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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E032AF it is the complementary color #1FCD50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E032AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E032AF shade: #E532AA, #F644BD, #FF56D0, #FF68E3 and #FF7AF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E032AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E032AF shade: #E032AF, #CF209C, #BE0E89, #AD0076 and #9C0063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E032AF shade: #E032AF, #E03280, #E03251 and #E03232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E032AF shade: #E032AF, #E032DE, #B332E0, #8432E0 and #5632E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E032AF shade matches the following richer shades: #E032AF and #F31FB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E032AF shade: #E032AF, #CD45A7, #BA589F, #A76B96 and #947E8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E032AF shade: #B232E0, #E032E0, #E032B2, #E03283 and #E03255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E032AF shade: #A7197F, #CB1E9A, #E032AF, #E556BD and #EB7ACB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E032AF shade: #E032AF, #E08332 and #32E0C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E032AF shade: #E032AF, #B2E032 and #32B2E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E032AF shade: #E032AF, #E08332, #32E061 and #328FE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E032AF shade: #E032AF, #E0B732, #32E061 and #325BE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 22 / 12

HEX #E032AF

RGB 224 50 175

HSL 316.9, 0.74%, 0.54%

LAB 53.19, 75.25, -26.94

 

Complementary color

CMYK 85 / 0 / 61 / 20

HEX #1FCD50

RGB 31 205 80

HSL 136.9, 0.74%, 0.46%

LAB 72.58, -66.48, 49.6

 

CMYK 0 / 78 / 26 / 10

HEX #E532AA

RGB 229 50 170

HSL 319.78, 0.77%, 0.55%

LAB 53.86, 75.78, -22.91

 

CMYK 0 / 72 / 23 / 4

HEX #F644BD

RGB 246 68 189

HSL 319.21, 0.91%, 0.62%

LAB 59.34, 76.86, -25.25

 

CMYK 0 / 66 / 18 / 0

HEX #FF56D0

RGB 255 86 208

HSL 316.69, 1%, 0.67%

LAB 63.73, 75.39, -29.19

 

CMYK 0 / 59 / 11 / 0

HEX #FF68E3

RGB 255 104 227

HSL 311.13, 1%, 0.7%

LAB 67.06, 71.05, -34.67

 

CMYK 0 / 52 / 4 / 0

HEX #FF7AF6

RGB 255 122 246

HSL 304.06, 1%, 0.74%

LAB 70.76, 66.19, -39.39

 

CMYK 0 / 78 / 22 / 12

HEX #E032AF

RGB 224 50 175

HSL 316.9, 0.74%, 0.54%

LAB 53.19, 75.25, -26.94

 

CMYK 0 / 85 / 25 / 19

HEX #CF209C

RGB 207 32 156

HSL 317.49, 0.73%, 0.47%

LAB 47.88, 73.4, -24.18

 

CMYK 0 / 93 / 28 / 25

HEX #BE0E89

RGB 190 14 137

HSL 318.07, 0.86%, 0.4%

LAB 42.86, 70.46, -20.69

 

CMYK 0 / 100 / 32 / 32

HEX #AD0076

RGB 173 0 118

HSL 319.08, 1%, 0.34%

LAB 38.19, 66.31, -16.4

 

CMYK 0 / 100 / 37 / 39

HEX #9C0063

RGB 156 0 99

HSL 321.92, 1%, 0.31%

LAB 33.92, 60.7, -11.14

 

CMYK 0 / 78 / 22 / 12

HEX #E032AF

RGB 224 50 175

HSL 316.9, 0.74%, 0.54%

LAB 53.19, 75.25, -26.94

 

CMYK 0 / 78 / 43 / 12

HEX #E03280

RGB 224 50 128

HSL 333.1, 0.74%, 0.54%

LAB 51.48, 70.15, -1.61

 

CMYK 0 / 78 / 64 / 12

HEX #E03251

RGB 224 50 81

HSL 349.31, 0.74%, 0.54%

LAB 50.36, 66.68, 25.28

 

CMYK 0 / 78 / 78 / 12

HEX #E03232

RGB 224 50 50

HSL 0, 0.74%, 0.54%

LAB 49.93, 65.31, 42.77

 

CMYK 0 / 78 / 22 / 12

HEX #E032AF

RGB 224 50 175

HSL 316.9, 0.74%, 0.54%

LAB 53.19, 75.25, -26.94

 

CMYK 0 / 78 / 1 / 12

HEX #E032DE

RGB 224 50 222

HSL 300.69, 0.74%, 0.54%

LAB 55.48, 81.77, -50.39

 

CMYK 20 / 78 / 0 / 12

HEX #B332E0

RGB 179 50 224

HSL 284.48, 0.74%, 0.54%

LAB 48.57, 73.76, -63

 

CMYK 41 / 78 / 0 / 12

HEX #8432E0

RGB 132 50 224

HSL 268.28, 0.74%, 0.54%

LAB 42.11, 66.06, -73.8

 

CMYK 62 / 78 / 0 / 12

HEX #5632E0

RGB 86 50 224

HSL 252.41, 0.74%, 0.54%

LAB 37.19, 60.14, -82.06

 

CMYK 0 / 78 / 22 / 12

HEX #E032AF

RGB 224 50 175

HSL 316.9, 0.74%, 0.54%

LAB 53.19, 75.25, -26.94

 

CMYK 0 / 87 / 25 / 5

HEX #F31FB7

RGB 243 31 183

HSL 316.98, 0.9%, 0.54%

LAB 55.54, 84.21, -27.71

 

CMYK 0 / 78 / 22 / 12

HEX #E032AF

RGB 224 50 175

HSL 316.9, 0.74%, 0.54%

LAB 53.19, 75.25, -26.94

 

CMYK 0 / 66 / 19 / 20

HEX #CD45A7

RGB 205 69 167

HSL 316.76, 0.58%, 0.54%

LAB 51.87, 63.38, -24.56

 

CMYK 0 / 53 / 15 / 27

HEX #BA589F

RGB 186 88 159

HSL 316.53, 0.42%, 0.54%

LAB 51.75, 48.4, -20.28

 

CMYK 0 / 36 / 10 / 35

HEX #A76B96

RGB 167 107 150

HSL 317, 0.25%, 0.54%

LAB 52.88, 30.58, -13.51

 

CMYK 0 / 15 / 4 / 42

HEX #947E8E

RGB 148 126 142

HSL 316.36, 0.09%, 0.54%

LAB 55.25, 11.35, -5.5

 

CMYK 21 / 78 / 0 / 12

HEX #B232E0

RGB 178 50 224

HSL 284.14, 0.74%, 0.54%

LAB 48.42, 73.59, -63.24

 

CMYK 0 / 78 / 0 / 12

HEX #E032E0

RGB 224 50 224

HSL 300, 0.74%, 0.54%

LAB 55.59, 82.07, -51.34

 

CMYK 0 / 78 / 21 / 12

HEX #E032B2

RGB 224 50 178

HSL 315.86, 0.74%, 0.54%

LAB 53.32, 75.63, -28.49

 

CMYK 0 / 78 / 42 / 12

HEX #E03283

RGB 224 50 131

HSL 332.07, 0.74%, 0.54%

LAB 51.57, 70.43, -3.28

 

CMYK 0 / 78 / 62 / 12

HEX #E03255

RGB 224 50 85

HSL 347.93, 0.74%, 0.54%

LAB 50.43, 66.91, 22.96

 

CMYK 0 / 85 / 24 / 35

HEX #A7197F

RGB 167 25 127

HSL 316.9, 0.74%, 0.38%

LAB 38.63, 62.51, -21.43

 

CMYK 0 / 85 / 24 / 20

HEX #CB1E9A

RGB 203 30 154

HSL 316.99, 0.74%, 0.46%

LAB 46.92, 72.69, -24.52

 

CMYK 0 / 78 / 22 / 12

HEX #E032AF

RGB 224 50 175

HSL 316.9, 0.74%, 0.54%

LAB 53.19, 75.25, -26.94

 

CMYK 0 / 62 / 17 / 10

HEX #E556BD

RGB 229 86 189

HSL 316.78, 0.73%, 0.62%

LAB 58.96, 66.08, -26.07

 

CMYK 0 / 48 / 14 / 8

HEX #EB7ACB

RGB 235 122 203

HSL 316.99, 0.74%, 0.7%

LAB 66.44, 53.6, -22.46

 

CMYK 0 / 78 / 22 / 12

HEX #E032AF

RGB 224 50 175

HSL 316.9, 0.74%, 0.54%

LAB 53.19, 75.25, -26.94

 

CMYK 0 / 42 / 78 / 12

HEX #E08332

RGB 224 131 50

HSL 27.93, 0.74%, 0.54%

LAB 63.6, 29.82, 56.45

 

CMYK 78 / 0 / 10 / 12

HEX #32E0C9

RGB 50 224 201

HSL 172.07, 0.74%, 0.54%

LAB 80.85, -47.48, -0.95

 

CMYK 0 / 78 / 22 / 12

HEX #E032AF

RGB 224 50 175

HSL 316.9, 0.74%, 0.54%

LAB 53.19, 75.25, -26.94

 

CMYK 21 / 0 / 78 / 12

HEX #B2E032

RGB 178 224 50

HSL 75.86, 0.74%, 0.54%

LAB 83.45, -37.25, 73.54

 

CMYK 78 / 21 / 0 / 12

HEX #32B2E0

RGB 50 178 224

HSL 195.86, 0.74%, 0.54%

LAB 67.95, -18.82, -32.84

 

CMYK 0 / 78 / 22 / 12

HEX #E032AF

RGB 224 50 175

HSL 316.9, 0.74%, 0.54%

LAB 53.19, 75.25, -26.94

 

CMYK 0 / 42 / 78 / 12

HEX #E08332

RGB 224 131 50

HSL 27.93, 0.74%, 0.54%

LAB 63.6, 29.82, 56.45

 

CMYK 78 / 0 / 57 / 12

HEX #32E061

RGB 50 224 97

HSL 136.21, 0.74%, 0.54%

LAB 78.96, -68.38, 49.45

 

CMYK 78 / 36 / 0 / 12

HEX #328FE0

RGB 50 143 224

HSL 207.93, 0.74%, 0.54%

LAB 57.76, 0.7, -48.82

 

CMYK 0 / 78 / 22 / 12

HEX #E032AF

RGB 224 50 175

HSL 316.9, 0.74%, 0.54%

LAB 53.19, 75.25, -26.94

 

CMYK 0 / 18 / 78 / 12

HEX #E0B732

RGB 224 183 50

HSL 45.86, 0.74%, 0.54%

LAB 76.04, 2.16, 68.1

 

CMYK 78 / 0 / 57 / 12

HEX #32E061

RGB 50 224 97

HSL 136.21, 0.74%, 0.54%

LAB 78.96, -68.38, 49.45

 

CMYK 78 / 59 / 0 / 12

HEX #325BE0

RGB 50 91 224

HSL 225.86, 0.74%, 0.54%

LAB 43.57, 33.06, -71.67

 

Description

Color code: HEX #E032AF | qconv.com Color code: HEX #E032AF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 50 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 50 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 22 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 22% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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