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Color name
HEX #DF47DA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF47DA it is the complementary color #20B825. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF47DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF47DA shade: #E447D5, #F559E8, #FF6BFB, #FF7DFF and #FF8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF47DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF47DA shade: #DF47DA, #CE35C7, #BD23B4, #AC11A1 and #9B008E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF47DA shade: #DE48D9, #DE48B1, #DE4889, #DE4860 and #DE4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF47DA shade: #DE48D9, #BB48DE, #9248DE, #6A48DE and #4848DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF47DA shade matches the following richer shades: #DE48D9 and #F037EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF47DA shade: #DE48D9, #CD5AC9, #BC6BB9, #AA7CA9 and #998E99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF47DA shade: #9148DE, #B948DE, #DE48DC, #DE48B4 and #DE488C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF47DA shade: #B51FB0, #D826D2, #DE48D9, #E56CE1 and #EB8FE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF47DA shade: #DF47DA, #DE6948 and #48DEA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF47DA shade: #DF47DA, #DCDE48 and #48DCDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF47DA shade: #DF47DA, #DE6948, #48DE4B and #48BEDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF47DA shade: #DF47DA, #DE9648, #48DE4B and #4891DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 2 / 13

HEX #DF47DA

RGB 223 71 218

HSL 301.97, 0.7%, 0.58%

LAB 57.32, 74.62, -45.21

 

Complementary color

CMYK 83 / 0 / 80 / 28

HEX #20B825

RGB 32 184 37

HSL 121.97, 0.7%, 0.42%

LAB 65.53, -63.92, 58.59

 

CMYK 0 / 69 / 7 / 11

HEX #E447D5

RGB 228 71 213

HSL 305.73, 0.74%, 0.59%

LAB 57.85, 74.97, -41.5

 

CMYK 0 / 64 / 5 / 4

HEX #F559E8

RGB 245 89 232

HSL 305, 0.89%, 0.65%

LAB 63.66, 75.3, -42.87

 

CMYK 0 / 58 / 2 / 0

HEX #FF6BFB

RGB 255 107 251

HSL 301.62, 1%, 0.71%

LAB 68.56, 73.55, -45.56

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 68 / 2 / 13

HEX #DF47DA

RGB 223 71 218

HSL 301.97, 0.7%, 0.58%

LAB 57.32, 74.62, -45.21

 

CMYK 0 / 74 / 3 / 19

HEX #CE35C7

RGB 206 53 199

HSL 302.75, 0.61%, 0.51%

LAB 51.6, 73.82, -43.59

 

CMYK 0 / 81 / 5 / 26

HEX #BD23B4

RGB 189 35 180

HSL 303.51, 0.69%, 0.44%

LAB 46.06, 72.25, -41.49

 

CMYK 0 / 90 / 6 / 33

HEX #AC11A1

RGB 172 17 161

HSL 304.26, 0.82%, 0.37%

LAB 40.81, 69.61, -38.72

 

CMYK 0 / 100 / 8 / 39

HEX #9B008E

RGB 155 0 142

HSL 305.03, 1%, 0.3%

LAB 35.83, 65.83, -35.26

 

CMYK 0 / 68 / 2 / 13

HEX #DE48D9

RGB 222 72 217

HSL 302, 0.69%, 0.58%

LAB 57.24, 73.89, -44.78

 

CMYK 0 / 68 / 20 / 13

HEX #DE48B1

RGB 222 72 177

HSL 318, 0.69%, 0.58%

LAB 55.42, 68.03, -24.69

 

CMYK 0 / 68 / 38 / 13

HEX #DE4889

RGB 222 72 137

HSL 334, 0.69%, 0.58%

LAB 54, 63.24, -3.33

 

CMYK 0 / 68 / 57 / 13

HEX #DE4860

RGB 222 72 96

HSL 350.4, 0.69%, 0.58%

LAB 52.96, 59.61, 19.66

 

CMYK 0 / 68 / 68 / 13

HEX #DE4848

RGB 222 72 72

HSL 0, 0.69%, 0.58%

LAB 52.54, 58.13, 33.24

 

CMYK 0 / 68 / 2 / 13

HEX #DE48D9

RGB 222 72 217

HSL 302, 0.69%, 0.58%

LAB 57.24, 73.89, -44.78

 

CMYK 16 / 68 / 0 / 13

HEX #BB48DE

RGB 187 72 222

HSL 286, 0.69%, 0.58%

LAB 52.37, 67.06, -55.69

 

CMYK 34 / 68 / 0 / 13

HEX #9248DE

RGB 146 72 222

HSL 269.6, 0.69%, 0.58%

LAB 47, 58.57, -64.61

 

CMYK 52 / 68 / 0 / 13

HEX #6A48DE

RGB 106 72 222

HSL 253.6, 0.69%, 0.58%

LAB 42.72, 51.28, -71.76

 

CMYK 68 / 68 / 0 / 13

HEX #4848DE

RGB 72 72 222

HSL 240, 0.69%, 0.58%

LAB 40.06, 46.43, -76.23

 

CMYK 0 / 68 / 2 / 13

HEX #DE48D9

RGB 222 72 217

HSL 302, 0.69%, 0.58%

LAB 57.24, 73.89, -44.78

 

CMYK 0 / 77 / 3 / 6

HEX #F037EA

RGB 240 55 234

HSL 301.95, 0.86%, 0.58%

LAB 59.16, 85.38, -51.15

 

CMYK 0 / 68 / 2 / 13

HEX #DE48D9

RGB 222 72 217

HSL 302, 0.69%, 0.58%

LAB 57.24, 73.89, -44.78

 

CMYK 0 / 56 / 2 / 20

HEX #CD5AC9

RGB 205 90 201

HSL 302.09, 0.53%, 0.58%

LAB 56.59, 59.83, -36.88

 

CMYK 0 / 43 / 2 / 26

HEX #BC6BB9

RGB 188 107 185

HSL 302.22, 0.38%, 0.58%

LAB 56.79, 43.78, -27.59

 

CMYK 0 / 27 / 1 / 33

HEX #AA7CA9

RGB 170 124 169

HSL 301.3, 0.21%, 0.58%

LAB 57.87, 25.56, -16.93

 

CMYK 0 / 7 / 0 / 40

HEX #998E99

RGB 153 142 153

HSL 300, 0.05%, 0.58%

LAB 60.26, 6.17, -4.35

 

CMYK 35 / 68 / 0 / 13

HEX #9148DE

RGB 145 72 222

HSL 269.2, 0.69%, 0.58%

LAB 46.88, 58.37, -64.81

 

CMYK 17 / 68 / 0 / 13

HEX #B948DE

RGB 185 72 222

HSL 285.2, 0.69%, 0.58%

LAB 52.09, 66.63, -56.15

 

CMYK 0 / 68 / 1 / 13

HEX #DE48DC

RGB 222 72 220

HSL 300.8, 0.69%, 0.58%

LAB 57.4, 74.37, -46.24

 

CMYK 0 / 68 / 19 / 13

HEX #DE48B4

RGB 222 72 180

HSL 316.8, 0.69%, 0.58%

LAB 55.54, 68.43, -26.25

 

CMYK 0 / 68 / 37 / 13

HEX #DE488C

RGB 222 72 140

HSL 332.8, 0.69%, 0.58%

LAB 54.09, 63.55, -4.98

 

CMYK 0 / 83 / 3 / 29

HEX #B51FB0

RGB 181 31 176

HSL 302, 0.71%, 0.42%

LAB 44.14, 70.99, -42.26

 

CMYK 0 / 82 / 3 / 15

HEX #D826D2

RGB 216 38 210

HSL 302.02, 0.7%, 0.5%

LAB 52.55, 81.22, -48.3

 

CMYK 0 / 68 / 2 / 13

HEX #DE48D9

RGB 222 72 217

HSL 302, 0.69%, 0.58%

LAB 57.24, 73.89, -44.78

 

CMYK 0 / 53 / 2 / 10

HEX #E56CE1

RGB 229 108 225

HSL 301.98, 0.7%, 0.66%

LAB 64.01, 62.12, -38.57

 

CMYK 0 / 39 / 1 / 8

HEX #EB8FE8

RGB 235 143 232

HSL 301.96, 0.7%, 0.74%

LAB 71.65, 47.89, -30.54

 

CMYK 0 / 68 / 2 / 13

HEX #DF47DA

RGB 223 71 218

HSL 301.97, 0.7%, 0.58%

LAB 57.32, 74.62, -45.21

 

CMYK 0 / 53 / 68 / 13

HEX #DE6948

RGB 222 105 72

HSL 13.2, 0.69%, 0.58%

LAB 58.13, 43.38, 39.88

 

CMYK 68 / 0 / 26 / 13

HEX #48DEA5

RGB 72 222 165

HSL 157.2, 0.69%, 0.58%

LAB 79.81, -52.58, 16.65

 

CMYK 0 / 68 / 2 / 13

HEX #DF47DA

RGB 223 71 218

HSL 301.97, 0.7%, 0.58%

LAB 57.32, 74.62, -45.21

 

CMYK 1 / 0 / 68 / 13

HEX #DCDE48

RGB 220 222 72

HSL 60.8, 0.69%, 0.58%

LAB 85.97, -18.36, 69.73

 

CMYK 68 / 1 / 0 / 13

HEX #48DCDE

RGB 72 220 222

HSL 180.8, 0.69%, 0.58%

LAB 80.65, -37.42, -12.38

 

CMYK 0 / 68 / 2 / 13

HEX #DF47DA

RGB 223 71 218

HSL 301.97, 0.7%, 0.58%

LAB 57.32, 74.62, -45.21

 

CMYK 0 / 53 / 68 / 13

HEX #DE6948

RGB 222 105 72

HSL 13.2, 0.69%, 0.58%

LAB 58.13, 43.38, 39.88

 

CMYK 68 / 0 / 66 / 13

HEX #48DE4B

RGB 72 222 75

HSL 121.2, 0.69%, 0.58%

LAB 78.54, -66.81, 58.52

 

CMYK 68 / 14 / 0 / 13

HEX #48BEDE

RGB 72 190 222

HSL 192.8, 0.69%, 0.58%

LAB 71.88, -22.91, -25.66

 

CMYK 0 / 68 / 2 / 13

HEX #DF47DA

RGB 223 71 218

HSL 301.97, 0.7%, 0.58%

LAB 57.32, 74.62, -45.21

 

CMYK 0 / 32 / 68 / 13

HEX #DE9648

RGB 222 150 72

HSL 31.2, 0.69%, 0.58%

LAB 67.88, 19.89, 50.9

 

CMYK 68 / 0 / 66 / 13

HEX #48DE4B

RGB 72 222 75

HSL 121.2, 0.69%, 0.58%

LAB 78.54, -66.81, 58.52

 

CMYK 68 / 35 / 0 / 13

HEX #4891DE

RGB 72 145 222

HSL 210.8, 0.69%, 0.58%

LAB 58.88, 1.73, -45.88

 

Description

Color code: HEX #DF47DA | qconv.com Color code: HEX #DF47DA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 71 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 71 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 2 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 2% 13% C M Y K

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Provide designers and agencies with accurate color values.

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