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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFD443 it is the complementary color #202BBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFD443. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFD443 shade: #E4D43E, #F5E651, #FFF864, #FFFF77 and #FFFF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFD443. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFD443 shade: #DFD443, #CEC230, #BDB01D, #AC9E0A and #9B8C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFD443 shade: #DFD443, #DFAA43, #DF8043, #DF5643 and #DF4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFD443 shade: #DFD443, #C0DF43, #96DF43, #6CDF43 and #43DF44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFD443 shade matches the following richer shades: #DFD443 and #F0E331

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFD443 shade: #DFD443, #CDC455, #BBB566, #A9A678 and #98978A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFD443 shade: #DF7F43, #DFA843, #DFD243, #C2DF43 and #99DF43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFD443 shade: #B1A71E, #D5C824, #DFD443, #E5DC66 and #EBE48A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFD443 shade: #DFD443, #43DF55 and #9343DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFD443 shade: #DFD443, #43DFD2 and #D243DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFD443 shade: #DFD443, #43DF55, #4350DF and #DF43CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFD443 shade: #DFD443, #43DF84, #4350DF and #DF439E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 70 / 13

HEX #DFD443

RGB 223 212 67

HSL 55.77, 0.71%, 0.57%

LAB 83.54, -12.41, 69.23

 

Complementary color

CMYK 83 / 77 / 0 / 26

HEX #202BBC

RGB 32 43 188

HSL 235.77, 0.71%, 0.43%

LAB 28.55, 48.15, -75.52

 

CMYK 0 / 7 / 73 / 11

HEX #E4D43E

RGB 228 212 62

HSL 54.22, 0.75%, 0.57%

LAB 83.93, -10.55, 71.53

 

CMYK 0 / 6 / 67 / 4

HEX #F5E651

RGB 245 230 81

HSL 54.51, 0.89%, 0.64%

LAB 90.14, -11.53, 71.2

 

CMYK 0 / 3 / 61 / 0

HEX #FFF864

RGB 255 248 100

HSL 57.29, 1%, 0.7%

LAB 95.71, -15.19, 69.76

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF8A

RGB 255 255 138

HSL 60, 1%, 0.77%

LAB 97.88, -15.67, 55.52

 

CMYK 0 / 5 / 70 / 13

HEX #DFD443

RGB 223 212 67

HSL 55.77, 0.71%, 0.57%

LAB 83.54, -12.41, 69.23

 

CMYK 0 / 6 / 77 / 19

HEX #CEC230

RGB 206 194 48

HSL 55.44, 0.62%, 0.5%

LAB 77.23, -11.36, 69.23

 

CMYK 0 / 7 / 85 / 26

HEX #BDB01D

RGB 189 176 29

HSL 55.13, 0.73%, 0.43%

LAB 70.84, -10.12, 68.39

 

CMYK 0 / 8 / 94 / 33

HEX #AC9E0A

RGB 172 158 10

HSL 54.81, 0.89%, 0.36%

LAB 64.36, -8.63, 66.17

 

CMYK 0 / 10 / 100 / 39

HEX #9B8C00

RGB 155 140 0

HSL 54.19, 1%, 0.3%

LAB 57.77, -6.89, 62.08

 

CMYK 0 / 5 / 70 / 13

HEX #DFD443

RGB 223 212 67

HSL 55.77, 0.71%, 0.57%

LAB 83.54, -12.41, 69.23

 

CMYK 0 / 24 / 70 / 13

HEX #DFAA43

RGB 223 170 67

HSL 39.62, 0.71%, 0.57%

LAB 72.79, 9.34, 58.41

 

CMYK 0 / 43 / 70 / 13

HEX #DF8043

RGB 223 128 67

HSL 23.46, 0.71%, 0.57%

LAB 62.95, 31.75, 47.95

 

CMYK 0 / 61 / 70 / 13

HEX #DF5643

RGB 223 86 67

HSL 7.31, 0.71%, 0.57%

LAB 54.81, 52.38, 38.79

 

CMYK 0 / 70 / 70 / 13

HEX #DF4343

RGB 223 67 67

HSL 0, 0.71%, 0.57%

LAB 51.96, 60.09, 35.45

 

CMYK 0 / 5 / 70 / 13

HEX #DFD443

RGB 223 212 67

HSL 55.77, 0.71%, 0.57%

LAB 83.54, -12.41, 69.23

 

CMYK 14 / 0 / 70 / 13

HEX #C0DF43

RGB 192 223 67

HSL 71.92, 0.71%, 0.57%

LAB 84.17, -30.46, 69.07

 

CMYK 33 / 0 / 70 / 13

HEX #96DF43

RGB 150 223 67

HSL 88.08, 0.71%, 0.57%

LAB 81.66, -46.3, 65.73

 

CMYK 52 / 0 / 70 / 13

HEX #6CDF43

RGB 108 223 67

HSL 104.23, 0.71%, 0.57%

LAB 79.82, -59.54, 63.27

 

CMYK 70 / 0 / 70 / 13

HEX #43DF44

RGB 67 223 68

HSL 120.38, 0.71%, 0.57%

LAB 78.69, -68.66, 61.36

 

CMYK 0 / 5 / 70 / 13

HEX #DFD443

RGB 223 212 67

HSL 55.77, 0.71%, 0.57%

LAB 83.54, -12.41, 69.23

 

CMYK 0 / 5 / 80 / 6

HEX #F0E331

RGB 240 227 49

HSL 55.92, 0.86%, 0.57%

LAB 88.77, -13.46, 80.29

 

CMYK 0 / 5 / 70 / 13

HEX #DFD443

RGB 223 212 67

HSL 55.77, 0.71%, 0.57%

LAB 83.54, -12.41, 69.23

 

CMYK 0 / 4 / 59 / 20

HEX #CDC455

RGB 205 196 85

HSL 55.5, 0.55%, 0.57%

LAB 77.94, -10.79, 55.57

 

CMYK 0 / 3 / 45 / 27

HEX #BBB566

RGB 187 181 102

HSL 55.76, 0.38%, 0.57%

LAB 72.61, -9.07, 40.82

 

CMYK 0 / 2 / 29 / 34

HEX #A9A678

RGB 169 166 120

HSL 56.33, 0.22%, 0.57%

LAB 67.32, -6.36, 24.27

 

CMYK 0 / 1 / 9 / 40

HEX #98978A

RGB 152 151 138

HSL 55.71, 0.06%, 0.57%

LAB 62.21, -2.03, 6.97

 

CMYK 0 / 43 / 70 / 13

HEX #DF7F43

RGB 223 127 67

HSL 23.08, 0.71%, 0.57%

LAB 62.74, 32.27, 47.71

 

CMYK 0 / 25 / 70 / 13

HEX #DFA843

RGB 223 168 67

HSL 38.85, 0.71%, 0.57%

LAB 72.29, 10.41, 57.89

 

CMYK 0 / 6 / 70 / 13

HEX #DFD243

RGB 223 210 67

HSL 55, 0.71%, 0.57%

LAB 83.01, -11.41, 68.72

 

CMYK 13 / 0 / 70 / 13

HEX #C2DF43

RGB 194 223 67

HSL 71.15, 0.71%, 0.57%

LAB 84.3, -29.66, 69.25

 

CMYK 31 / 0 / 70 / 13

HEX #99DF43

RGB 153 223 67

HSL 86.92, 0.71%, 0.57%

LAB 81.81, -45.24, 65.94

 

CMYK 0 / 6 / 83 / 31

HEX #B1A71E

RGB 177 167 30

HSL 55.92, 0.71%, 0.41%

LAB 67.34, -10.7, 64.77

 

CMYK 0 / 6 / 83 / 16

HEX #D5C824

RGB 213 200 36

HSL 55.59, 0.71%, 0.49%

LAB 79.38, -11.79, 74.67

 

CMYK 0 / 5 / 70 / 13

HEX #DFD443

RGB 223 212 67

HSL 55.77, 0.71%, 0.57%

LAB 83.54, -12.41, 69.23

 

CMYK 0 / 4 / 55 / 10

HEX #E5DC66

RGB 229 220 102

HSL 55.75, 0.71%, 0.65%

LAB 86.41, -11.77, 58.02

 

CMYK 0 / 3 / 41 / 8

HEX #EBE48A

RGB 235 228 138

HSL 55.67, 0.71%, 0.73%

LAB 89.39, -10.16, 44.68

 

CMYK 0 / 5 / 70 / 13

HEX #DFD443

RGB 223 212 67

HSL 55.77, 0.71%, 0.57%

LAB 83.54, -12.41, 69.23

 

CMYK 70 / 0 / 62 / 13

HEX #43DF55

RGB 67 223 85

HSL 126.92, 0.71%, 0.57%

LAB 78.82, -67, 54.67

 

CMYK 34 / 70 / 0 / 13

HEX #9343DF

RGB 147 67 223

HSL 270.77, 0.71%, 0.57%

LAB 46.37, 61.29, -66.2

 

CMYK 0 / 5 / 70 / 13

HEX #DFD443

RGB 223 212 67

HSL 55.77, 0.71%, 0.57%

LAB 83.54, -12.41, 69.23

 

CMYK 70 / 0 / 6 / 13

HEX #43DFD2

RGB 67 223 210

HSL 175, 0.71%, 0.57%

LAB 81.08, -42.72, -5.36

 

CMYK 6 / 70 / 0 / 13

HEX #D243DF

RGB 210 67 223

HSL 295, 0.71%, 0.57%

LAB 55.12, 74.01, -51.67

 

CMYK 0 / 5 / 70 / 13

HEX #DFD443

RGB 223 212 67

HSL 55.77, 0.71%, 0.57%

LAB 83.54, -12.41, 69.23

 

CMYK 70 / 0 / 62 / 13

HEX #43DF55

RGB 67 223 85

HSL 126.92, 0.71%, 0.57%

LAB 78.82, -67, 54.67

 

CMYK 70 / 64 / 0 / 13

HEX #4350DF

RGB 67 80 223

HSL 235, 0.71%, 0.57%

LAB 41.62, 41.4, -74.25

 

CMYK 0 / 70 / 8 / 13

HEX #DF43CD

RGB 223 67 205

HSL 306.92, 0.71%, 0.57%

LAB 56.2, 74, -39.6

 

CMYK 0 / 5 / 70 / 13

HEX #DFD443

RGB 223 212 67

HSL 55.77, 0.71%, 0.57%

LAB 83.54, -12.41, 69.23

 

CMYK 70 / 0 / 41 / 13

HEX #43DF84

RGB 67 223 132

HSL 145, 0.71%, 0.57%

LAB 79.41, -60.28, 33.15

 

CMYK 70 / 64 / 0 / 13

HEX #4350DF

RGB 67 80 223

HSL 235, 0.71%, 0.57%

LAB 41.62, 41.4, -74.25

 

CMYK 0 / 70 / 29 / 13

HEX #DF439E

RGB 223 67 158

HSL 325, 0.71%, 0.57%

LAB 54.21, 67.68, -15.42

 

Description

Color code: HEX #DFD443 | qconv.com Color code: HEX #DFD443 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 212 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 212 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 70 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 70% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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