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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3C6BE it is the complementary color #1C3941. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3C6BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3C6BE shade: #E8C6B9, #F9D8CC, #FFEADF and #FFFCF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3C6BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3C6BE shade: #E3C6BE, #D2B4AB, #C1A298, #B09085 and #9F7E72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3C6BE shade: #E3C6BE and #E3BEBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3C6BE shade: #E3C6BE, #E3D0BE, #E3DABE, #E2E3BE and #D8E3BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3C6BE shade matches the following richer shades: #E3C6BE, #EAC2B7, #F2BEAF and #F9BAA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3C6BE shade: #E3C6BE, #DCCAC6, #D4CFCD, #CDD3D5 and #C5D7DC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3C6BE shade: #E3BECA, #E3BEC1, #E3C6BE, #E3CFBE and #E3D9BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3C6BE shade: #CA9484, #D7ADA1, #E3C6BE, #EFDFDB and #FCF9F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3C6BE shade: #E3C6BE, #D4E3BE and #BEC6E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3C6BE shade: #E3C6BE, #BEE3C6 and #C6BEE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3C6BE shade: #E3C6BE, #D4E3BE, #BEDCE3 and #CDBEE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3C6BE shade: #E3C6BE, #C9E3BE, #BEDCE3 and #D8BEE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 16 / 11

HEX #E3C6BE

RGB 227 198 190

HSL 12.97, 0.4%, 0.82%

LAB 82.08, 8.94, 7.76

 

Complementary color

CMYK 57 / 12 / 0 / 75

HEX #1C3941

RGB 28 57 65

HSL 192.97, 0.4%, 0.18%

LAB 22.14, -8.23, -8.33

 

CMYK 0 / 15 / 20 / 9

HEX #E8C6B9

RGB 232 198 185

HSL 16.6, 0.51%, 0.82%

LAB 82.4, 10.01, 10.96

 

CMYK 0 / 13 / 18 / 2

HEX #F9D8CC

RGB 249 216 204

HSL 16, 0.79%, 0.89%

LAB 88.74, 9.6, 10.13

 

CMYK 0 / 8 / 13 / 0

HEX #FFEADF

RGB 255 234 223

HSL 20.63, 1%, 0.94%

LAB 94.07, 5.35, 7.9

 

CMYK 0 / 1 / 5 / 0

HEX #FFFCF2

RGB 255 252 242

HSL 46.15, 1%, 0.97%

LAB 98.94, -0.71, 5.12

 

CMYK 0 / 13 / 16 / 11

HEX #E3C6BE

RGB 227 198 190

HSL 12.97, 0.4%, 0.82%

LAB 82.08, 8.94, 7.76

 

CMYK 0 / 14 / 19 / 18

HEX #D2B4AB

RGB 210 180 171

HSL 13.85, 0.3%, 0.75%

LAB 75.63, 9.35, 8.57

 

CMYK 0 / 16 / 21 / 24

HEX #C1A298

RGB 193 162 152

HSL 14.63, 0.25%, 0.68%

LAB 69.07, 9.81, 9.44

 

CMYK 0 / 18 / 24 / 31

HEX #B09085

RGB 176 144 133

HSL 15.35, 0.21%, 0.61%

LAB 62.4, 10.32, 10.37

 

CMYK 0 / 21 / 28 / 38

HEX #9F7E72

RGB 159 126 114

HSL 16, 0.19%, 0.54%

LAB 55.59, 10.9, 11.38

 

CMYK 0 / 13 / 16 / 11

HEX #E3C6BE

RGB 227 198 190

HSL 12.97, 0.4%, 0.82%

LAB 82.08, 8.94, 7.76

 

CMYK 0 / 16 / 16 / 11

HEX #E3BEBE

RGB 227 190 190

HSL 0, 0.4%, 0.82%

LAB 80.11, 13.19, 4.93

 

CMYK 0 / 13 / 16 / 11

HEX #E3C6BE

RGB 227 198 190

HSL 12.97, 0.4%, 0.82%

LAB 82.08, 8.94, 7.76

 

CMYK 0 / 8 / 16 / 11

HEX #E3D0BE

RGB 227 208 190

HSL 29.19, 0.4%, 0.82%

LAB 84.57, 3.69, 11.32

 

CMYK 0 / 4 / 16 / 11

HEX #E3DABE

RGB 227 218 190

HSL 45.41, 0.4%, 0.82%

LAB 87.09, -1.49, 14.89

 

CMYK 0 / 0 / 16 / 11

HEX #E2E3BE

RGB 226 227 190

HSL 61.62, 0.4%, 0.82%

LAB 89.31, -6.46, 18

 

CMYK 5 / 0 / 16 / 11

HEX #D8E3BE

RGB 216 227 190

HSL 77.84, 0.4%, 0.82%

LAB 88.57, -10.03, 16.85

 

CMYK 0 / 13 / 16 / 11

HEX #E3C6BE

RGB 227 198 190

HSL 12.97, 0.4%, 0.82%

LAB 82.08, 8.94, 7.76

 

CMYK 0 / 17 / 22 / 8

HEX #EAC2B7

RGB 234 194 183

HSL 12.94, 0.55%, 0.82%

LAB 81.56, 12.57, 10.86

 

CMYK 0 / 21 / 28 / 5

HEX #F2BEAF

RGB 242 190 175

HSL 13.43, 0.72%, 0.82%

LAB 81.18, 16.53, 14.71

 

CMYK 0 / 25 / 33 / 2

HEX #F9BAA8

RGB 249 186 168

HSL 13.33, 0.87%, 0.82%

LAB 80.79, 20.36, 18.01

 

CMYK 0 / 13 / 16 / 11

HEX #E3C6BE

RGB 227 198 190

HSL 12.97, 0.4%, 0.82%

LAB 82.08, 8.94, 7.76

 

CMYK 0 / 8 / 10 / 14

HEX #DCCAC6

RGB 220 202 198

HSL 10.91, 0.24%, 0.82%

LAB 82.66, 5.6, 4.25

 

CMYK 0 / 2 / 3 / 17

HEX #D4CFCD

RGB 212 207 205

HSL 17.14, 0.08%, 0.82%

LAB 83.46, 1.37, 1.59

 

CMYK 4 / 1 / 0 / 16

HEX #CDD3D5

RGB 205 211 213

HSL 195, 0.09%, 0.82%

LAB 84.16, -1.66, -1.71

 

CMYK 10 / 2 / 0 / 14

HEX #C5D7DC

RGB 197 215 220

HSL 193.04, 0.25%, 0.82%

LAB 84.81, -5.03, -4.53

 

CMYK 0 / 16 / 11 / 11

HEX #E3BECA

RGB 227 190 202

HSL 340.54, 0.4%, 0.82%

LAB 80.42, 15.12, -1.09

 

CMYK 0 / 16 / 15 / 11

HEX #E3BEC1

RGB 227 190 193

HSL 355.14, 0.4%, 0.82%

LAB 80.18, 13.66, 3.42

 

CMYK 0 / 13 / 16 / 11

HEX #E3C6BE

RGB 227 198 190

HSL 12.97, 0.4%, 0.82%

LAB 82.08, 8.94, 7.76

 

CMYK 0 / 9 / 16 / 11

HEX #E3CFBE

RGB 227 207 190

HSL 27.57, 0.4%, 0.82%

LAB 84.32, 4.21, 10.96

 

CMYK 0 / 4 / 16 / 11

HEX #E3D9BE

RGB 227 217 190

HSL 43.78, 0.4%, 0.82%

LAB 86.84, -0.98, 14.53

 

CMYK 0 / 27 / 35 / 21

HEX #CA9484

RGB 202 148 132

HSL 13.71, 0.4%, 0.65%

LAB 66.06, 18.19, 16.45

 

CMYK 0 / 20 / 25 / 16

HEX #D7ADA1

RGB 215 173 161

HSL 13.33, 0.4%, 0.74%

LAB 74.13, 13.52, 11.96

 

CMYK 0 / 13 / 16 / 11

HEX #E3C6BE

RGB 227 198 190

HSL 12.97, 0.4%, 0.82%

LAB 82.08, 8.94, 7.76

 

CMYK 0 / 7 / 8 / 6

HEX #EFDFDB

RGB 239 223 219

HSL 12, 0.38%, 0.9%

LAB 89.97, 4.79, 3.91

 

CMYK 0 / 1 / 2 / 1

HEX #FCF9F8

RGB 252 249 248

HSL 15, 0.4%, 0.98%

LAB 98.12, 0.83, 0.82

 

CMYK 0 / 13 / 16 / 11

HEX #E3C6BE

RGB 227 198 190

HSL 12.97, 0.4%, 0.82%

LAB 82.08, 8.94, 7.76

 

CMYK 7 / 0 / 16 / 11

HEX #D4E3BE

RGB 212 227 190

HSL 84.32, 0.4%, 0.82%

LAB 88.28, -11.44, 16.4

 

CMYK 16 / 13 / 0 / 11

HEX #BEC6E3

RGB 190 198 227

HSL 227.03, 0.4%, 0.82%

LAB 80.11, 3.12, -15.31

 

CMYK 0 / 13 / 16 / 11

HEX #E3C6BE

RGB 227 198 190

HSL 12.97, 0.4%, 0.82%

LAB 82.08, 8.94, 7.76

 

CMYK 16 / 0 / 13 / 11

HEX #BEE3C6

RGB 190 227 198

HSL 132.97, 0.4%, 0.82%

LAB 86.98, -17.6, 10.17

 

CMYK 13 / 16 / 0 / 11

HEX #C6BEE3

RGB 198 190 227

HSL 252.97, 0.4%, 0.82%

LAB 78.68, 9.97, -17.41

 

CMYK 0 / 13 / 16 / 11

HEX #E3C6BE

RGB 227 198 190

HSL 12.97, 0.4%, 0.82%

LAB 82.08, 8.94, 7.76

 

CMYK 7 / 0 / 16 / 11

HEX #D4E3BE

RGB 212 227 190

HSL 84.32, 0.4%, 0.82%

LAB 88.28, -11.44, 16.4

 

CMYK 16 / 3 / 0 / 11

HEX #BEDCE3

RGB 190 220 227

HSL 191.35, 0.4%, 0.82%

LAB 85.85, -8.43, -6.76

 

CMYK 10 / 16 / 0 / 11

HEX #CDBEE3

RGB 205 190 227

HSL 264.32, 0.4%, 0.82%

LAB 79.24, 12.23, -16.5

 

CMYK 0 / 13 / 16 / 11

HEX #E3C6BE

RGB 227 198 190

HSL 12.97, 0.4%, 0.82%

LAB 82.08, 8.94, 7.76

 

CMYK 11 / 0 / 16 / 11

HEX #C9E3BE

RGB 201 227 190

HSL 102.16, 0.4%, 0.82%

LAB 87.52, -15.27, 15.22

 

CMYK 16 / 3 / 0 / 11

HEX #BEDCE3

RGB 190 220 227

HSL 191.35, 0.4%, 0.82%

LAB 85.85, -8.43, -6.76

 

CMYK 5 / 16 / 0 / 11

HEX #D8BEE3

RGB 216 190 227

HSL 282.16, 0.4%, 0.82%

LAB 80.16, 15.84, -15.03

 

Description

Color code: HEX #E3C6BE | qconv.com Color code: HEX #E3C6BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 198 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 198 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 16 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 16% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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