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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF53EE it is the complementary color #20AC11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF53EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF53EE shade: #E453E9, #F565FC, #FF77FF, #FF89FF and #FF9BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF53EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF53EE shade: #DF53EE, #CE41DB, #BD2FC8, #AC1DB5 and #9B0BA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF53EE shade: #DF53EE, #EE53D3, #EE53A9, #EE537F and #EE5356

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF53EE shade: #DF53EE, #B553EE, #8B53EE, #6153EE and #5353EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF53EE shade matches the following richer shades: #DF53EE and #EB44FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF53EE shade: #DF53EE, #D262DE, #C671CF, #BA81C0 and #AD90B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF53EE shade: #8C53EE, #B553EE, #DE53EE, #EE53D4 and #EE53AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF53EE shade: #C615D9, #D82DEA, #DF53EE, #E678F1 and #ED9EF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF53EE shade: #DF53EE, #EE6253 and #53EEA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF53EE shade: #DF53EE, #EEDE53 and #53EEDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF53EE shade: #DF53EE, #EE6253, #62EE53 and #53DEEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF53EE shade: #DF53EE, #EE9153, #62EE53 and #53B0EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 65 / 0 / 7

HEX #DF53EE

RGB 223 83 238

HSL 294.19, 0.82%, 0.63%

LAB 59.93, 73.51, -52.31

 

Complementary color

CMYK 81 / 0 / 90 / 33

HEX #20AC11

RGB 32 172 17

HSL 114.19, 0.82%, 0.37%

LAB 61.53, -61.29, 59.83

 

CMYK 2 / 64 / 0 / 9

HEX #E453E9

RGB 228 83 233

HSL 298, 0.77%, 0.62%

LAB 60.39, 73.79, -48.74

 

CMYK 3 / 60 / 0 / 1

HEX #F565FC

RGB 245 101 252

HSL 297.22, 0.96%, 0.69%

LAB 66.33, 73.78, -49.73

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 6 / 65 / 0 / 7

HEX #DF53EE

RGB 223 83 238

HSL 294.19, 0.82%, 0.63%

LAB 59.93, 73.51, -52.31

 

CMYK 6 / 70 / 0 / 14

HEX #CE41DB

RGB 206 65 219

HSL 294.94, 0.68%, 0.56%

LAB 54.04, 73.18, -51.15

 

CMYK 5 / 77 / 0 / 22

HEX #BD2FC8

RGB 189 47 200

HSL 295.69, 0.62%, 0.48%

LAB 48.29, 72.28, -49.61

 

CMYK 5 / 84 / 0 / 29

HEX #AC1DB5

RGB 172 29 181

HSL 296.45, 0.72%, 0.41%

LAB 42.74, 70.52, -47.55

 

CMYK 4 / 93 / 0 / 36

HEX #9B0BA2

RGB 155 11 162

HSL 297.22, 0.87%, 0.34%

LAB 37.51, 67.53, -44.76

 

CMYK 6 / 65 / 0 / 7

HEX #DF53EE

RGB 223 83 238

HSL 294.19, 0.82%, 0.63%

LAB 59.93, 73.51, -52.31

 

CMYK 0 / 65 / 11 / 7

HEX #EE53D3

RGB 238 83 211

HSL 310.45, 0.82%, 0.63%

LAB 60.84, 72.72, -35.57

 

CMYK 0 / 65 / 29 / 7

HEX #EE53A9

RGB 238 83 169

HSL 326.71, 0.82%, 0.63%

LAB 59.18, 67.1, -14.08

 

CMYK 0 / 65 / 47 / 7

HEX #EE537F

RGB 238 83 127

HSL 342.97, 0.82%, 0.63%

LAB 57.94, 62.69, 8.62

 

CMYK 0 / 65 / 64 / 7

HEX #EE5356

RGB 238 83 86

HSL 358.84, 0.82%, 0.63%

LAB 57.11, 59.67, 31.44

 

CMYK 6 / 65 / 0 / 7

HEX #DF53EE

RGB 223 83 238

HSL 294.19, 0.82%, 0.63%

LAB 59.93, 73.51, -52.31

 

CMYK 24 / 65 / 0 / 7

HEX #B553EE

RGB 181 83 238

HSL 277.94, 0.82%, 0.63%

LAB 54.22, 64.31, -61.77

 

CMYK 42 / 65 / 0 / 7

HEX #8B53EE

RGB 139 83 238

HSL 261.68, 0.82%, 0.63%

LAB 49.31, 55.76, -69.94

 

CMYK 59 / 65 / 0 / 7

HEX #6153EE

RGB 97 83 238

HSL 245.42, 0.82%, 0.63%

LAB 45.5, 48.54, -76.32

 

CMYK 65 / 65 / 0 / 7

HEX #5353EE

RGB 83 83 238

HSL 240, 0.82%, 0.63%

LAB 44.52, 46.58, -77.97

 

CMYK 6 / 65 / 0 / 7

HEX #DF53EE

RGB 223 83 238

HSL 294.19, 0.82%, 0.63%

LAB 59.93, 73.51, -52.31

 

CMYK 7 / 73 / 0 / 1

HEX #EB44FD

RGB 235 68 253

HSL 294.16, 0.98%, 0.63%

LAB 60.68, 83.73, -59.34

 

CMYK 6 / 65 / 0 / 7

HEX #DF53EE

RGB 223 83 238

HSL 294.19, 0.82%, 0.63%

LAB 59.93, 73.51, -52.31

 

CMYK 5 / 56 / 0 / 13

HEX #D262DE

RGB 210 98 222

HSL 294.19, 0.65%, 0.63%

LAB 59.63, 61.2, -43.96

 

CMYK 4 / 45 / 0 / 19

HEX #C671CF

RGB 198 113 207

HSL 294.26, 0.49%, 0.63%

LAB 60.18, 47.76, -34.75

 

CMYK 3 / 33 / 0 / 25

HEX #BA81C0

RGB 186 129 192

HSL 294.29, 0.33%, 0.63%

LAB 61.61, 32.58, -24.18

 

CMYK 2 / 18 / 0 / 31

HEX #AD90B0

RGB 173 144 176

HSL 294.38, 0.17%, 0.63%

LAB 63.31, 16.66, -12.66

 

CMYK 41 / 65 / 0 / 7

HEX #8C53EE

RGB 140 83 238

HSL 262.06, 0.82%, 0.63%

LAB 49.42, 55.95, -69.77

 

CMYK 24 / 65 / 0 / 7

HEX #B553EE

RGB 181 83 238

HSL 277.94, 0.82%, 0.63%

LAB 54.22, 64.31, -61.77

 

CMYK 7 / 65 / 0 / 7

HEX #DE53EE

RGB 222 83 238

HSL 293.81, 0.82%, 0.63%

LAB 59.79, 73.29, -52.55

 

CMYK 0 / 65 / 11 / 7

HEX #EE53D4

RGB 238 83 212

HSL 310.06, 0.82%, 0.63%

LAB 60.88, 72.86, -36.07

 

CMYK 0 / 65 / 29 / 7

HEX #EE53AA

RGB 238 83 170

HSL 326.32, 0.82%, 0.63%

LAB 59.22, 67.22, -14.6

 

CMYK 9 / 90 / 0 / 15

HEX #C615D9

RGB 198 21 217

HSL 294.18, 0.82%, 0.47%

LAB 48.95, 82.09, -58.24

 

CMYK 8 / 81 / 0 / 8

HEX #D82DEA

RGB 216 45 234

HSL 294.29, 0.82%, 0.55%

LAB 54.47, 83.38, -58.86

 

CMYK 6 / 65 / 0 / 7

HEX #DF53EE

RGB 223 83 238

HSL 294.19, 0.82%, 0.63%

LAB 59.93, 73.51, -52.31

 

CMYK 5 / 50 / 0 / 5

HEX #E678F1

RGB 230 120 241

HSL 294.55, 0.81%, 0.71%

LAB 66.98, 59.55, -42.78

 

CMYK 3 / 36 / 0 / 4

HEX #ED9EF5

RGB 237 158 245

HSL 294.48, 0.81%, 0.79%

LAB 75.48, 43.08, -31.69

 

CMYK 6 / 65 / 0 / 7

HEX #DF53EE

RGB 223 83 238

HSL 294.19, 0.82%, 0.63%

LAB 59.93, 73.51, -52.31

 

CMYK 0 / 59 / 65 / 7

HEX #EE6253

RGB 238 98 83

HSL 5.81, 0.82%, 0.63%

LAB 59.47, 53.08, 36.05

 

CMYK 65 / 0 / 33 / 7

HEX #53EEA0

RGB 83 238 160

HSL 149.81, 0.82%, 0.63%

LAB 84.75, -58.08, 26.11

 

CMYK 6 / 65 / 0 / 7

HEX #DF53EE

RGB 223 83 238

HSL 294.19, 0.82%, 0.63%

LAB 59.93, 73.51, -52.31

 

CMYK 0 / 7 / 65 / 7

HEX #EEDE53

RGB 238 222 83

HSL 53.81, 0.82%, 0.63%

LAB 87.51, -10.33, 67.53

 

CMYK 65 / 0 / 7 / 7

HEX #53EEDE

RGB 83 238 222

HSL 173.81, 0.82%, 0.63%

LAB 86.14, -43.95, -4.21

 

CMYK 6 / 65 / 0 / 7

HEX #DF53EE

RGB 223 83 238

HSL 294.19, 0.82%, 0.63%

LAB 59.93, 73.51, -52.31

 

CMYK 0 / 59 / 65 / 7

HEX #EE6253

RGB 238 98 83

HSL 5.81, 0.82%, 0.63%

LAB 59.47, 53.08, 36.05

 

CMYK 59 / 0 / 65 / 7

HEX #62EE53

RGB 98 238 83

HSL 114.19, 0.82%, 0.63%

LAB 84.16, -66.07, 61.62

 

CMYK 65 / 7 / 0 / 7

HEX #53DEEE

RGB 83 222 238

HSL 186.19, 0.82%, 0.63%

LAB 81.98, -32.26, -18.87

 

CMYK 6 / 65 / 0 / 7

HEX #DF53EE

RGB 223 83 238

HSL 294.19, 0.82%, 0.63%

LAB 59.93, 73.51, -52.31

 

CMYK 0 / 39 / 65 / 7

HEX #EE9153

RGB 238 145 83

HSL 24, 0.82%, 0.63%

LAB 68.79, 29.77, 47.09

 

CMYK 59 / 0 / 65 / 7

HEX #62EE53

RGB 98 238 83

HSL 114.19, 0.82%, 0.63%

LAB 84.16, -66.07, 61.62

 

CMYK 65 / 26 / 0 / 7

HEX #53B0EE

RGB 83 176 238

HSL 204, 0.82%, 0.63%

LAB 68.8, -8.75, -39.11

 

Description

Color code: HEX #DF53EE | qconv.com Color code: HEX #DF53EE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 83 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 83 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 65 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 65% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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