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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E01ACA it is the complementary color #1FE535. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E01ACA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E01ACA shade: #E51AC5, #F62CD8, #FF3EEB, #FF50FE and #FF62FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E01ACA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E01ACA shade: #E01ACA, #CF08B7, #BE00A4, #AD0091 and #9C007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E01ACA shade: #DF1AC9, #DF1A94, #DF1A5F, #DF1A2A and #DF1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E01ACA shade: #DF1AC9, #C01ADF, #8B1ADF, #551ADF and #201ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E01ACA shade matches the following richer shades: #DF1AC9 and #F306D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E01ACA shade: #DF1AC9, #CB2EB9, #B742AA, #A3569A and #8E6B8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E01ACA shade: #8A1ADF, #BE1ADF, #DF1ACB, #DF1A97 and #DF1A62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E01ACA shade: #951187, #BA15A8, #DF1AC9, #E83BD4 and #EC60DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E01ACA shade: #E01ACA, #DF551A and #1ADFA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E01ACA shade: #E01ACA, #CBDF1A and #1ACBDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E01ACA shade: #E01ACA, #DF551A, #1ADF2D and #1AA4DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E01ACA shade: #E01ACA, #DF901A, #1ADF2D and #1A69DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 10 / 12

HEX #E01ACA

RGB 224 26 202

HSL 306.67, 0.79%, 0.49%

LAB 52.79, 83.65, -43.25

 

Complementary color

CMYK 86 / 0 / 77 / 10

HEX #1FE535

RGB 31 229 53

HSL 126.67, 0.79%, 0.51%

LAB 79.95, -76.08, 67.58

 

CMYK 0 / 89 / 14 / 10

HEX #E51AC5

RGB 229 26 197

HSL 309.46, 0.8%, 0.5%

LAB 53.41, 83.92, -39.32

 

CMYK 0 / 82 / 12 / 4

HEX #F62CD8

RGB 246 44 216

HSL 308.91, 0.92%, 0.57%

LAB 58.37, 86.54, -42.18

 

CMYK 0 / 76 / 8 / 0

HEX #FF3EEB

RGB 255 62 235

HSL 306.22, 1%, 0.62%

LAB 62.26, 86.68, -46.64

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FE

RGB 255 80 254

HSL 300.34, 1%, 0.66%

LAB 65.08, 84.13, -52.7

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 88 / 10 / 12

HEX #E01ACA

RGB 224 26 202

HSL 306.67, 0.79%, 0.49%

LAB 52.79, 83.65, -43.25

 

CMYK 0 / 96 / 12 / 19

HEX #CF08B7

RGB 207 8 183

HSL 307.24, 0.93%, 0.42%

LAB 48.08, 80, -39.85

 

CMYK 0 / 100 / 14 / 25

HEX #BE00A4

RGB 190 0 164

HSL 308.21, 1%, 0.37%

LAB 43.69, 75.14, -35.73

 

CMYK 0 / 100 / 16 / 32

HEX #AD0091

RGB 173 0 145

HSL 309.71, 1%, 0.34%

LAB 39.46, 69.54, -31.14

 

CMYK 0 / 100 / 19 / 39

HEX #9C007E

RGB 156 0 126

HSL 311.54, 1%, 0.31%

LAB 35.15, 63.84, -26.39

 

CMYK 0 / 88 / 10 / 13

HEX #DF1AC9

RGB 223 26 201

HSL 306.7, 0.79%, 0.49%

LAB 52.56, 83.34, -43.05

 

CMYK 0 / 88 / 34 / 13

HEX #DF1A94

RGB 223 26 148

HSL 322.84, 0.79%, 0.49%

LAB 50.17, 77.02, -15.61

 

CMYK 0 / 88 / 57 / 13

HEX #DF1A5F

RGB 223 26 95

HSL 338.98, 0.79%, 0.49%

LAB 48.58, 72.6, 14.33

 

CMYK 0 / 88 / 81 / 13

HEX #DF1A2A

RGB 223 26 42

HSL 355.13, 0.79%, 0.49%

LAB 47.74, 70.22, 44.84

 

CMYK 0 / 88 / 88 / 13

HEX #DF1A1A

RGB 223 26 26

HSL 0, 0.79%, 0.49%

LAB 47.63, 69.88, 52.63

 

CMYK 0 / 88 / 10 / 13

HEX #DF1AC9

RGB 223 26 201

HSL 306.7, 0.79%, 0.49%

LAB 52.56, 83.34, -43.05

 

CMYK 14 / 88 / 0 / 13

HEX #C01ADF

RGB 192 26 223

HSL 290.56, 0.79%, 0.49%

LAB 48.6, 81.38, -62.28

 

CMYK 38 / 88 / 0 / 13

HEX #8B1ADF

RGB 139 26 223

HSL 274.42, 0.79%, 0.49%

LAB 40.5, 73.96, -75.82

 

CMYK 62 / 88 / 0 / 13

HEX #551ADF

RGB 85 26 223

HSL 257.97, 0.79%, 0.49%

LAB 33.98, 68.67, -86.8

 

CMYK 86 / 88 / 0 / 13

HEX #201ADF

RGB 32 26 223

HSL 241.83, 0.79%, 0.49%

LAB 30.34, 66.11, -92.96

 

CMYK 0 / 88 / 10 / 13

HEX #DF1AC9

RGB 223 26 201

HSL 306.7, 0.79%, 0.49%

LAB 52.56, 83.34, -43.05

 

CMYK 0 / 98 / 11 / 5

HEX #F306D9

RGB 243 6 217

HSL 306.58, 0.95%, 0.49%

LAB 56.28, 90.86, -46.08

 

CMYK 0 / 88 / 10 / 13

HEX #DF1AC9

RGB 223 26 201

HSL 306.7, 0.79%, 0.49%

LAB 52.56, 83.34, -43.05

 

CMYK 0 / 77 / 9 / 20

HEX #CB2EB9

RGB 203 46 185

HSL 306.88, 0.63%, 0.49%

LAB 49.68, 73.08, -38.54

 

CMYK 0 / 64 / 7 / 28

HEX #B742AA

RGB 183 66 170

HSL 306.67, 0.47%, 0.49%

LAB 48.09, 59.32, -32.46

 

CMYK 0 / 47 / 6 / 36

HEX #A3569A

RGB 163 86 154

HSL 307.01, 0.31%, 0.49%

LAB 47.98, 41.43, -23.4

 

CMYK 0 / 25 / 3 / 44

HEX #8E6B8A

RGB 142 107 138

HSL 306.86, 0.14%, 0.49%

LAB 49.62, 19.43, -11.63

 

CMYK 38 / 88 / 0 / 13

HEX #8A1ADF

RGB 138 26 223

HSL 274.11, 0.79%, 0.49%

LAB 40.36, 73.84, -76.06

 

CMYK 15 / 88 / 0 / 13

HEX #BE1ADF

RGB 190 26 223

HSL 289.95, 0.79%, 0.49%

LAB 48.28, 81.07, -62.82

 

CMYK 0 / 88 / 9 / 13

HEX #DF1ACB

RGB 223 26 203

HSL 306.09, 0.79%, 0.49%

LAB 52.66, 83.61, -44.03

 

CMYK 0 / 88 / 32 / 13

HEX #DF1A97

RGB 223 26 151

HSL 321.93, 0.79%, 0.49%

LAB 50.29, 77.33, -17.23

 

CMYK 0 / 88 / 56 / 13

HEX #DF1A62

RGB 223 26 98

HSL 338.07, 0.79%, 0.49%

LAB 48.65, 72.79, 12.58

 

CMYK 0 / 89 / 9 / 42

HEX #951187

RGB 149 17 135

HSL 306.36, 0.8%, 0.33%

LAB 35.08, 61.35, -32.19

 

CMYK 0 / 89 / 10 / 27

HEX #BA15A8

RGB 186 21 168

HSL 306.55, 0.8%, 0.41%

LAB 43.95, 72.65, -37.77

 

CMYK 0 / 88 / 10 / 13

HEX #DF1AC9

RGB 223 26 201

HSL 306.7, 0.79%, 0.49%

LAB 52.56, 83.34, -43.05

 

CMYK 0 / 75 / 9 / 9

HEX #E83BD4

RGB 232 59 212

HSL 306.94, 0.79%, 0.57%

LAB 57.11, 79.48, -42.05

 

CMYK 0 / 59 / 7 / 7

HEX #EC60DC

RGB 236 96 220

HSL 306.86, 0.79%, 0.65%

LAB 62.82, 68.41, -37.58

 

CMYK 0 / 88 / 10 / 12

HEX #E01ACA

RGB 224 26 202

HSL 306.67, 0.79%, 0.49%

LAB 52.79, 83.65, -43.25

 

CMYK 0 / 62 / 88 / 13

HEX #DF551A

RGB 223 85 26

HSL 17.97, 0.79%, 0.49%

LAB 54.3, 51.45, 57.69

 

CMYK 88 / 0 / 26 / 13

HEX #1ADFA4

RGB 26 223 164

HSL 162.03, 0.79%, 0.49%

LAB 79.43, -58.09, 16.55

 

CMYK 0 / 88 / 10 / 12

HEX #E01ACA

RGB 224 26 202

HSL 306.67, 0.79%, 0.49%

LAB 52.79, 83.65, -43.25

 

CMYK 9 / 0 / 88 / 13

HEX #CBDF1A

RGB 203 223 26

HSL 66.09, 0.79%, 0.49%

LAB 84.76, -27.49, 80.78

 

CMYK 88 / 9 / 0 / 13

HEX #1ACBDF

RGB 26 203 223

HSL 186.09, 0.79%, 0.49%

LAB 74.99, -33.46, -21.52

 

CMYK 0 / 88 / 10 / 12

HEX #E01ACA

RGB 224 26 202

HSL 306.67, 0.79%, 0.49%

LAB 52.79, 83.65, -43.25

 

CMYK 0 / 62 / 88 / 13

HEX #DF551A

RGB 223 85 26

HSL 17.97, 0.79%, 0.49%

LAB 54.3, 51.45, 57.69

 

CMYK 88 / 0 / 80 / 13

HEX #1ADF2D

RGB 26 223 45

HSL 125.79, 0.79%, 0.49%

LAB 77.98, -75.26, 68.03

 

CMYK 88 / 26 / 0 / 13

HEX #1AA4DF

RGB 26 164 223

HSL 197.97, 0.79%, 0.49%

LAB 63.42, -13.58, -39.36

 

CMYK 0 / 88 / 10 / 12

HEX #E01ACA

RGB 224 26 202

HSL 306.67, 0.79%, 0.49%

LAB 52.79, 83.65, -43.25

 

CMYK 0 / 35 / 88 / 13

HEX #DF901A

RGB 223 144 26

HSL 35.94, 0.79%, 0.49%

LAB 66.3, 21.8, 66.94

 

CMYK 88 / 0 / 80 / 13

HEX #1ADF2D

RGB 26 223 45

HSL 125.79, 0.79%, 0.49%

LAB 77.98, -75.26, 68.03

 

CMYK 88 / 53 / 0 / 13

HEX #1A69DF

RGB 26 105 223

HSL 215.94, 0.79%, 0.49%

LAB 46.51, 21.86, -66.33

 

Description

Color code: HEX #E01ACA | qconv.com Color code: HEX #E01ACA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 26 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 26 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 10 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 10% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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