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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF6F0F it is the complementary color #2090F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF6F0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF6F0F shade: #E46F0A, #F5811D, #FF9330, #FFA543 and #FFB756

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF6F0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF6F0F shade: #DF6F0F, #CE5D00, #BD4B00, #AC3900 and #9B2700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF6F0F shade: #E06F0F, #E0370F and #E00F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF6F0F shade: #E06F0F, #E0A80F, #DFE00F, #A7E00F and #6FE00F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF6F0F shade matches the following richer shades: #E06F0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF6F0F shade: #E06F0F, #CC7122, #B97236, #A57449 and #92755D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF6F0F shade: #E00F20, #E0350F, #E06D0F, #E0A50F and #E0DC0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF6F0F shade: #92490A, #B95C0C, #E06F0F, #F08428 and #F29A4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF6F0F shade: #DF6F0F, #58E00F and #1A0FE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF6F0F shade: #DF6F0F, #0FE06D and #6D0FE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF6F0F shade: #DF6F0F, #58E00F, #0F82E0 and #970FE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF6F0F shade: #DF6F0F, #1AE00F, #0F82E0 and #D50FE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 93 / 13

HEX #DF6F0F

RGB 223 111 15

HSL 27.69, 0.87%, 0.47%

LAB 59.06, 38.91, 64.21

 

Complementary color

CMYK 87 / 40 / 0 / 6

HEX #2090F0

RGB 32 144 240

HSL 207.69, 0.87%, 0.53%

LAB 58.55, 4.47, -56.46

 

CMYK 0 / 51 / 96 / 11

HEX #E46F0A

RGB 228 111 10

HSL 27.8, 0.92%, 0.47%

LAB 59.78, 40.82, 66

 

CMYK 0 / 47 / 88 / 4

HEX #F5811D

RGB 245 129 29

HSL 27.78, 0.92%, 0.54%

LAB 65.91, 38.75, 67.08

 

CMYK 0 / 42 / 81 / 0

HEX #FF9330

RGB 255 147 48

HSL 28.7, 1%, 0.59%

LAB 71.11, 34.03, 65.66

 

CMYK 0 / 35 / 74 / 0

HEX #FFA543

RGB 255 165 67

HSL 31.28, 1%, 0.63%

LAB 75.19, 25.39, 62

 

CMYK 0 / 28 / 66 / 0

HEX #FFB756

RGB 255 183 86

HSL 34.44, 1%, 0.67%

LAB 79.5, 16.93, 58.2

 

CMYK 0 / 50 / 93 / 13

HEX #DF6F0F

RGB 223 111 15

HSL 27.69, 0.87%, 0.47%

LAB 59.06, 38.91, 64.21

 

CMYK 0 / 55 / 100 / 19

HEX #CE5D00

RGB 206 93 0

HSL 27.09, 1%, 0.4%

LAB 52.9, 41.06, 61.97

 

CMYK 0 / 60 / 100 / 26

HEX #BD4B00

RGB 189 75 0

HSL 23.81, 1%, 0.37%

LAB 46.78, 43.23, 57.09

 

CMYK 0 / 67 / 100 / 33

HEX #AC3900

RGB 172 57 0

HSL 19.88, 1%, 0.34%

LAB 40.73, 45.12, 52.29

 

CMYK 0 / 75 / 100 / 39

HEX #9B2700

RGB 155 39 0

HSL 15.1, 1%, 0.3%

LAB 34.84, 46.43, 47.56

 

CMYK 0 / 50 / 93 / 12

HEX #E06F0F

RGB 224 111 15

HSL 27.56, 0.87%, 0.47%

LAB 59.21, 39.31, 64.38

 

CMYK 0 / 75 / 93 / 12

HEX #E0370F

RGB 224 55 15

HSL 11.48, 0.87%, 0.47%

LAB 50.23, 63.05, 58.53

 

CMYK 0 / 93 / 93 / 12

HEX #E00F0F

RGB 224 15 15

HSL 0, 0.87%, 0.47%

LAB 47.27, 71.47, 56.76

 

CMYK 0 / 50 / 93 / 12

HEX #E06F0F

RGB 224 111 15

HSL 27.56, 0.87%, 0.47%

LAB 59.21, 39.31, 64.38

 

CMYK 0 / 25 / 93 / 12

HEX #E0A80F

RGB 224 168 15

HSL 43.92, 0.87%, 0.47%

LAB 72.15, 9.24, 73.58

 

CMYK 0 / 0 / 93 / 12

HEX #DFE00F

RGB 223 224 15

HSL 60.29, 0.87%, 0.47%

LAB 86.52, -19.83, 84.28

 

CMYK 25 / 0 / 93 / 12

HEX #A7E00F

RGB 167 224 15

HSL 76.36, 0.87%, 0.47%

LAB 82.68, -42.47, 79.65

 

CMYK 50 / 0 / 93 / 12

HEX #6FE00F

RGB 111 224 15

HSL 92.44, 0.87%, 0.47%

LAB 80.02, -61.43, 76.4

 

CMYK 0 / 50 / 93 / 12

HEX #E06F0F

RGB 224 111 15

HSL 27.56, 0.87%, 0.47%

LAB 59.21, 39.31, 64.38

 

CMYK 0 / 50 / 93 / 12

HEX #E06F0F

RGB 224 111 15

HSL 27.56, 0.87%, 0.47%

LAB 59.21, 39.31, 64.38

 

CMYK 0 / 45 / 83 / 20

HEX #CC7122

RGB 204 113 34

HSL 27.88, 0.71%, 0.47%

LAB 56.84, 30.55, 55.66

 

CMYK 0 / 38 / 71 / 27

HEX #B97236

RGB 185 114 54

HSL 27.48, 0.55%, 0.47%

LAB 54.67, 22.8, 43.89

 

CMYK 0 / 30 / 56 / 35

HEX #A57449

RGB 165 116 73

HSL 28.04, 0.39%, 0.47%

LAB 52.92, 14.36, 31.25

 

CMYK 0 / 20 / 36 / 43

HEX #92755D

RGB 146 117 93

HSL 27.17, 0.22%, 0.47%

LAB 51.41, 7.78, 17.54

 

CMYK 0 / 93 / 86 / 12

HEX #E00F20

RGB 224 15 32

HSL 355.12, 0.87%, 0.47%

LAB 47.36, 71.72, 49.73

 

CMYK 0 / 76 / 93 / 12

HEX #E0350F

RGB 224 53 15

HSL 10.91, 0.87%, 0.47%

LAB 50.01, 63.67, 58.39

 

CMYK 0 / 51 / 93 / 12

HEX #E06D0F

RGB 224 109 15

HSL 26.99, 0.87%, 0.47%

LAB 58.81, 40.31, 64.11

 

CMYK 0 / 26 / 93 / 12

HEX #E0A50F

RGB 224 165 15

HSL 43.06, 0.87%, 0.47%

LAB 71.41, 10.83, 73.04

 

CMYK 0 / 2 / 93 / 12

HEX #E0DC0F

RGB 224 220 15

HSL 58.85, 0.87%, 0.47%

LAB 85.54, -17.45, 83.57

 

CMYK 0 / 50 / 93 / 43

HEX #92490A

RGB 146 73 10

HSL 27.79, 0.87%, 0.31%

LAB 39.41, 27.05, 46.16

 

CMYK 0 / 50 / 94 / 27

HEX #B95C0C

RGB 185 92 12

HSL 27.75, 0.88%, 0.39%

LAB 49.49, 33.31, 55.61

 

CMYK 0 / 50 / 93 / 12

HEX #E06F0F

RGB 224 111 15

HSL 27.56, 0.87%, 0.47%

LAB 59.21, 39.31, 64.38

 

CMYK 0 / 45 / 83 / 6

HEX #F08428

RGB 240 132 40

HSL 27.6, 0.87%, 0.55%

LAB 65.89, 35.48, 63.23

 

CMYK 0 / 36 / 67 / 5

HEX #F29A4F

RGB 242 154 79

HSL 27.61, 0.86%, 0.63%

LAB 71.25, 26.43, 51.96

 

CMYK 0 / 50 / 93 / 13

HEX #DF6F0F

RGB 223 111 15

HSL 27.69, 0.87%, 0.47%

LAB 59.06, 38.91, 64.21

 

CMYK 61 / 0 / 93 / 12

HEX #58E00F

RGB 88 224 15

HSL 99.04, 0.87%, 0.47%

LAB 79.28, -67.4, 75.49

 

CMYK 88 / 93 / 0 / 12

HEX #1A0FE0

RGB 26 15 224

HSL 243.16, 0.87%, 0.47%

LAB 29.27, 69.26, -95.32

 

CMYK 0 / 50 / 93 / 13

HEX #DF6F0F

RGB 223 111 15

HSL 27.69, 0.87%, 0.47%

LAB 59.06, 38.91, 64.21

 

CMYK 93 / 0 / 51 / 12

HEX #0FE06D

RGB 15 224 109

HSL 146.99, 0.87%, 0.47%

LAB 78.76, -69.5, 43.53

 

CMYK 51 / 93 / 0 / 12

HEX #6D0FE0

RGB 109 15 224

HSL 266.99, 0.87%, 0.47%

LAB 35.94, 73.2, -84.05

 

CMYK 0 / 50 / 93 / 13

HEX #DF6F0F

RGB 223 111 15

HSL 27.69, 0.87%, 0.47%

LAB 59.06, 38.91, 64.21

 

CMYK 61 / 0 / 93 / 12

HEX #58E00F

RGB 88 224 15

HSL 99.04, 0.87%, 0.47%

LAB 79.28, -67.4, 75.49

 

CMYK 93 / 42 / 0 / 12

HEX #0F82E0

RGB 15 130 224

HSL 206.99, 0.87%, 0.47%

LAB 53.44, 5.99, -55.74

 

CMYK 33 / 93 / 0 / 12

HEX #970FE0

RGB 151 15 224

HSL 279.04, 0.87%, 0.47%

LAB 41.69, 77.5, -74.37

 

CMYK 0 / 50 / 93 / 13

HEX #DF6F0F

RGB 223 111 15

HSL 27.69, 0.87%, 0.47%

LAB 59.06, 38.91, 64.21

 

CMYK 88 / 0 / 93 / 12

HEX #1AE00F

RGB 26 224 15

HSL 116.84, 0.87%, 0.47%

LAB 78.21, -76.7, 74.16

 

CMYK 93 / 42 / 0 / 12

HEX #0F82E0

RGB 15 130 224

HSL 206.99, 0.87%, 0.47%

LAB 53.44, 5.99, -55.74

 

CMYK 5 / 93 / 0 / 12

HEX #D50FE0

RGB 213 15 224

HSL 296.84, 0.87%, 0.47%

LAB 51.69, 86.23, -57.69

 

Description

Color code: HEX #DF6F0F | qconv.com Color code: HEX #DF6F0F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 111 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 111 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 93 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 93% 13% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

81% - Accueil - Bastien Le...
Link: http://bastien-lenoir.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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