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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF5A30 it is the complementary color #20A5CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF5A30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF5A30 shade: #E45A2B, #F56C3E, #FF7E51, #FF9064 and #FFA277

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF5A30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF5A30 shade: #DF5A30, #CE481D, #BD360A, #AC2400 and #9B1200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF5A30 shade: #DE592F and #DE2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF5A30 shade: #DE592F, #DE882F, #DEB82F, #D6DE2F and #A6DE2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF5A30 shade matches the following richer shades: #DE592F and #F24F1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF5A30 shade: #DE592F, #CB6343, #B76D56, #A47769 and #91817D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF5A30 shade: #DE2F64, #DE2F35, #DE582F, #DE872F and #DEB52F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF5A30 shade: #A23A19, #C6471E, #DE592F, #E47653 and #E99277

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF5A30 shade: #DF5A30, #92DE2F and #2F4CDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF5A30 shade: #DF5A30, #2FDE58 and #582FDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF5A30 shade: #DF5A30, #92DE2F, #2FB5DE and #7B2FDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF5A30 shade: #DF5A30, #5EDE2F, #2FB5DE and #AF2FDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 78 / 13

HEX #DF5A30

RGB 223 90 48

HSL 14.4, 0.73%, 0.53%

LAB 55.29, 49.79, 49.2

 

Complementary color

CMYK 85 / 20 / 0 / 19

HEX #20A5CF

RGB 32 165 207

HSL 194.4, 0.73%, 0.47%

LAB 63.11, -19.31, -30.98

 

CMYK 0 / 61 / 81 / 11

HEX #E45A2B

RGB 228 90 43

HSL 15.24, 0.77%, 0.53%

LAB 56.07, 51.41, 52.58

 

CMYK 0 / 56 / 75 / 4

HEX #F56C3E

RGB 245 108 62

HSL 15.08, 0.9%, 0.6%

LAB 62.07, 49.95, 50.39

 

CMYK 0 / 51 / 68 / 0

HEX #FF7E51

RGB 255 126 81

HSL 15.52, 1%, 0.66%

LAB 67.11, 45.9, 46.77

 

CMYK 0 / 44 / 61 / 0

HEX #FF9064

RGB 255 144 100

HSL 17.03, 1%, 0.7%

LAB 70.96, 38.05, 41.46

 

CMYK 0 / 36 / 53 / 0

HEX #FFA277

RGB 255 162 119

HSL 18.97, 1%, 0.73%

LAB 75.1, 30.19, 36.64

 

CMYK 0 / 60 / 78 / 13

HEX #DF5A30

RGB 223 90 48

HSL 14.4, 0.73%, 0.53%

LAB 55.29, 49.79, 49.2

 

CMYK 0 / 65 / 86 / 19

HEX #CE481D

RGB 206 72 29

HSL 14.58, 0.75%, 0.46%

LAB 49.31, 51.16, 51.32

 

CMYK 0 / 71 / 95 / 26

HEX #BD360A

RGB 189 54 10

HSL 14.75, 0.9%, 0.39%

LAB 43.48, 52.3, 52.46

 

CMYK 0 / 79 / 100 / 33

HEX #AC2400

RGB 172 36 0

HSL 12.56, 1%, 0.34%

LAB 37.9, 52.9, 50.96

 

CMYK 0 / 88 / 100 / 39

HEX #9B1200

RGB 155 18 0

HSL 6.97, 1%, 0.3%

LAB 32.7, 52.45, 46.31

 

CMYK 0 / 60 / 79 / 13

HEX #DE592F

RGB 222 89 47

HSL 14.4, 0.73%, 0.53%

LAB 54.95, 49.85, 49.29

 

CMYK 0 / 79 / 79 / 13

HEX #DE2F2F

RGB 222 47 47

HSL 0, 0.73%, 0.53%

LAB 49.21, 65.48, 43.54

 

CMYK 0 / 60 / 79 / 13

HEX #DE592F

RGB 222 89 47

HSL 14.4, 0.73%, 0.53%

LAB 54.95, 49.85, 49.29

 

CMYK 0 / 39 / 79 / 13

HEX #DE882F

RGB 222 136 47

HSL 30.51, 0.73%, 0.53%

LAB 64.44, 26.23, 58.39

 

CMYK 0 / 17 / 79 / 13

HEX #DEB82F

RGB 222 184 47

HSL 46.97, 0.73%, 0.53%

LAB 76.08, 0.66, 69.05

 

CMYK 4 / 0 / 79 / 13

HEX #D6DE2F

RGB 214 222 47

HSL 62.74, 0.73%, 0.53%

LAB 85.37, -21.91, 77.05

 

CMYK 25 / 0 / 79 / 13

HEX #A6DE2F

RGB 166 222 47

HSL 79.2, 0.73%, 0.53%

LAB 82.14, -41.09, 72.93

 

CMYK 0 / 60 / 79 / 13

HEX #DE592F

RGB 222 89 47

HSL 14.4, 0.73%, 0.53%

LAB 54.95, 49.85, 49.29

 

CMYK 0 / 67 / 88 / 5

HEX #F24F1C

RGB 242 79 28

HSL 14.3, 0.89%, 0.53%

LAB 56.64, 60.42, 60.17

 

CMYK 0 / 60 / 79 / 13

HEX #DE592F

RGB 222 89 47

HSL 14.4, 0.73%, 0.53%

LAB 54.95, 49.85, 49.29

 

CMYK 0 / 51 / 67 / 20

HEX #CB6343

RGB 203 99 67

HSL 14.12, 0.57%, 0.53%

LAB 54.05, 38.87, 37.1

 

CMYK 0 / 40 / 53 / 28

HEX #B76D56

RGB 183 109 86

HSL 14.23, 0.4%, 0.53%

LAB 53.68, 27.01, 25.38

 

CMYK 0 / 27 / 36 / 36

HEX #A47769

RGB 164 119 105

HSL 14.24, 0.24%, 0.53%

LAB 54.14, 15.7, 14.64

 

CMYK 0 / 11 / 14 / 43

HEX #91817D

RGB 145 129 125

HSL 12, 0.08%, 0.53%

LAB 55.28, 5.37, 4.38

 

CMYK 0 / 79 / 55 / 13

HEX #DE2F64

RGB 222 47 100

HSL 341.83, 0.73%, 0.53%

LAB 50.08, 68.17, 13.31

 

CMYK 0 / 79 / 76 / 13

HEX #DE2F35

RGB 222 47 53

HSL 357.94, 0.73%, 0.53%

LAB 49.28, 65.68, 40.3

 

CMYK 0 / 60 / 79 / 13

HEX #DE582F

RGB 222 88 47

HSL 14.06, 0.73%, 0.53%

LAB 54.78, 50.31, 49.12

 

CMYK 0 / 39 / 79 / 13

HEX #DE872F

RGB 222 135 47

HSL 30.17, 0.73%, 0.53%

LAB 64.21, 26.76, 58.18

 

CMYK 0 / 18 / 79 / 13

HEX #DEB52F

RGB 222 181 47

HSL 45.94, 0.73%, 0.53%

LAB 75.32, 2.24, 68.36

 

CMYK 0 / 64 / 85 / 36

HEX #A23A19

RGB 162 58 25

HSL 14.45, 0.73%, 0.37%

LAB 39.2, 41.48, 41.33

 

CMYK 0 / 64 / 85 / 22

HEX #C6471E

RGB 198 71 30

HSL 14.64, 0.74%, 0.45%

LAB 47.76, 48.82, 49.02

 

CMYK 0 / 60 / 79 / 13

HEX #DE592F

RGB 222 89 47

HSL 14.4, 0.73%, 0.53%

LAB 54.95, 49.85, 49.29

 

CMYK 0 / 48 / 64 / 11

HEX #E47653

RGB 228 118 83

HSL 14.48, 0.73%, 0.61%

LAB 61.72, 39.81, 38.43

 

CMYK 0 / 37 / 49 / 9

HEX #E99277

RGB 233 146 119

HSL 14.21, 0.72%, 0.69%

LAB 68.91, 30.01, 28.09

 

CMYK 0 / 60 / 78 / 13

HEX #DF5A30

RGB 223 90 48

HSL 14.4, 0.73%, 0.53%

LAB 55.29, 49.79, 49.2

 

CMYK 34 / 0 / 79 / 13

HEX #92DE2F

RGB 146 222 47

HSL 86.06, 0.73%, 0.53%

LAB 81.05, -48.4, 71.53

 

CMYK 79 / 66 / 0 / 13

HEX #2F4CDE

RGB 47 76 222

HSL 230.06, 0.73%, 0.53%

LAB 39.66, 41.48, -76.93

 

CMYK 0 / 60 / 78 / 13

HEX #DF5A30

RGB 223 90 48

HSL 14.4, 0.73%, 0.53%

LAB 55.29, 49.79, 49.2

 

CMYK 79 / 0 / 60 / 13

HEX #2FDE58

RGB 47 222 88

HSL 134.06, 0.73%, 0.53%

LAB 78.2, -69.21, 52.57

 

CMYK 60 / 79 / 0 / 13

HEX #582FDE

RGB 88 47 222

HSL 254.06, 0.73%, 0.53%

LAB 36.71, 61.13, -81.7

 

CMYK 0 / 60 / 78 / 13

HEX #DF5A30

RGB 223 90 48

HSL 14.4, 0.73%, 0.53%

LAB 55.29, 49.79, 49.2

 

CMYK 34 / 0 / 79 / 13

HEX #92DE2F

RGB 146 222 47

HSL 86.06, 0.73%, 0.53%

LAB 81.05, -48.4, 71.53

 

CMYK 79 / 18 / 0 / 13

HEX #2FB5DE

RGB 47 181 222

HSL 194.06, 0.73%, 0.53%

LAB 68.7, -21.34, -30.59

 

CMYK 45 / 79 / 0 / 13

HEX #7B2FDE

RGB 123 47 222

HSL 266.06, 0.73%, 0.53%

LAB 40.44, 65.43, -75.43

 

CMYK 0 / 60 / 78 / 13

HEX #DF5A30

RGB 223 90 48

HSL 14.4, 0.73%, 0.53%

LAB 55.29, 49.79, 49.2

 

CMYK 58 / 0 / 79 / 13

HEX #5EDE2F

RGB 94 222 47

HSL 103.89, 0.73%, 0.53%

LAB 78.94, -64.13, 68.81

 

CMYK 79 / 18 / 0 / 13

HEX #2FB5DE

RGB 47 181 222

HSL 194.06, 0.73%, 0.53%

LAB 68.7, -21.34, -30.59

 

CMYK 21 / 79 / 0 / 13

HEX #AF2FDE

RGB 175 47 222

HSL 283.89, 0.73%, 0.53%

LAB 47.52, 73.6, -63.58

 

Description

Color code: HEX #DF5A30 | qconv.com Color code: HEX #DF5A30 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 90 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 90 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 78 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 78% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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