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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3DC82 it is the complementary color #1C237D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3DC82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3DC82 shade: #E8DC7D, #F9EE90, #FFFFA3, #FFFFB6 and #FFFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3DC82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3DC82 shade: #E3DC82, #D2CA6F, #C1B85C, #B0A649 and #9F9436

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3DC82 shade: #E2DB82, #E2C182, #E2A782, #E28D82 and #E28282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3DC82 shade: #E2DB82, #CFE282, #B5E282, #9BE282 and #82E282

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3DC82 shade matches the following richer shades: #E2DB82, #EFE675 and #FBF069

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3DC82 shade: #E2DB82, #D6D18E, #C9C69B, #BDBBA7 and #B1B1B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3DC82 shade: #E2A782, #E2C082, #E2DA82, #D1E282 and #B7E282

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3DC82 shade: #D3C83F, #DBD260, #E2DB82, #EAE5A3 and #F1EEC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3DC82 shade: #E3DC82, #82E28D and #B482E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3DC82 shade: #E3DC82, #82E2DA and #DA82E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3DC82 shade: #E3DC82, #82E28D, #828AE2 and #E282D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3DC82 shade: #E3DC82, #82E2AA, #828AE2 and #E282BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 43 / 11

HEX #E3DC82

RGB 227 220 130

HSL 55.67, 0.63%, 0.7%

LAB 86.57, -10.11, 44.94

 

Complementary color

CMYK 78 / 72 / 0 / 51

HEX #1C237D

RGB 28 35 125

HSL 235.67, 0.63%, 0.3%

LAB 19.76, 30.44, -51.49

 

CMYK 0 / 5 / 46 / 9

HEX #E8DC7D

RGB 232 220 125

HSL 53.27, 0.7%, 0.7%

LAB 86.91, -8.61, 47.9

 

CMYK 0 / 4 / 42 / 2

HEX #F9EE90

RGB 249 238 144

HSL 53.71, 0.9%, 0.77%

LAB 93.15, -9.09, 46.72

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 3 / 43 / 11

HEX #E3DC82

RGB 227 220 130

HSL 55.67, 0.63%, 0.7%

LAB 86.57, -10.11, 44.94

 

CMYK 0 / 4 / 47 / 18

HEX #D2CA6F

RGB 210 202 111

HSL 55.15, 0.52%, 0.63%

LAB 80.23, -9.64, 46.13

 

CMYK 0 / 5 / 52 / 24

HEX #C1B85C

RGB 193 184 92

HSL 54.65, 0.45%, 0.56%

LAB 73.8, -9.07, 47.31

 

CMYK 0 / 6 / 59 / 31

HEX #B0A649

RGB 176 166 73

HSL 54.17, 0.41%, 0.49%

LAB 67.26, -8.39, 48.43

 

CMYK 0 / 7 / 66 / 38

HEX #9F9436

RGB 159 148 54

HSL 53.71, 0.49%, 0.42%

LAB 60.62, -7.55, 49.38

 

CMYK 0 / 3 / 42 / 11

HEX #E2DB82

RGB 226 219 130

HSL 55.63, 0.62%, 0.7%

LAB 86.23, -10, 44.5

 

CMYK 0 / 15 / 42 / 11

HEX #E2C182

RGB 226 193 130

HSL 39.38, 0.62%, 0.7%

LAB 79.57, 3.36, 36.03

 

CMYK 0 / 26 / 42 / 11

HEX #E2A782

RGB 226 167 130

HSL 23.13, 0.62%, 0.7%

LAB 73.17, 17.16, 27.63

 

CMYK 0 / 38 / 42 / 11

HEX #E28D82

RGB 226 141 130

HSL 6.88, 0.62%, 0.7%

LAB 67.15, 31.06, 19.5

 

CMYK 0 / 42 / 42 / 11

HEX #E28282

RGB 226 130 130

HSL 0, 0.62%, 0.7%

LAB 64.76, 36.85, 16.21

 

CMYK 0 / 3 / 42 / 11

HEX #E2DB82

RGB 226 219 130

HSL 55.63, 0.62%, 0.7%

LAB 86.23, -10, 44.5

 

CMYK 8 / 0 / 42 / 11

HEX #CFE282

RGB 207 226 130

HSL 71.88, 0.62%, 0.7%

LAB 86.64, -20.86, 44.7

 

CMYK 20 / 0 / 42 / 11

HEX #B5E282

RGB 181 226 130

HSL 88.13, 0.62%, 0.7%

LAB 84.91, -30.57, 42.16

 

CMYK 31 / 0 / 42 / 11

HEX #9BE282

RGB 155 226 130

HSL 104.38, 0.62%, 0.7%

LAB 83.43, -39.61, 39.97

 

CMYK 42 / 0 / 42 / 11

HEX #82E282

RGB 130 226 130

HSL 120, 0.62%, 0.7%

LAB 82.24, -47.43, 38.22

 

CMYK 0 / 3 / 42 / 11

HEX #E2DB82

RGB 226 219 130

HSL 55.63, 0.62%, 0.7%

LAB 86.23, -10, 44.5

 

CMYK 0 / 4 / 51 / 6

HEX #EFE675

RGB 239 230 117

HSL 55.57, 0.79%, 0.7%

LAB 89.97, -11.53, 55.51

 

CMYK 0 / 4 / 58 / 2

HEX #FBF069

RGB 251 240 105

HSL 55.48, 0.95%, 0.7%

LAB 93.39, -12.56, 65.03

 

CMYK 0 / 3 / 42 / 11

HEX #E2DB82

RGB 226 219 130

HSL 55.63, 0.62%, 0.7%

LAB 86.23, -10, 44.5

 

CMYK 0 / 2 / 34 / 16

HEX #D6D18E

RGB 214 209 142

HSL 55.83, 0.47%, 0.7%

LAB 82.83, -8.31, 33.91

 

CMYK 0 / 1 / 23 / 21

HEX #C9C69B

RGB 201 198 155

HSL 56.09, 0.3%, 0.7%

LAB 79.14, -5.93, 21.98

 

CMYK 0 / 1 / 12 / 26

HEX #BDBBA7

RGB 189 187 167

HSL 54.55, 0.14%, 0.7%

LAB 75.54, -2.79, 10.38

 

CMYK 1 / 1 / 0 / 30

HEX #B1B1B3

RGB 177 177 179

HSL 240, 0.01%, 0.7%

LAB 72.26, 0.38, -1.03

 

CMYK 0 / 26 / 42 / 11

HEX #E2A782

RGB 226 167 130

HSL 23.13, 0.62%, 0.7%

LAB 73.17, 17.16, 27.63

 

CMYK 0 / 15 / 42 / 11

HEX #E2C082

RGB 226 192 130

HSL 38.75, 0.62%, 0.7%

LAB 79.32, 3.89, 35.71

 

CMYK 0 / 4 / 42 / 11

HEX #E2DA82

RGB 226 218 130

HSL 55, 0.62%, 0.7%

LAB 85.97, -9.5, 44.17

 

CMYK 8 / 0 / 42 / 11

HEX #D1E282

RGB 209 226 130

HSL 70.63, 0.62%, 0.7%

LAB 86.78, -20.09, 44.91

 

CMYK 19 / 0 / 42 / 11

HEX #B7E282

RGB 183 226 130

HSL 86.88, 0.62%, 0.7%

LAB 85.03, -29.84, 42.34

 

CMYK 0 / 5 / 70 / 17

HEX #D3C83F

RGB 211 200 63

HSL 55.54, 0.63%, 0.54%

LAB 79.34, -11.62, 66.23

 

CMYK 0 / 4 / 56 / 14

HEX #DBD260

RGB 219 210 96

HSL 55.61, 0.63%, 0.62%

LAB 82.91, -11.28, 56.53

 

CMYK 0 / 3 / 42 / 11

HEX #E2DB82

RGB 226 219 130

HSL 55.63, 0.62%, 0.7%

LAB 86.23, -10, 44.5

 

CMYK 0 / 2 / 30 / 8

HEX #EAE5A3

RGB 234 229 163

HSL 55.77, 0.63%, 0.78%

LAB 89.94, -8.22, 32.87

 

CMYK 0 / 1 / 18 / 5

HEX #F1EEC5

RGB 241 238 197

HSL 55.91, 0.61%, 0.86%

LAB 93.4, -5.58, 20.25

 

CMYK 0 / 3 / 43 / 11

HEX #E3DC82

RGB 227 220 130

HSL 55.67, 0.63%, 0.7%

LAB 86.57, -10.11, 44.94

 

CMYK 42 / 0 / 38 / 11

HEX #82E28D

RGB 130 226 141

HSL 126.88, 0.62%, 0.7%

LAB 82.41, -45.75, 32.92

 

CMYK 20 / 42 / 0 / 11

HEX #B482E2

RGB 180 130 226

HSL 271.25, 0.62%, 0.7%

LAB 62.64, 37.38, -41.69

 

CMYK 0 / 3 / 43 / 11

HEX #E3DC82

RGB 227 220 130

HSL 55.67, 0.63%, 0.7%

LAB 86.57, -10.11, 44.94

 

CMYK 42 / 0 / 4 / 11

HEX #82E2DA

RGB 130 226 218

HSL 175, 0.62%, 0.7%

LAB 84.07, -30.26, -4.98

 

CMYK 4 / 42 / 0 / 11

HEX #DA82E2

RGB 218 130 226

HSL 295, 0.62%, 0.7%

LAB 66.8, 48.42, -34.9

 

CMYK 0 / 3 / 43 / 11

HEX #E3DC82

RGB 227 220 130

HSL 55.67, 0.63%, 0.7%

LAB 86.57, -10.11, 44.94

 

CMYK 42 / 0 / 38 / 11

HEX #82E28D

RGB 130 226 141

HSL 126.88, 0.62%, 0.7%

LAB 82.41, -45.75, 32.92

 

CMYK 42 / 39 / 0 / 11

HEX #828AE2

RGB 130 138 226

HSL 235, 0.62%, 0.7%

LAB 60.26, 19.2, -45.73

 

CMYK 0 / 42 / 5 / 11

HEX #E282D7

RGB 226 130 215

HSL 306.88, 0.62%, 0.7%

LAB 67.31, 48.84, -27.92

 

CMYK 0 / 3 / 43 / 11

HEX #E3DC82

RGB 227 220 130

HSL 55.67, 0.63%, 0.7%

LAB 86.57, -10.11, 44.94

 

CMYK 42 / 0 / 25 / 11

HEX #82E2AA

RGB 130 226 170

HSL 145, 0.62%, 0.7%

LAB 82.94, -40.66, 18.68

 

CMYK 42 / 39 / 0 / 11

HEX #828AE2

RGB 130 138 226

HSL 235, 0.62%, 0.7%

LAB 60.26, 19.2, -45.73

 

CMYK 0 / 42 / 18 / 11

HEX #E282BA

RGB 226 130 186

HSL 325, 0.62%, 0.7%

LAB 66.27, 44.12, -13.27

 

Description

Color code: HEX #E3DC82 | qconv.com Color code: HEX #E3DC82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 220 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 220 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 43 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 43% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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