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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF9092 it is the complementary color #206F6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF9092. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF9092 shade: #E4908D, #F5A2A0, #FFB4B3, #FFC6C6 and #FFD8D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF9092. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF9092 shade: #DF9092, #CE7E7F, #BD6C6C, #AC5A59 and #9B4846

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF9092 shade: #DE9092 and #DE9090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF9092 shade: #DE9092, #DE90A7, #DE90BC, #DE90D1 and #D690DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF9092 shade matches the following richer shades: #DE9092, #EA8487 and #F5797C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF9092 shade: #DE9092, #D39B9D, #C7A7A8, #BCB2B3 and #B0BEBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF9092 shade: #DE90BC, #DE90A7, #DE9092, #DEA290 and #DEB790

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF9092 shade: #CC5053, #D57072, #DE9092, #E8B0B1 and #F1D0D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF9092 shade: #DF9092, #D1DE90 and #90B2DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF9092 shade: #DF9092, #92DE90 and #9092DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF9092 shade: #DF9092, #D1DE90, #90DEDC and #9D90DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF9092 shade: #DF9092, #BADE90, #90DEDC and #B490DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 35 / 13

HEX #DF9092

RGB 223 144 146

HSL 358.48, 0.55%, 0.72%

LAB 67.81, 30.17, 11.42

 

Complementary color

CMYK 71 / 0 / 2 / 56

HEX #206F6D

RGB 32 111 109

HSL 178.48, 0.55%, 0.28%

LAB 42.43, -23.62, -5.8

 

CMYK 0 / 37 / 38 / 11

HEX #E4908D

RGB 228 144 141

HSL 2.07, 0.62%, 0.72%

LAB 68.29, 31.45, 14.98

 

CMYK 0 / 34 / 35 / 4

HEX #F5A2A0

RGB 245 162 160

HSL 1.41, 0.81%, 0.79%

LAB 74.69, 30.54, 13.75

 

CMYK 0 / 29 / 30 / 0

HEX #FFB4B3

RGB 255 180 179

HSL 0.79, 1%, 0.85%

LAB 80.27, 27.14, 11.46

 

CMYK 0 / 22 / 22 / 0

HEX #FFC6C6

RGB 255 198 198

HSL 0, 1%, 0.89%

LAB 84.86, 20.28, 7.82

 

CMYK 0 / 15 / 15 / 0

HEX #FFD8D9

RGB 255 216 217

HSL 358.46, 1%, 0.92%

LAB 89.57, 13.71, 4.56

 

CMYK 0 / 35 / 35 / 13

HEX #DF9092

RGB 223 144 146

HSL 358.48, 0.55%, 0.72%

LAB 67.81, 30.17, 11.42

 

CMYK 0 / 39 / 38 / 19

HEX #CE7E7F

RGB 206 126 127

HSL 359.25, 0.45%, 0.65%

LAB 61.29, 31.11, 12.69

 

CMYK 0 / 43 / 43 / 26

HEX #BD6C6C

RGB 189 108 108

HSL 0, 0.38%, 0.58%

LAB 54.69, 32.14, 14.13

 

CMYK 0 / 48 / 48 / 33

HEX #AC5A59

RGB 172 90 89

HSL 0.72, 0.33%, 0.51%

LAB 48.01, 33.26, 15.8

 

CMYK 0 / 54 / 55 / 39

HEX #9B4846

RGB 155 72 70

HSL 1.41, 0.38%, 0.44%

LAB 41.29, 34.45, 17.8

 

CMYK 0 / 35 / 34 / 13

HEX #DE9092

RGB 222 144 146

HSL 358.46, 0.54%, 0.72%

LAB 67.69, 29.79, 11.24

 

CMYK 0 / 35 / 35 / 13

HEX #DE9090

RGB 222 144 144

HSL 0, 0.54%, 0.72%

LAB 67.64, 29.55, 12.3

 

CMYK 0 / 35 / 34 / 13

HEX #DE9092

RGB 222 144 146

HSL 358.46, 0.54%, 0.72%

LAB 67.69, 29.79, 11.24

 

CMYK 0 / 35 / 25 / 13

HEX #DE90A7

RGB 222 144 167

HSL 342.31, 0.54%, 0.72%

LAB 68.22, 32.59, 0.23

 

CMYK 0 / 35 / 15 / 13

HEX #DE90BC

RGB 222 144 188

HSL 326.15, 0.54%, 0.72%

LAB 68.83, 35.75, -10.61

 

CMYK 0 / 35 / 6 / 13

HEX #DE90D1

RGB 222 144 209

HSL 310, 0.54%, 0.72%

LAB 69.53, 39.26, -21.23

 

CMYK 4 / 35 / 0 / 13

HEX #D690DE

RGB 214 144 222

HSL 293.85, 0.54%, 0.72%

LAB 69.12, 39.09, -29.12

 

CMYK 0 / 35 / 34 / 13

HEX #DE9092

RGB 222 144 146

HSL 358.46, 0.54%, 0.72%

LAB 67.69, 29.79, 11.24

 

CMYK 0 / 44 / 42 / 8

HEX #EA8487

RGB 234 132 135

HSL 358.24, 0.71%, 0.72%

LAB 66.32, 39.29, 15.72

 

CMYK 0 / 51 / 49 / 4

HEX #F5797C

RGB 245 121 124

HSL 358.55, 0.86%, 0.72%

LAB 65.39, 47.71, 20.87

 

CMYK 0 / 35 / 34 / 13

HEX #DE9092

RGB 222 144 146

HSL 358.46, 0.54%, 0.72%

LAB 67.69, 29.79, 11.24

 

CMYK 0 / 27 / 26 / 17

HEX #D39B9D

RGB 211 155 157

HSL 357.86, 0.39%, 0.72%

LAB 69.27, 21.19, 7.19

 

CMYK 0 / 16 / 16 / 22

HEX #C7A7A8

RGB 199 167 168

HSL 358.13, 0.22%, 0.72%

LAB 71.29, 11.84, 3.84

 

CMYK 0 / 5 / 5 / 26

HEX #BCB2B3

RGB 188 178 179

HSL 354, 0.07%, 0.72%

LAB 73.41, 3.73, 0.76

 

CMYK 7 / 0 / 0 / 25

HEX #B0BEBE

RGB 176 190 190

HSL 180, 0.1%, 0.72%

LAB 75.93, -4.8, -1.66

 

CMYK 0 / 35 / 15 / 13

HEX #DE90BC

RGB 222 144 188

HSL 326.15, 0.54%, 0.72%

LAB 68.83, 35.75, -10.61

 

CMYK 0 / 35 / 25 / 13

HEX #DE90A7

RGB 222 144 167

HSL 342.31, 0.54%, 0.72%

LAB 68.22, 32.59, 0.23

 

CMYK 0 / 35 / 34 / 13

HEX #DE9092

RGB 222 144 146

HSL 358.46, 0.54%, 0.72%

LAB 67.69, 29.79, 11.24

 

CMYK 0 / 27 / 35 / 13

HEX #DEA290

RGB 222 162 144

HSL 13.85, 0.54%, 0.72%

LAB 71.81, 19.88, 18.12

 

CMYK 0 / 18 / 35 / 13

HEX #DEB790

RGB 222 183 144

HSL 30, 0.54%, 0.72%

LAB 76.93, 8.63, 25.12

 

CMYK 0 / 61 / 59 / 20

HEX #CC5053

RGB 204 80 83

HSL 358.55, 0.55%, 0.56%

LAB 50.92, 49.44, 24.12

 

CMYK 0 / 47 / 46 / 16

HEX #D57072

RGB 213 112 114

HSL 358.81, 0.55%, 0.64%

LAB 58.93, 39.71, 17.01

 

CMYK 0 / 35 / 34 / 13

HEX #DE9092

RGB 222 144 146

HSL 358.46, 0.54%, 0.72%

LAB 67.69, 29.79, 11.24

 

CMYK 0 / 24 / 24 / 9

HEX #E8B0B1

RGB 232 176 177

HSL 358.93, 0.55%, 0.8%

LAB 76.91, 20.53, 7.42

 

CMYK 0 / 14 / 13 / 5

HEX #F1D0D1

RGB 241 208 209

HSL 358.18, 0.54%, 0.88%

LAB 86.21, 11.69, 3.77

 

CMYK 0 / 35 / 35 / 13

HEX #DF9092

RGB 223 144 146

HSL 358.48, 0.55%, 0.72%

LAB 67.81, 30.17, 11.42

 

CMYK 6 / 0 / 35 / 13

HEX #D1DE90

RGB 209 222 144

HSL 70, 0.54%, 0.72%

LAB 85.91, -16.52, 36.84

 

CMYK 35 / 20 / 0 / 13

HEX #90B2DE

RGB 144 178 222

HSL 213.85, 0.54%, 0.72%

LAB 71.58, -0.94, -25.84

 

CMYK 0 / 35 / 35 / 13

HEX #DF9092

RGB 223 144 146

HSL 358.48, 0.55%, 0.72%

LAB 67.81, 30.17, 11.42

 

CMYK 34 / 0 / 35 / 13

HEX #92DE90

RGB 146 222 144

HSL 118.46, 0.54%, 0.72%

LAB 82.04, -38.71, 31.03

 

CMYK 35 / 34 / 0 / 13

HEX #9092DE

RGB 144 146 222

HSL 238.46, 0.54%, 0.72%

LAB 63.14, 17.12, -38.9

 

CMYK 0 / 35 / 35 / 13

HEX #DF9092

RGB 223 144 146

HSL 358.48, 0.55%, 0.72%

LAB 67.81, 30.17, 11.42

 

CMYK 6 / 0 / 35 / 13

HEX #D1DE90

RGB 209 222 144

HSL 70, 0.54%, 0.72%

LAB 85.91, -16.52, 36.84

 

CMYK 35 / 0 / 1 / 13

HEX #90DEDC

RGB 144 222 220

HSL 178.46, 0.54%, 0.72%

LAB 83.62, -24.32, -6.64

 

CMYK 29 / 35 / 0 / 13

HEX #9D90DE

RGB 157 144 222

HSL 250, 0.54%, 0.72%

LAB 63.66, 21.91, -38.02

 

CMYK 0 / 35 / 35 / 13

HEX #DF9092

RGB 223 144 146

HSL 358.48, 0.55%, 0.72%

LAB 67.81, 30.17, 11.42

 

CMYK 16 / 0 / 35 / 13

HEX #BADE90

RGB 186 222 144

HSL 87.69, 0.54%, 0.72%

LAB 84.33, -25.07, 34.47

 

CMYK 35 / 0 / 1 / 13

HEX #90DEDC

RGB 144 222 220

HSL 178.46, 0.54%, 0.72%

LAB 83.62, -24.32, -6.64

 

CMYK 19 / 35 / 0 / 13

HEX #B490DE

RGB 180 144 222

HSL 267.69, 0.54%, 0.72%

LAB 65.69, 28.67, -34.71

 

Description

Color code: HEX #DF9092 | qconv.com Color code: HEX #DF9092 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 144 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 144 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 35 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 35% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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