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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0305B it is the complementary color #1FCFA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0305B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0305B shade: #E53056, #F64269, #FF547C, #FF668F and #FF78A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0305B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0305B shade: #E0305B, #CF1E48, #BE0C35, #AD0022 and #9C000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0305B shade: #DF2E59 and #DF2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0305B shade: #DF2E59, #DF2E89, #DF2EB9, #D62EDF and #A62EDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0305B shade matches the following richer shades: #DF2E59 and #F31B4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0305B shade: #DF2E59, #CC4163, #B9556D, #A56877 and #927C81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0305B shade: #DF2EB9, #DF2E8A, #DF2E5A, #DF312E and #DF602E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0305B shade: #A3183A, #C71D47, #DF2E59, #E55276 and #EA7692

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0305B shade: #E0305B, #DFD62E and #2EA1DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0305B shade: #E0305B, #5ADF2E and #2E5ADF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0305B shade: #E0305B, #DFD62E, #2EDFB3 and #2E37DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0305B shade: #E0305B, #B3DF2E, #2EDFB3 and #5A2EDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 59 / 12

HEX #E0305B

RGB 224 48 91

HSL 345.34, 0.74%, 0.53%

LAB 50.35, 67.83, 19.23

 

Complementary color

CMYK 85 / 0 / 21 / 19

HEX #1FCFA4

RGB 31 207 164

HSL 165.34, 0.74%, 0.47%

LAB 74.57, -51.56, 9.71

 

CMYK 0 / 79 / 62 / 10

HEX #E53056

RGB 229 48 86

HSL 347.4, 0.78%, 0.54%

LAB 51.2, 68.89, 23.54

 

CMYK 0 / 73 / 57 / 4

HEX #F64269

RGB 246 66 105

HSL 347, 0.91%, 0.61%

LAB 56.59, 69.45, 19.94

 

CMYK 0 / 67 / 51 / 0

HEX #FF547C

RGB 255 84 124

HSL 345.96, 1%, 0.66%

LAB 60.83, 67.14, 14.85

 

CMYK 0 / 60 / 44 / 0

HEX #FF668F

RGB 255 102 143

HSL 343.92, 1%, 0.7%

LAB 63.95, 61.53, 8.26

 

CMYK 0 / 53 / 36 / 0

HEX #FF78A2

RGB 255 120 162

HSL 341.33, 1%, 0.74%

LAB 67.5, 55.41, 2.53

 

CMYK 0 / 79 / 59 / 12

HEX #E0305B

RGB 224 48 91

HSL 345.34, 0.74%, 0.53%

LAB 50.35, 67.83, 19.23

 

CMYK 0 / 86 / 65 / 19

HEX #CF1E48

RGB 207 30 72

HSL 345.76, 0.75%, 0.46%

LAB 45.17, 66.51, 23.41

 

CMYK 0 / 94 / 72 / 25

HEX #BE0C35

RGB 190 12 53

HSL 346.18, 0.88%, 0.4%

LAB 40.36, 64.12, 28.42

 

CMYK 0 / 100 / 80 / 32

HEX #AD0022

RGB 173 0 34

HSL 348.21, 1%, 0.34%

LAB 35.98, 60.5, 34.13

 

CMYK 0 / 100 / 90 / 39

HEX #9C000F

RGB 156 0 15

HSL 354.23, 1%, 0.31%

LAB 32.04, 55.71, 39.65

 

CMYK 0 / 79 / 60 / 13

HEX #DF2E59

RGB 223 46 89

HSL 345.42, 0.73%, 0.53%

LAB 49.93, 67.97, 19.84

 

CMYK 0 / 79 / 79 / 13

HEX #DF2E2E

RGB 223 46 46

HSL 0, 0.73%, 0.53%

LAB 49.3, 66.01, 44.23

 

CMYK 0 / 79 / 60 / 13

HEX #DF2E59

RGB 223 46 89

HSL 345.42, 0.73%, 0.53%

LAB 49.93, 67.97, 19.84

 

CMYK 0 / 79 / 39 / 13

HEX #DF2E89

RGB 223 46 137

HSL 329.15, 0.73%, 0.53%

LAB 51.21, 71.82, -7.45

 

CMYK 0 / 79 / 17 / 13

HEX #DF2EB9

RGB 223 46 185

HSL 312.88, 0.73%, 0.53%

LAB 53.11, 77.33, -32.92

 

CMYK 4 / 79 / 0 / 13

HEX #D62EDF

RGB 214 46 223

HSL 296.95, 0.73%, 0.53%

LAB 53.58, 81.02, -54.09

 

CMYK 26 / 79 / 0 / 13

HEX #A62EDF

RGB 166 46 223

HSL 280.68, 0.73%, 0.53%

LAB 46.16, 72.58, -66.42

 

CMYK 0 / 79 / 60 / 13

HEX #DF2E59

RGB 223 46 89

HSL 345.42, 0.73%, 0.53%

LAB 49.93, 67.97, 19.84

 

CMYK 0 / 89 / 67 / 5

HEX #F31B4F

RGB 243 27 79

HSL 345.56, 0.9%, 0.53%

LAB 52.29, 76.45, 29.69

 

CMYK 0 / 79 / 60 / 13

HEX #DF2E59

RGB 223 46 89

HSL 345.42, 0.73%, 0.53%

LAB 49.93, 67.97, 19.84

 

CMYK 0 / 68 / 51 / 20

HEX #CC4163

RGB 204 65 99

HSL 345.32, 0.58%, 0.53%

LAB 48.91, 57.01, 11.8

 

CMYK 0 / 54 / 41 / 27

HEX #B9556D

RGB 185 85 109

HSL 345.6, 0.42%, 0.53%

LAB 49.39, 42.78, 6

 

CMYK 0 / 37 / 28 / 35

HEX #A56877

RGB 165 104 119

HSL 345.25, 0.25%, 0.53%

LAB 50.96, 26.53, 1.92

 

CMYK 0 / 15 / 12 / 43

HEX #927C81

RGB 146 124 129

HSL 346.36, 0.09%, 0.53%

LAB 54.14, 9.34, 0.42

 

CMYK 0 / 79 / 17 / 13

HEX #DF2EB9

RGB 223 46 185

HSL 312.88, 0.73%, 0.53%

LAB 53.11, 77.33, -32.92

 

CMYK 0 / 79 / 38 / 13

HEX #DF2E8A

RGB 223 46 138

HSL 328.81, 0.73%, 0.53%

LAB 51.24, 71.92, -8

 

CMYK 0 / 79 / 60 / 13

HEX #DF2E5A

RGB 223 46 90

HSL 345.08, 0.73%, 0.53%

LAB 49.95, 68.04, 19.26

 

CMYK 0 / 78 / 79 / 13

HEX #DF312E

RGB 223 49 46

HSL 1.02, 0.73%, 0.53%

LAB 49.6, 65.18, 44.53

 

CMYK 0 / 57 / 79 / 13

HEX #DF602E

RGB 223 96 46

HSL 16.95, 0.73%, 0.53%

LAB 56.34, 46.95, 51.17

 

CMYK 0 / 85 / 64 / 36

HEX #A3183A

RGB 163 24 58

HSL 345.32, 0.74%, 0.37%

LAB 35.49, 55.26, 17.94

 

CMYK 0 / 85 / 64 / 22

HEX #C71D47

RGB 199 29 71

HSL 345.18, 0.75%, 0.45%

LAB 43.47, 64.57, 21.52

 

CMYK 0 / 79 / 60 / 13

HEX #DF2E59

RGB 223 46 89

HSL 345.42, 0.73%, 0.53%

LAB 49.93, 67.97, 19.84

 

CMYK 0 / 64 / 48 / 10

HEX #E55276

RGB 229 82 118

HSL 345.31, 0.74%, 0.61%

LAB 56.09, 59.55, 11.1

 

CMYK 0 / 50 / 38 / 8

HEX #EA7692

RGB 234 118 146

HSL 345.52, 0.73%, 0.69%

LAB 63.77, 47.56, 5.87

 

CMYK 0 / 79 / 59 / 12

HEX #E0305B

RGB 224 48 91

HSL 345.34, 0.74%, 0.53%

LAB 50.35, 67.83, 19.23

 

CMYK 0 / 4 / 79 / 13

HEX #DFD62E

RGB 223 214 46

HSL 56.95, 0.73%, 0.53%

LAB 83.95, -14.25, 76.35

 

CMYK 79 / 28 / 0 / 13

HEX #2EA1DF

RGB 46 161 223

HSL 201.02, 0.73%, 0.53%

LAB 62.84, -10.38, -40.25

 

CMYK 0 / 79 / 59 / 12

HEX #E0305B

RGB 224 48 91

HSL 345.34, 0.74%, 0.53%

LAB 50.35, 67.83, 19.23

 

CMYK 60 / 0 / 79 / 13

HEX #5ADF2E

RGB 90 223 46

HSL 105.08, 0.73%, 0.53%

LAB 79.13, -65.49, 69.22

 

CMYK 79 / 60 / 0 / 13

HEX #2E5ADF

RGB 46 90 223

HSL 225.08, 0.73%, 0.53%

LAB 43.09, 32.96, -71.88

 

CMYK 0 / 79 / 59 / 12

HEX #E0305B

RGB 224 48 91

HSL 345.34, 0.74%, 0.53%

LAB 50.35, 67.83, 19.23

 

CMYK 0 / 4 / 79 / 13

HEX #DFD62E

RGB 223 214 46

HSL 56.95, 0.73%, 0.53%

LAB 83.95, -14.25, 76.35

 

CMYK 79 / 0 / 20 / 13

HEX #2EDFB3

RGB 46 223 179

HSL 165.08, 0.73%, 0.53%

LAB 79.96, -53.03, 9.42

 

CMYK 79 / 75 / 0 / 13

HEX #2E37DF

RGB 46 55 223

HSL 236.95, 0.73%, 0.53%

LAB 35.28, 53.94, -84.72

 

CMYK 0 / 79 / 59 / 12

HEX #E0305B

RGB 224 48 91

HSL 345.34, 0.74%, 0.53%

LAB 50.35, 67.83, 19.23

 

CMYK 20 / 0 / 79 / 13

HEX #B3DF2E

RGB 179 223 46

HSL 74.92, 0.73%, 0.53%

LAB 83.21, -36.57, 74.46

 

CMYK 79 / 0 / 20 / 13

HEX #2EDFB3

RGB 46 223 179

HSL 165.08, 0.73%, 0.53%

LAB 79.96, -53.03, 9.42

 

CMYK 60 / 79 / 0 / 13

HEX #5A2EDF

RGB 90 46 223

HSL 254.92, 0.73%, 0.53%

LAB 36.85, 62.05, -82.04

 

Description

Color code: HEX #E0305B | qconv.com Color code: HEX #E0305B | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 48 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 48 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 59 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 59% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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