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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF3E75 it is the complementary color #20C18A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF3E75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF3E75 shade: #E43E70, #F55083, #FF6296, #FF74A9 and #FF86BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF3E75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF3E75 shade: #DF3E75, #CE2C62, #BD1A4F, #AC083C and #9B0029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF3E75 shade: #DF3E75, #DF3E49 and #DF3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF3E75 shade: #DF3E75, #DF3EA0, #DF3ECC, #C73EDF and #9B3EDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF3E75 shade matches the following richer shades: #DF3E75 and #F12B6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF3E75 shade: #DF3E75, #CD507A, #BB6280, #A97486 and #96868C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF3E75 shade: #DF3ECC, #DF3EA1, #DF3E76, #DF3E4B and #DF5B3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF3E75 shade: #AE1C4E, #D2225E, #DF3E75, #E5618E and #EB84A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF3E75 shade: #DF3E75, #DFC73E and #3EB7DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF3E75 shade: #DF3E75, #76DF3E and #3E76DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF3E75 shade: #DF3E75, #DFC73E, #3EDFA7 and #3E56DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF3E75 shade: #DF3E75, #C7DF3E, #3EDFA7 and #563EDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 48 / 13

HEX #DF3E75

RGB 223 62 117

HSL 339.5, 0.72%, 0.56%

LAB 52.31, 65.2, 6.19

 

Complementary color

CMYK 83 / 0 / 28 / 24

HEX #20C18A

RGB 32 193 138

HSL 159.5, 0.72%, 0.44%

LAB 69.67, -52.13, 16.79

 

CMYK 0 / 73 / 51 / 11

HEX #E43E70

RGB 228 62 112

HSL 341.93, 0.75%, 0.57%

LAB 53.07, 66.19, 10.4

 

CMYK 0 / 67 / 47 / 4

HEX #F55083

RGB 245 80 131

HSL 341.45, 0.89%, 0.64%

LAB 58.78, 66.28, 7.63

 

CMYK 0 / 62 / 41 / 0

HEX #FF6296

RGB 255 98 150

HSL 340.13, 1%, 0.69%

LAB 63.51, 63.9, 3.59

 

CMYK 0 / 55 / 34 / 0

HEX #FF74A9

RGB 255 116 169

HSL 337.12, 1%, 0.73%

LAB 66.99, 58.06, -2.19

 

CMYK 0 / 47 / 26 / 0

HEX #FF86BC

RGB 255 134 188

HSL 333.22, 1%, 0.76%

LAB 70.83, 51.87, -7.19

 

CMYK 0 / 72 / 48 / 13

HEX #DF3E75

RGB 223 62 117

HSL 339.5, 0.72%, 0.56%

LAB 52.31, 65.2, 6.19

 

CMYK 0 / 79 / 52 / 19

HEX #CE2C62

RGB 206 44 98

HSL 340, 0.65%, 0.49%

LAB 46.72, 64.56, 9.4

 

CMYK 0 / 86 / 58 / 26

HEX #BD1A4F

RGB 189 26 79

HSL 340.49, 0.76%, 0.42%

LAB 41.41, 63.07, 13.38

 

CMYK 0 / 95 / 65 / 33

HEX #AC083C

RGB 172 8 60

HSL 340.98, 0.91%, 0.35%

LAB 36.5, 60.39, 18.33

 

CMYK 0 / 100 / 74 / 39

HEX #9B0029

RGB 155 0 41

HSL 344.13, 1%, 0.3%

LAB 32.1, 56.22, 24.32

 

CMYK 0 / 72 / 48 / 13

HEX #DF3E75

RGB 223 62 117

HSL 339.5, 0.72%, 0.56%

LAB 52.31, 65.2, 6.19

 

CMYK 0 / 72 / 67 / 13

HEX #DF3E49

RGB 223 62 73

HSL 355.9, 0.72%, 0.56%

LAB 51.4, 62.17, 31.3

 

CMYK 0 / 72 / 72 / 13

HEX #DF3E3E

RGB 223 62 62

HSL 0, 0.72%, 0.56%

LAB 51.25, 61.65, 37.47

 

CMYK 0 / 72 / 48 / 13

HEX #DF3E75

RGB 223 62 117

HSL 339.5, 0.72%, 0.56%

LAB 52.31, 65.2, 6.19

 

CMYK 0 / 72 / 28 / 13

HEX #DF3EA0

RGB 223 62 160

HSL 323.48, 0.72%, 0.56%

LAB 53.68, 69.62, -17.41

 

CMYK 0 / 72 / 9 / 13

HEX #DF3ECC

RGB 223 62 204

HSL 307.08, 0.72%, 0.56%

LAB 55.58, 75.48, -40.01

 

CMYK 11 / 72 / 0 / 13

HEX #C73EDF

RGB 199 62 223

HSL 291.06, 0.72%, 0.56%

LAB 52.86, 73.46, -55.38

 

CMYK 30 / 72 / 0 / 13

HEX #9B3EDF

RGB 155 62 223

HSL 274.66, 0.72%, 0.56%

LAB 46.63, 64.92, -65.72

 

CMYK 0 / 72 / 48 / 13

HEX #DF3E75

RGB 223 62 117

HSL 339.5, 0.72%, 0.56%

LAB 52.31, 65.2, 6.19

 

CMYK 0 / 82 / 54 / 5

HEX #F12B6F

RGB 241 43 111

HSL 339.39, 0.88%, 0.56%

LAB 53.57, 74.83, 12.06

 

CMYK 0 / 72 / 48 / 13

HEX #DF3E75

RGB 223 62 117

HSL 339.5, 0.72%, 0.56%

LAB 52.31, 65.2, 6.19

 

CMYK 0 / 61 / 40 / 20

HEX #CD507A

RGB 205 80 122

HSL 339.84, 0.56%, 0.56%

LAB 51.97, 53.23, 2.32

 

CMYK 0 / 48 / 32 / 27

HEX #BB6280

RGB 187 98 128

HSL 339.78, 0.4%, 0.56%

LAB 52.79, 39.14, -0.38

 

CMYK 0 / 31 / 21 / 34

HEX #A97486

RGB 169 116 134

HSL 339.62, 0.24%, 0.56%

LAB 54.71, 23.55, -1.38

 

CMYK 0 / 11 / 7 / 41

HEX #96868C

RGB 150 134 140

HSL 337.5, 0.07%, 0.56%

LAB 57.49, 7.13, -1.02

 

CMYK 0 / 72 / 9 / 13

HEX #DF3ECC

RGB 223 62 204

HSL 307.08, 0.72%, 0.56%

LAB 55.58, 75.48, -40.01

 

CMYK 0 / 72 / 28 / 13

HEX #DF3EA1

RGB 223 62 161

HSL 323.11, 0.72%, 0.56%

LAB 53.71, 69.74, -17.94

 

CMYK 0 / 72 / 47 / 13

HEX #DF3E76

RGB 223 62 118

HSL 339.13, 0.72%, 0.56%

LAB 52.33, 65.29, 5.63

 

CMYK 0 / 72 / 66 / 13

HEX #DF3E4B

RGB 223 62 75

HSL 355.16, 0.72%, 0.56%

LAB 51.43, 62.28, 30.16

 

CMYK 0 / 59 / 72 / 13

HEX #DF5B3E

RGB 223 91 62

HSL 10.81, 0.72%, 0.56%

LAB 55.6, 49.9, 42.39

 

CMYK 0 / 84 / 55 / 32

HEX #AE1C4E

RGB 174 28 78

HSL 339.45, 0.72%, 0.4%

LAB 38.51, 58.63, 9.54

 

CMYK 0 / 84 / 55 / 18

HEX #D2225E

RGB 210 34 94

HSL 339.55, 0.72%, 0.48%

LAB 46.52, 67.8, 11.7

 

CMYK 0 / 72 / 48 / 13

HEX #DF3E75

RGB 223 62 117

HSL 339.5, 0.72%, 0.56%

LAB 52.31, 65.2, 6.19

 

CMYK 0 / 58 / 38 / 10

HEX #E5618E

RGB 229 97 142

HSL 339.55, 0.72%, 0.64%

LAB 59.12, 55.43, 1.36

 

CMYK 0 / 44 / 29 / 8

HEX #EB84A7

RGB 235 132 167

HSL 339.61, 0.72%, 0.72%

LAB 67.24, 43.44, -1

 

CMYK 0 / 72 / 48 / 13

HEX #DF3E75

RGB 223 62 117

HSL 339.5, 0.72%, 0.56%

LAB 52.31, 65.2, 6.19

 

CMYK 0 / 11 / 72 / 13

HEX #DFC73E

RGB 223 199 62

HSL 51.06, 0.72%, 0.56%

LAB 80.11, -6.07, 67.71

 

CMYK 72 / 18 / 0 / 13

HEX #3EB7DF

RGB 62 183 223

HSL 194.91, 0.72%, 0.56%

LAB 69.63, -20.37, -29.69

 

CMYK 0 / 72 / 48 / 13

HEX #DF3E75

RGB 223 62 117

HSL 339.5, 0.72%, 0.56%

LAB 52.31, 65.2, 6.19

 

CMYK 47 / 0 / 72 / 13

HEX #76DF3E

RGB 118 223 62

HSL 99.13, 0.72%, 0.56%

LAB 80.17, -57.05, 65.52

 

CMYK 72 / 47 / 0 / 13

HEX #3E76DF

RGB 62 118 223

HSL 219.13, 0.72%, 0.56%

LAB 51.05, 17, -58.96

 

CMYK 0 / 72 / 48 / 13

HEX #DF3E75

RGB 223 62 117

HSL 339.5, 0.72%, 0.56%

LAB 52.31, 65.2, 6.19

 

CMYK 0 / 11 / 72 / 13

HEX #DFC73E

RGB 223 199 62

HSL 51.06, 0.72%, 0.56%

LAB 80.11, -6.07, 67.71

 

CMYK 72 / 0 / 25 / 13

HEX #3EDFA7

RGB 62 223 167

HSL 159.13, 0.72%, 0.56%

LAB 79.95, -54, 15.77

 

CMYK 72 / 61 / 0 / 13

HEX #3E56DF

RGB 62 86 223

HSL 231.06, 0.72%, 0.56%

LAB 42.77, 37.12, -72.37

 

CMYK 0 / 72 / 48 / 13

HEX #DF3E75

RGB 223 62 117

HSL 339.5, 0.72%, 0.56%

LAB 52.31, 65.2, 6.19

 

CMYK 11 / 0 / 72 / 13

HEX #C7DF3E

RGB 199 223 62

HSL 68.94, 0.72%, 0.56%

LAB 84.62, -27.91, 71.4

 

CMYK 72 / 0 / 25 / 13

HEX #3EDFA7

RGB 62 223 167

HSL 159.13, 0.72%, 0.56%

LAB 79.95, -54, 15.77

 

CMYK 61 / 72 / 0 / 13

HEX #563EDF

RGB 86 62 223

HSL 248.94, 0.72%, 0.56%

LAB 39.16, 53.98, -78.24

 

Description

Color code: HEX #DF3E75 | qconv.com Color code: HEX #DF3E75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 62 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 62 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 48 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 48% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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