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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E01FB0 it is the complementary color #1FE04F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E01FB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E01FB0 shade: #E51FAB, #F631BE, #FF43D1, #FF55E4 and #FF67F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E01FB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E01FB0 shade: #E01FB0, #CF0D9D, #BE008A, #AD0077 and #9C0064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E01FB0 shade: #E01EB0, #E01E7B, #E01E47 and #E01E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E01FB0 shade: #E01EB0, #DC1EE0, #A81EE0, #731EE0 and #3F1EE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E01FB0 shade matches the following richer shades: #E01EB0 and #F509BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E01FB0 shade: #E01EB0, #CB33A5, #B7479B, #A25C91 and #8D7186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E01FB0 shade: #A61EE0, #D91EE0, #E01EB3, #E01E7F and #E01E4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E01FB0 shade: #971477, #BC1993, #E01EB0, #E542BC and #EA67C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E01FB0 shade: #E01FB0, #E0721E and #1EE0C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E01FB0 shade: #E01FB0, #B3E01E and #1EB3E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E01FB0 shade: #E01FB0, #E0721E, #1EE04B and #1E8CE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E01FB0 shade: #E01FB0, #E0AC1E, #1EE04B and #1E52E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 21 / 12

HEX #E01FB0

RGB 224 31 176

HSL 314.92, 0.76%, 0.5%

LAB 51.79, 79.54, -29.7

 

Complementary color

CMYK 86 / 0 / 65 / 12

HEX #1FE04F

RGB 31 224 79

HSL 134.92, 0.76%, 0.5%

LAB 78.56, -72.41, 56.74

 

CMYK 0 / 86 / 25 / 10

HEX #E51FAB

RGB 229 31 171

HSL 317.58, 0.79%, 0.51%

LAB 52.48, 79.98, -25.62

 

CMYK 0 / 80 / 23 / 4

HEX #F631BE

RGB 246 49 190

HSL 317.06, 0.92%, 0.58%

LAB 57.57, 82.18, -28.57

 

CMYK 0 / 74 / 18 / 0

HEX #FF43D1

RGB 255 67 209

HSL 314.68, 1%, 0.63%

LAB 61.55, 81.78, -33.13

 

CMYK 0 / 67 / 11 / 0

HEX #FF55E4

RGB 255 85 228

HSL 309.53, 1%, 0.67%

LAB 64.45, 78.53, -39.29

 

CMYK 0 / 60 / 3 / 0

HEX #FF67F7

RGB 255 103 247

HSL 303.16, 1%, 0.7%

LAB 67.78, 74.55, -44.6

 

CMYK 0 / 86 / 21 / 12

HEX #E01FB0

RGB 224 31 176

HSL 314.92, 0.76%, 0.5%

LAB 51.79, 79.54, -29.7

 

CMYK 0 / 94 / 24 / 19

HEX #CF0D9D

RGB 207 13 157

HSL 315.46, 0.88%, 0.43%

LAB 46.96, 76.33, -26.2

 

CMYK 0 / 100 / 27 / 25

HEX #BE008A

RGB 190 0 138

HSL 316.42, 1%, 0.37%

LAB 42.43, 71.97, -21.97

 

CMYK 0 / 100 / 31 / 32

HEX #AD0077

RGB 173 0 119

HSL 318.73, 1%, 0.34%

LAB 38.23, 66.42, -16.96

 

CMYK 0 / 100 / 36 / 39

HEX #9C0064

RGB 156 0 100

HSL 321.54, 1%, 0.31%

LAB 33.96, 60.8, -11.72

 

CMYK 0 / 87 / 21 / 12

HEX #E01EB0

RGB 224 30 176

HSL 314.85, 0.76%, 0.5%

LAB 51.74, 79.71, -29.79

 

CMYK 0 / 87 / 45 / 12

HEX #E01E7B

RGB 224 30 123

HSL 331.24, 0.76%, 0.5%

LAB 49.74, 74.25, -1.13

 

CMYK 0 / 87 / 68 / 12

HEX #E01E47

RGB 224 30 71

HSL 347.32, 0.76%, 0.5%

LAB 48.55, 70.84, 29.01

 

CMYK 0 / 87 / 87 / 12

HEX #E01E1E

RGB 224 30 30

HSL 0, 0.76%, 0.5%

LAB 48.1, 69.52, 51.28

 

CMYK 0 / 87 / 21 / 12

HEX #E01EB0

RGB 224 30 176

HSL 314.85, 0.76%, 0.5%

LAB 51.74, 79.71, -29.79

 

CMYK 2 / 87 / 0 / 12

HEX #DC1EE0

RGB 220 30 224

HSL 298.76, 0.76%, 0.5%

LAB 53.52, 85.47, -54.69

 

CMYK 25 / 87 / 0 / 12

HEX #A81EE0

RGB 168 30 224

HSL 282.68, 0.76%, 0.5%

LAB 45.13, 77.19, -68.65

 

CMYK 49 / 87 / 0 / 12

HEX #731EE0

RGB 115 30 224

HSL 266.29, 0.76%, 0.5%

LAB 37.76, 70.49, -81.01

 

CMYK 72 / 87 / 0 / 12

HEX #3F1EE0

RGB 63 30 224

HSL 250.21, 0.76%, 0.5%

LAB 32.63, 66.29, -89.67

 

CMYK 0 / 87 / 21 / 12

HEX #E01EB0

RGB 224 30 176

HSL 314.85, 0.76%, 0.5%

LAB 51.74, 79.71, -29.79

 

CMYK 0 / 96 / 24 / 4

HEX #F509BA

RGB 245 9 186

HSL 315, 0.93%, 0.5%

LAB 55.23, 87.29, -29.9

 

CMYK 0 / 87 / 21 / 12

HEX #E01EB0

RGB 224 30 176

HSL 314.85, 0.76%, 0.5%

LAB 51.74, 79.71, -29.79

 

CMYK 0 / 75 / 19 / 20

HEX #CB33A5

RGB 203 51 165

HSL 315, 0.6%, 0.5%

LAB 49.23, 68.85, -27.49

 

CMYK 0 / 61 / 15 / 28

HEX #B7479B

RGB 183 71 155

HSL 315, 0.44%, 0.5%

LAB 48.18, 54.83, -23.44

 

CMYK 0 / 43 / 10 / 36

HEX #A25C91

RGB 162 92 145

HSL 314.57, 0.28%, 0.5%

LAB 48.74, 36.29, -16.9

 

CMYK 0 / 20 / 5 / 45

HEX #8D7186

RGB 141 113 134

HSL 315, 0.11%, 0.5%

LAB 50.91, 14.77, -7.33

 

CMYK 26 / 87 / 0 / 12

HEX #A61EE0

RGB 166 30 224

HSL 282.06, 0.76%, 0.5%

LAB 44.83, 76.9, -69.16

 

CMYK 3 / 87 / 0 / 12

HEX #D91EE0

RGB 217 30 224

HSL 297.84, 0.76%, 0.5%

LAB 53.02, 84.96, -55.52

 

CMYK 0 / 87 / 20 / 12

HEX #E01EB3

RGB 224 30 179

HSL 313.92, 0.76%, 0.5%

LAB 51.87, 80.08, -31.34

 

CMYK 0 / 87 / 43 / 12

HEX #E01E7F

RGB 224 30 127

HSL 330, 0.76%, 0.5%

LAB 49.87, 74.59, -3.38

 

CMYK 0 / 87 / 67 / 12

HEX #E01E4B

RGB 224 30 75

HSL 346.08, 0.76%, 0.5%

LAB 48.62, 71.03, 26.67

 

CMYK 0 / 87 / 21 / 41

HEX #971477

RGB 151 20 119

HSL 314.66, 0.77%, 0.34%

LAB 34.83, 58.96, -22.57

 

CMYK 0 / 87 / 22 / 26

HEX #BC1993

RGB 188 25 147

HSL 315.09, 0.77%, 0.42%

LAB 43.5, 69.58, -25.83

 

CMYK 0 / 87 / 21 / 12

HEX #E01EB0

RGB 224 30 176

HSL 314.85, 0.76%, 0.5%

LAB 51.74, 79.71, -29.79

 

CMYK 0 / 71 / 18 / 10

HEX #E542BC

RGB 229 66 188

HSL 315.09, 0.76%, 0.58%

LAB 56.27, 73.32, -29.65

 

CMYK 0 / 56 / 14 / 8

HEX #EA67C9

RGB 234 103 201

HSL 315.11, 0.76%, 0.66%

LAB 62.85, 61.92, -26.84

 

CMYK 0 / 86 / 21 / 12

HEX #E01FB0

RGB 224 31 176

HSL 314.92, 0.76%, 0.5%

LAB 51.79, 79.54, -29.7

 

CMYK 0 / 49 / 87 / 12

HEX #E0721E

RGB 224 114 30

HSL 25.98, 0.76%, 0.5%

LAB 59.87, 38.04, 60.75

 

CMYK 87 / 0 / 14 / 12

HEX #1EE0C0

RGB 30 224 192

HSL 170.1, 0.76%, 0.5%

LAB 80.4, -51.41, 3.14

 

CMYK 0 / 86 / 21 / 12

HEX #E01FB0

RGB 224 31 176

HSL 314.92, 0.76%, 0.5%

LAB 51.79, 79.54, -29.7

 

CMYK 20 / 0 / 87 / 12

HEX #B3E01E

RGB 179 224 30

HSL 73.92, 0.76%, 0.5%

LAB 83.44, -37.53, 78.32

 

CMYK 87 / 20 / 0 / 12

HEX #1EB3E0

RGB 30 179 224

HSL 193.92, 0.76%, 0.5%

LAB 67.95, -20.99, -32.87

 

CMYK 0 / 86 / 21 / 12

HEX #E01FB0

RGB 224 31 176

HSL 314.92, 0.76%, 0.5%

LAB 51.79, 79.54, -29.7

 

CMYK 0 / 49 / 87 / 12

HEX #E0721E

RGB 224 114 30

HSL 25.98, 0.76%, 0.5%

LAB 59.87, 38.04, 60.75

 

CMYK 87 / 0 / 67 / 12

HEX #1EE04B

RGB 30 224 75

HSL 133.92, 0.76%, 0.5%

LAB 78.52, -72.89, 58.31

 

CMYK 87 / 38 / 0 / 12

HEX #1E8CE0

RGB 30 140 224

HSL 205.98, 0.76%, 0.5%

LAB 56.5, 0.73, -50.84

 

CMYK 0 / 86 / 21 / 12

HEX #E01FB0

RGB 224 31 176

HSL 314.92, 0.76%, 0.5%

LAB 51.79, 79.54, -29.7

 

CMYK 0 / 23 / 87 / 12

HEX #E0AC1E

RGB 224 172 30

HSL 43.92, 0.76%, 0.5%

LAB 73.18, 7.37, 71.46

 

CMYK 87 / 0 / 67 / 12

HEX #1EE04B

RGB 30 224 75

HSL 133.92, 0.76%, 0.5%

LAB 78.52, -72.89, 58.31

 

CMYK 87 / 63 / 0 / 12

HEX #1E52E0

RGB 30 82 224

HSL 223.92, 0.76%, 0.5%

LAB 40.72, 37.26, -76.35

 

Description

Color code: HEX #E01FB0 | qconv.com Color code: HEX #E01FB0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 31 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 31 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 21 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 21% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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