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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E00FC4 it is the complementary color #1FF03B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E00FC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E00FC4 shade: #E50FBF, #F621D2, #FF33E5, #FF45F8 and #FF57FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E00FC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E00FC4 shade: #E00FC4, #CF00B1, #BE009E, #AD008B and #9C0078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E00FC4 shade: #E00FC4, #E00F8B, #E00F53, #E00F1B and #E00F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E00FC4 shade: #E00FC4, #C30FE0, #8B0FE0, #530FE0 and #1B0FE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E00FC4 shade matches the following richer shades: #E00FC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E00FC4 shade: #E00FC4, #CC22B5, #B936A7, #A54999 and #925D8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E00FC4 shade: #8C0FE0, #C40FE0, #E00FC4, #E00F8C and #E00F55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E00FC4 shade: #920A80, #B90CA2, #E00FC4, #F028D5 and #F24FDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E00FC4 shade: #E00FC4, #E0550F and #0FE0A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E00FC4 shade: #E00FC4, #C4E00F and #0FC4E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E00FC4 shade: #E00FC4, #E0550F, #0FE02B and #0F9AE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E00FC4 shade: #E00FC4, #E0930F, #0FE02B and #0F5CE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 13 / 12

HEX #E00FC4

RGB 224 15 196

HSL 308.04, 0.87%, 0.47%

LAB 52.03, 84.16, -40.98

 

Complementary color

CMYK 87 / 0 / 75 / 6

HEX #1FF03B

RGB 31 240 59

HSL 128.04, 0.87%, 0.53%

LAB 83.4, -78.78, 69.09

 

CMYK 0 / 93 / 17 / 10

HEX #E50FBF

RGB 229 15 191

HSL 310.65, 0.88%, 0.48%

LAB 52.69, 84.43, -36.99

 

CMYK 0 / 87 / 15 / 4

HEX #F621D2

RGB 246 33 210

HSL 310.14, 0.92%, 0.55%

LAB 57.4, 87.74, -40.3

 

CMYK 0 / 80 / 10 / 0

HEX #FF33E5

RGB 255 51 229

HSL 307.65, 1%, 0.6%

LAB 61.03, 88.54, -45.22

 

CMYK 0 / 73 / 3 / 0

HEX #FF45F8

RGB 255 69 248

HSL 302.26, 1%, 0.64%

LAB 63.58, 86.62, -51.77

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 0 / 93 / 13 / 12

HEX #E00FC4

RGB 224 15 196

HSL 308.04, 0.87%, 0.47%

LAB 52.03, 84.16, -40.98

 

CMYK 0 / 100 / 14 / 19

HEX #CF00B1

RGB 207 0 177

HSL 308.7, 1%, 0.41%

LAB 47.55, 79.87, -37.17

 

CMYK 0 / 100 / 17 / 25

HEX #BE009E

RGB 190 0 158

HSL 310.11, 1%, 0.37%

LAB 43.38, 74.36, -32.62

 

CMYK 0 / 100 / 20 / 32

HEX #AD008B

RGB 173 0 139

HSL 311.79, 1%, 0.34%

LAB 39.15, 68.77, -27.94

 

CMYK 0 / 100 / 23 / 39

HEX #9C0078

RGB 156 0 120

HSL 313.85, 1%, 0.31%

LAB 34.85, 63.08, -23.09

 

CMYK 0 / 93 / 13 / 12

HEX #E00FC4

RGB 224 15 196

HSL 308.04, 0.87%, 0.47%

LAB 52.03, 84.16, -40.98

 

CMYK 0 / 93 / 38 / 12

HEX #E00F8B

RGB 224 15 139

HSL 324.4, 0.87%, 0.47%

LAB 49.56, 77.73, -11.1

 

CMYK 0 / 93 / 63 / 12

HEX #E00F53

RGB 224 15 83

HSL 340.48, 0.87%, 0.47%

LAB 48.02, 73.57, 21.01

 

CMYK 0 / 93 / 88 / 12

HEX #E00F1B

RGB 224 15 27

HSL 356.56, 0.87%, 0.47%

LAB 47.32, 71.63, 52.05

 

CMYK 0 / 93 / 93 / 12

HEX #E00F0F

RGB 224 15 15

HSL 0, 0.87%, 0.47%

LAB 47.27, 71.47, 56.76

 

CMYK 0 / 93 / 13 / 12

HEX #E00FC4

RGB 224 15 196

HSL 308.04, 0.87%, 0.47%

LAB 52.03, 84.16, -40.98

 

CMYK 13 / 93 / 0 / 12

HEX #C30FE0

RGB 195 15 224

HSL 291.67, 0.87%, 0.47%

LAB 48.67, 83.46, -62.71

 

CMYK 38 / 93 / 0 / 12

HEX #8B0FE0

RGB 139 15 224

HSL 275.6, 0.87%, 0.47%

LAB 39.94, 76.12, -77.32

 

CMYK 63 / 93 / 0 / 12

HEX #530FE0

RGB 83 15 224

HSL 259.52, 0.87%, 0.47%

LAB 33.05, 71.33, -88.92

 

CMYK 88 / 93 / 0 / 12

HEX #1B0FE0

RGB 27 15 224

HSL 243.44, 0.87%, 0.47%

LAB 29.3, 69.27, -95.27

 

CMYK 0 / 93 / 13 / 12

HEX #E00FC4

RGB 224 15 196

HSL 308.04, 0.87%, 0.47%

LAB 52.03, 84.16, -40.98

 

CMYK 0 / 93 / 13 / 12

HEX #E00FC4

RGB 224 15 196

HSL 308.04, 0.87%, 0.47%

LAB 52.03, 84.16, -40.98

 

CMYK 0 / 83 / 11 / 20

HEX #CC22B5

RGB 204 34 181

HSL 308.12, 0.71%, 0.47%

LAB 48.66, 75.59, -37.8

 

CMYK 0 / 71 / 10 / 27

HEX #B936A7

RGB 185 54 167

HSL 308.24, 0.55%, 0.47%

LAB 46.64, 63.91, -32.95

 

CMYK 0 / 56 / 7 / 35

HEX #A54999

RGB 165 73 153

HSL 307.83, 0.39%, 0.47%

LAB 45.72, 48.44, -26.27

 

CMYK 0 / 36 / 5 / 43

HEX #925D8B

RGB 146 93 139

HSL 307.92, 0.22%, 0.47%

LAB 46.72, 29.18, -16.58

 

CMYK 38 / 93 / 0 / 12

HEX #8C0FE0

RGB 140 15 224

HSL 275.89, 0.87%, 0.47%

LAB 40.08, 76.23, -77.08

 

CMYK 13 / 93 / 0 / 12

HEX #C40FE0

RGB 196 15 224

HSL 291.96, 0.87%, 0.47%

LAB 48.83, 83.61, -62.44

 

CMYK 0 / 93 / 13 / 12

HEX #E00FC4

RGB 224 15 196

HSL 308.04, 0.87%, 0.47%

LAB 52.03, 84.16, -40.98

 

CMYK 0 / 93 / 38 / 12

HEX #E00F8C

RGB 224 15 140

HSL 324.11, 0.87%, 0.47%

LAB 49.6, 77.83, -11.65

 

CMYK 0 / 93 / 62 / 12

HEX #E00F55

RGB 224 15 85

HSL 339.9, 0.87%, 0.47%

LAB 48.06, 73.68, 19.83

 

CMYK 0 / 93 / 12 / 43

HEX #920A80

RGB 146 10 128

HSL 307.94, 0.87%, 0.31%

LAB 33.75, 60.84, -29.98

 

CMYK 0 / 94 / 12 / 27

HEX #B90CA2

RGB 185 12 162

HSL 307.98, 0.88%, 0.39%

LAB 43.04, 72.81, -35.63

 

CMYK 0 / 93 / 13 / 12

HEX #E00FC4

RGB 224 15 196

HSL 308.04, 0.87%, 0.47%

LAB 52.03, 84.16, -40.98

 

CMYK 0 / 83 / 11 / 6

HEX #F028D5

RGB 240 40 213

HSL 308.1, 0.87%, 0.55%

LAB 56.93, 85.77, -42.82

 

CMYK 0 / 67 / 9 / 5

HEX #F24FDC

RGB 242 79 220

HSL 308.1, 0.86%, 0.63%

LAB 61.34, 76.45, -39.82

 

CMYK 0 / 93 / 13 / 12

HEX #E00FC4

RGB 224 15 196

HSL 308.04, 0.87%, 0.47%

LAB 52.03, 84.16, -40.98

 

CMYK 0 / 62 / 93 / 12

HEX #E0550F

RGB 224 85 15

HSL 20.1, 0.87%, 0.47%

LAB 54.43, 51.63, 61.18

 

CMYK 93 / 0 / 25 / 12

HEX #0FE0A8

RGB 15 224 168

HSL 163.92, 0.87%, 0.47%

LAB 79.75, -58.06, 14.89

 

CMYK 0 / 93 / 13 / 12

HEX #E00FC4

RGB 224 15 196

HSL 308.04, 0.87%, 0.47%

LAB 52.03, 84.16, -40.98

 

CMYK 13 / 0 / 93 / 12

HEX #C4E00F

RGB 196 224 15

HSL 68.04, 0.87%, 0.47%

LAB 84.53, -31, 81.88

 

CMYK 93 / 13 / 0 / 12

HEX #0FC4E0

RGB 15 196 224

HSL 188.04, 0.87%, 0.47%

LAB 72.87, -30.24, -25.3

 

CMYK 0 / 93 / 13 / 12

HEX #E00FC4

RGB 224 15 196

HSL 308.04, 0.87%, 0.47%

LAB 52.03, 84.16, -40.98

 

CMYK 0 / 62 / 93 / 12

HEX #E0550F

RGB 224 85 15

HSL 20.1, 0.87%, 0.47%

LAB 54.43, 51.63, 61.18

 

CMYK 93 / 0 / 81 / 12

HEX #0FE02B

RGB 15 224 43

HSL 128.04, 0.87%, 0.47%

LAB 78.22, -76.27, 68.77

 

CMYK 93 / 31 / 0 / 12

HEX #0F9AE0

RGB 15 154 224

HSL 200.1, 0.87%, 0.47%

LAB 60.42, -8.16, -44.64

 

CMYK 0 / 93 / 13 / 12

HEX #E00FC4

RGB 224 15 196

HSL 308.04, 0.87%, 0.47%

LAB 52.03, 84.16, -40.98

 

CMYK 0 / 34 / 93 / 12

HEX #E0930F

RGB 224 147 15

HSL 37.89, 0.87%, 0.47%

LAB 67.09, 20.45, 69.91

 

CMYK 93 / 0 / 81 / 12

HEX #0FE02B

RGB 15 224 43

HSL 128.04, 0.87%, 0.47%

LAB 78.22, -76.27, 68.77

 

CMYK 93 / 59 / 0 / 12

HEX #0F5CE0

RGB 15 92 224

HSL 217.89, 0.87%, 0.47%

LAB 42.97, 30.15, -72.68

 

Description

Color code: HEX #E00FC4 | qconv.com Color code: HEX #E00FC4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 15 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 15 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 13 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 13% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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