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Color name
HEX #DF6F49

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF6F49 it is the complementary color #2090B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF6F49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF6F49 shade: #E46F44, #F58157, #FF936A, #FFA57D and #FFB790

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF6F49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF6F49 shade: #DF6F49, #CE5D36, #BD4B23, #AC3910 and #9B2700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF6F49 shade: #DE6E48 and #DE4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF6F49 shade: #DE6E48, #DE9748, #DEBF48, #D5DE48 and #ADDE48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF6F49 shade matches the following richer shades: #DE6E48 and #F06637

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF6F49 shade: #DE6E48, #CD775A, #BC806B, #AA887C and #99918E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF6F49 shade: #DE4873, #DE484B, #DE6E48, #DE9648 and #DEBE48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF6F49 shade: #B5451F, #D85326, #DE6E48, #E58A6C and #EBA68F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF6F49 shade: #DF6F49, #9BDE48 and #485FDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF6F49 shade: #DF6F49, #48DE6E and #6E48DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF6F49 shade: #DF6F49, #9BDE48, #48B9DE and #8C48DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF6F49 shade: #DF6F49, #6EDE48, #48B9DE and #B948DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 67 / 13

HEX #DF6F49

RGB 223 111 73

HSL 15.2, 0.7%, 0.58%

LAB 59.47, 40.83, 40.94

 

Complementary color

CMYK 82 / 21 / 0 / 29

HEX #2090B6

RGB 32 144 182

HSL 195.2, 0.7%, 0.42%

LAB 55.72, -16.71, -28.37

 

CMYK 0 / 51 / 70 / 11

HEX #E46F44

RGB 228 111 68

HSL 16.13, 0.75%, 0.58%

LAB 60.14, 42.47, 44.52

 

CMYK 0 / 47 / 64 / 4

HEX #F58157

RGB 245 129 87

HSL 15.95, 0.89%, 0.65%

LAB 66.37, 40.99, 42.44

 

CMYK 0 / 42 / 58 / 0

HEX #FF936A

RGB 255 147 106

HSL 16.51, 1%, 0.71%

LAB 71.67, 36.94, 39.18

 

CMYK 0 / 35 / 51 / 0

HEX #FFA57D

RGB 255 165 125

HSL 18.46, 1%, 0.75%

LAB 75.85, 29.14, 34.44

 

CMYK 0 / 28 / 44 / 0

HEX #FFB790

RGB 255 183 144

HSL 21.08, 1%, 0.78%

LAB 80.26, 21.52, 30.17

 

CMYK 0 / 50 / 67 / 13

HEX #DF6F49

RGB 223 111 73

HSL 15.2, 0.7%, 0.58%

LAB 59.47, 40.83, 40.94

 

CMYK 0 / 55 / 74 / 19

HEX #CE5D36

RGB 206 93 54

HSL 15.39, 0.61%, 0.51%

LAB 53.19, 42.34, 43.17

 

CMYK 0 / 60 / 81 / 26

HEX #BD4B23

RGB 189 75 35

HSL 15.58, 0.69%, 0.44%

LAB 46.94, 43.89, 45.42

 

CMYK 0 / 67 / 91 / 33

HEX #AC3910

RGB 172 57 16

HSL 15.77, 0.83%, 0.37%

LAB 40.79, 45.34, 47.19

 

CMYK 0 / 75 / 100 / 39

HEX #9B2700

RGB 155 39 0

HSL 15.1, 1%, 0.3%

LAB 34.84, 46.43, 47.56

 

CMYK 0 / 50 / 68 / 13

HEX #DE6E48

RGB 222 110 72

HSL 15.2, 0.69%, 0.58%

LAB 59.11, 40.89, 41.02

 

CMYK 0 / 68 / 68 / 13

HEX #DE4848

RGB 222 72 72

HSL 0, 0.69%, 0.58%

LAB 52.54, 58.13, 33.24

 

CMYK 0 / 50 / 68 / 13

HEX #DE6E48

RGB 222 110 72

HSL 15.2, 0.69%, 0.58%

LAB 59.11, 40.89, 41.02

 

CMYK 0 / 32 / 68 / 13

HEX #DE9748

RGB 222 151 72

HSL 31.6, 0.69%, 0.58%

LAB 68.12, 19.35, 51.16

 

CMYK 0 / 14 / 68 / 13

HEX #DEBF48

RGB 222 191 72

HSL 47.6, 0.69%, 0.58%

LAB 78.03, -1.87, 61.7

 

CMYK 4 / 0 / 68 / 13

HEX #D5DE48

RGB 213 222 72

HSL 63.6, 0.69%, 0.58%

LAB 85.43, -21.23, 69.01

 

CMYK 22 / 0 / 68 / 13

HEX #ADDE48

RGB 173 222 72

HSL 79.6, 0.69%, 0.58%

LAB 82.7, -37.1, 65.35

 

CMYK 0 / 50 / 68 / 13

HEX #DE6E48

RGB 222 110 72

HSL 15.2, 0.69%, 0.58%

LAB 59.11, 40.89, 41.02

 

CMYK 0 / 58 / 77 / 6

HEX #F06637

RGB 240 102 55

HSL 15.24, 0.86%, 0.58%

LAB 60.16, 50.66, 51.59

 

CMYK 0 / 50 / 68 / 13

HEX #DE6E48

RGB 222 110 72

HSL 15.2, 0.69%, 0.58%

LAB 59.11, 40.89, 41.02

 

CMYK 0 / 42 / 56 / 20

HEX #CD775A

RGB 205 119 90

HSL 15.13, 0.53%, 0.58%

LAB 58.89, 30.8, 30.4

 

CMYK 0 / 32 / 43 / 26

HEX #BC806B

RGB 188 128 107

HSL 15.56, 0.38%, 0.58%

LAB 59.15, 20.66, 20.79

 

CMYK 0 / 20 / 27 / 33

HEX #AA887C

RGB 170 136 124

HSL 15.65, 0.21%, 0.58%

LAB 59.53, 11.1, 11.35

 

CMYK 0 / 5 / 7 / 40

HEX #99918E

RGB 153 145 142

HSL 16.36, 0.05%, 0.58%

LAB 60.76, 2.4, 2.64

 

CMYK 0 / 68 / 48 / 13

HEX #DE4873

RGB 222 72 115

HSL 342.8, 0.69%, 0.58%

LAB 53.39, 61.12, 8.9

 

CMYK 0 / 68 / 66 / 13

HEX #DE484B

RGB 222 72 75

HSL 358.8, 0.69%, 0.58%

LAB 52.59, 58.29, 31.56

 

CMYK 0 / 50 / 68 / 13

HEX #DE6E48

RGB 222 110 72

HSL 15.2, 0.69%, 0.58%

LAB 59.11, 40.89, 41.02

 

CMYK 0 / 32 / 68 / 13

HEX #DE9648

RGB 222 150 72

HSL 31.2, 0.69%, 0.58%

LAB 67.88, 19.89, 50.9

 

CMYK 0 / 14 / 68 / 13

HEX #DEBE48

RGB 222 190 72

HSL 47.2, 0.69%, 0.58%

LAB 77.77, -1.35, 61.44

 

CMYK 0 / 62 / 83 / 29

HEX #B5451F

RGB 181 69 31

HSL 15.2, 0.71%, 0.42%

LAB 44.49, 43.6, 44.54

 

CMYK 0 / 62 / 82 / 15

HEX #D85326

RGB 216 83 38

HSL 15.17, 0.7%, 0.5%

LAB 52.87, 50.13, 51.17

 

CMYK 0 / 50 / 68 / 13

HEX #DE6E48

RGB 222 110 72

HSL 15.2, 0.69%, 0.58%

LAB 59.11, 40.89, 41.02

 

CMYK 0 / 40 / 53 / 10

HEX #E58A6C

RGB 229 138 108

HSL 14.88, 0.7%, 0.66%

LAB 66.46, 31.69, 30.81

 

CMYK 0 / 29 / 39 / 8

HEX #EBA68F

RGB 235 166 143

HSL 15, 0.7%, 0.74%

LAB 74.14, 22.65, 22.08

 

CMYK 0 / 50 / 67 / 13

HEX #DF6F49

RGB 223 111 73

HSL 15.2, 0.7%, 0.58%

LAB 59.47, 40.83, 40.94

 

CMYK 30 / 0 / 68 / 13

HEX #9BDE48

RGB 155 222 72

HSL 86.8, 0.69%, 0.58%

LAB 81.66, -43.76, 63.96

 

CMYK 68 / 57 / 0 / 13

HEX #485FDE

RGB 72 95 222

HSL 230.8, 0.69%, 0.58%

LAB 45.41, 32.45, -67.49

 

CMYK 0 / 50 / 67 / 13

HEX #DF6F49

RGB 223 111 73

HSL 15.2, 0.7%, 0.58%

LAB 59.47, 40.83, 40.94

 

CMYK 68 / 0 / 50 / 13

HEX #48DE6E

RGB 72 222 110

HSL 135.2, 0.69%, 0.58%

LAB 78.89, -62.62, 43.38

 

CMYK 50 / 68 / 0 / 13

HEX #6E48DE

RGB 110 72 222

HSL 255.2, 0.69%, 0.58%

LAB 43.1, 51.95, -71.13

 

CMYK 0 / 50 / 67 / 13

HEX #DF6F49

RGB 223 111 73

HSL 15.2, 0.7%, 0.58%

LAB 59.47, 40.83, 40.94

 

CMYK 30 / 0 / 68 / 13

HEX #9BDE48

RGB 155 222 72

HSL 86.8, 0.69%, 0.58%

LAB 81.66, -43.76, 63.96

 

CMYK 68 / 17 / 0 / 13

HEX #48B9DE

RGB 72 185 222

HSL 194.8, 0.69%, 0.58%

LAB 70.42, -20.35, -27.89

 

CMYK 37 / 68 / 0 / 13

HEX #8C48DE

RGB 140 72 222

HSL 267.2, 0.69%, 0.58%

LAB 46.29, 57.4, -65.8

 

CMYK 0 / 50 / 67 / 13

HEX #DF6F49

RGB 223 111 73

HSL 15.2, 0.7%, 0.58%

LAB 59.47, 40.83, 40.94

 

CMYK 50 / 0 / 68 / 13

HEX #6EDE48

RGB 110 222 72

HSL 104.8, 0.69%, 0.58%

LAB 79.63, -58.23, 61.2

 

CMYK 68 / 17 / 0 / 13

HEX #48B9DE

RGB 72 185 222

HSL 194.8, 0.69%, 0.58%

LAB 70.42, -20.35, -27.89

 

CMYK 17 / 68 / 0 / 13

HEX #B948DE

RGB 185 72 222

HSL 285.2, 0.69%, 0.58%

LAB 52.09, 66.63, -56.15

 

Description

Color code: HEX #DF6F49 | qconv.com Color code: HEX #DF6F49 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 111 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 111 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 67 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 67% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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