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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E00F8E it is the complementary color #1FF071. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E00F8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E00F8E shade: #E50F89, #F6219C, #FF33AF, #FF45C2 and #FF57D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E00F8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E00F8E shade: #E00F8E, #CF007B, #BE0068, #AD0055 and #9C0042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E00F8E shade: #E00F8E, #E00F56, #E00F1D and #E00F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E00F8E shade: #E00F8E, #E00FC6, #C10FE0, #890FE0 and #500FE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E00F8E shade matches the following richer shades: #E00F8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E00F8E shade: #E00F8E, #CC228A, #B93685, #A54981 and #925D7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E00F8E shade: #C00FE0, #E00FC7, #E00F90, #E00F58 and #E00F20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E00F8E shade: #920A5D, #B90C75, #E00F8E, #F028A1 and #F24FB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E00F8E shade: #E00F8E, #E0890F and #0FE0DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E00F8E shade: #E00F8E, #90E00F and #0F90E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E00F8E shade: #E00F8E, #E0890F, #0FE05F and #0F66E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E00F8E shade: #E00F8E, #E0C70F, #0FE05F and #0F27E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 37 / 12

HEX #E00F8E

RGB 224 15 142

HSL 323.54, 0.87%, 0.47%

LAB 49.67, 78.02, -12.75

 

Complementary color

CMYK 87 / 0 / 53 / 6

HEX #1FF071

RGB 31 240 113

HSL 143.54, 0.87%, 0.53%

LAB 83.86, -73.07, 47.93

 

CMYK 0 / 93 / 40 / 10

HEX #E50F89

RGB 229 15 137

HSL 325.79, 0.88%, 0.48%

LAB 50.46, 78.62, -8.45

 

CMYK 0 / 87 / 37 / 4

HEX #F6219C

RGB 246 33 156

HSL 325.35, 0.92%, 0.55%

LAB 55.16, 81.69, -12.42

 

CMYK 0 / 80 / 31 / 0

HEX #FF33AF

RGB 255 51 175

HSL 323.53, 1%, 0.6%

LAB 58.72, 82.01, -17.99

 

CMYK 0 / 73 / 24 / 0

HEX #FF45C2

RGB 255 69 194

HSL 319.68, 1%, 0.64%

LAB 61.14, 79.3, -25.22

 

CMYK 0 / 66 / 16 / 0

HEX #FF57D5

RGB 255 87 213

HSL 315, 1%, 0.67%

LAB 64.06, 75.7, -31.49

 

CMYK 0 / 93 / 37 / 12

HEX #E00F8E

RGB 224 15 142

HSL 323.54, 0.87%, 0.47%

LAB 49.67, 78.02, -12.75

 

CMYK 0 / 100 / 41 / 19

HEX #CF007B

RGB 207 0 123

HSL 324.35, 1%, 0.41%

LAB 45.21, 73.94, -8.21

 

CMYK 0 / 100 / 45 / 25

HEX #BE0068

RGB 190 0 104

HSL 327.16, 1%, 0.37%

LAB 41.13, 68.6, -2.81

 

CMYK 0 / 100 / 51 / 32

HEX #AD0055

RGB 173 0 85

HSL 330.52, 1%, 0.34%

LAB 37, 63.24, 2.86

 

CMYK 0 / 100 / 58 / 39

HEX #9C0042

RGB 156 0 66

HSL 334.62, 1%, 0.31%

LAB 32.83, 57.85, 8.86

 

CMYK 0 / 93 / 37 / 12

HEX #E00F8E

RGB 224 15 142

HSL 323.54, 0.87%, 0.47%

LAB 49.67, 78.02, -12.75

 

CMYK 0 / 93 / 62 / 12

HEX #E00F56

RGB 224 15 86

HSL 339.62, 0.87%, 0.47%

LAB 48.08, 73.74, 19.24

 

CMYK 0 / 93 / 87 / 12

HEX #E00F1D

RGB 224 15 29

HSL 355.98, 0.87%, 0.47%

LAB 47.34, 71.66, 51.14

 

CMYK 0 / 93 / 93 / 12

HEX #E00F0F

RGB 224 15 15

HSL 0, 0.87%, 0.47%

LAB 47.27, 71.47, 56.76

 

CMYK 0 / 93 / 37 / 12

HEX #E00F8E

RGB 224 15 142

HSL 323.54, 0.87%, 0.47%

LAB 49.67, 78.02, -12.75

 

CMYK 0 / 93 / 12 / 12

HEX #E00FC6

RGB 224 15 198

HSL 307.46, 0.87%, 0.47%

LAB 52.14, 84.42, -41.97

 

CMYK 14 / 93 / 0 / 12

HEX #C10FE0

RGB 193 15 224

HSL 291.1, 0.87%, 0.47%

LAB 48.34, 83.16, -63.27

 

CMYK 39 / 93 / 0 / 12

HEX #890FE0

RGB 137 15 224

HSL 275.02, 0.87%, 0.47%

LAB 39.65, 75.9, -77.8

 

CMYK 64 / 93 / 0 / 12

HEX #500FE0

RGB 80 15 224

HSL 258.66, 0.87%, 0.47%

LAB 32.76, 71.16, -89.41

 

CMYK 0 / 93 / 37 / 12

HEX #E00F8E

RGB 224 15 142

HSL 323.54, 0.87%, 0.47%

LAB 49.67, 78.02, -12.75

 

CMYK 0 / 93 / 37 / 12

HEX #E00F8E

RGB 224 15 142

HSL 323.54, 0.87%, 0.47%

LAB 49.67, 78.02, -12.75

 

CMYK 0 / 83 / 32 / 20

HEX #CC228A

RGB 204 34 138

HSL 323.29, 0.71%, 0.47%

LAB 46.73, 70.26, -15.14

 

CMYK 0 / 71 / 28 / 27

HEX #B93685

RGB 185 54 133

HSL 323.82, 0.55%, 0.47%

LAB 45.15, 59.18, -14.83

 

CMYK 0 / 56 / 22 / 35

HEX #A54981

RGB 165 73 129

HSL 323.48, 0.39%, 0.47%

LAB 44.73, 44.59, -13.34

 

CMYK 0 / 36 / 14 / 43

HEX #925D7D

RGB 146 93 125

HSL 323.77, 0.22%, 0.47%

LAB 46.2, 26.62, -8.95

 

CMYK 14 / 93 / 0 / 12

HEX #C00FE0

RGB 192 15 224

HSL 290.81, 0.87%, 0.47%

LAB 48.17, 83.02, -63.54

 

CMYK 0 / 93 / 11 / 12

HEX #E00FC7

RGB 224 15 199

HSL 307.18, 0.87%, 0.47%

LAB 52.19, 84.55, -42.46

 

CMYK 0 / 93 / 36 / 12

HEX #E00F90

RGB 224 15 144

HSL 322.97, 0.87%, 0.47%

LAB 49.74, 78.21, -13.84

 

CMYK 0 / 93 / 61 / 12

HEX #E00F58

RGB 224 15 88

HSL 339.04, 0.87%, 0.47%

LAB 48.13, 73.85, 18.06

 

CMYK 0 / 93 / 86 / 12

HEX #E00F20

RGB 224 15 32

HSL 355.12, 0.87%, 0.47%

LAB 47.36, 71.72, 49.73

 

CMYK 0 / 93 / 36 / 43

HEX #920A5D

RGB 146 10 93

HSL 323.38, 0.87%, 0.31%

LAB 32.07, 56.45, -10.25

 

CMYK 0 / 94 / 37 / 27

HEX #B90C75

RGB 185 12 117

HSL 323.58, 0.88%, 0.39%

LAB 41, 67.48, -11.27

 

CMYK 0 / 93 / 37 / 12

HEX #E00F8E

RGB 224 15 142

HSL 323.54, 0.87%, 0.47%

LAB 49.67, 78.02, -12.75

 

CMYK 0 / 83 / 33 / 6

HEX #F028A1

RGB 240 40 161

HSL 323.7, 0.87%, 0.55%

LAB 54.67, 79.58, -16.2

 

CMYK 0 / 67 / 26 / 5

HEX #F24FB2

RGB 242 79 178

HSL 323.56, 0.86%, 0.63%

LAB 59.6, 70.78, -18.59

 

CMYK 0 / 93 / 37 / 12

HEX #E00F8E

RGB 224 15 142

HSL 323.54, 0.87%, 0.47%

LAB 49.67, 78.02, -12.75

 

CMYK 0 / 39 / 93 / 12

HEX #E0890F

RGB 224 137 15

HSL 35.02, 0.87%, 0.47%

LAB 64.78, 25.78, 68.26

 

CMYK 93 / 0 / 2 / 12

HEX #0FE0DC

RGB 15 224 220

HSL 178.85, 0.87%, 0.47%

LAB 81.06, -44.39, -10.78

 

CMYK 0 / 93 / 37 / 12

HEX #E00F8E

RGB 224 15 142

HSL 323.54, 0.87%, 0.47%

LAB 49.67, 78.02, -12.75

 

CMYK 36 / 0 / 93 / 12

HEX #90E00F

RGB 144 224 15

HSL 82.97, 0.87%, 0.47%

LAB 81.44, -50.88, 78.14

 

CMYK 93 / 36 / 0 / 12

HEX #0F90E0

RGB 15 144 224

HSL 202.97, 0.87%, 0.47%

LAB 57.49, -2.4, -49.28

 

CMYK 0 / 93 / 37 / 12

HEX #E00F8E

RGB 224 15 142

HSL 323.54, 0.87%, 0.47%

LAB 49.67, 78.02, -12.75

 

CMYK 0 / 39 / 93 / 12

HEX #E0890F

RGB 224 137 15

HSL 35.02, 0.87%, 0.47%

LAB 64.78, 25.78, 68.26

 

CMYK 93 / 0 / 58 / 12

HEX #0FE05F

RGB 15 224 95

HSL 142.97, 0.87%, 0.47%

LAB 78.6, -71.47, 49.85

 

CMYK 93 / 54 / 0 / 12

HEX #0F66E0

RGB 15 102 224

HSL 215.02, 0.87%, 0.47%

LAB 45.62, 23.68, -68.37

 

CMYK 0 / 93 / 37 / 12

HEX #E00F8E

RGB 224 15 142

HSL 323.54, 0.87%, 0.47%

LAB 49.67, 78.02, -12.75

 

CMYK 0 / 11 / 93 / 12

HEX #E0C70F

RGB 224 199 15

HSL 52.82, 0.87%, 0.47%

LAB 80.03, -6.94, 79.42

 

CMYK 93 / 0 / 58 / 12

HEX #0FE05F

RGB 15 224 95

HSL 142.97, 0.87%, 0.47%

LAB 78.6, -71.47, 49.85

 

CMYK 93 / 83 / 0 / 12

HEX #0F27E0

RGB 15 39 224

HSL 233.11, 0.87%, 0.47%

LAB 31.66, 60.99, -91.35

 

Description

Color code: HEX #E00F8E | qconv.com Color code: HEX #E00F8E | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 15 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 15 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 37 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 37% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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