 0.57%

LAB 45.25, 32.34, -68.89

 

CMYK 0 / 70 / 44 / 12

HEX #E0437D

RGB 224 67 125

HSL 337.83, 0.72%, 0.57%

LAB 53.32, 64.46, 2.88

 

CMYK 8 / 0 / 71 / 12

HEX #CDE042

RGB 205 224 66

HSL 67.22, 0.72%, 0.57%

LAB 85.34, -25.76, 70.89

 

CMYK 71 / 0 / 27 / 12

HEX #42E0A3

RGB 66 224 163

HSL 156.84, 0.72%, 0.57%

LAB 80.24, -54.72, 18.3

 

CMYK 63 / 71 / 0 / 12

HEX #5442E0

RGB 84 66 224

HSL 246.84, 0.72%, 0.57%

LAB 39.85, 51.91, -77.68

 

Description

Color code: HEX #E0437D | qconv.com Color code: HEX #E0437D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 67 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 67 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 44 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 44% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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