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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFDA61 it is the complementary color #20259E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFDA61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFDA61 shade: #E4DA5C, #F5EC6F, #FFFE82, #FFFF95 and #FFFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFDA61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFDA61 shade: #DFDA61, #CEC84E, #BDB63B, #ACA428 and #9B9215

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFDA61 shade: #DED962, #DEB862, #DE9662, #DE7562 and #DE6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFDA61 shade: #DED962, #C2DE62, #A0DE62, #7FDE62 and #62DE67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFDA61 shade matches the following richer shades: #DED962, #EEE853 and #FDF643

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFDA61 shade: #DED962, #CFCB71, #C0BD80, #B1AF90 and #A1A19F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFDA61 shade: #DE9662, #DEB762, #DED862, #C3DE62 and #A2DE62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFDA61 shade: #C6BF28, #D7D140, #DED962, #E5E284 and #ECEAA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFDA61 shade: #DFDA61, #62DE75 and #A662DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFDA61 shade: #DFDA61, #62DED8 and #D862DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFDA61 shade: #DFDA61, #62DE75, #6268DE and #DE62CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFDA61 shade: #DFDA61, #62DE9A, #6268DE and #DE62A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 57 / 13

HEX #DFDA61

RGB 223 218 97

HSL 57.62, 0.66%, 0.63%

LAB 85.35, -13.58, 58.92

 

Complementary color

CMYK 80 / 77 / 0 / 38

HEX #20259E

RGB 32 37 158

HSL 237.62, 0.66%, 0.37%

LAB 24, 41.38, -65.04

 

CMYK 0 / 4 / 60 / 11

HEX #E4DA5C

RGB 228 218 92

HSL 55.59, 0.72%, 0.63%

LAB 85.71, -11.89, 61.62

 

CMYK 0 / 4 / 55 / 4

HEX #F5EC6F

RGB 245 236 111

HSL 55.97, 0.87%, 0.7%

LAB 91.93, -12.57, 60.64

 

CMYK 0 / 0 / 49 / 0

HEX #FFFE82

RGB 255 254 130

HSL 59.52, 1%, 0.75%

LAB 97.53, -15.89, 58.79

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 2 / 57 / 13

HEX #DFDA61

RGB 223 218 97

HSL 57.62, 0.66%, 0.63%

LAB 85.35, -13.58, 58.92

 

CMYK 0 / 3 / 62 / 19

HEX #CEC84E

RGB 206 200 78

HSL 57.19, 0.57%, 0.56%

LAB 79.03, -12.87, 59.83

 

CMYK 0 / 4 / 69 / 26

HEX #BDB63B

RGB 189 182 59

HSL 56.77, 0.52%, 0.49%

LAB 72.62, -12.03, 60.46

 

CMYK 0 / 5 / 77 / 33

HEX #ACA428

RGB 172 164 40

HSL 56.36, 0.62%, 0.42%

LAB 66.12, -11, 60.56

 

CMYK 0 / 6 / 86 / 39

HEX #9B9215

RGB 155 146 21

HSL 55.97, 0.76%, 0.35%

LAB 59.51, -9.73, 59.67

 

CMYK 0 / 2 / 56 / 13

HEX #DED962

RGB 222 217 98

HSL 57.58, 0.65%, 0.63%

LAB 85.02, -13.42, 58.08

 

CMYK 0 / 17 / 56 / 13

HEX #DEB862

RGB 222 184 98

HSL 41.61, 0.65%, 0.63%

LAB 76.49, 3.52, 48.23

 

CMYK 0 / 32 / 56 / 13

HEX #DE9662

RGB 222 150 98

HSL 25.16, 0.65%, 0.63%

LAB 68.19, 21.67, 38.19

 

CMYK 0 / 47 / 56 / 13

HEX #DE7562

RGB 222 117 98

HSL 9.19, 0.65%, 0.63%

LAB 60.9, 39.09, 28.97

 

CMYK 0 / 56 / 56 / 13

HEX #DE6262

RGB 222 98 98

HSL 0, 0.65%, 0.63%

LAB 57.22, 48.49, 24.16

 

CMYK 0 / 2 / 56 / 13

HEX #DED962

RGB 222 217 98

HSL 57.58, 0.65%, 0.63%

LAB 85.02, -13.42, 58.08

 

CMYK 13 / 0 / 56 / 13

HEX #C2DE62

RGB 194 222 98

HSL 73.55, 0.65%, 0.63%

LAB 84.27, -27.05, 56.68

 

CMYK 28 / 0 / 56 / 13

HEX #A0DE62

RGB 160 222 98

HSL 90, 0.65%, 0.63%

LAB 82.16, -39.8, 53.7

 

CMYK 43 / 0 / 56 / 13

HEX #7FDE62

RGB 127 222 98

HSL 105.97, 0.65%, 0.63%

LAB 80.54, -50.76, 51.39

 

CMYK 56 / 0 / 54 / 13

HEX #62DE67

RGB 98 222 103

HSL 122.42, 0.65%, 0.63%

LAB 79.51, -58.12, 47.61

 

CMYK 0 / 2 / 56 / 13

HEX #DED962

RGB 222 217 98

HSL 57.58, 0.65%, 0.63%

LAB 85.02, -13.42, 58.08

 

CMYK 0 / 3 / 65 / 7

HEX #EEE853

RGB 238 232 83

HSL 57.68, 0.82%, 0.63%

LAB 90.1, -15.28, 70.21

 

CMYK 0 / 3 / 74 / 1

HEX #FDF643

RGB 253 246 67

HSL 57.74, 0.98%, 0.63%

LAB 94.82, -16.72, 80.87

 

CMYK 0 / 2 / 56 / 13

HEX #DED962

RGB 222 217 98

HSL 57.58, 0.65%, 0.63%

LAB 85.02, -13.42, 58.08

 

CMYK 0 / 2 / 45 / 19

HEX #CFCB71

RGB 207 203 113

HSL 57.45, 0.49%, 0.63%

LAB 80.27, -11.17, 45.15

 

CMYK 0 / 2 / 33 / 25

HEX #C0BD80

RGB 192 189 128

HSL 57.19, 0.34%, 0.63%

LAB 75.55, -8.32, 31.27

 

CMYK 0 / 1 / 19 / 31

HEX #B1AF90

RGB 177 175 144

HSL 56.36, 0.17%, 0.63%

LAB 70.89, -4.57, 16.19

 

CMYK 0 / 0 / 1 / 37

HEX #A1A19F

RGB 161 161 159

HSL 60, 0.01%, 0.63%

LAB 66.19, -0.38, 1.03

 

CMYK 0 / 32 / 56 / 13

HEX #DE9662

RGB 222 150 98

HSL 25.16, 0.65%, 0.63%

LAB 68.19, 21.67, 38.19

 

CMYK 0 / 18 / 56 / 13

HEX #DEB762

RGB 222 183 98

HSL 41.13, 0.65%, 0.63%

LAB 76.24, 4.05, 47.94

 

CMYK 0 / 3 / 56 / 13

HEX #DED862

RGB 222 216 98

HSL 57.1, 0.65%, 0.63%

LAB 84.75, -12.92, 57.78

 

CMYK 12 / 0 / 56 / 13

HEX #C3DE62

RGB 195 222 98

HSL 73.06, 0.65%, 0.63%

LAB 84.34, -26.66, 56.78

 

CMYK 27 / 0 / 56 / 13

HEX #A2DE62

RGB 162 222 98

HSL 89.03, 0.65%, 0.63%

LAB 82.27, -39.09, 53.86

 

CMYK 0 / 4 / 80 / 22

HEX #C6BF28

RGB 198 191 40

HSL 57.34, 0.66%, 0.47%

LAB 75.71, -13.56, 69.99

 

CMYK 0 / 3 / 70 / 16

HEX #D7D140

RGB 215 209 64

HSL 57.62, 0.65%, 0.55%

LAB 82.06, -14.41, 68.65

 

CMYK 0 / 2 / 56 / 13

HEX #DED962

RGB 222 217 98

HSL 57.58, 0.65%, 0.63%

LAB 85.02, -13.42, 58.08

 

CMYK 0 / 1 / 42 / 10

HEX #E5E284

RGB 229 226 132

HSL 58.14, 0.65%, 0.71%

LAB 88.31, -12.12, 46.18

 

CMYK 0 / 1 / 30 / 7

HEX #ECEAA6

RGB 236 234 166

HSL 58.29, 0.65%, 0.79%

LAB 91.43, -9.6, 33.36

 

CMYK 0 / 2 / 57 / 13

HEX #DFDA61

RGB 223 218 97

HSL 57.62, 0.66%, 0.63%

LAB 85.35, -13.58, 58.92

 

CMYK 56 / 0 / 47 / 13

HEX #62DE75

RGB 98 222 117

HSL 129.19, 0.65%, 0.63%

LAB 79.68, -56.22, 41.13

 

CMYK 25 / 56 / 0 / 13

HEX #A662DE

RGB 166 98 222

HSL 272.9, 0.65%, 0.63%

LAB 54.15, 50.04, -52.99

 

CMYK 0 / 2 / 57 / 13

HEX #DFDA61

RGB 223 218 97

HSL 57.62, 0.66%, 0.63%

LAB 85.35, -13.58, 58.92

 

CMYK 56 / 0 / 3 / 13

HEX #62DED8

RGB 98 222 216

HSL 177.1, 0.65%, 0.63%

LAB 81.73, -35.77, -7.51

 

CMYK 3 / 56 / 0 / 13

HEX #D862DE

RGB 216 98 222

HSL 297.1, 0.65%, 0.63%

LAB 60.43, 62.74, -42.63

 

CMYK 0 / 2 / 57 / 13

HEX #DFDA61

RGB 223 218 97

HSL 57.62, 0.66%, 0.63%

LAB 85.35, -13.58, 58.92

 

CMYK 56 / 0 / 47 / 13

HEX #62DE75

RGB 98 222 117

HSL 129.19, 0.65%, 0.63%

LAB 79.68, -56.22, 41.13

 

CMYK 56 / 53 / 0 / 13

HEX #6268DE

RGB 98 104 222

HSL 237.1, 0.65%, 0.63%

LAB 49.22, 31.24, -61.25

 

CMYK 0 / 56 / 8 / 13

HEX #DE62CC

RGB 222 98 204

HSL 308.71, 0.65%, 0.63%

LAB 60.45, 61.3, -32.4

 

CMYK 0 / 2 / 57 / 13

HEX #DFDA61

RGB 223 218 97

HSL 57.62, 0.66%, 0.63%

LAB 85.35, -13.58, 58.92

 

CMYK 56 / 0 / 31 / 13

HEX #62DE9A

RGB 98 222 154

HSL 147.1, 0.65%, 0.63%

LAB 80.28, -49.93, 23.16

 

CMYK 56 / 53 / 0 / 13

HEX #6268DE

RGB 98 104 222

HSL 237.1, 0.65%, 0.63%

LAB 49.22, 31.24, -61.25

 

CMYK 0 / 56 / 25 / 13

HEX #DE62A6

RGB 222 98 166

HSL 327.1, 0.65%, 0.63%

LAB 58.99, 55.7, -12.88

 

Description

Color code: HEX #DFDA61 | qconv.com Color code: HEX #DFDA61 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 218 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 218 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 57 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 57% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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