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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF9A8F it is the complementary color #206570. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF9A8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF9A8F shade: #E49A8A, #F5AC9D, #FFBEB0, #FFD0C3 and #FFE2D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF9A8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF9A8F shade: #DF9A8F, #CE887C, #BD7669, #AC6456 and #9B5243

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF9A8F shade: #DF9A8F and #DF8F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF9A8F shade: #DF9A8F, #DFB08F, #DFC58F, #DFDB8F and #CEDF8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF9A8F shade matches the following richer shades: #DF9A8F, #EB9284 and #F68978

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF9A8F shade: #DF9A8F, #D4A29B, #C8ABA6, #BCB3B2 and #B1BCBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF9A8F shade: #DF8FAF, #DF8F9A, #DF9A8F, #DFAF8F and #DFC48F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF9A8F shade: #CD604F, #D67D6F, #DF9A8F, #E8B7AF and #F1D4CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF9A8F shade: #DF9A8F, #C4DF8F and #8FA4DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF9A8F shade: #DF9A8F, #8FDF9A and #9A8FDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF9A8F shade: #DF9A8F, #C4DF8F, #8FD4DF and #AA8FDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF9A8F shade: #DF9A8F, #ACDF8F, #8FD4DF and #C28FDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 36 / 13

HEX #DF9A8F

RGB 223 154 143

HSL 8.25, 0.56%, 0.72%

LAB 70.02, 24.44, 16.2

 

Complementary color

CMYK 71 / 10 / 0 / 56

HEX #206570

RGB 32 101 112

HSL 188.25, 0.56%, 0.28%

LAB 39.21, -17.29, -12.45

 

CMYK 0 / 32 / 39 / 11

HEX #E49A8A

RGB 228 154 138

HSL 10.67, 0.63%, 0.72%

LAB 70.48, 25.78, 19.68

 

CMYK 0 / 30 / 36 / 4

HEX #F5AC9D

RGB 245 172 157

HSL 10.23, 0.81%, 0.79%

LAB 76.89, 24.91, 18.45

 

CMYK 0 / 25 / 31 / 0

HEX #FFBEB0

RGB 255 190 176

HSL 10.63, 1%, 0.85%

LAB 82.5, 21.51, 16.21

 

CMYK 0 / 18 / 24 / 0

HEX #FFD0C3

RGB 255 208 195

HSL 13, 1%, 0.88%

LAB 87.15, 14.63, 12.68

 

CMYK 0 / 11 / 16 / 0

HEX #FFE2D6

RGB 255 226 214

HSL 17.56, 1%, 0.92%

LAB 91.91, 8.07, 9.5

 

CMYK 0 / 31 / 36 / 13

HEX #DF9A8F

RGB 223 154 143

HSL 8.25, 0.56%, 0.72%

LAB 70.02, 24.44, 16.2

 

CMYK 0 / 34 / 40 / 19

HEX #CE887C

RGB 206 136 124

HSL 8.78, 0.46%, 0.65%

LAB 63.5, 25.35, 17.46

 

CMYK 0 / 38 / 44 / 26

HEX #BD7669

RGB 189 118 105

HSL 9.29, 0.39%, 0.58%

LAB 56.88, 26.37, 18.87

 

CMYK 0 / 42 / 50 / 33

HEX #AC6456

RGB 172 100 86

HSL 9.77, 0.34%, 0.51%

LAB 50.16, 27.51, 20.48

 

CMYK 0 / 47 / 57 / 39

HEX #9B5243

RGB 155 82 67

HSL 10.23, 0.4%, 0.44%

LAB 43.37, 28.79, 22.35

 

CMYK 0 / 31 / 36 / 13

HEX #DF9A8F

RGB 223 154 143

HSL 8.25, 0.56%, 0.72%

LAB 70.02, 24.44, 16.2

 

CMYK 0 / 36 / 36 / 13

HEX #DF8F8F

RGB 223 143 143

HSL 0, 0.56%, 0.72%

LAB 67.51, 30.34, 12.69

 

CMYK 0 / 31 / 36 / 13

HEX #DF9A8F

RGB 223 154 143

HSL 8.25, 0.56%, 0.72%

LAB 70.02, 24.44, 16.2

 

CMYK 0 / 21 / 36 / 13

HEX #DFB08F

RGB 223 176 143

HSL 24.75, 0.56%, 0.72%

LAB 75.28, 12.63, 23.43

 

CMYK 0 / 12 / 36 / 13

HEX #DFC58F

RGB 223 197 143

HSL 40.5, 0.56%, 0.72%

LAB 80.52, 1.53, 30.47

 

CMYK 0 / 2 / 36 / 13

HEX #DFDB8F

RGB 223 219 143

HSL 57, 0.56%, 0.72%

LAB 86.17, -9.77, 37.9

 

CMYK 8 / 0 / 36 / 13

HEX #CEDF8F

RGB 206 223 143

HSL 72.75, 0.56%, 0.72%

LAB 85.95, -18.27, 37.35

 

CMYK 0 / 31 / 36 / 13

HEX #DF9A8F

RGB 223 154 143

HSL 8.25, 0.56%, 0.72%

LAB 70.02, 24.44, 16.2

 

CMYK 0 / 38 / 44 / 8

HEX #EB9284

RGB 235 146 132

HSL 8.16, 0.72%, 0.72%

LAB 69.39, 32.06, 21.63

 

CMYK 0 / 44 / 51 / 4

HEX #F68978

RGB 246 137 120

HSL 8.1, 0.88%, 0.72%

LAB 68.64, 39.74, 27.48

 

CMYK 0 / 31 / 36 / 13

HEX #DF9A8F

RGB 223 154 143

HSL 8.25, 0.56%, 0.72%

LAB 70.02, 24.44, 16.2

 

CMYK 0 / 24 / 27 / 17

HEX #D4A29B

RGB 212 162 155

HSL 7.37, 0.4%, 0.72%

LAB 71.01, 17.48, 10.79

 

CMYK 0 / 15 / 17 / 22

HEX #C8ABA6

RGB 200 171 166

HSL 8.82, 0.24%, 0.72%

LAB 72.33, 9.71, 6.47

 

CMYK 0 / 5 / 5 / 26

HEX #BCB3B2

RGB 188 179 178

HSL 6, 0.07%, 0.72%

LAB 73.64, 3.01, 1.64

 

CMYK 6 / 1 / 0 / 26

HEX #B1BCBD

RGB 177 188 189

HSL 185, 0.08%, 0.72%

LAB 75.44, -3.59, -1.82

 

CMYK 0 / 36 / 22 / 13

HEX #DF8FAF

RGB 223 143 175

HSL 336, 0.56%, 0.72%

LAB 68.33, 34.64, -4.06

 

CMYK 0 / 36 / 31 / 13

HEX #DF8F9A

RGB 223 143 154

HSL 351.75, 0.56%, 0.72%

LAB 67.77, 31.72, 6.9

 

CMYK 0 / 31 / 36 / 13

HEX #DF9A8F

RGB 223 154 143

HSL 8.25, 0.56%, 0.72%

LAB 70.02, 24.44, 16.2

 

CMYK 0 / 22 / 36 / 13

HEX #DFAF8F

RGB 223 175 143

HSL 24, 0.56%, 0.72%

LAB 75.03, 13.17, 23.1

 

CMYK 0 / 12 / 36 / 13

HEX #DFC48F

RGB 223 196 143

HSL 39.75, 0.56%, 0.72%

LAB 80.26, 2.05, 30.14

 

CMYK 0 / 53 / 61 / 20

HEX #CD604F

RGB 205 96 79

HSL 8.1, 0.56%, 0.56%

LAB 53.93, 41.9, 30.32

 

CMYK 0 / 42 / 48 / 16

HEX #D67D6F

RGB 214 125 111

HSL 8.16, 0.56%, 0.64%

LAB 61.75, 33, 22.58

 

CMYK 0 / 31 / 36 / 13

HEX #DF9A8F

RGB 223 154 143

HSL 8.25, 0.56%, 0.72%

LAB 70.02, 24.44, 16.2

 

CMYK 0 / 21 / 25 / 9

HEX #E8B7AF

RGB 232 183 175

HSL 8.42, 0.55%, 0.8%

LAB 78.53, 16.52, 10.82

 

CMYK 0 / 12 / 14 / 5

HEX #F1D4CF

RGB 241 212 207

HSL 8.82, 0.55%, 0.88%

LAB 87.14, 9.28, 6.16

 

CMYK 0 / 31 / 36 / 13

HEX #DF9A8F

RGB 223 154 143

HSL 8.25, 0.56%, 0.72%

LAB 70.02, 24.44, 16.2

 

CMYK 12 / 0 / 36 / 13

HEX #C4DF8F

RGB 196 223 143

HSL 80.25, 0.56%, 0.72%

LAB 85.25, -22.02, 36.31

 

CMYK 36 / 26 / 0 / 13

HEX #8FA4DF

RGB 143 164 223

HSL 224.25, 0.56%, 0.72%

LAB 67.81, 6.83, -32.2

 

CMYK 0 / 31 / 36 / 13

HEX #DF9A8F

RGB 223 154 143

HSL 8.25, 0.56%, 0.72%

LAB 70.02, 24.44, 16.2

 

CMYK 36 / 0 / 31 / 13

HEX #8FDF9A

RGB 143 223 154

HSL 128.25, 0.56%, 0.72%

LAB 82.35, -38.47, 26.28

 

CMYK 31 / 36 / 0 / 13

HEX #9A8FDF

RGB 154 143 223

HSL 248.25, 0.56%, 0.72%

LAB 63.21, 21.89, -39.3

 

CMYK 0 / 31 / 36 / 13

HEX #DF9A8F

RGB 223 154 143

HSL 8.25, 0.56%, 0.72%

LAB 70.02, 24.44, 16.2

 

CMYK 12 / 0 / 36 / 13

HEX #C4DF8F

RGB 196 223 143

HSL 80.25, 0.56%, 0.72%

LAB 85.25, -22.02, 36.31

 

CMYK 36 / 5 / 0 / 13

HEX #8FD4DF

RGB 143 212 223

HSL 188.25, 0.56%, 0.72%

LAB 80.88, -18.89, -12.31

 

CMYK 24 / 36 / 0 / 13

HEX #AA8FDF

RGB 170 143 223

HSL 260.25, 0.56%, 0.72%

LAB 64.58, 26.49, -37.06

 

CMYK 0 / 31 / 36 / 13

HEX #DF9A8F

RGB 223 154 143

HSL 8.25, 0.56%, 0.72%

LAB 70.02, 24.44, 16.2

 

CMYK 23 / 0 / 36 / 13

HEX #ACDF8F

RGB 172 223 143

HSL 98.25, 0.56%, 0.72%

LAB 83.72, -30.67, 34.02

 

CMYK 36 / 5 / 0 / 13

HEX #8FD4DF

RGB 143 212 223

HSL 188.25, 0.56%, 0.72%

LAB 80.88, -18.89, -12.31

 

CMYK 13 / 36 / 0 / 13

HEX #C28FDF

RGB 194 143 223

HSL 278.25, 0.56%, 0.72%

LAB 66.86, 33.68, -33.34

 

Description

Color code: HEX #DF9A8F | qconv.com Color code: HEX #DF9A8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 154 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 154 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 36 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 36% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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