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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3BC71 it is the complementary color #1C438E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3BC71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3BC71 shade: #E8BC6C, #F9CE7F, #FFE092, #FFF2A5 and #FFFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3BC71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3BC71 shade: #E3BC71, #D2AA5E, #C1984B, #B08638 and #9F7425

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3BC71 shade: #E3BC72, #E39E72, #E37F72 and #E37272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3BC71 shade: #E3BC72, #E3DB72, #CCE372, #AEE372 and #90E372

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3BC71 shade matches the following richer shades: #E3BC72, #F0C064 and #FEC557

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3BC71 shade: #E3BC72, #D5B880, #C7B48D, #BAAF9B and #ACABA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3BC71 shade: #E37F72, #E39D72, #E3BB72, #E3D972 and #CEE372

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3BC71 shade: #D59C2D, #DCAC50, #E3BC72, #EACC94 and #F0DDB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3BC71 shade: #E3BC71, #83E372 and #8E72E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3BC71 shade: #E3BC71, #72E3BB and #BB72E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3BC71 shade: #E3BC71, #83E372, #7299E3 and #D272E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3BC71 shade: #E3BC71, #72E383, #7299E3 and #E372D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 50 / 11

HEX #E3BC71

RGB 227 188 113

HSL 39.47, 0.67%, 0.67%

LAB 78.16, 4.74, 42.94

 

Complementary color

CMYK 80 / 53 / 0 / 44

HEX #1C438E

RGB 28 67 142

HSL 219.47, 0.67%, 0.33%

LAB 29.95, 15.15, -45.5

 

CMYK 0 / 19 / 53 / 9

HEX #E8BC6C

RGB 232 188 108

HSL 38.71, 0.73%, 0.67%

LAB 78.58, 6.36, 46.06

 

CMYK 0 / 17 / 49 / 2

HEX #F9CE7F

RGB 249 206 127

HSL 38.85, 0.91%, 0.74%

LAB 84.9, 5.52, 44.76

 

CMYK 0 / 12 / 43 / 0

HEX #FFE092

RGB 255 224 146

HSL 42.94, 1%, 0.79%

LAB 90.16, 0.49, 42.05

 

CMYK 0 / 5 / 35 / 0

HEX #FFF2A5

RGB 255 242 165

HSL 51.33, 1%, 0.82%

LAB 94.94, -6.54, 38.77

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 0 / 17 / 50 / 11

HEX #E3BC71

RGB 227 188 113

HSL 39.47, 0.67%, 0.67%

LAB 78.16, 4.74, 42.94

 

CMYK 0 / 19 / 55 / 18

HEX #D2AA5E

RGB 210 170 94

HSL 39.31, 0.56%, 0.6%

LAB 71.73, 5.61, 44.26

 

CMYK 0 / 21 / 61 / 24

HEX #C1984B

RGB 193 152 75

HSL 39.15, 0.49%, 0.53%

LAB 65.2, 6.63, 45.57

 

CMYK 0 / 24 / 68 / 31

HEX #B08638

RGB 176 134 56

HSL 39, 0.52%, 0.45%

LAB 58.57, 7.84, 46.81

 

CMYK 0 / 27 / 77 / 38

HEX #9F7425

RGB 159 116 37

HSL 38.85, 0.62%, 0.38%

LAB 51.83, 9.3, 47.76

 

CMYK 0 / 17 / 50 / 11

HEX #E3BC72

RGB 227 188 114

HSL 39.29, 0.67%, 0.67%

LAB 78.18, 4.83, 42.45

 

CMYK 0 / 30 / 50 / 11

HEX #E39E72

RGB 227 158 114

HSL 23.36, 0.67%, 0.67%

LAB 70.87, 20.78, 33.22

 

CMYK 0 / 44 / 50 / 11

HEX #E37F72

RGB 227 127 114

HSL 6.9, 0.67%, 0.67%

LAB 63.94, 37.2, 24.12

 

CMYK 0 / 50 / 50 / 11

HEX #E37272

RGB 227 114 114

HSL 0, 0.67%, 0.67%

LAB 61.29, 43.82, 20.56

 

CMYK 0 / 17 / 50 / 11

HEX #E3BC72

RGB 227 188 114

HSL 39.29, 0.67%, 0.67%

LAB 78.18, 4.83, 42.45

 

CMYK 0 / 4 / 50 / 11

HEX #E3DB72

RGB 227 219 114

HSL 55.75, 0.67%, 0.67%

LAB 86.11, -11.1, 52.1

 

CMYK 10 / 0 / 50 / 11

HEX #CCE372

RGB 204 227 114

HSL 72.21, 0.67%, 0.67%

LAB 86.5, -24.12, 52.14

 

CMYK 23 / 0 / 50 / 11

HEX #AEE372

RGB 174 227 114

HSL 88.14, 0.67%, 0.67%

LAB 84.56, -35.39, 49.35

 

CMYK 37 / 0 / 50 / 11

HEX #90E372

RGB 144 227 114

HSL 104.07, 0.67%, 0.67%

LAB 82.96, -45.68, 47.03

 

CMYK 0 / 17 / 50 / 11

HEX #E3BC72

RGB 227 188 114

HSL 39.29, 0.67%, 0.67%

LAB 78.18, 4.83, 42.45

 

CMYK 0 / 20 / 58 / 6

HEX #F0C064

RGB 240 192 100

HSL 39.43, 0.82%, 0.67%

LAB 80.26, 6.94, 52.13

 

CMYK 0 / 22 / 66 / 0

HEX #FEC557

RGB 254 197 87

HSL 39.52, 0.99%, 0.67%

LAB 82.75, 9.29, 61.25

 

CMYK 0 / 17 / 50 / 11

HEX #E3BC72

RGB 227 188 114

HSL 39.29, 0.67%, 0.67%

LAB 78.18, 4.83, 42.45

 

CMYK 0 / 14 / 40 / 16

HEX #D5B880

RGB 213 184 128

HSL 39.53, 0.5%, 0.67%

LAB 76.06, 2.68, 32.28

 

CMYK 0 / 10 / 29 / 22

HEX #C7B48D

RGB 199 180 141

HSL 40.34, 0.34%, 0.67%

LAB 74, 0.84, 22.4

 

CMYK 0 / 6 / 17 / 27

HEX #BAAF9B

RGB 186 175 155

HSL 38.71, 0.18%, 0.67%

LAB 71.87, 0.56, 11.67

 

CMYK 0 / 1 / 2 / 33

HEX #ACABA8

RGB 172 171 168

HSL 45, 0.02%, 0.67%

LAB 69.98, -0.2, 1.66

 

CMYK 0 / 44 / 50 / 11

HEX #E37F72

RGB 227 127 114

HSL 6.9, 0.67%, 0.67%

LAB 63.94, 37.2, 24.12

 

CMYK 0 / 31 / 50 / 11

HEX #E39D72

RGB 227 157 114

HSL 22.83, 0.67%, 0.67%

LAB 70.64, 21.32, 32.92

 

CMYK 0 / 18 / 50 / 11

HEX #E3BB72

RGB 227 187 114

HSL 38.76, 0.67%, 0.67%

LAB 77.93, 5.36, 42.14

 

CMYK 0 / 4 / 50 / 11

HEX #E3D972

RGB 227 217 114

HSL 54.69, 0.67%, 0.67%

LAB 85.59, -10.1, 51.48

 

CMYK 9 / 0 / 50 / 11

HEX #CEE372

RGB 206 227 114

HSL 71.15, 0.67%, 0.67%

LAB 86.64, -23.35, 52.34

 

CMYK 0 / 27 / 79 / 16

HEX #D59C2D

RGB 213 156 45

HSL 39.64, 0.67%, 0.51%

LAB 68.1, 11.56, 62.15

 

CMYK 0 / 22 / 64 / 14

HEX #DCAC50

RGB 220 172 80

HSL 39.43, 0.67%, 0.59%

LAB 73.09, 7.75, 52.84

 

CMYK 0 / 17 / 50 / 11

HEX #E3BC72

RGB 227 188 114

HSL 39.29, 0.67%, 0.67%

LAB 78.18, 4.83, 42.45

 

CMYK 0 / 13 / 37 / 8

HEX #EACC94

RGB 234 204 148

HSL 39.07, 0.67%, 0.75%

LAB 83.35, 2.77, 31.8

 

CMYK 0 / 8 / 24 / 6

HEX #F0DDB7

RGB 240 221 183

HSL 40, 0.66%, 0.83%

LAB 88.76, 0.71, 21.04

 

CMYK 0 / 17 / 50 / 11

HEX #E3BC71

RGB 227 188 113

HSL 39.47, 0.67%, 0.67%

LAB 78.16, 4.74, 42.94

 

CMYK 42 / 0 / 50 / 11

HEX #83E372

RGB 131 227 114

HSL 110.97, 0.67%, 0.67%

LAB 82.37, -49.72, 46.18

 

CMYK 37 / 50 / 0 / 11

HEX #8E72E3

RGB 142 114 227

HSL 254.87, 0.67%, 0.67%

LAB 55.41, 36.5, -53.93

 

CMYK 0 / 17 / 50 / 11

HEX #E3BC71

RGB 227 188 113

HSL 39.47, 0.67%, 0.67%

LAB 78.16, 4.74, 42.94

 

CMYK 50 / 0 / 18 / 11

HEX #72E3BB

RGB 114 227 187

HSL 158.76, 0.67%, 0.67%

LAB 82.97, -41.63, 9.72

 

CMYK 18 / 50 / 0 / 11

HEX #BB72E3

RGB 187 114 227

HSL 278.76, 0.67%, 0.67%

LAB 60.02, 48.19, -46.32

 

CMYK 0 / 17 / 50 / 11

HEX #E3BC71

RGB 227 188 113

HSL 39.47, 0.67%, 0.67%

LAB 78.16, 4.74, 42.94

 

CMYK 42 / 0 / 50 / 11

HEX #83E372

RGB 131 227 114

HSL 110.97, 0.67%, 0.67%

LAB 82.37, -49.72, 46.18

 

CMYK 50 / 33 / 0 / 11

HEX #7299E3

RGB 114 153 227

HSL 219.29, 0.67%, 0.67%

LAB 63.27, 6.88, -41.63

 

CMYK 7 / 50 / 0 / 11

HEX #D272E3

RGB 210 114 227

HSL 290.97, 0.67%, 0.67%

LAB 62.75, 54.45, -41.85

 

CMYK 0 / 17 / 50 / 11

HEX #E3BC71

RGB 227 188 113

HSL 39.47, 0.67%, 0.67%

LAB 78.16, 4.74, 42.94

 

CMYK 50 / 0 / 42 / 11

HEX #72E383

RGB 114 227 131

HSL 129.03, 0.67%, 0.67%

LAB 81.92, -52.11, 37.18

 

CMYK 50 / 33 / 0 / 11

HEX #7299E3

RGB 114 153 227

HSL 219.29, 0.67%, 0.67%

LAB 63.27, 6.88, -41.63

 

CMYK 0 / 50 / 7 / 11

HEX #E372D2

RGB 227 114 210

HSL 309.03, 0.67%, 0.67%

LAB 64.18, 56.23, -29.95

 

Description

Color code: HEX #E3BC71 | qconv.com Color code: HEX #E3BC71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 188 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 188 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 50 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 50% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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