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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF10A1 it is the complementary color #20EF5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF10A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF10A1 shade: #E4109C, #F522AF, #FF34C2, #FF46D5 and #FF58E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF10A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF10A1 shade: #DF10A1, #CE008E, #BD007B, #AC0068 and #9B0055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF10A1 shade: #E00FA1, #E00F69, #E00F31 and #E00F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF10A1 shade: #E00FA1, #E00FD9, #AE0FE0, #750FE0 and #3D0FE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF10A1 shade matches the following richer shades: #E00FA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF10A1 shade: #E00FA1, #CC2299, #B93692, #A5498A and #925D82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF10A1 shade: #AB0FE0, #E00FDC, #E00FA5, #E00F6D and #E00F35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF10A1 shade: #920A6A, #B90C85, #E00FA1, #F028B4 and #F24FC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF10A1 shade: #DF10A1, #E0740F and #0FE0C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF10A1 shade: #DF10A1, #A5E00F and #0FA5E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF10A1 shade: #DF10A1, #E0740F, #0FE04A and #0F7BE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF10A1 shade: #DF10A1, #E0B20F, #0FE04A and #0F3CE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 28 / 13

HEX #DF10A1

RGB 223 16 161

HSL 317.97, 0.87%, 0.47%

LAB 50.25, 79.67, -23.24

 

Complementary color

CMYK 87 / 0 / 61 / 6

HEX #20EF5E

RGB 32 239 94

HSL 137.97, 0.87%, 0.53%

LAB 83.36, -75.16, 55.84

 

CMYK 0 / 93 / 32 / 11

HEX #E4109C

RGB 228 16 156

HSL 320.38, 0.87%, 0.48%

LAB 51, 80.15, -19.05

 

CMYK 0 / 86 / 29 / 4

HEX #F522AF

RGB 245 34 175

HSL 319.91, 0.91%, 0.55%

LAB 55.74, 83.25, -22.71

 

CMYK 0 / 80 / 24 / 0

HEX #FF34C2

RGB 255 52 194

HSL 318.03, 1%, 0.6%

LAB 59.54, 83.89, -27.7

 

CMYK 0 / 73 / 16 / 0

HEX #FF46D5

RGB 255 70 213

HSL 313.62, 1%, 0.64%

LAB 62.04, 81.4, -34.64

 

CMYK 0 / 65 / 9 / 0

HEX #FF58E8

RGB 255 88 232

HSL 308.26, 1%, 0.67%

LAB 65.01, 78.03, -40.64

 

CMYK 0 / 93 / 28 / 13

HEX #DF10A1

RGB 223 16 161

HSL 317.97, 0.87%, 0.47%

LAB 50.25, 79.67, -23.24

 

CMYK 0 / 100 / 31 / 19

HEX #CE008E

RGB 206 0 142

HSL 318.64, 1%, 0.4%

LAB 45.74, 75.59, -19.06

 

CMYK 0 / 100 / 35 / 26

HEX #BD007B

RGB 189 0 123

HSL 320.95, 1%, 0.37%

LAB 41.61, 70.16, -14

 

CMYK 0 / 100 / 40 / 33

HEX #AC0068

RGB 172 0 104

HSL 323.72, 1%, 0.34%

LAB 37.43, 64.67, -8.72

 

CMYK 0 / 100 / 45 / 39

HEX #9B0055

RGB 155 0 85

HSL 327.1, 1%, 0.3%

LAB 33.19, 59.12, -3.17

 

CMYK 0 / 93 / 28 / 12

HEX #E00FA1

RGB 224 15 161

HSL 318.09, 0.87%, 0.47%

LAB 50.41, 79.97, -22.99

 

CMYK 0 / 93 / 53 / 12

HEX #E00F69

RGB 224 15 105

HSL 334.16, 0.87%, 0.47%

LAB 48.52, 74.94, 8.13

 

CMYK 0 / 93 / 78 / 12

HEX #E00F31

RGB 224 15 49

HSL 350.24, 0.87%, 0.47%

LAB 47.51, 72.14, 40.79

 

CMYK 0 / 93 / 93 / 12

HEX #E00F0F

RGB 224 15 15

HSL 0, 0.87%, 0.47%

LAB 47.27, 71.47, 56.76

 

CMYK 0 / 93 / 28 / 12

HEX #E00FA1

RGB 224 15 161

HSL 318.09, 0.87%, 0.47%

LAB 50.41, 79.97, -22.99

 

CMYK 0 / 93 / 3 / 12

HEX #E00FD9

RGB 224 15 217

HSL 302.01, 0.87%, 0.47%

LAB 53.17, 87, -51.24

 

CMYK 22 / 93 / 0 / 12

HEX #AE0FE0

RGB 174 15 224

HSL 285.65, 0.87%, 0.47%

LAB 45.25, 80.46, -68.41

 

CMYK 48 / 93 / 0 / 12

HEX #750FE0

RGB 117 15 224

HSL 269.28, 0.87%, 0.47%

LAB 36.94, 73.9, -82.36

 

CMYK 73 / 93 / 0 / 12

HEX #3D0FE0

RGB 61 15 224

HSL 253.21, 0.87%, 0.47%

LAB 31.15, 70.23, -92.14

 

CMYK 0 / 93 / 28 / 12

HEX #E00FA1

RGB 224 15 161

HSL 318.09, 0.87%, 0.47%

LAB 50.41, 79.97, -22.99

 

CMYK 0 / 93 / 28 / 12

HEX #E00FA1

RGB 224 15 161

HSL 318.09, 0.87%, 0.47%

LAB 50.41, 79.97, -22.99

 

CMYK 0 / 83 / 25 / 20

HEX #CC2299

RGB 204 34 153

HSL 318, 0.71%, 0.47%

LAB 47.34, 71.98, -23.25

 

CMYK 0 / 71 / 21 / 27

HEX #B93692

RGB 185 54 146

HSL 317.86, 0.55%, 0.47%

LAB 45.67, 60.87, -21.9

 

CMYK 0 / 56 / 16 / 35

HEX #A5498A

RGB 165 73 138

HSL 317.61, 0.39%, 0.47%

LAB 45.08, 45.97, -18.25

 

CMYK 0 / 36 / 11 / 43

HEX #925D82

RGB 146 93 130

HSL 318.11, 0.22%, 0.47%

LAB 46.38, 27.51, -11.69

 

CMYK 24 / 93 / 0 / 12

HEX #AB0FE0

RGB 171 15 224

HSL 284.78, 0.87%, 0.47%

LAB 44.78, 80.05, -69.21

 

CMYK 0 / 93 / 2 / 12

HEX #E00FDC

RGB 224 15 220

HSL 301.15, 0.87%, 0.47%

LAB 53.34, 87.42, -52.67

 

CMYK 0 / 93 / 26 / 12

HEX #E00FA5

RGB 224 15 165

HSL 316.94, 0.87%, 0.47%

LAB 50.58, 80.41, -25.1

 

CMYK 0 / 93 / 51 / 12

HEX #E00F6D

RGB 224 15 109

HSL 333.01, 0.87%, 0.47%

LAB 48.63, 75.22, 5.82

 

CMYK 0 / 93 / 76 / 12

HEX #E00F35

RGB 224 15 53

HSL 349.09, 0.87%, 0.47%

LAB 47.55, 72.27, 38.54

 

CMYK 0 / 93 / 27 / 43

HEX #920A6A

RGB 146 10 106

HSL 317.65, 0.87%, 0.31%

LAB 32.63, 57.94, -17.79

 

CMYK 0 / 94 / 28 / 27

HEX #B90C85

RGB 185 12 133

HSL 318.03, 0.88%, 0.39%

LAB 41.64, 69.2, -20.2

 

CMYK 0 / 93 / 28 / 12

HEX #E00FA1

RGB 224 15 161

HSL 318.09, 0.87%, 0.47%

LAB 50.41, 79.97, -22.99

 

CMYK 0 / 83 / 25 / 6

HEX #F028B4

RGB 240 40 180

HSL 318, 0.87%, 0.55%

LAB 55.42, 81.66, -26.19

 

CMYK 0 / 67 / 20 / 5

HEX #F24FC1

RGB 242 79 193

HSL 318.04, 0.86%, 0.63%

LAB 60.18, 72.68, -26.32

 

CMYK 0 / 93 / 28 / 13

HEX #DF10A1

RGB 223 16 161

HSL 317.97, 0.87%, 0.47%

LAB 50.25, 79.67, -23.24

 

CMYK 0 / 48 / 93 / 12

HEX #E0740F

RGB 224 116 15

HSL 29, 0.87%, 0.47%

LAB 60.22, 36.77, 65.08

 

CMYK 93 / 0 / 11 / 12

HEX #0FE0C7

RGB 15 224 199

HSL 172.82, 0.87%, 0.47%

LAB 80.48, -50.25, -0.47

 

CMYK 0 / 93 / 28 / 13

HEX #DF10A1

RGB 223 16 161

HSL 317.97, 0.87%, 0.47%

LAB 50.25, 79.67, -23.24

 

CMYK 26 / 0 / 93 / 12

HEX #A5E00F

RGB 165 224 15

HSL 76.94, 0.87%, 0.47%

LAB 82.56, -43.23, 79.51

 

CMYK 93 / 26 / 0 / 12

HEX #0FA5E0

RGB 15 165 224

HSL 196.94, 0.87%, 0.47%

LAB 63.67, -14.28, -39.54

 

CMYK 0 / 93 / 28 / 13

HEX #DF10A1

RGB 223 16 161

HSL 317.97, 0.87%, 0.47%

LAB 50.25, 79.67, -23.24

 

CMYK 0 / 48 / 93 / 12

HEX #E0740F

RGB 224 116 15

HSL 29, 0.87%, 0.47%

LAB 60.22, 36.77, 65.08

 

CMYK 93 / 0 / 67 / 12

HEX #0FE04A

RGB 15 224 74

HSL 136.94, 0.87%, 0.47%

LAB 78.41, -73.89, 58.56

 

CMYK 93 / 45 / 0 / 12

HEX #0F7BE0

RGB 15 123 224

HSL 209, 0.87%, 0.47%

LAB 51.44, 10.31, -58.95

 

CMYK 0 / 93 / 28 / 13

HEX #DF10A1

RGB 223 16 161

HSL 317.97, 0.87%, 0.47%

LAB 50.25, 79.67, -23.24

 

CMYK 0 / 21 / 93 / 12

HEX #E0B20F

RGB 224 178 15

HSL 46.79, 0.87%, 0.47%

LAB 74.65, 3.95, 75.42

 

CMYK 93 / 0 / 67 / 12

HEX #0FE04A

RGB 15 224 74

HSL 136.94, 0.87%, 0.47%

LAB 78.41, -73.89, 58.56

 

CMYK 93 / 73 / 0 / 12

HEX #0F3CE0

RGB 15 60 224

HSL 227.08, 0.87%, 0.47%

LAB 35.43, 50.12, -85.08

 

Description

Color code: HEX #DF10A1 | qconv.com Color code: HEX #DF10A1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 16 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 16 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 28 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 28% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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