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Color name
HEX #DFCE9C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFCE9C it is the complementary color #203163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFCE9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFCE9C shade: #E4CE97, #F5E0AA, #FFF2BD, #FFFFD0 and #FFFFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFCE9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFCE9C shade: #DFCE9C, #CEBC89, #BDAA76, #AC9863 and #9B8650

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFCE9C shade: #DECD9A, #DEBB9A, #DEA89A and #DE9A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFCE9C shade: #DECD9A, #DDDE9A, #CBDE9A, #B8DE9A and #A6DE9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFCE9C shade matches the following richer shades: #DECD9A, #E9D290, #F3D785 and #FEDD7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFCE9C shade: #DECD9A, #D3C8A5, #C9C2B0, #BEBDBB and #B3B8C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFCE9C shade: #DEA89A, #DEBA9A, #DECC9A, #DEDE9A and #CCDE9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFCE9C shade: #CAAE5C, #D4BD7B, #DECD9A, #E8DCBA and #F2ECD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFCE9C shade: #DFCE9C, #9FDE9A and #B19ADE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFCE9C shade: #DFCE9C, #9ADECC and #CC9ADE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFCE9C shade: #DFCE9C, #9FDE9A, #9AACDE and #DA9ADE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFCE9C shade: #DFCE9C, #9ADEAA, #9AACDE and #DE9ACE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 30 / 13

HEX #DFCE9C

RGB 223 206 156

HSL 44.78, 0.51%, 0.74%

LAB 83.04, -1.56, 27.06

 

Complementary color

CMYK 68 / 51 / 0 / 61

HEX #203163

RGB 32 49 99

HSL 224.78, 0.51%, 0.26%

LAB 21.6, 11.08, -31.74

 

CMYK 0 / 10 / 34 / 11

HEX #E4CE97

RGB 228 206 151

HSL 42.86, 0.59%, 0.74%

LAB 83.37, -0.25, 30.19

 

CMYK 0 / 9 / 31 / 4

HEX #F5E0AA

RGB 245 224 170

HSL 43.2, 0.79%, 0.81%

LAB 89.69, -0.66, 29.1

 

CMYK 0 / 5 / 26 / 0

HEX #FFF2BD

RGB 255 242 189

HSL 48.18, 1%, 0.87%

LAB 95.35, -3.61, 27.21

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE3

RGB 255 255 227

HSL 60, 1%, 0.95%

LAB 99.35, -4.64, 13.39

 

CMYK 0 / 8 / 30 / 13

HEX #DFCE9C

RGB 223 206 156

HSL 44.78, 0.51%, 0.74%

LAB 83.04, -1.56, 27.06

 

CMYK 0 / 9 / 33 / 19

HEX #CEBC89

RGB 206 188 137

HSL 44.35, 0.41%, 0.67%

LAB 76.61, -1.16, 28.16

 

CMYK 0 / 10 / 38 / 26

HEX #BDAA76

RGB 189 170 118

HSL 43.94, 0.35%, 0.6%

LAB 70.09, -0.7, 29.33

 

CMYK 0 / 12 / 42 / 33

HEX #AC9863

RGB 172 152 99

HSL 43.56, 0.31%, 0.53%

LAB 63.45, -0.16, 30.57

 

CMYK 0 / 14 / 48 / 39

HEX #9B8650

RGB 155 134 80

HSL 43.2, 0.32%, 0.46%

LAB 56.68, 0.5, 31.89

 

CMYK 0 / 8 / 31 / 13

HEX #DECD9A

RGB 222 205 154

HSL 45, 0.51%, 0.74%

LAB 82.66, -1.68, 27.58

 

CMYK 0 / 16 / 31 / 13

HEX #DEBB9A

RGB 222 187 154

HSL 29.12, 0.51%, 0.74%

LAB 78.11, 7.76, 21.39

 

CMYK 0 / 24 / 31 / 13

HEX #DEA89A

RGB 222 168 154

HSL 12.35, 0.51%, 0.74%

LAB 73.46, 17.92, 14.94

 

CMYK 0 / 31 / 31 / 13

HEX #DE9A9A

RGB 222 154 154

HSL 0, 0.51%, 0.74%

LAB 70.16, 25.45, 10.28

 

CMYK 0 / 8 / 31 / 13

HEX #DECD9A

RGB 222 205 154

HSL 45, 0.51%, 0.74%

LAB 82.66, -1.68, 27.58

 

CMYK 0 / 0 / 31 / 13

HEX #DDDE9A

RGB 221 222 154

HSL 60.88, 0.51%, 0.74%

LAB 86.97, -10.74, 33.33

 

CMYK 9 / 0 / 31 / 13

HEX #CBDE9A

RGB 203 222 154

HSL 76.76, 0.51%, 0.74%

LAB 85.64, -17.49, 31.32

 

CMYK 17 / 0 / 31 / 13

HEX #B8DE9A

RGB 184 222 154

HSL 93.53, 0.51%, 0.74%

LAB 84.36, -24.39, 29.39

 

CMYK 25 / 0 / 31 / 13

HEX #A6DE9A

RGB 166 222 154

HSL 109.41, 0.51%, 0.74%

LAB 83.28, -30.62, 27.74

 

CMYK 0 / 8 / 31 / 13

HEX #DECD9A

RGB 222 205 154

HSL 45, 0.51%, 0.74%

LAB 82.66, -1.68, 27.58

 

CMYK 0 / 10 / 38 / 9

HEX #E9D290

RGB 233 210 144

HSL 44.49, 0.67%, 0.74%

LAB 84.71, -1.18, 35.64

 

CMYK 0 / 12 / 45 / 5

HEX #F3D785

RGB 243 215 133

HSL 44.73, 0.82%, 0.74%

LAB 86.68, -0.94, 43.89

 

CMYK 0 / 13 / 52 / 0

HEX #FEDD7A

RGB 254 221 122

HSL 45, 0.99%, 0.74%

LAB 89.01, -0.58, 52.33

 

CMYK 0 / 8 / 31 / 13

HEX #DECD9A

RGB 222 205 154

HSL 45, 0.51%, 0.74%

LAB 82.66, -1.68, 27.58

 

CMYK 0 / 5 / 22 / 17

HEX #D3C8A5

RGB 211 200 165

HSL 45.65, 0.34%, 0.74%

LAB 80.67, -1.77, 18.91

 

CMYK 0 / 3 / 12 / 21

HEX #C9C2B0

RGB 201 194 176

HSL 43.2, 0.19%, 0.74%

LAB 78.54, -0.63, 9.92

 

CMYK 0 / 1 / 2 / 25

HEX #BEBDBB

RGB 190 189 187

HSL 40, 0.02%, 0.74%

LAB 76.64, -0.01, 1.12

 

CMYK 9 / 7 / 0 / 23

HEX #B3B8C5

RGB 179 184 197

HSL 223.33, 0.13%, 0.74%

LAB 74.76, 0.82, -7.17

 

CMYK 0 / 24 / 31 / 13

HEX #DEA89A

RGB 222 168 154

HSL 12.35, 0.51%, 0.74%

LAB 73.46, 17.92, 14.94

 

CMYK 0 / 16 / 31 / 13

HEX #DEBA9A

RGB 222 186 154

HSL 28.24, 0.51%, 0.74%

LAB 77.86, 8.29, 21.05

 

CMYK 0 / 8 / 31 / 13

HEX #DECC9A

RGB 222 204 154

HSL 44.12, 0.51%, 0.74%

LAB 82.4, -1.16, 27.24

 

CMYK 0 / 0 / 31 / 13

HEX #DEDE9A

RGB 222 222 154

HSL 60, 0.51%, 0.74%

LAB 87.05, -10.36, 33.44

 

CMYK 8 / 0 / 31 / 13

HEX #CCDE9A

RGB 204 222 154

HSL 75.88, 0.51%, 0.74%

LAB 85.71, -17.12, 31.43

 

CMYK 0 / 14 / 54 / 21

HEX #CAAE5C

RGB 202 174 92

HSL 44.73, 0.51%, 0.58%

LAB 71.96, -0.05, 45.34

 

CMYK 0 / 11 / 42 / 17

HEX #D4BD7B

RGB 212 189 123

HSL 44.49, 0.51%, 0.66%

LAB 77.17, -0.9, 36.31

 

CMYK 0 / 8 / 31 / 13

HEX #DECD9A

RGB 222 205 154

HSL 45, 0.51%, 0.74%

LAB 82.66, -1.68, 27.58

 

CMYK 0 / 5 / 20 / 9

HEX #E8DCBA

RGB 232 220 186

HSL 44.35, 0.5%, 0.82%

LAB 87.91, -1.3, 18.2

 

CMYK 0 / 2 / 10 / 5

HEX #F2ECD9

RGB 242 236 217

HSL 45.6, 0.49%, 0.9%

LAB 93.4, -1.16, 9.92

 

CMYK 0 / 8 / 30 / 13

HEX #DFCE9C

RGB 223 206 156

HSL 44.78, 0.51%, 0.74%

LAB 83.04, -1.56, 27.06

 

CMYK 28 / 0 / 31 / 13

HEX #9FDE9A

RGB 159 222 154

HSL 115.59, 0.51%, 0.74%

LAB 82.89, -32.95, 27.14

 

CMYK 20 / 31 / 0 / 13

HEX #B19ADE

RGB 177 154 222

HSL 260.29, 0.51%, 0.74%

LAB 67.82, 22.15, -31.42

 

CMYK 0 / 8 / 30 / 13

HEX #DFCE9C

RGB 223 206 156

HSL 44.78, 0.51%, 0.74%

LAB 83.04, -1.56, 27.06

 

CMYK 31 / 0 / 8 / 13

HEX #9ADECC

RGB 154 222 204

HSL 164.12, 0.51%, 0.74%

LAB 83.69, -25.14, 2

 

CMYK 8 / 31 / 0 / 13

HEX #CC9ADE

RGB 204 154 222

HSL 284.12, 0.51%, 0.74%

LAB 70.33, 30.54, -27.35

 

CMYK 0 / 8 / 30 / 13

HEX #DFCE9C

RGB 223 206 156

HSL 44.78, 0.51%, 0.74%

LAB 83.04, -1.56, 27.06

 

CMYK 28 / 0 / 31 / 13

HEX #9FDE9A

RGB 159 222 154

HSL 115.59, 0.51%, 0.74%

LAB 82.89, -32.95, 27.14

 

CMYK 31 / 23 / 0 / 13

HEX #9AACDE

RGB 154 172 222

HSL 224.12, 0.51%, 0.74%

LAB 70.63, 5.2, -27.25

 

CMYK 2 / 31 / 0 / 13

HEX #DA9ADE

RGB 218 154 222

HSL 296.47, 0.51%, 0.74%

LAB 71.75, 34.99, -25.05

 

CMYK 0 / 8 / 30 / 13

HEX #DFCE9C

RGB 223 206 156

HSL 44.78, 0.51%, 0.74%

LAB 83.04, -1.56, 27.06

 

CMYK 31 / 0 / 23 / 13

HEX #9ADEAA

RGB 154 222 170

HSL 134.12, 0.51%, 0.74%

LAB 82.92, -31.83, 18.83

 

CMYK 31 / 23 / 0 / 13

HEX #9AACDE

RGB 154 172 222

HSL 224.12, 0.51%, 0.74%

LAB 70.63, 5.2, -27.25

 

CMYK 0 / 31 / 7 / 13

HEX #DE9ACE

RGB 222 154 206

HSL 314.12, 0.51%, 0.74%

LAB 71.62, 33.4, -16.4

 

Description

Color code: HEX #DFCE9C | qconv.com Color code: HEX #DFCE9C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 206 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 206 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 30 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 30% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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