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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3C607 it is the complementary color #1C39F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3C607. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3C607 shade: #E8C602, #F9D815, #FFEA28, #FFFC3B and #FFFF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3C607. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3C607 shade: #E3C607, #D2B400, #C1A200, #B09000 and #9F7E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3C607 shade: #E3C607, #E38B07, #E34F07, #E31407 and #E30707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3C607 shade: #E3C607, #C5E307, #89E307, #4EE307 and #12E307

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3C607 shade matches the following richer shades: #E3C607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3C607 shade: #E3C607, #D0B81A, #BDAA2C, #AA9C3F and #978E52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3C607 shade: #E35007, #E38B07, #E3C607, #C6E307 and #8BE307

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3C607 shade: #938004, #BBA305, #E3C607, #F7DA1B and #F9E143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3C607 shade: #E3C607, #07E315 and #6D07E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3C607 shade: #E3C607, #07E3C6 and #C607E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3C607 shade: #E3C607, #07E315, #0724E3 and #E307D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3C607 shade: #E3C607, #07E357, #0724E3 and #E30792

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 97 / 11

HEX #E3C607

RGB 227 198 7

HSL 52.09, 0.94%, 0.46%

LAB 80.03, -5.22, 80.37

 

Complementary color

CMYK 89 / 77 / 0 / 3

HEX #1C39F8

RGB 28 57 248

HSL 232.09, 0.94%, 0.54%

LAB 37.75, 60.07, -94.83

 

CMYK 0 / 15 / 99 / 9

HEX #E8C602

RGB 232 198 2

HSL 51.13, 0.98%, 0.46%

LAB 80.49, -3.1, 81.4

 

CMYK 0 / 13 / 92 / 2

HEX #F9D815

RGB 249 216 21

HSL 51.32, 0.95%, 0.53%

LAB 86.66, -4.79, 84.62

 

CMYK 0 / 8 / 84 / 0

HEX #FFEA28

RGB 255 234 40

HSL 54.14, 1%, 0.58%

LAB 91.8, -10.89, 85.51

 

CMYK 0 / 1 / 77 / 0

HEX #FFFC3B

RGB 255 252 59

HSL 59.08, 1%, 0.62%

LAB 96.49, -19.09, 84.82

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4E

RGB 255 255 78

HSL 60, 1%, 0.65%

LAB 97.36, -19.76, 79.73

 

CMYK 0 / 13 / 97 / 11

HEX #E3C607

RGB 227 198 7

HSL 52.09, 0.94%, 0.46%

LAB 80.03, -5.22, 80.37

 

CMYK 0 / 14 / 100 / 18

HEX #D2B400

RGB 210 180 0

HSL 51.43, 1%, 0.41%

LAB 73.77, -3.39, 75.88

 

CMYK 0 / 16 / 100 / 24

HEX #C1A200

RGB 193 162 0

HSL 50.36, 1%, 0.38%

LAB 67.41, -1.44, 70.62

 

CMYK 0 / 18 / 100 / 31

HEX #B09000

RGB 176 144 0

HSL 49.09, 1%, 0.35%

LAB 60.94, 0.58, 65.28

 

CMYK 0 / 21 / 100 / 38

HEX #9F7E00

RGB 159 126 0

HSL 47.55, 1%, 0.31%

LAB 54.34, 2.7, 59.83

 

CMYK 0 / 13 / 97 / 11

HEX #E3C607

RGB 227 198 7

HSL 52.09, 0.94%, 0.46%

LAB 80.03, -5.22, 80.37

 

CMYK 0 / 39 / 97 / 11

HEX #E38B07

RGB 227 139 7

HSL 36, 0.94%, 0.46%

LAB 65.6, 25.9, 70.23

 

CMYK 0 / 65 / 97 / 11

HEX #E34F07

RGB 227 79 7

HSL 19.64, 0.94%, 0.46%

LAB 53.96, 55.15, 62.91

 

CMYK 0 / 91 / 97 / 11

HEX #E31407

RGB 227 20 7

HSL 3.55, 0.94%, 0.46%

LAB 48.07, 71.57, 59.81

 

CMYK 0 / 97 / 97 / 11

HEX #E30707

RGB 227 7 7

HSL 0, 0.94%, 0.46%

LAB 47.62, 72.85, 59.61

 

CMYK 0 / 13 / 97 / 11

HEX #E3C607

RGB 227 198 7

HSL 52.09, 0.94%, 0.46%

LAB 80.03, -5.22, 80.37

 

CMYK 13 / 0 / 97 / 11

HEX #C5E307

RGB 197 227 7

HSL 68.18, 0.94%, 0.46%

LAB 85.41, -32.08, 83.33

 

CMYK 40 / 0 / 97 / 11

HEX #89E307

RGB 137 227 7

HSL 84.55, 0.94%, 0.46%

LAB 81.99, -54.58, 79.19

 

CMYK 66 / 0 / 97 / 11

HEX #4EE307

RGB 78 227 7

HSL 100.64, 0.94%, 0.46%

LAB 79.94, -70.66, 76.69

 

CMYK 92 / 0 / 97 / 11

HEX #12E307

RGB 18 227 7

HSL 117, 0.94%, 0.46%

LAB 79.09, -78.14, 75.65

 

CMYK 0 / 13 / 97 / 11

HEX #E3C607

RGB 227 198 7

HSL 52.09, 0.94%, 0.46%

LAB 80.03, -5.22, 80.37

 

CMYK 0 / 13 / 97 / 11

HEX #E3C607

RGB 227 198 7

HSL 52.09, 0.94%, 0.46%

LAB 80.03, -5.22, 80.37

 

CMYK 0 / 12 / 88 / 18

HEX #D0B81A

RGB 208 184 26

HSL 52.09, 0.78%, 0.46%

LAB 74.68, -6, 72.88

 

CMYK 0 / 10 / 77 / 26

HEX #BDAA2C

RGB 189 170 44

HSL 52.14, 0.62%, 0.46%

LAB 69.29, -6.49, 62.71

 

CMYK 0 / 8 / 63 / 33

HEX #AA9C3F

RGB 170 156 63

HSL 52.15, 0.46%, 0.46%

LAB 63.9, -6.4, 49.17

 

CMYK 0 / 6 / 46 / 41

HEX #978E52

RGB 151 142 82

HSL 52.17, 0.3%, 0.46%

LAB 58.54, -5.45, 33.05

 

CMYK 0 / 65 / 97 / 11

HEX #E35007

RGB 227 80 7

HSL 19.91, 0.94%, 0.46%

LAB 54.12, 54.74, 63

 

CMYK 0 / 39 / 97 / 11

HEX #E38B07

RGB 227 139 7

HSL 36, 0.94%, 0.46%

LAB 65.6, 25.9, 70.23

 

CMYK 0 / 13 / 97 / 11

HEX #E3C607

RGB 227 198 7

HSL 52.09, 0.94%, 0.46%

LAB 80.03, -5.22, 80.37

 

CMYK 13 / 0 / 97 / 11

HEX #C6E307

RGB 198 227 7

HSL 67.91, 0.94%, 0.46%

LAB 85.48, -31.67, 83.41

 

CMYK 39 / 0 / 97 / 11

HEX #8BE307

RGB 139 227 7

HSL 84, 0.94%, 0.46%

LAB 82.08, -53.91, 79.3

 

CMYK 0 / 13 / 97 / 42

HEX #938004

RGB 147 128 4

HSL 52.03, 0.95%, 0.3%

LAB 53.65, -3.96, 58.04

 

CMYK 0 / 13 / 97 / 27

HEX #BBA305

RGB 187 163 5

HSL 52.09, 0.95%, 0.38%

LAB 67.1, -4.61, 69.49

 

CMYK 0 / 13 / 97 / 11

HEX #E3C607

RGB 227 198 7

HSL 52.09, 0.94%, 0.46%

LAB 80.03, -5.22, 80.37

 

CMYK 0 / 12 / 89 / 3

HEX #F7DA1B

RGB 247 218 27

HSL 52.09, 0.93%, 0.54%

LAB 86.99, -6.55, 83.88

 

CMYK 0 / 10 / 73 / 2

HEX #F9E143

RGB 249 225 67

HSL 52.09, 0.94%, 0.62%

LAB 89.11, -8.06, 75.38

 

CMYK 0 / 13 / 97 / 11

HEX #E3C607

RGB 227 198 7

HSL 52.09, 0.94%, 0.46%

LAB 80.03, -5.22, 80.37

 

CMYK 97 / 0 / 91 / 11

HEX #07E315

RGB 7 227 21

HSL 123.82, 0.94%, 0.46%

LAB 79.06, -78.29, 74.05

 

CMYK 52 / 97 / 0 / 11

HEX #6D07E3

RGB 109 7 227

HSL 267.82, 0.94%, 0.46%

LAB 35.89, 74.97, -85.85

 

CMYK 0 / 13 / 97 / 11

HEX #E3C607

RGB 227 198 7

HSL 52.09, 0.94%, 0.46%

LAB 80.03, -5.22, 80.37

 

CMYK 97 / 0 / 13 / 11

HEX #07E3C6

RGB 7 227 198

HSL 172.09, 0.94%, 0.46%

LAB 81.32, -51.97, 1.29

 

CMYK 13 / 97 / 0 / 11

HEX #C607E3

RGB 198 7 227

HSL 292.09, 0.94%, 0.46%

LAB 49.13, 85.08, -63.64

 

CMYK 0 / 13 / 97 / 11

HEX #E3C607

RGB 227 198 7

HSL 52.09, 0.94%, 0.46%

LAB 80.03, -5.22, 80.37

 

CMYK 97 / 0 / 91 / 11

HEX #07E315

RGB 7 227 21

HSL 123.82, 0.94%, 0.46%

LAB 79.06, -78.29, 74.05

 

CMYK 97 / 84 / 0 / 11

HEX #0724E3

RGB 7 36 227

HSL 232.09, 0.94%, 0.46%

LAB 31.47, 63.07, -93.38

 

CMYK 0 / 97 / 7 / 11

HEX #E307D4

RGB 227 7 212

HSL 304.09, 0.94%, 0.46%

LAB 53.21, 87.42, -48.29

 

CMYK 0 / 13 / 97 / 11

HEX #E3C607

RGB 227 198 7

HSL 52.09, 0.94%, 0.46%

LAB 80.03, -5.22, 80.37

 

CMYK 97 / 0 / 62 / 11

HEX #07E357

RGB 7 227 87

HSL 141.82, 0.94%, 0.46%

LAB 79.43, -73.65, 54.32

 

CMYK 97 / 84 / 0 / 11

HEX #0724E3

RGB 7 36 227

HSL 232.09, 0.94%, 0.46%

LAB 31.47, 63.07, -93.38

 

CMYK 0 / 97 / 36 / 11

HEX #E30792

RGB 227 7 146

HSL 322.09, 0.94%, 0.46%

LAB 50.17, 79.7, -14.35

 

Description

Color code: HEX #E3C607 | qconv.com Color code: HEX #E3C607 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 198 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 198 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 97 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 97% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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