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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3EDCA it is the complementary color #1C1235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3EDCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3EDCA shade: #E8EDC5, #F9FFD8, #FFFFEB and #FFFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3EDCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3EDCA shade: #E3EDCA, #D2DBB7, #C1C9A4, #B0B791 and #9FA57E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3EDCA shade: #E2ECC9, #ECECC9, #ECE3C9, #ECDAC9 and #ECD1C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3EDCA shade: #E2ECC9, #D9ECC9, #CFECC9, #C9ECCD and #C9ECD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3EDCA shade matches the following richer shades: #E2ECC9, #E5F2C4, #E7F8BE and #EAFEB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3EDCA shade: #E2ECC9, #E0E7CF, #DDE1D5, #DBDBDB and #D8D5E0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3EDCA shade: #ECE4C9, #ECECC9, #E2ECC9, #D9ECC9 and #D0ECC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3EDCA shade: #C2D78C, #D2E2AB, #E2ECC9 and #F3F7E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3EDCA shade: #E3EDCA, #C9ECDA and #E8C9EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3EDCA shade: #E3EDCA, #C9E2EC and #ECC9E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3EDCA shade: #E3EDCA, #C9ECDA, #D3C9EC and #ECC9DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3EDCA shade: #E3EDCA, #C9ECE5, #D3C9EC and #ECC9D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 15 / 7

HEX #E3EDCA

RGB 227 237 202

HSL 77.14, 0.49%, 0.86%

LAB 92.2, -9.29, 15.84

 

Complementary color

CMYK 47 / 66 / 0 / 79

HEX #1C1235

RGB 28 18 53

HSL 257.14, 0.49%, 0.14%

LAB 8.45, 15.33, -21.3

 

CMYK 2 / 0 / 17 / 7

HEX #E8EDC5

RGB 232 237 197

HSL 67.5, 0.53%, 0.85%

LAB 92.47, -8.3, 18.85

 

CMYK 2 / 0 / 15 / 0

HEX #F9FFD8

RGB 249 255 216

HSL 69.23, 1%, 0.92%

LAB 98.68, -8.41, 17.99

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 4 / 0 / 15 / 7

HEX #E3EDCA

RGB 227 237 202

HSL 77.14, 0.49%, 0.86%

LAB 92.2, -9.29, 15.84

 

CMYK 4 / 0 / 16 / 14

HEX #D2DBB7

RGB 210 219 183

HSL 75, 0.33%, 0.79%

LAB 85.9, -9.21, 16.7

 

CMYK 4 / 0 / 18 / 21

HEX #C1C9A4

RGB 193 201 164

HSL 72.97, 0.26%, 0.72%

LAB 79.49, -9.12, 17.6

 

CMYK 4 / 0 / 21 / 28

HEX #B0B791

RGB 176 183 145

HSL 71.05, 0.21%, 0.64%

LAB 72.98, -9.02, 18.54

 

CMYK 4 / 0 / 24 / 35

HEX #9FA57E

RGB 159 165 126

HSL 69.23, 0.18%, 0.57%

LAB 66.36, -8.9, 19.55

 

CMYK 4 / 0 / 15 / 7

HEX #E2ECC9

RGB 226 236 201

HSL 77.14, 0.48%, 0.86%

LAB 91.85, -9.3, 15.86

 

CMYK 0 / 0 / 15 / 7

HEX #ECECC9

RGB 236 236 201

HSL 60, 0.48%, 0.86%

LAB 92.59, -5.77, 17

 

CMYK 0 / 4 / 15 / 7

HEX #ECE3C9

RGB 236 227 201

HSL 44.57, 0.48%, 0.86%

LAB 90.32, -1.2, 13.79

 

CMYK 0 / 8 / 15 / 7

HEX #ECDAC9

RGB 236 218 201

HSL 29.14, 0.48%, 0.86%

LAB 88.06, 3.44, 10.59

 

CMYK 0 / 11 / 15 / 7

HEX #ECD1C9

RGB 236 209 201

HSL 13.71, 0.48%, 0.86%

LAB 85.83, 8.12, 7.4

 

CMYK 4 / 0 / 15 / 7

HEX #E2ECC9

RGB 226 236 201

HSL 77.14, 0.48%, 0.86%

LAB 91.85, -9.3, 15.86

 

CMYK 8 / 0 / 15 / 7

HEX #D9ECC9

RGB 217 236 201

HSL 92.57, 0.48%, 0.86%

LAB 91.22, -12.43, 14.87

 

CMYK 12 / 0 / 15 / 7

HEX #CFECC9

RGB 207 236 201

HSL 109.71, 0.48%, 0.86%

LAB 90.54, -15.85, 13.81

 

CMYK 15 / 0 / 13 / 7

HEX #C9ECCD

RGB 201 236 205

HSL 126.86, 0.48%, 0.86%

LAB 90.24, -17.17, 11.25

 

CMYK 15 / 0 / 9 / 7

HEX #C9ECD6

RGB 201 236 214

HSL 142.29, 0.48%, 0.86%

LAB 90.44, -15.55, 6.86

 

CMYK 4 / 0 / 15 / 7

HEX #E2ECC9

RGB 226 236 201

HSL 77.14, 0.48%, 0.86%

LAB 91.85, -9.3, 15.86

 

CMYK 5 / 0 / 19 / 5

HEX #E5F2C4

RGB 229 242 196

HSL 76.96, 0.64%, 0.86%

LAB 93.51, -12.01, 20.79

 

CMYK 7 / 0 / 23 / 3

HEX #E7F8BE

RGB 231 248 190

HSL 77.59, 0.81%, 0.86%

LAB 95.09, -15.15, 26.06

 

CMYK 8 / 0 / 28 / 0

HEX #EAFEB8

RGB 234 254 184

HSL 77.14, 0.97%, 0.86%

LAB 96.75, -17.84, 31.39

 

CMYK 4 / 0 / 15 / 7

HEX #E2ECC9

RGB 226 236 201

HSL 77.14, 0.48%, 0.86%

LAB 91.85, -9.3, 15.86

 

CMYK 3 / 0 / 10 / 9

HEX #E0E7CF

RGB 224 231 207

HSL 77.5, 0.33%, 0.86%

LAB 90.55, -6.51, 10.88

 

CMYK 2 / 0 / 5 / 12

HEX #DDE1D5

RGB 221 225 213

HSL 80, 0.17%, 0.86%

LAB 88.94, -3.47, 5.39

 

CMYK 0 / 0 / 0 / 14

HEX #DBDBDB

RGB 219 219 219

HSL 0, 0%, 0.86%

LAB 87.41, 0, -0.01

 

CMYK 4 / 5 / 0 / 12

HEX #D8D5E0

RGB 216 213 224

HSL 256.36, 0.15%, 0.86%

LAB 85.79, 3.04, -5.05

 

CMYK 0 / 3 / 15 / 7

HEX #ECE4C9

RGB 236 228 201

HSL 46.29, 0.48%, 0.86%

LAB 90.57, -1.71, 14.15

 

CMYK 0 / 0 / 15 / 7

HEX #ECECC9

RGB 236 236 201

HSL 60, 0.48%, 0.86%

LAB 92.59, -5.77, 17

 

CMYK 4 / 0 / 15 / 7

HEX #E2ECC9

RGB 226 236 201

HSL 77.14, 0.48%, 0.86%

LAB 91.85, -9.3, 15.86

 

CMYK 8 / 0 / 15 / 7

HEX #D9ECC9

RGB 217 236 201

HSL 92.57, 0.48%, 0.86%

LAB 91.22, -12.43, 14.87

 

CMYK 12 / 0 / 15 / 7

HEX #D0ECC9

RGB 208 236 201

HSL 108, 0.48%, 0.86%

LAB 90.61, -15.51, 13.92

 

CMYK 10 / 0 / 35 / 16

HEX #C2D78C

RGB 194 215 140

HSL 76.8, 0.48%, 0.7%

LAB 82.89, -19.22, 34.73

 

CMYK 7 / 0 / 24 / 11

HEX #D2E2AB

RGB 210 226 171

HSL 77.45, 0.49%, 0.78%

LAB 87.5, -14.55, 25.17

 

CMYK 4 / 0 / 15 / 7

HEX #E2ECC9

RGB 226 236 201

HSL 77.14, 0.48%, 0.86%

LAB 91.85, -9.3, 15.86

 

CMYK 2 / 0 / 6 / 3

HEX #F3F7E8

RGB 243 247 232

HSL 76, 0.48%, 0.94%

LAB 96.58, -3.92, 6.73

 

CMYK 4 / 0 / 15 / 7

HEX #E3EDCA

RGB 227 237 202

HSL 77.14, 0.49%, 0.86%

LAB 92.2, -9.29, 15.84

 

CMYK 15 / 0 / 8 / 7

HEX #C9ECDA

RGB 201 236 218

HSL 149.14, 0.48%, 0.86%

LAB 90.54, -14.81, 4.91

 

CMYK 2 / 15 / 0 / 7

HEX #E8C9EC

RGB 232 201 236

HSL 293.14, 0.48%, 0.86%

LAB 84.48, 16.95, -13.24

 

CMYK 4 / 0 / 15 / 7

HEX #E3EDCA

RGB 227 237 202

HSL 77.14, 0.49%, 0.86%

LAB 92.2, -9.29, 15.84

 

CMYK 15 / 4 / 0 / 7

HEX #C9E2EC

RGB 201 226 236

HSL 197.14, 0.48%, 0.86%

LAB 88.38, -6.22, -7.67

 

CMYK 0 / 15 / 4 / 7

HEX #ECC9E2

RGB 236 201 226

HSL 317.14, 0.48%, 0.86%

LAB 84.53, 16.48, -7.79

 

CMYK 4 / 0 / 15 / 7

HEX #E3EDCA

RGB 227 237 202

HSL 77.14, 0.49%, 0.86%

LAB 92.2, -9.29, 15.84

 

CMYK 15 / 0 / 8 / 7

HEX #C9ECDA

RGB 201 236 218

HSL 149.14, 0.48%, 0.86%

LAB 90.54, -14.81, 4.91

 

CMYK 11 / 15 / 0 / 7

HEX #D3C9EC

RGB 211 201 236

HSL 257.14, 0.48%, 0.86%

LAB 82.74, 10.09, -16.01

 

CMYK 0 / 15 / 7 / 7

HEX #ECC9DB

RGB 236 201 219

HSL 329.14, 0.48%, 0.86%

LAB 84.34, 15.27, -4.34

 

CMYK 4 / 0 / 15 / 7

HEX #E3EDCA

RGB 227 237 202

HSL 77.14, 0.49%, 0.86%

LAB 92.2, -9.29, 15.84

 

CMYK 15 / 0 / 3 / 7

HEX #C9ECE5

RGB 201 236 229

HSL 168, 0.48%, 0.86%

LAB 90.81, -12.7, -0.43

 

CMYK 11 / 15 / 0 / 7

HEX #D3C9EC

RGB 211 201 236

HSL 257.14, 0.48%, 0.86%

LAB 82.74, 10.09, -16.01

 

CMYK 0 / 15 / 11 / 7

HEX #ECC9D1

RGB 236 201 209

HSL 346.29, 0.48%, 0.86%

LAB 84.07, 13.6, 0.6

 

Description

Color code: HEX #E3EDCA | qconv.com Color code: HEX #E3EDCA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 237 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 237 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 15 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 15% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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