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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF7A06 it is the complementary color #2085F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF7A06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF7A06 shade: #E47A01, #F58C14, #FF9E27, #FFB03A and #FFC24D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF7A06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF7A06 shade: #DF7A06, #CE6800, #BD5600, #AC4400 and #9B3200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF7A06 shade: #DF7A05, #DF3F05 and #DF0505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF7A06 shade: #DF7A05, #DFB505, #CFDF05, #94DF05 and #5ADF05

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF7A06 shade matches the following richer shades: #DF7A05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF7A06 shade: #DF7A05, #CD7818, #BA772A, #A8763D and #957550

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF7A06 shade: #DF0505, #DF3F05, #DF7A05, #DFB405 and #D1DF05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF7A06 shade: #8F4E03, #B76404, #DF7A05, #F98F15 and #FAA23D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF7A06 shade: #DF7A06, #3FDF05 and #2205DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF7A06 shade: #DF7A06, #05DF7A and #7A05DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF7A06 shade: #DF7A06, #3FDF05, #056BDF and #A505DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF7A06 shade: #DF7A06, #05DF0D, #056BDF and #DF05D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 97 / 13

HEX #DF7A06

RGB 223 122 6

HSL 32.07, 0.95%, 0.45%

LAB 61.33, 33.17, 67.3

 

Complementary color

CMYK 87 / 47 / 0 / 2

HEX #2085F9

RGB 32 133 249

HSL 212.07, 0.95%, 0.55%

LAB 56.01, 14.53, -65.51

 

CMYK 0 / 46 / 100 / 11

HEX #E47A01

RGB 228 122 1

HSL 31.98, 0.99%, 0.45%

LAB 62.01, 35.16, 68.88

 

CMYK 0 / 43 / 92 / 4

HEX #F58C14

RGB 245 140 20

HSL 32, 0.92%, 0.52%

LAB 68.18, 32.98, 70.97

 

CMYK 0 / 38 / 85 / 0

HEX #FF9E27

RGB 255 158 39

HSL 33.06, 1%, 0.58%

LAB 73.45, 28.11, 70.7

 

CMYK 0 / 31 / 77 / 0

HEX #FFB03A

RGB 255 176 58

HSL 35.94, 1%, 0.61%

LAB 77.65, 19.29, 67.96

 

CMYK 0 / 24 / 70 / 0

HEX #FFC24D

RGB 255 194 77

HSL 39.44, 1%, 0.65%

LAB 82.04, 10.73, 64.8

 

CMYK 0 / 45 / 97 / 13

HEX #DF7A06

RGB 223 122 6

HSL 32.07, 0.95%, 0.45%

LAB 61.33, 33.17, 67.3

 

CMYK 0 / 50 / 100 / 19

HEX #CE6800

RGB 206 104 0

HSL 30.29, 1%, 0.4%

LAB 55.1, 35.51, 63.26

 

CMYK 0 / 54 / 100 / 26

HEX #BD5600

RGB 189 86 0

HSL 27.3, 1%, 0.37%

LAB 48.85, 37.87, 58.25

 

CMYK 0 / 60 / 100 / 33

HEX #AC4400

RGB 172 68 0

HSL 23.72, 1%, 0.34%

LAB 42.62, 40.09, 53.28

 

CMYK 0 / 68 / 100 / 39

HEX #9B3200

RGB 155 50 0

HSL 19.35, 1%, 0.3%

LAB 36.46, 42.01, 48.39

 

CMYK 0 / 45 / 98 / 13

HEX #DF7A05

RGB 223 122 5

HSL 32.2, 0.96%, 0.45%

LAB 61.32, 33.16, 67.45

 

CMYK 0 / 72 / 98 / 13

HEX #DF3F05

RGB 223 63 5

HSL 15.96, 0.96%, 0.45%

LAB 50.98, 59.97, 61.34

 

CMYK 0 / 98 / 98 / 13

HEX #DF0505

RGB 223 5 5

HSL 0, 0.96%, 0.45%

LAB 46.72, 72.01, 59.29

 

CMYK 0 / 45 / 98 / 13

HEX #DF7A05

RGB 223 122 5

HSL 32.2, 0.96%, 0.45%

LAB 61.32, 33.16, 67.45

 

CMYK 0 / 19 / 98 / 13

HEX #DFB505

RGB 223 181 5

HSL 48.44, 0.96%, 0.45%

LAB 75.29, 1.83, 76.99

 

CMYK 7 / 0 / 98 / 13

HEX #CFDF05

RGB 207 223 5

HSL 64.4, 0.96%, 0.45%

LAB 85.02, -26.12, 83.51

 

CMYK 34 / 0 / 98 / 13

HEX #94DF05

RGB 148 223 5

HSL 80.64, 0.96%, 0.45%

LAB 81.34, -49.2, 79.08

 

CMYK 60 / 0 / 98 / 13

HEX #5ADF05

RGB 90 223 5

HSL 96.61, 0.96%, 0.45%

LAB 79.02, -66.76, 76.26

 

CMYK 0 / 45 / 98 / 13

HEX #DF7A05

RGB 223 122 5

HSL 32.2, 0.96%, 0.45%

LAB 61.32, 33.16, 67.45

 

CMYK 0 / 45 / 98 / 13

HEX #DF7A05

RGB 223 122 5

HSL 32.2, 0.96%, 0.45%

LAB 61.32, 33.16, 67.45

 

CMYK 0 / 41 / 88 / 20

HEX #CD7818

RGB 205 120 24

HSL 31.82, 0.79%, 0.45%

LAB 58.49, 26.98, 60.4

 

CMYK 0 / 36 / 77 / 27

HEX #BA772A

RGB 186 119 42

HSL 32.08, 0.63%, 0.45%

LAB 55.89, 19.9, 50.7

 

CMYK 0 / 30 / 64 / 34

HEX #A8763D

RGB 168 118 61

HSL 31.96, 0.47%, 0.45%

LAB 53.62, 13.6, 38.6

 

CMYK 0 / 21 / 46 / 42

HEX #957550

RGB 149 117 80

HSL 32.17, 0.3%, 0.45%

LAB 51.49, 7.51, 25.15

 

CMYK 0 / 98 / 98 / 13

HEX #DF0505

RGB 223 5 5

HSL 0, 0.96%, 0.45%

LAB 46.72, 72.01, 59.29

 

CMYK 0 / 72 / 98 / 13

HEX #DF3F05

RGB 223 63 5

HSL 15.96, 0.96%, 0.45%

LAB 50.98, 59.97, 61.34

 

CMYK 0 / 45 / 98 / 13

HEX #DF7A05

RGB 223 122 5

HSL 32.2, 0.96%, 0.45%

LAB 61.32, 33.16, 67.45

 

CMYK 0 / 19 / 98 / 13

HEX #DFB405

RGB 223 180 5

HSL 48.17, 0.96%, 0.45%

LAB 75.04, 2.36, 76.81

 

CMYK 6 / 0 / 98 / 13

HEX #D1DF05

RGB 209 223 5

HSL 63.85, 0.96%, 0.45%

LAB 85.17, -25.29, 83.69

 

CMYK 0 / 45 / 98 / 44

HEX #8F4E03

RGB 143 78 3

HSL 32.14, 0.96%, 0.29%

LAB 40.07, 22.79, 48.47

 

CMYK 0 / 45 / 98 / 28

HEX #B76404

RGB 183 100 4

HSL 32.18, 0.96%, 0.37%

LAB 50.91, 28.1, 58.15

 

CMYK 0 / 45 / 98 / 13

HEX #DF7A05

RGB 223 122 5

HSL 32.2, 0.96%, 0.45%

LAB 61.32, 33.16, 67.45

 

CMYK 0 / 43 / 92 / 2

HEX #F98F15

RGB 249 143 21

HSL 32.11, 0.95%, 0.53%

LAB 69.35, 33.08, 71.84

 

CMYK 0 / 35 / 76 / 2

HEX #FAA23D

RGB 250 162 61

HSL 32.06, 0.95%, 0.61%

LAB 73.87, 24.66, 62.98

 

CMYK 0 / 45 / 97 / 13

HEX #DF7A06

RGB 223 122 6

HSL 32.07, 0.95%, 0.45%

LAB 61.33, 33.17, 67.3

 

CMYK 72 / 0 / 98 / 13

HEX #3FDF05

RGB 63 223 5

HSL 104.04, 0.96%, 0.45%

LAB 78.37, -72.24, 75.47

 

CMYK 85 / 98 / 0 / 13

HEX #2205DF

RGB 34 5 223

HSL 247.98, 0.96%, 0.45%

LAB 28.84, 70.99, -95.46

 

CMYK 0 / 45 / 97 / 13

HEX #DF7A06

RGB 223 122 6

HSL 32.07, 0.95%, 0.45%

LAB 61.33, 33.17, 67.3

 

CMYK 98 / 0 / 45 / 13

HEX #05DF7A

RGB 5 223 122

HSL 152.2, 0.96%, 0.45%

LAB 78.59, -67.4, 36.97

 

CMYK 45 / 98 / 0 / 13

HEX #7A05DF

RGB 122 5 223

HSL 272.2, 0.96%, 0.45%

LAB 37.07, 75.44, -81.56

 

CMYK 0 / 45 / 97 / 13

HEX #DF7A06

RGB 223 122 6

HSL 32.07, 0.95%, 0.45%

LAB 61.33, 33.17, 67.3

 

CMYK 72 / 0 / 98 / 13

HEX #3FDF05

RGB 63 223 5

HSL 104.04, 0.96%, 0.45%

LAB 78.37, -72.24, 75.47

 

CMYK 98 / 52 / 0 / 13

HEX #056BDF

RGB 5 107 223

HSL 211.93, 0.96%, 0.45%

LAB 46.81, 19.76, -65.86

 

CMYK 26 / 98 / 0 / 13

HEX #A505DF

RGB 165 5 223

HSL 284.04, 0.96%, 0.45%

LAB 43.41, 80.1, -70.9

 

CMYK 0 / 45 / 97 / 13

HEX #DF7A06

RGB 223 122 6

HSL 32.07, 0.95%, 0.45%

LAB 61.33, 33.17, 67.3

 

CMYK 98 / 0 / 94 / 13

HEX #05DF0D

RGB 5 223 13

HSL 122.2, 0.96%, 0.45%

LAB 77.78, -77.48, 73.98

 

CMYK 98 / 52 / 0 / 13

HEX #056BDF

RGB 5 107 223

HSL 211.93, 0.96%, 0.45%

LAB 46.81, 19.76, -65.86

 

CMYK 0 / 98 / 3 / 13

HEX #DF05D8

RGB 223 5 216

HSL 301.93, 0.96%, 0.45%

LAB 52.68, 87.45, -51.45

 

Description

Color code: HEX #DF7A06 | qconv.com Color code: HEX #DF7A06 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 122 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 122 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 97 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 97% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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