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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF48E0 it is the complementary color #20B71F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF48E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF48E0 shade: #E448DB, #F55AEE, #FF6CFF, #FF7EFF and #FF90FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF48E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF48E0 shade: #DF48E0, #CE36CD, #BD24BA, #AC12A7 and #9B0094

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF48E0 shade: #DE47DF, #DF47B7, #DF478E, #DF4765 and #DF4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF48E0 shade: #DE47DF, #B547DF, #8C47DF, #6347DF and #4747DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF48E0 shade matches the following richer shades: #DE47DF and #F036F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF48E0 shade: #DE47DF, #CD59CE, #BC6ABD, #AB7BAB and #9A8D9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF48E0 shade: #8C47DF, #B447DF, #DD47DF, #DF47B9 and #DF4791

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF48E0 shade: #B51EB6, #D824D9, #DE47DF, #E56BE5 and #EB8EEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF48E0 shade: #DF48E0, #DF6347 and #47DFA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF48E0 shade: #DF48E0, #DFDD47 and #47DFDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF48E0 shade: #DF48E0, #DF6347, #4ADF47 and #47C4DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF48E0 shade: #DF48E0, #DF9147, #4ADF47 and #4796DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 0 / 12

HEX #DF48E0

RGB 223 72 224

HSL 299.61, 0.71%, 0.58%

LAB 57.76, 75.23, -47.92

 

Complementary color

CMYK 83 / 0 / 83 / 28

HEX #20B71F

RGB 32 183 31

HSL 119.61, 0.71%, 0.42%

LAB 65.18, -63.97, 59.94

 

CMYK 0 / 68 / 4 / 11

HEX #E448DB

RGB 228 72 219

HSL 303.46, 0.74%, 0.59%

LAB 58.27, 75.55, -44.24

 

CMYK 0 / 63 / 3 / 4

HEX #F55AEE

RGB 245 90 238

HSL 302.71, 0.89%, 0.66%

LAB 64.08, 75.85, -45.54

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 0 / 68 / 0 / 12

HEX #DF48E0

RGB 223 72 224

HSL 299.61, 0.71%, 0.58%

LAB 57.76, 75.23, -47.92

 

CMYK 0 / 74 / 0 / 19

HEX #CE36CD

RGB 206 54 205

HSL 300.39, 0.61%, 0.51%

LAB 52.03, 74.45, -46.37

 

CMYK 0 / 81 / 2 / 26

HEX #BD24BA

RGB 189 36 186

HSL 301.18, 0.68%, 0.44%

LAB 46.48, 72.93, -44.35

 

CMYK 0 / 90 / 3 / 33

HEX #AC12A7

RGB 172 18 167

HSL 301.95, 0.81%, 0.37%

LAB 41.21, 70.35, -41.68

 

CMYK 0 / 100 / 5 / 39

HEX #9B0094

RGB 155 0 148

HSL 302.71, 1%, 0.3%

LAB 36.19, 66.7, -38.37

 

CMYK 0 / 68 / 0 / 13

HEX #DE47DF

RGB 222 71 223

HSL 299.61, 0.7%, 0.58%

LAB 57.43, 75.2, -47.88

 

CMYK 0 / 68 / 18 / 13

HEX #DF47B7

RGB 223 71 183

HSL 315.79, 0.7%, 0.58%

LAB 55.7, 69.46, -27.73

 

CMYK 0 / 68 / 36 / 13

HEX #DF478E

RGB 223 71 142

HSL 331.97, 0.7%, 0.58%

LAB 54.18, 64.43, -6

 

CMYK 0 / 68 / 55 / 13

HEX #DF4765

RGB 223 71 101

HSL 348.16, 0.7%, 0.58%

LAB 53.1, 60.67, 16.89

 

CMYK 0 / 68 / 68 / 13

HEX #DF4747

RGB 223 71 71

HSL 0, 0.7%, 0.58%

LAB 52.56, 58.78, 33.88

 

CMYK 0 / 68 / 0 / 13

HEX #DE47DF

RGB 222 71 223

HSL 299.61, 0.7%, 0.58%

LAB 57.43, 75.2, -47.88

 

CMYK 19 / 68 / 0 / 13

HEX #B547DF

RGB 181 71 223

HSL 283.42, 0.7%, 0.58%

LAB 51.45, 66.38, -57.78

 

CMYK 37 / 68 / 0 / 13

HEX #8C47DF

RGB 140 71 223

HSL 267.24, 0.7%, 0.58%

LAB 46.19, 58.12, -66.53

 

CMYK 56 / 68 / 0 / 13

HEX #6347DF

RGB 99 71 223

HSL 251.05, 0.7%, 0.58%

LAB 41.98, 51, -73.57

 

CMYK 68 / 68 / 0 / 13

HEX #4747DF

RGB 71 71 223

HSL 240, 0.7%, 0.58%

LAB 39.87, 47.21, -77.11

 

CMYK 0 / 68 / 0 / 13

HEX #DE47DF

RGB 222 71 223

HSL 299.61, 0.7%, 0.58%

LAB 57.43, 75.2, -47.88

 

CMYK 0 / 78 / 0 / 5

HEX #F036F1

RGB 240 54 241

HSL 299.68, 0.87%, 0.58%

LAB 59.45, 86.68, -54.6

 

CMYK 0 / 68 / 0 / 13

HEX #DE47DF

RGB 222 71 223

HSL 299.61, 0.7%, 0.58%

LAB 57.43, 75.2, -47.88

 

CMYK 0 / 57 / 0 / 19

HEX #CD59CE

RGB 205 89 206

HSL 299.49, 0.54%, 0.58%

LAB 56.66, 61.14, -39.62

 

CMYK 1 / 44 / 0 / 26

HEX #BC6ABD

RGB 188 106 189

HSL 299.28, 0.39%, 0.58%

LAB 56.76, 45.05, -29.94

 

CMYK 0 / 28 / 0 / 33

HEX #AB7BAB

RGB 171 123 171

HSL 300, 0.22%, 0.58%

LAB 57.81, 26.86, -18.16

 

CMYK 0 / 8 / 0 / 40

HEX #9A8D9A

RGB 154 141 154

HSL 300, 0.06%, 0.58%

LAB 60.12, 7.29, -5.13

 

CMYK 37 / 68 / 0 / 13

HEX #8C47DF

RGB 140 71 223

HSL 267.24, 0.7%, 0.58%

LAB 46.19, 58.12, -66.53

 

CMYK 19 / 68 / 0 / 13

HEX #B447DF

RGB 180 71 223

HSL 283.03, 0.7%, 0.58%

LAB 51.31, 66.17, -58

 

CMYK 1 / 68 / 0 / 13

HEX #DD47DF

RGB 221 71 223

HSL 299.21, 0.7%, 0.58%

LAB 57.28, 74.98, -48.13

 

CMYK 0 / 68 / 17 / 13

HEX #DF47B9

RGB 223 71 185

HSL 315, 0.7%, 0.58%

LAB 55.78, 69.73, -28.76

 

CMYK 0 / 68 / 35 / 13

HEX #DF4791

RGB 223 71 145

HSL 330.79, 0.7%, 0.58%

LAB 54.28, 64.75, -7.64

 

CMYK 1 / 84 / 0 / 29

HEX #B51EB6

RGB 181 30 182

HSL 299.61, 0.72%, 0.42%

LAB 44.42, 72.13, -45.37

 

CMYK 0 / 83 / 0 / 15

HEX #D824D9

RGB 216 36 217

HSL 299.67, 0.72%, 0.5%

LAB 52.81, 82.66, -51.89

 

CMYK 0 / 68 / 0 / 13

HEX #DE47DF

RGB 222 71 223

HSL 299.61, 0.7%, 0.58%

LAB 57.43, 75.2, -47.88

 

CMYK 0 / 53 / 0 / 10

HEX #E56BE5

RGB 229 107 229

HSL 300, 0.7%, 0.66%

LAB 64.02, 63.26, -40.78

 

CMYK 0 / 40 / 0 / 8

HEX #EB8EEB

RGB 235 142 235

HSL 300, 0.7%, 0.74%

LAB 71.56, 48.94, -32.31

 

CMYK 0 / 68 / 0 / 12

HEX #DF48E0

RGB 223 72 224

HSL 299.61, 0.71%, 0.58%

LAB 57.76, 75.23, -47.92

 

CMYK 0 / 56 / 68 / 13

HEX #DF6347

RGB 223 99 71

HSL 11.05, 0.7%, 0.58%

LAB 57.14, 46.61, 39.3

 

CMYK 68 / 0 / 28 / 13

HEX #47DFA0

RGB 71 223 160

HSL 155.13, 0.7%, 0.58%

LAB 79.98, -54.21, 19.52

 

CMYK 0 / 68 / 0 / 12

HEX #DF48E0

RGB 223 72 224

HSL 299.61, 0.71%, 0.58%

LAB 57.76, 75.23, -47.92

 

CMYK 0 / 1 / 68 / 13

HEX #DFDD47

RGB 223 221 71

HSL 59.21, 0.7%, 0.58%

LAB 85.93, -16.68, 70.14

 

CMYK 68 / 0 / 1 / 13

HEX #47DFDD

RGB 71 223 221

HSL 179.21, 0.7%, 0.58%

LAB 81.48, -39.2, -10.62

 

CMYK 0 / 68 / 0 / 12

HEX #DF48E0

RGB 223 72 224

HSL 299.61, 0.71%, 0.58%

LAB 57.76, 75.23, -47.92

 

CMYK 0 / 56 / 68 / 13

HEX #DF6347

RGB 223 99 71

HSL 11.05, 0.7%, 0.58%

LAB 57.14, 46.61, 39.3

 

CMYK 67 / 0 / 68 / 13

HEX #4ADF47

RGB 74 223 71

HSL 118.82, 0.7%, 0.58%

LAB 78.86, -67.13, 60.45

 

CMYK 68 / 12 / 0 / 13

HEX #47C4DF

RGB 71 196 223

HSL 190.66, 0.7%, 0.58%

LAB 73.64, -25.77, -23.51

 

CMYK 0 / 68 / 0 / 12

HEX #DF48E0

RGB 223 72 224

HSL 299.61, 0.71%, 0.58%

LAB 57.76, 75.23, -47.92

 

CMYK 0 / 35 / 68 / 13

HEX #DF9147

RGB 223 145 71

HSL 29.21, 0.7%, 0.58%

LAB 66.82, 22.93, 50.25

 

CMYK 67 / 0 / 68 / 13

HEX #4ADF47

RGB 74 223 71

HSL 118.82, 0.7%, 0.58%

LAB 78.86, -67.13, 60.45

 

CMYK 68 / 33 / 0 / 13

HEX #4796DF

RGB 71 150 223

HSL 208.82, 0.7%, 0.58%

LAB 60.32, -1, -44.17

 

Description

Color code: HEX #DF48E0 | qconv.com Color code: HEX #DF48E0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 72 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 72 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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