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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3F597 it is the complementary color #1C0A68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3F597. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3F597 shade: #E8F592, #F9FFA5, #FFFFB8, #FFFFCB and #FFFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3F597. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3F597 shade: #E3F597, #D2E384, #C1D171, #B0BF5E and #9FAD4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3F597 shade: #E3F498, #F4ED98, #F4D498, #F4BC98 and #F4A398

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3F597 shade: #E3F498, #CAF498, #B1F498, #98F498 and #98F4B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3F597 shade matches the following richer shades: #E3F498 and #E8FD8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3F597 shade: #E3F498, #DDEBA1, #D8E2AB, #D2D9B4 and #CCD0BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3F597 shade: #F4D498, #F4ED98, #E4F498, #CBF498 and #B2F498

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3F597 shade: #CEED4D, #D9F173, #E3F498, #EDF8BE and #F7FCE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3F597 shade: #E3F597, #98F4BC and #E098F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3F597 shade: #E3F597, #98E4F4 and #F498E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3F597 shade: #E3F597, #98F4BC, #A998F4 and #F498D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3F597 shade: #E3F597, #98F4D7, #A998F4 and #F498B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 38 / 4

HEX #E3F597

RGB 227 245 151

HSL 71.49, 0.82%, 0.78%

LAB 93.39, -20.17, 43.27

 

Complementary color

CMYK 73 / 90 / 0 / 59

HEX #1C0A68

RGB 28 10 104

HSL 251.49, 0.82%, 0.22%

LAB 12.37, 37.21, -50.11

 

CMYK 5 / 0 / 40 / 4

HEX #E8F592

RGB 232 245 146

HSL 67.88, 0.83%, 0.77%

LAB 93.68, -18.84, 46.15

 

CMYK 2 / 0 / 35 / 0

HEX #F9FFA5

RGB 249 255 165

HSL 64, 1%, 0.82%

LAB 97.78, -15.2, 42.38

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCB

RGB 255 255 203

HSL 60, 1%, 0.9%

LAB 98.86, -8.19, 24.92

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 7 / 0 / 38 / 4

HEX #E3F597

RGB 227 245 151

HSL 71.49, 0.82%, 0.78%

LAB 93.39, -20.17, 43.27

 

CMYK 7 / 0 / 42 / 11

HEX #D2E384

RGB 210 227 132

HSL 70.74, 0.63%, 0.7%

LAB 87.15, -19.98, 44.41

 

CMYK 8 / 0 / 46 / 18

HEX #C1D171

RGB 193 209 113

HSL 70, 0.51%, 0.63%

LAB 80.81, -19.75, 45.56

 

CMYK 8 / 0 / 51 / 25

HEX #B0BF5E

RGB 176 191 94

HSL 69.28, 0.43%, 0.56%

LAB 74.38, -19.44, 46.7

 

CMYK 8 / 0 / 57 / 32

HEX #9FAD4B

RGB 159 173 75

HSL 68.57, 0.4%, 0.49%

LAB 67.85, -19.06, 47.78

 

CMYK 7 / 0 / 38 / 4

HEX #E3F498

RGB 227 244 152

HSL 71.09, 0.81%, 0.78%

LAB 93.15, -19.57, 42.47

 

CMYK 0 / 3 / 38 / 4

HEX #F4ED98

RGB 244 237 152

HSL 55.43, 0.81%, 0.78%

LAB 92.61, -9.69, 42.03

 

CMYK 0 / 13 / 38 / 4

HEX #F4D498

RGB 244 212 152

HSL 39.13, 0.81%, 0.78%

LAB 86.3, 2.98, 33.81

 

CMYK 0 / 23 / 38 / 4

HEX #F4BC98

RGB 244 188 152

HSL 23.48, 0.81%, 0.78%

LAB 80.44, 15.5, 25.98

 

CMYK 0 / 33 / 38 / 4

HEX #F4A398

RGB 244 163 152

HSL 7.17, 0.81%, 0.78%

LAB 74.63, 28.69, 18.02

 

CMYK 7 / 0 / 38 / 4

HEX #E3F498

RGB 227 244 152

HSL 71.09, 0.81%, 0.78%

LAB 93.15, -19.57, 42.47

 

CMYK 17 / 0 / 38 / 4

HEX #CAF498

RGB 202 244 152

HSL 87.39, 0.81%, 0.78%

LAB 91.47, -28.73, 39.98

 

CMYK 27 / 0 / 38 / 4

HEX #B1F498

RGB 177 244 152

HSL 103.7, 0.81%, 0.78%

LAB 90.01, -37.38, 37.79

 

CMYK 38 / 0 / 38 / 4

HEX #98F498

RGB 152 244 152

HSL 120, 0.81%, 0.78%

LAB 88.75, -45.31, 35.91

 

CMYK 38 / 0 / 27 / 4

HEX #98F4B1

RGB 152 244 177

HSL 136.3, 0.81%, 0.78%

LAB 89.18, -41.22, 23.85

 

CMYK 7 / 0 / 38 / 4

HEX #E3F498

RGB 227 244 152

HSL 71.09, 0.81%, 0.78%

LAB 93.15, -19.57, 42.47

 

CMYK 8 / 0 / 43 / 1

HEX #E8FD8F

RGB 232 253 143

HSL 71.45, 0.96%, 0.78%

LAB 95.74, -23, 50.17

 

CMYK 7 / 0 / 38 / 4

HEX #E3F498

RGB 227 244 152

HSL 71.09, 0.81%, 0.78%

LAB 93.15, -19.57, 42.47

 

CMYK 6 / 0 / 31 / 8

HEX #DDEBA1

RGB 221 235 161

HSL 71.35, 0.65%, 0.78%

LAB 90.49, -16.33, 34.43

 

CMYK 4 / 0 / 24 / 11

HEX #D8E2AB

RGB 216 226 171

HSL 70.91, 0.49%, 0.78%

LAB 87.94, -12.36, 25.83

 

CMYK 3 / 0 / 17 / 15

HEX #D2D9B4

RGB 210 217 180

HSL 71.35, 0.33%, 0.78%

LAB 85.31, -8.66, 17.45

 

CMYK 2 / 0 / 9 / 18

HEX #CCD0BD

RGB 204 208 189

HSL 72.63, 0.17%, 0.78%

LAB 82.71, -4.72, 8.96

 

CMYK 0 / 13 / 38 / 4

HEX #F4D498

RGB 244 212 152

HSL 39.13, 0.81%, 0.78%

LAB 86.3, 2.98, 33.81

 

CMYK 0 / 3 / 38 / 4

HEX #F4ED98

RGB 244 237 152

HSL 55.43, 0.81%, 0.78%

LAB 92.61, -9.69, 42.03

 

CMYK 7 / 0 / 38 / 4

HEX #E4F498

RGB 228 244 152

HSL 70.43, 0.81%, 0.78%

LAB 93.22, -19.2, 42.57

 

CMYK 17 / 0 / 38 / 4

HEX #CBF498

RGB 203 244 152

HSL 86.74, 0.81%, 0.78%

LAB 91.53, -28.38, 40.07

 

CMYK 27 / 0 / 38 / 4

HEX #B2F498

RGB 178 244 152

HSL 103.04, 0.81%, 0.78%

LAB 90.06, -37.05, 37.87

 

CMYK 13 / 0 / 68 / 7

HEX #CEED4D

RGB 206 237 77

HSL 71.63, 0.82%, 0.62%

LAB 89.03, -30.87, 70.63

 

CMYK 10 / 0 / 52 / 5

HEX #D9F173

RGB 217 241 115

HSL 71.43, 0.82%, 0.7%

LAB 91.19, -25.69, 57.44

 

CMYK 7 / 0 / 38 / 4

HEX #E3F498

RGB 227 244 152

HSL 71.09, 0.81%, 0.78%

LAB 93.15, -19.57, 42.47

 

CMYK 4 / 0 / 23 / 3

HEX #EDF8BE

RGB 237 248 190

HSL 71.38, 0.81%, 0.86%

LAB 95.52, -13, 26.71

 

CMYK 2 / 0 / 10 / 1

HEX #F7FCE3

RGB 247 252 227

HSL 72, 0.81%, 0.94%

LAB 98.01, -5.89, 11.4

 

CMYK 7 / 0 / 38 / 4

HEX #E3F597

RGB 227 245 151

HSL 71.49, 0.82%, 0.78%

LAB 93.39, -20.17, 43.27

 

CMYK 38 / 0 / 23 / 4

HEX #98F4BC

RGB 152 244 188

HSL 143.48, 0.81%, 0.78%

LAB 89.4, -39.22, 18.49

 

CMYK 8 / 38 / 0 / 4

HEX #E098F4

RGB 224 152 244

HSL 286.96, 0.81%, 0.78%

LAB 72.78, 42.14, -35.43

 

CMYK 7 / 0 / 38 / 4

HEX #E3F597

RGB 227 245 151

HSL 71.49, 0.82%, 0.78%

LAB 93.39, -20.17, 43.27

 

CMYK 38 / 7 / 0 / 4

HEX #98E4F4

RGB 152 228 244

HSL 190.43, 0.81%, 0.78%

LAB 86.35, -19.47, -15.2

 

CMYK 0 / 38 / 7 / 4

HEX #F498E4

RGB 244 152 228

HSL 310.43, 0.81%, 0.78%

LAB 74.38, 45.34, -24.07

 

CMYK 7 / 0 / 38 / 4

HEX #E3F597

RGB 227 245 151

HSL 71.49, 0.82%, 0.78%

LAB 93.39, -20.17, 43.27

 

CMYK 38 / 0 / 23 / 4

HEX #98F4BC

RGB 152 244 188

HSL 143.48, 0.81%, 0.78%

LAB 89.4, -39.22, 18.49

 

CMYK 31 / 38 / 0 / 4

HEX #A998F4

RGB 169 152 244

HSL 251.09, 0.81%, 0.78%

LAB 67.59, 26.24, -43.92

 

CMYK 0 / 38 / 14 / 4

HEX #F498D1

RGB 244 152 209

HSL 322.83, 0.81%, 0.78%

LAB 73.74, 42.24, -14.62

 

CMYK 7 / 0 / 38 / 4

HEX #E3F597

RGB 227 245 151

HSL 71.49, 0.82%, 0.78%

LAB 93.39, -20.17, 43.27

 

CMYK 38 / 0 / 12 / 4

HEX #98F4D7

RGB 152 244 215

HSL 161.09, 0.81%, 0.78%

LAB 89.99, -33.82, 5.35

 

CMYK 31 / 38 / 0 / 4

HEX #A998F4

RGB 169 152 244

HSL 251.09, 0.81%, 0.78%

LAB 67.59, 26.24, -43.92

 

CMYK 0 / 38 / 25 / 4

HEX #F498B6

RGB 244 152 182

HSL 340.43, 0.81%, 0.78%

LAB 72.94, 38.25, -0.91

 

Description

Color code: HEX #E3F597 | qconv.com Color code: HEX #E3F597 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 245 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 245 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 38 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 38% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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