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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFCEC7 it is the complementary color #203138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFCEC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFCEC7 shade: #E4CEC2, #F5E0D5, #FFF2E8 and #FFFFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFCEC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFCEC7 shade: #DFCEC7, #CEBCB4, #BDAAA1, #AC988E and #9B867B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFCEC7 shade: #DFCEC7, #DFC8C7 and #DFC7C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFCEC7 shade: #DFCEC7, #DFD5C7, #DFDBC7, #DCDFC7 and #D6DFC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFCEC7 shade matches the following richer shades: #DFCEC7, #E6CBC0, #EDC8B9, #F4C6B2 and #FBC3AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFCEC7 shade: #DFCEC7, #D8D1CE, #D1D4D5, #CAD7DC and #C3DAE4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFCEC7 shade: #DFC7CD, #DFC8C7, #DFCEC7, #DFD4C7 and #DFDBC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFCEC7 shade: #C1A093, #D0B7AD, #DFCEC7, #EEE5E2 and #FDFCFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFCEC7 shade: #DFCEC7, #D4DFC7 and #C7CADF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFCEC7 shade: #DFCEC7, #C7DFCE and #CEC7DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFCEC7 shade: #DFCEC7, #D4DFC7, #C7D8DF and #D3C7DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFCEC7 shade: #DFCEC7, #CDDFC7, #C7D8DF and #DAC7DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 11 / 13

HEX #DFCEC7

RGB 223 206 199

HSL 17.5, 0.27%, 0.83%

LAB 83.94, 4.73, 5.6

 

Complementary color

CMYK 43 / 13 / 0 / 78

HEX #203138

RGB 32 49 56

HSL 197.5, 0.27%, 0.17%

LAB 19.18, -4.79, -6.67

 

CMYK 0 / 10 / 15 / 11

HEX #E4CEC2

RGB 228 206 194

HSL 21.18, 0.39%, 0.83%

LAB 84.24, 5.72, 8.74

 

CMYK 0 / 9 / 13 / 4

HEX #F5E0D5

RGB 245 224 213

HSL 20.63, 0.62%, 0.9%

LAB 90.56, 5.41, 7.98

 

CMYK 0 / 5 / 9 / 0

HEX #FFF2E8

RGB 255 242 232

HSL 26.09, 1%, 0.95%

LAB 96.24, 2.71, 6.37

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFB

RGB 255 255 251

HSL 60, 1%, 0.99%

LAB 99.9, -0.69, 1.9

 

CMYK 0 / 8 / 11 / 13

HEX #DFCEC7

RGB 223 206 199

HSL 17.5, 0.27%, 0.83%

LAB 83.94, 4.73, 5.6

 

CMYK 0 / 9 / 13 / 19

HEX #CEBCB4

RGB 206 188 180

HSL 18.46, 0.21%, 0.76%

LAB 77.51, 5.03, 6.34

 

CMYK 0 / 10 / 15 / 26

HEX #BDAAA1

RGB 189 170 161

HSL 19.29, 0.18%, 0.69%

LAB 70.97, 5.35, 7.13

 

CMYK 0 / 12 / 17 / 33

HEX #AC988E

RGB 172 152 142

HSL 20, 0.15%, 0.62%

LAB 64.31, 5.71, 7.96

 

CMYK 0 / 14 / 21 / 39

HEX #9B867B

RGB 155 134 123

HSL 20.63, 0.14%, 0.55%

LAB 57.51, 6.12, 8.85

 

CMYK 0 / 8 / 11 / 13

HEX #DFCEC7

RGB 223 206 199

HSL 17.5, 0.27%, 0.83%

LAB 83.94, 4.73, 5.6

 

CMYK 0 / 10 / 11 / 13

HEX #DFC8C7

RGB 223 200 199

HSL 2.5, 0.27%, 0.83%

LAB 82.44, 7.89, 3.43

 

CMYK 0 / 11 / 11 / 13

HEX #DFC7C7

RGB 223 199 199

HSL 0, 0.27%, 0.83%

LAB 82.19, 8.42, 3.07

 

CMYK 0 / 8 / 11 / 13

HEX #DFCEC7

RGB 223 206 199

HSL 17.5, 0.27%, 0.83%

LAB 83.94, 4.73, 5.6

 

CMYK 0 / 4 / 11 / 13

HEX #DFD5C7

RGB 223 213 199

HSL 35, 0.27%, 0.83%

LAB 85.71, 1.08, 8.13

 

CMYK 0 / 2 / 11 / 13

HEX #DFDBC7

RGB 223 219 199

HSL 50, 0.27%, 0.83%

LAB 87.23, -2.03, 10.31

 

CMYK 1 / 0 / 11 / 13

HEX #DCDFC7

RGB 220 223 199

HSL 67.5, 0.27%, 0.83%

LAB 88.02, -5.14, 11.41

 

CMYK 4 / 0 / 11 / 13

HEX #D6DFC7

RGB 214 223 199

HSL 82.5, 0.27%, 0.83%

LAB 87.58, -7.24, 10.72

 

CMYK 0 / 8 / 11 / 13

HEX #DFCEC7

RGB 223 206 199

HSL 17.5, 0.27%, 0.83%

LAB 83.94, 4.73, 5.6

 

CMYK 0 / 12 / 17 / 10

HEX #E6CBC0

RGB 230 203 192

HSL 17.37, 0.43%, 0.83%

LAB 83.62, 7.71, 8.94

 

CMYK 0 / 16 / 22 / 7

HEX #EDC8B9

RGB 237 200 185

HSL 17.31, 0.59%, 0.83%

LAB 83.35, 10.8, 12.36

 

CMYK 0 / 19 / 27 / 4

HEX #F4C6B2

RGB 244 198 178

HSL 18.18, 0.75%, 0.83%

LAB 83.36, 13.47, 16.19

 

CMYK 0 / 22 / 32 / 2

HEX #FBC3AB

RGB 251 195 171

HSL 18, 0.91%, 0.83%

LAB 83.17, 16.76, 19.75

 

CMYK 0 / 8 / 11 / 13

HEX #DFCEC7

RGB 223 206 199

HSL 17.5, 0.27%, 0.83%

LAB 83.94, 4.73, 5.6

 

CMYK 0 / 3 / 5 / 15

HEX #D8D1CE

RGB 216 209 206

HSL 18, 0.11%, 0.83%

LAB 84.31, 1.88, 2.33

 

CMYK 2 / 0 / 0 / 16

HEX #D1D4D5

RGB 209 212 213

HSL 195, 0.05%, 0.83%

LAB 84.71, -0.83, -0.86

 

CMYK 8 / 2 / 0 / 14

HEX #CAD7DC

RGB 202 215 220

HSL 196.67, 0.2%, 0.83%

LAB 85.16, -3.4, -3.97

 

CMYK 14 / 4 / 0 / 11

HEX #C3DAE4

RGB 195 218 228

HSL 198.18, 0.38%, 0.83%

LAB 85.68, -5.62, -7.5

 

CMYK 0 / 11 / 8 / 13

HEX #DFC7CD

RGB 223 199 205

HSL 345, 0.27%, 0.83%

LAB 82.35, 9.43, 0.08

 

CMYK 0 / 10 / 11 / 13

HEX #DFC8C7

RGB 223 200 199

HSL 2.5, 0.27%, 0.83%

LAB 82.44, 7.89, 3.43

 

CMYK 0 / 8 / 11 / 13

HEX #DFCEC7

RGB 223 206 199

HSL 17.5, 0.27%, 0.83%

LAB 83.94, 4.73, 5.6

 

CMYK 0 / 5 / 11 / 13

HEX #DFD4C7

RGB 223 212 199

HSL 32.5, 0.27%, 0.83%

LAB 85.45, 1.6, 7.77

 

CMYK 0 / 2 / 11 / 13

HEX #DFDBC7

RGB 223 219 199

HSL 50, 0.27%, 0.83%

LAB 87.23, -2.03, 10.31

 

CMYK 0 / 17 / 24 / 24

HEX #C1A093

RGB 193 160 147

HSL 16.96, 0.27%, 0.67%

LAB 68.45, 10.15, 11.33

 

CMYK 0 / 12 / 17 / 18

HEX #D0B7AD

RGB 208 183 173

HSL 17.14, 0.27%, 0.75%

LAB 76.25, 7.31, 8.35

 

CMYK 0 / 8 / 11 / 13

HEX #DFCEC7

RGB 223 206 199

HSL 17.5, 0.27%, 0.83%

LAB 83.94, 4.73, 5.6

 

CMYK 0 / 4 / 5 / 7

HEX #EEE5E2

RGB 238 229 226

HSL 15, 0.26%, 0.91%

LAB 91.55, 2.53, 2.53

 

CMYK 0 / 0 / 0 / 1

HEX #FDFCFC

RGB 253 252 252

HSL 0, 0.2%, 0.99%

LAB 99.04, 0.34, 0.11

 

CMYK 0 / 8 / 11 / 13

HEX #DFCEC7

RGB 223 206 199

HSL 17.5, 0.27%, 0.83%

LAB 83.94, 4.73, 5.6

 

CMYK 5 / 0 / 11 / 13

HEX #D4DFC7

RGB 212 223 199

HSL 87.5, 0.27%, 0.83%

LAB 87.43, -7.94, 10.49

 

CMYK 11 / 9 / 0 / 13

HEX #C7CADF

RGB 199 202 223

HSL 232.5, 0.27%, 0.83%

LAB 81.68, 3.04, -10.75

 

CMYK 0 / 8 / 11 / 13

HEX #DFCEC7

RGB 223 206 199

HSL 17.5, 0.27%, 0.83%

LAB 83.94, 4.73, 5.6

 

CMYK 11 / 0 / 8 / 13

HEX #C7DFCE

RGB 199 223 206

HSL 137.5, 0.27%, 0.83%

LAB 86.69, -11.14, 5.62

 

CMYK 8 / 11 / 0 / 13

HEX #CEC7DF

RGB 206 199 223

HSL 257.5, 0.27%, 0.83%

LAB 81.45, 6.93, -11.03

 

CMYK 0 / 8 / 11 / 13

HEX #DFCEC7

RGB 223 206 199

HSL 17.5, 0.27%, 0.83%

LAB 83.94, 4.73, 5.6

 

CMYK 5 / 0 / 11 / 13

HEX #D4DFC7

RGB 212 223 199

HSL 87.5, 0.27%, 0.83%

LAB 87.43, -7.94, 10.49

 

CMYK 11 / 3 / 0 / 13

HEX #C7D8DF

RGB 199 216 223

HSL 197.5, 0.27%, 0.83%

LAB 85.29, -4.31, -5.4

 

CMYK 5 / 11 / 0 / 13

HEX #D3C7DF

RGB 211 199 223

HSL 270, 0.27%, 0.83%

LAB 81.85, 8.59, -10.4

 

CMYK 0 / 8 / 11 / 13

HEX #DFCEC7

RGB 223 206 199

HSL 17.5, 0.27%, 0.83%

LAB 83.94, 4.73, 5.6

 

CMYK 8 / 0 / 11 / 13

HEX #CDDFC7

RGB 205 223 199

HSL 105, 0.27%, 0.83%

LAB 86.94, -10.36, 9.72

 

CMYK 11 / 3 / 0 / 13

HEX #C7D8DF

RGB 199 216 223

HSL 197.5, 0.27%, 0.83%

LAB 85.29, -4.31, -5.4

 

CMYK 2 / 11 / 0 / 13

HEX #DAC7DF

RGB 218 199 223

HSL 287.5, 0.27%, 0.83%

LAB 82.42, 10.92, -9.49

 

Description

Color code: HEX #DFCEC7 | qconv.com Color code: HEX #DFCEC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 206 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 206 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 11 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 11% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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