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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF56F5 it is the complementary color #20A90A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF56F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF56F5 shade: #E456F0, #F568FF, #FF7AFF, #FF8CFF and #FF9EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF56F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF56F5 shade: #DF56F5, #CE44E2, #BD32CF, #AC20BC and #9B0EA9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF56F5 shade: #DF56F5, #F556E0, #F556B5, #F5568A and #F5565F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF56F5 shade: #DF56F5, #B456F5, #8956F5, #5E56F5 and #5656F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF56F5 shade matches the following richer shades: #DF56F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF56F5 shade: #DF56F5, #D464E6, #CA73D8, #BF81C9 and #B590BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF56F5 shade: #8856F5, #B256F5, #DD56F5, #F556E2 and #F556B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF56F5 shade: #CC0DEB, #D72FF2, #DF56F5, #E67DF7 and #EDA4F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF56F5 shade: #DF56F5, #F55E56 and #56F59D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF56F5 shade: #DF56F5, #F5DD56 and #56F5DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF56F5 shade: #DF56F5, #F55E56, #6EF556 and #56EDF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF56F5 shade: #DF56F5, #F58D56, #6EF556 and #56BDF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 65 / 0 / 4

HEX #DF56F5

RGB 223 86 245

HSL 291.7, 0.89%, 0.65%

LAB 60.73, 73.56, -54.94

 

Complementary color

CMYK 81 / 0 / 94 / 34

HEX #20A90A

RGB 32 169 10

HSL 111.7, 0.89%, 0.35%

LAB 60.52, -60.6, 60.09

 

CMYK 5 / 64 / 0 / 6

HEX #E456F0

RGB 228 86 240

HSL 295.32, 0.84%, 0.64%

LAB 61.17, 73.81, -51.42

 

CMYK 4 / 59 / 0 / 0

HEX #F568FF

RGB 245 104 255

HSL 296.03, 1%, 0.7%

LAB 66.93, 73.04, -50.43

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 0 / 38 / 0 / 0

HEX #FF9EFF

RGB 255 158 255

HSL 300, 1%, 0.81%

LAB 77.84, 50.31, -33.3

 

CMYK 9 / 65 / 0 / 4

HEX #DF56F5

RGB 223 86 245

HSL 291.7, 0.89%, 0.65%

LAB 60.73, 73.56, -54.94

 

CMYK 9 / 70 / 0 / 11

HEX #CE44E2

RGB 206 68 226

HSL 292.41, 0.73%, 0.58%

LAB 54.81, 73.33, -53.89

 

CMYK 9 / 76 / 0 / 19

HEX #BD32CF

RGB 189 50 207

HSL 293.12, 0.62%, 0.5%

LAB 49.01, 72.57, -52.48

 

CMYK 9 / 83 / 0 / 26

HEX #AC20BC

RGB 172 32 188

HSL 293.85, 0.71%, 0.43%

LAB 43.41, 71, -50.59

 

CMYK 8 / 92 / 0 / 34

HEX #9B0EA9

RGB 155 14 169

HSL 294.58, 0.85%, 0.36%

LAB 38.11, 68.27, -48.01

 

CMYK 9 / 65 / 0 / 4

HEX #DF56F5

RGB 223 86 245

HSL 291.7, 0.89%, 0.65%

LAB 60.73, 73.56, -54.94

 

CMYK 0 / 65 / 9 / 4

HEX #F556E0

RGB 245 86 224

HSL 307.92, 0.89%, 0.65%

LAB 62.89, 75.21, -39.61

 

CMYK 0 / 65 / 26 / 4

HEX #F556B5

RGB 245 86 181

HSL 324.15, 0.89%, 0.65%

LAB 61.14, 69.32, -17.93

 

CMYK 0 / 65 / 44 / 4

HEX #F5568A

RGB 245 86 138

HSL 340.38, 0.89%, 0.65%

LAB 59.8, 64.61, 5

 

CMYK 0 / 65 / 61 / 4

HEX #F5565F

RGB 245 86 95

HSL 356.6, 0.89%, 0.65%

LAB 58.88, 61.24, 28.76

 

CMYK 9 / 65 / 0 / 4

HEX #DF56F5

RGB 223 86 245

HSL 291.7, 0.89%, 0.65%

LAB 60.73, 73.56, -54.94

 

CMYK 27 / 65 / 0 / 4

HEX #B456F5

RGB 180 86 245

HSL 275.47, 0.89%, 0.65%

LAB 55.02, 64.24, -64.39

 

CMYK 44 / 65 / 0 / 4

HEX #8956F5

RGB 137 86 245

HSL 259.25, 0.89%, 0.65%

LAB 50.18, 55.67, -72.47

 

CMYK 62 / 65 / 0 / 4

HEX #5E56F5

RGB 94 86 245

HSL 243.02, 0.89%, 0.65%

LAB 46.48, 48.56, -78.65

 

CMYK 65 / 65 / 0 / 4

HEX #5656F5

RGB 86 86 245

HSL 240, 0.89%, 0.65%

LAB 45.94, 47.48, -79.55

 

CMYK 9 / 65 / 0 / 4

HEX #DF56F5

RGB 223 86 245

HSL 291.7, 0.89%, 0.65%

LAB 60.73, 73.56, -54.94

 

CMYK 9 / 65 / 0 / 4

HEX #DF56F5

RGB 223 86 245

HSL 291.7, 0.89%, 0.65%

LAB 60.73, 73.56, -54.94

 

CMYK 8 / 57 / 0 / 10

HEX #D464E6

RGB 212 100 230

HSL 291.69, 0.72%, 0.65%

LAB 60.63, 62.25, -46.84

 

CMYK 6 / 47 / 0 / 15

HEX #CA73D8

RGB 202 115 216

HSL 291.68, 0.56%, 0.65%

LAB 61.46, 49.61, -37.78

 

CMYK 5 / 36 / 0 / 21

HEX #BF81C9

RGB 191 129 201

HSL 291.67, 0.4%, 0.65%

LAB 62.5, 35.94, -27.83

 

CMYK 3 / 23 / 0 / 27

HEX #B590BB

RGB 181 144 187

HSL 291.63, 0.24%, 0.65%

LAB 64.45, 21.57, -17.07

 

CMYK 44 / 65 / 0 / 4

HEX #8856F5

RGB 136 86 245

HSL 258.87, 0.89%, 0.65%

LAB 50.08, 55.48, -72.64

 

CMYK 27 / 65 / 0 / 4

HEX #B256F5

RGB 178 86 245

HSL 274.72, 0.89%, 0.65%

LAB 54.78, 63.82, -64.8

 

CMYK 10 / 65 / 0 / 4

HEX #DD56F5

RGB 221 86 245

HSL 290.94, 0.89%, 0.65%

LAB 60.45, 73.12, -55.4

 

CMYK 0 / 65 / 8 / 4

HEX #F556E2

RGB 245 86 226

HSL 307.17, 0.89%, 0.65%

LAB 62.98, 75.51, -40.59

 

CMYK 0 / 65 / 25 / 4

HEX #F556B8

RGB 245 86 184

HSL 323.02, 0.89%, 0.65%

LAB 61.25, 69.69, -19.49

 

CMYK 13 / 94 / 0 / 8

HEX #CC0DEB

RGB 204 13 235

HSL 291.62, 0.9%, 0.49%

LAB 50.83, 86.76, -65.38

 

CMYK 11 / 81 / 0 / 5

HEX #D72FF2

RGB 215 47 242

HSL 291.69, 0.88%, 0.57%

LAB 54.96, 84.03, -62.56

 

CMYK 9 / 65 / 0 / 4

HEX #DF56F5

RGB 223 86 245

HSL 291.7, 0.89%, 0.65%

LAB 60.73, 73.56, -54.94

 

CMYK 7 / 49 / 0 / 3

HEX #E67DF7

RGB 230 125 247

HSL 291.64, 0.88%, 0.73%

LAB 68.17, 58.23, -44.21

 

CMYK 5 / 34 / 0 / 2

HEX #EDA4F9

RGB 237 164 249

HSL 291.53, 0.88%, 0.81%

LAB 76.92, 40.68, -31.64

 

CMYK 9 / 65 / 0 / 4

HEX #DF56F5

RGB 223 86 245

HSL 291.7, 0.89%, 0.65%

LAB 60.73, 73.56, -54.94

 

CMYK 0 / 62 / 65 / 4

HEX #F55E56

RGB 245 94 86

HSL 3.02, 0.89%, 0.65%

LAB 59.97, 57.39, 35.25

 

CMYK 65 / 0 / 36 / 4

HEX #56F59D

RGB 86 245 157

HSL 146.79, 0.89%, 0.65%

LAB 86.86, -60.78, 30.48

 

CMYK 9 / 65 / 0 / 4

HEX #DF56F5

RGB 223 86 245

HSL 291.7, 0.89%, 0.65%

LAB 60.73, 73.56, -54.94

 

CMYK 0 / 10 / 65 / 4

HEX #F5DD56

RGB 245 221 86

HSL 50.94, 0.89%, 0.65%

LAB 87.87, -6.77, 66.88

 

CMYK 65 / 0 / 10 / 4

HEX #56F5DD

RGB 86 245 221

HSL 170.94, 0.89%, 0.65%

LAB 88.21, -46.79, -0.64

 

CMYK 9 / 65 / 0 / 4

HEX #DF56F5

RGB 223 86 245

HSL 291.7, 0.89%, 0.65%

LAB 60.73, 73.56, -54.94

 

CMYK 0 / 62 / 65 / 4

HEX #F55E56

RGB 245 94 86

HSL 3.02, 0.89%, 0.65%

LAB 59.97, 57.39, 35.25

 

CMYK 55 / 0 / 65 / 4

HEX #6EF556

RGB 110 245 86

HSL 110.94, 0.89%, 0.65%

LAB 86.65, -65.39, 63.23

 

CMYK 65 / 3 / 0 / 4

HEX #56EDF5

RGB 86 237 245

HSL 183.02, 0.89%, 0.65%

LAB 86.57, -36.88, -15.63

 

CMYK 9 / 65 / 0 / 4

HEX #DF56F5

RGB 223 86 245

HSL 291.7, 0.89%, 0.65%

LAB 60.73, 73.56, -54.94

 

CMYK 0 / 42 / 65 / 4

HEX #F58D56

RGB 245 141 86

HSL 20.75, 0.89%, 0.65%

LAB 68.85, 34.81, 45.87

 

CMYK 55 / 0 / 65 / 4

HEX #6EF556

RGB 110 245 86

HSL 110.94, 0.89%, 0.65%

LAB 86.65, -65.39, 63.23

 

CMYK 65 / 23 / 0 / 4

HEX #56BDF5

RGB 86 189 245

HSL 201.13, 0.89%, 0.65%

LAB 72.87, -13.05, -36.56

 

Description

Color code: HEX #DF56F5 | qconv.com Color code: HEX #DF56F5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 86 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 86 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 65 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 65% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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