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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E03932 it is the complementary color #1FC6CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E03932. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E03932 shade: #E5392D, #F64B40, #FF5D53, #FF6F66 and #FF8179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E03932. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E03932 shade: #E03932, #CF271F, #BE150C, #AD0300 and #9C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E03932 shade: #E03932 and #E03232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E03932 shade: #E03932, #E06832, #E09732, #E0C632 and #CBE032

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E03932 shade matches the following richer shades: #E03932 and #F3281F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E03932 shade: #E03932, #CD4B45, #BA5C58, #A76E6B and #947F7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E03932 shade: #E03289, #E0325B, #E03832, #E06632 and #E09532

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E03932 shade: #A71E19, #CB251E, #E03932, #E55C56 and #EB7F7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E03932 shade: #E03932, #B7E032 and #3272E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E03932 shade: #E03932, #32E038 and #3832E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E03932 shade: #E03932, #B7E032, #32DAE0 and #5B32E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E03932 shade: #E03932, #83E032, #32DAE0 and #8F32E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 78 / 12

HEX #E03932

RGB 224 57 50

HSL 2.41, 0.74%, 0.54%

LAB 50.69, 63.17, 43.57

 

Complementary color

CMYK 85 / 3 / 0 / 20

HEX #1FC6CD

RGB 31 198 205

HSL 182.41, 0.74%, 0.46%

LAB 72.95, -36.37, -14.86

 

CMYK 0 / 75 / 80 / 10

HEX #E5392D

RGB 229 57 45

HSL 3.91, 0.78%, 0.54%

LAB 51.58, 64.51, 47.4

 

CMYK 0 / 70 / 74 / 4

HEX #F64B40

RGB 246 75 64

HSL 3.63, 0.91%, 0.61%

LAB 57.07, 64.2, 44.03

 

CMYK 0 / 64 / 67 / 0

HEX #FF5D53

RGB 255 93 83

HSL 3.49, 1%, 0.66%

LAB 61.41, 60.94, 39.04

 

CMYK 0 / 56 / 60 / 0

HEX #FF6F66

RGB 255 111 102

HSL 3.53, 1%, 0.7%

LAB 64.63, 54.23, 32.5

 

CMYK 0 / 49 / 53 / 0

HEX #FF8179

RGB 255 129 121

HSL 3.58, 1%, 0.74%

LAB 68.27, 47.12, 26.67

 

CMYK 0 / 75 / 78 / 12

HEX #E03932

RGB 224 57 50

HSL 2.41, 0.74%, 0.54%

LAB 50.69, 63.17, 43.57

 

CMYK 0 / 81 / 85 / 19

HEX #CF271F

RGB 207 39 31

HSL 2.73, 0.74%, 0.47%

LAB 45.38, 62.91, 47.16

 

CMYK 0 / 89 / 94 / 25

HEX #BE150C

RGB 190 21 12

HSL 3.03, 0.88%, 0.4%

LAB 40.43, 61.76, 50.07

 

CMYK 0 / 98 / 100 / 32

HEX #AD0300

RGB 173 3 0

HSL 1.04, 1%, 0.34%

LAB 35.89, 59.53, 50.18

 

CMYK 0 / 100 / 100 / 39

HEX #9C0000

RGB 156 0 0

HSL 0, 1%, 0.31%

LAB 31.96, 55.5, 45.93

 

CMYK 0 / 75 / 78 / 12

HEX #E03932

RGB 224 57 50

HSL 2.41, 0.74%, 0.54%

LAB 50.69, 63.17, 43.57

 

CMYK 0 / 78 / 78 / 12

HEX #E03232

RGB 224 50 50

HSL 0, 0.74%, 0.54%

LAB 49.93, 65.31, 42.77

 

CMYK 0 / 75 / 78 / 12

HEX #E03932

RGB 224 57 50

HSL 2.41, 0.74%, 0.54%

LAB 50.69, 63.17, 43.57

 

CMYK 0 / 54 / 78 / 12

HEX #E06832

RGB 224 104 50

HSL 18.62, 0.74%, 0.54%

LAB 58.02, 43.62, 51

 

CMYK 0 / 33 / 78 / 12

HEX #E09732

RGB 224 151 50

HSL 34.83, 0.74%, 0.54%

LAB 68.18, 19.17, 60.81

 

CMYK 0 / 12 / 78 / 12

HEX #E0C632

RGB 224 198 50

HSL 51.03, 0.74%, 0.54%

LAB 79.88, -5.62, 71.59

 

CMYK 9 / 0 / 78 / 12

HEX #CBE032

RGB 203 224 50

HSL 67.24, 0.74%, 0.54%

LAB 85.12, -27.28, 75.68

 

CMYK 0 / 75 / 78 / 12

HEX #E03932

RGB 224 57 50

HSL 2.41, 0.74%, 0.54%

LAB 50.69, 63.17, 43.57

 

CMYK 0 / 84 / 87 / 5

HEX #F3281F

RGB 243 40 31

HSL 2.55, 0.9%, 0.54%

LAB 52.59, 72.6, 55.99

 

CMYK 0 / 75 / 78 / 12

HEX #E03932

RGB 224 57 50

HSL 2.41, 0.74%, 0.54%

LAB 50.69, 63.17, 43.57

 

CMYK 0 / 63 / 66 / 20

HEX #CD4B45

RGB 205 75 69

HSL 2.65, 0.58%, 0.54%

LAB 50.03, 51.11, 31.23

 

CMYK 0 / 51 / 53 / 27

HEX #BA5C58

RGB 186 92 88

HSL 2.45, 0.42%, 0.54%

LAB 50.45, 37.48, 20.03

 

CMYK 0 / 34 / 36 / 35

HEX #A76E6B

RGB 167 110 107

HSL 3, 0.25%, 0.54%

LAB 52.32, 22.28, 10.99

 

CMYK 0 / 14 / 15 / 42

HEX #947F7E

RGB 148 127 126

HSL 2.73, 0.09%, 0.54%

LAB 55.05, 7.86, 3.51

 

CMYK 0 / 78 / 39 / 12

HEX #E03289

RGB 224 50 137

HSL 330, 0.74%, 0.54%

LAB 51.76, 71, -6.6

 

CMYK 0 / 78 / 59 / 12

HEX #E0325B

RGB 224 50 91

HSL 345.86, 0.74%, 0.54%

LAB 50.55, 67.27, 19.49

 

CMYK 0 / 75 / 78 / 12

HEX #E03832

RGB 224 56 50

HSL 2.07, 0.74%, 0.54%

LAB 50.58, 63.49, 43.45

 

CMYK 0 / 54 / 78 / 12

HEX #E06632

RGB 224 102 50

HSL 17.93, 0.74%, 0.54%

LAB 57.64, 44.59, 50.62

 

CMYK 0 / 33 / 78 / 12

HEX #E09532

RGB 224 149 50

HSL 34.14, 0.74%, 0.54%

LAB 67.7, 20.24, 60.37

 

CMYK 0 / 82 / 85 / 35

HEX #A71E19

RGB 167 30 25

HSL 2.11, 0.74%, 0.38%

LAB 36.39, 53.52, 39.15

 

CMYK 0 / 82 / 85 / 20

HEX #CB251E

RGB 203 37 30

HSL 2.43, 0.74%, 0.46%

LAB 44.4, 62.26, 46.48

 

CMYK 0 / 75 / 78 / 12

HEX #E03932

RGB 224 57 50

HSL 2.41, 0.74%, 0.54%

LAB 50.69, 63.17, 43.57

 

CMYK 0 / 60 / 62 / 10

HEX #E55C56

RGB 229 92 86

HSL 2.52, 0.73%, 0.62%

LAB 57.06, 52.85, 31.06

 

CMYK 0 / 46 / 48 / 8

HEX #EB7F7A

RGB 235 127 122

HSL 2.65, 0.74%, 0.7%

LAB 65.16, 40.93, 21.45

 

CMYK 0 / 75 / 78 / 12

HEX #E03932

RGB 224 57 50

HSL 2.41, 0.74%, 0.54%

LAB 50.69, 63.17, 43.57

 

CMYK 18 / 0 / 78 / 12

HEX #B7E032

RGB 183 224 50

HSL 74.14, 0.74%, 0.54%

LAB 83.76, -35.29, 73.95

 

CMYK 78 / 49 / 0 / 12

HEX #3272E0

RGB 50 114 224

HSL 217.93, 0.74%, 0.54%

LAB 49.61, 18.44, -61.86

 

CMYK 0 / 75 / 78 / 12

HEX #E03932

RGB 224 57 50

HSL 2.41, 0.74%, 0.54%

LAB 50.69, 63.17, 43.57

 

CMYK 78 / 0 / 75 / 12

HEX #32E038

RGB 50 224 56

HSL 122.07, 0.74%, 0.54%

LAB 78.62, -72.47, 65.41

 

CMYK 75 / 78 / 0 / 12

HEX #3832E0

RGB 56 50 224

HSL 242.07, 0.74%, 0.54%

LAB 35.01, 57.5, -85.73

 

CMYK 0 / 75 / 78 / 12

HEX #E03932

RGB 224 57 50

HSL 2.41, 0.74%, 0.54%

LAB 50.69, 63.17, 43.57

 

CMYK 18 / 0 / 78 / 12

HEX #B7E032

RGB 183 224 50

HSL 74.14, 0.74%, 0.54%

LAB 83.76, -35.29, 73.95

 

CMYK 78 / 3 / 0 / 12

HEX #32DAE0

RGB 50 218 224

HSL 182.07, 0.74%, 0.54%

LAB 79.73, -38.43, -14.87

 

CMYK 59 / 78 / 0 / 12

HEX #5B32E0

RGB 91 50 224

HSL 254.14, 0.74%, 0.54%

LAB 37.64, 60.69, -81.3

 

CMYK 0 / 75 / 78 / 12

HEX #E03932

RGB 224 57 50

HSL 2.41, 0.74%, 0.54%

LAB 50.69, 63.17, 43.57

 

CMYK 42 / 0 / 78 / 12

HEX #83E032

RGB 131 224 50

HSL 92.07, 0.74%, 0.54%

LAB 80.94, -54.12, 70.32

 

CMYK 78 / 3 / 0 / 12

HEX #32DAE0

RGB 50 218 224

HSL 182.07, 0.74%, 0.54%

LAB 79.73, -38.43, -14.87

 

CMYK 36 / 78 / 0 / 12

HEX #8F32E0

RGB 143 50 224

HSL 272.07, 0.74%, 0.54%

LAB 43.51, 67.74, -71.44

 

Description

Color code: HEX #E03932 | qconv.com Color code: HEX #E03932 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 57 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 57 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 78 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 78% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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