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Color name
HEX #E3DF8C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3DF8C it is the complementary color #1C2073. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3DF8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3DF8C shade: #E8DF87, #F9F19A, #FFFFAD, #FFFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3DF8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3DF8C shade: #E3DF8C, #D2CD79, #C1BB66, #B0A953 and #9F9740

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3DF8C shade: #E3DF8C, #E3C78C, #E3B08C, #E3988C and #E38C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3DF8C shade: #E3DF8C, #CFE38C, #B8E38C, #A0E38C and #8CE38E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3DF8C shade matches the following richer shades: #E3DF8C, #EEE980 and #FAF474

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3DF8C shade: #E3DF8C, #D7D497, #CCCAA3, #C0BFAE and #B4B5BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3DF8C shade: #E3B08C, #E3C78C, #E3DE8C, #D0E38C and #B9E38C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3DF8C shade: #D3CC49, #DBD56A, #E3DF8C, #EBE8AD and #F3F1CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3DF8C shade: #E3DF8C, #8CE399 and #BB8CE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3DF8C shade: #E3DF8C, #8CE3DE and #DE8CE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3DF8C shade: #E3DF8C, #8CE399, #8C90E3 and #E38CD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3DF8C shade: #E3DF8C, #8CE3B3, #8C90E3 and #E38CBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 38 / 11

HEX #E3DF8C

RGB 227 223 140

HSL 57.24, 0.61%, 0.72%

LAB 87.48, -10.57, 41.15

 

Complementary color

CMYK 76 / 72 / 0 / 55

HEX #1C2073

RGB 28 32 115

HSL 237.24, 0.61%, 0.28%

LAB 18, 28.67, -47.99

 

CMYK 0 / 4 / 42 / 9

HEX #E8DF87

RGB 232 223 135

HSL 54.43, 0.68%, 0.72%

LAB 87.81, -9.14, 44.13

 

CMYK 0 / 3 / 38 / 2

HEX #F9F19A

RGB 249 241 154

HSL 54.95, 0.89%, 0.79%

LAB 94.05, -9.54, 42.97

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 0 / 2 / 38 / 11

HEX #E3DF8C

RGB 227 223 140

HSL 57.24, 0.61%, 0.72%

LAB 87.48, -10.57, 41.15

 

CMYK 0 / 2 / 42 / 18

HEX #D2CD79

RGB 210 205 121

HSL 56.63, 0.5%, 0.65%

LAB 81.15, -10.18, 42.33

 

CMYK 0 / 3 / 47 / 24

HEX #C1BB66

RGB 193 187 102

HSL 56.04, 0.42%, 0.58%

LAB 74.72, -9.72, 43.53

 

CMYK 0 / 4 / 53 / 31

HEX #B0A953

RGB 176 169 83

HSL 55.48, 0.37%, 0.51%

LAB 68.19, -9.16, 44.72

 

CMYK 0 / 5 / 60 / 38

HEX #9F9740

RGB 159 151 64

HSL 54.95, 0.43%, 0.44%

LAB 61.55, -8.47, 45.84

 

CMYK 0 / 2 / 38 / 11

HEX #E3DF8C

RGB 227 223 140

HSL 57.24, 0.61%, 0.72%

LAB 87.48, -10.57, 41.15

 

CMYK 0 / 12 / 38 / 11

HEX #E3C78C

RGB 227 199 140

HSL 40.69, 0.61%, 0.72%

LAB 81.33, 1.71, 33.17

 

CMYK 0 / 22 / 38 / 11

HEX #E3B08C

RGB 227 176 140

HSL 24.83, 0.61%, 0.72%

LAB 75.62, 13.85, 25.58

 

CMYK 0 / 33 / 38 / 11

HEX #E3988C

RGB 227 152 140

HSL 8.28, 0.61%, 0.72%

LAB 69.95, 26.69, 17.83

 

CMYK 0 / 38 / 38 / 11

HEX #E38C8C

RGB 227 140 140

HSL 0, 0.61%, 0.72%

LAB 67.26, 33.08, 14.09

 

CMYK 0 / 2 / 38 / 11

HEX #E3DF8C

RGB 227 223 140

HSL 57.24, 0.61%, 0.72%

LAB 87.48, -10.57, 41.15

 

CMYK 9 / 0 / 38 / 11

HEX #CFE38C

RGB 207 227 140

HSL 73.79, 0.61%, 0.72%

LAB 87.04, -20.22, 40.28

 

CMYK 19 / 0 / 38 / 11

HEX #B8E38C

RGB 184 227 140

HSL 89.66, 0.61%, 0.72%

LAB 85.52, -28.71, 38.01

 

CMYK 30 / 0 / 38 / 11

HEX #A0E38C

RGB 160 227 140

HSL 106.21, 0.61%, 0.72%

LAB 84.12, -37.03, 35.94

 

CMYK 38 / 0 / 37 / 11

HEX #8CE38E

RGB 140 227 142

HSL 121.38, 0.61%, 0.72%

LAB 83.16, -43.09, 33.48

 

CMYK 0 / 2 / 38 / 11

HEX #E3DF8C

RGB 227 223 140

HSL 57.24, 0.61%, 0.72%

LAB 87.48, -10.57, 41.15

 

CMYK 0 / 2 / 46 / 7

HEX #EEE980

RGB 238 233 128

HSL 57.27, 0.76%, 0.72%

LAB 90.79, -12.45, 51.31

 

CMYK 0 / 2 / 54 / 2

HEX #FAF474

RGB 250 244 116

HSL 57.31, 0.93%, 0.72%

LAB 94.43, -14.12, 61.39

 

CMYK 0 / 2 / 38 / 11

HEX #E3DF8C

RGB 227 223 140

HSL 57.24, 0.61%, 0.72%

LAB 87.48, -10.57, 41.15

 

CMYK 0 / 1 / 30 / 16

HEX #D7D497

RGB 215 212 151

HSL 57.19, 0.44%, 0.72%

LAB 83.85, -8.34, 30.63

 

CMYK 0 / 1 / 20 / 20

HEX #CCCAA3

RGB 204 202 163

HSL 57.07, 0.29%, 0.72%

LAB 80.58, -5.72, 19.77

 

CMYK 0 / 1 / 9 / 25

HEX #C0BFAE

RGB 192 191 174

HSL 56.67, 0.13%, 0.72%

LAB 77, -2.65, 8.7

 

CMYK 3 / 3 / 0 / 27

HEX #B4B5BA

RGB 180 181 186

HSL 230, 0.04%, 0.72%

LAB 73.74, 0.6, -2.67

 

CMYK 0 / 22 / 38 / 11

HEX #E3B08C

RGB 227 176 140

HSL 24.83, 0.61%, 0.72%

LAB 75.62, 13.85, 25.58

 

CMYK 0 / 12 / 38 / 11

HEX #E3C78C

RGB 227 199 140

HSL 40.69, 0.61%, 0.72%

LAB 81.33, 1.71, 33.17

 

CMYK 0 / 2 / 38 / 11

HEX #E3DE8C

RGB 227 222 140

HSL 56.55, 0.61%, 0.72%

LAB 87.23, -10.06, 40.82

 

CMYK 8 / 0 / 38 / 11

HEX #D0E38C

RGB 208 227 140

HSL 73.1, 0.61%, 0.72%

LAB 87.12, -19.84, 40.39

 

CMYK 19 / 0 / 38 / 11

HEX #B9E38C

RGB 185 227 140

HSL 88.97, 0.61%, 0.72%

LAB 85.58, -28.35, 38.1

 

CMYK 0 / 3 / 65 / 17

HEX #D3CC49

RGB 211 204 73

HSL 56.96, 0.61%, 0.56%

LAB 80.47, -13.1, 63.52

 

CMYK 0 / 3 / 52 / 14

HEX #DBD56A

RGB 219 213 106

HSL 56.81, 0.61%, 0.64%

LAB 83.8, -12, 52.97

 

CMYK 0 / 2 / 38 / 11

HEX #E3DF8C

RGB 227 223 140

HSL 57.24, 0.61%, 0.72%

LAB 87.48, -10.57, 41.15

 

CMYK 0 / 1 / 26 / 8

HEX #EBE8AD

RGB 235 232 173

HSL 57.1, 0.61%, 0.8%

LAB 90.96, -8.08, 29.15

 

CMYK 0 / 1 / 15 / 5

HEX #F3F1CE

RGB 243 241 206

HSL 56.76, 0.61%, 0.88%

LAB 94.49, -5.05, 17.17

 

CMYK 0 / 2 / 38 / 11

HEX #E3DF8C

RGB 227 223 140

HSL 57.24, 0.61%, 0.72%

LAB 87.48, -10.57, 41.15

 

CMYK 38 / 0 / 33 / 11

HEX #8CE399

RGB 140 227 153

HSL 128.97, 0.61%, 0.72%

LAB 83.34, -41.32, 28.11

 

CMYK 18 / 38 / 0 / 11

HEX #BB8CE3

RGB 187 140 227

HSL 272.41, 0.61%, 0.72%

LAB 65.64, 34.1, -37.49

 

CMYK 0 / 2 / 38 / 11

HEX #E3DF8C

RGB 227 223 140

HSL 57.24, 0.61%, 0.72%

LAB 87.48, -10.57, 41.15

 

CMYK 38 / 0 / 2 / 11

HEX #8CE3DE

RGB 140 227 222

HSL 176.55, 0.61%, 0.72%

LAB 84.89, -27.32, -5.84

 

CMYK 2 / 38 / 0 / 11

HEX #DE8CE3

RGB 222 140 227

HSL 296.55, 0.61%, 0.72%

LAB 69.35, 44.61, -31.45

 

CMYK 0 / 2 / 38 / 11

HEX #E3DF8C

RGB 227 223 140

HSL 57.24, 0.61%, 0.72%

LAB 87.48, -10.57, 41.15

 

CMYK 38 / 0 / 33 / 11

HEX #8CE399

RGB 140 227 153

HSL 128.97, 0.61%, 0.72%

LAB 83.34, -41.32, 28.11

 

CMYK 38 / 37 / 0 / 11

HEX #8C90E3

RGB 140 144 227

HSL 237.24, 0.61%, 0.72%

LAB 62.57, 18.55, -42.61

 

CMYK 0 / 38 / 6 / 11

HEX #E38CD6

RGB 227 140 214

HSL 308.97, 0.61%, 0.72%

LAB 69.43, 43.82, -24.1

 

CMYK 0 / 2 / 38 / 11

HEX #E3DF8C

RGB 227 223 140

HSL 57.24, 0.61%, 0.72%

LAB 87.48, -10.57, 41.15

 

CMYK 38 / 0 / 21 / 11

HEX #8CE3B3

RGB 140 227 179

HSL 146.9, 0.61%, 0.72%

LAB 83.84, -36.61, 15.31

 

CMYK 38 / 37 / 0 / 11

HEX #8C90E3

RGB 140 144 227

HSL 237.24, 0.61%, 0.72%

LAB 62.57, 18.55, -42.61

 

CMYK 0 / 38 / 18 / 11

HEX #E38CBB

RGB 227 140 187

HSL 327.59, 0.61%, 0.72%

LAB 68.52, 39.41, -10.46

 

Description

Color code: HEX #E3DF8C | qconv.com Color code: HEX #E3DF8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 223 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 223 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 38 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 38% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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